Maite Diaz

Cuban Artist signed limited edition original art print silkscreen on canvas

ca.2000

Roberto Marfil (Mexico, 1958) 'Ritmos I', 1998 silkscreen on canvas 21.3 x 28.8 in. (54 x 73 cm.) Edition of 75 ID: MAR1213-001-075 Unframed Hand-signed by author

"Vicente Rojo (Mexico, 1932-2021) 'Nubes de fuego (Libro de artista)', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 12.6 x 21.3 in. (32 x 54 cm.) Edition of 50 ID: ROJ...

Jaime Gil Arévalo (Spain, 1953) 'El profeta asesinado' silkscreen on paper 21.7 x 26.8 in. (55 x 68 cm.) Edition of 40 ID: GIL1449-001-040 Unframed Hand-signed by author

Roberto Marfil (Mexico, 1958) 'Medea', 1997 watercolor on paper 15.4 x 18.6 in. (39 x 47 cm.) ID: MAR1213-002-001 Unframed Hand-signed by author

Luis Pérez Vega (Spain, 1976) 'Espiral IV', 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 25 ID: PER1275-009-025 Hand-signed by author

Jaime Gil Arévalo (Spain, 1953) 'Feliz 97' silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 10 ID: GIL1449-002-010 Unframed Hand-signed by author

Nicolás Guzmán shows us a selection of pieces taken from his new pictorial research, in which traditional techniques are mixed with industrial materials...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

MAN RAY Two Hands, 1966 Mixed Media: Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 2...

Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24...

AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unframed in original Portfolio case 22 4/5 × 29 9/10 inches (each work) Edition of 100 Each print is hand signed and numbered 64 from the edition of 100 This is the complete Portfolio with 20 original limited edition, hand signed and numbered from the limited edition of only 100 - graphics by 20 Russian artists, including screen printing and collotypes. This portfolio was the mastermind of legendary printer and publisher Michael Domberger, who crisscrossed the globe from Rome, Sydney, Amsterdam, New York, Cologne and Moscow to realize this ambitious project - technically and artistically. Domberger writes that to his great surprise and delight -all of the artists invited agreed to participate. The 20 Russian artists invited to contribute works to this portfolio are: Jurij Albert, Grisha Bruskin, Erik Bulatov, Andrey Filippov, Sven Gundlach, Vladimir Yankilevsky, Ilya Kabakov, Igor Kopystyansky, Svetlana Kopystyanskaya, Georgiy Litvsky, Sergei Mironenko, Vladimir Mironenko, Boris Orlov, Dmitry Prigov, Andrei Roiter, Jurij Sobolev, Ivan Chujkov, Sergei Wolkov, Wadim Zakharov and Constantine Zwesdotschotov. Each print is housed in the original elegant Linen Portfolio Box...