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Medium: Laid Paper
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

The Triumph of Caesar: Plate IV

The Triumph of Caesar: Plate IV

By Andrea Mantegna

Located in Middletown, NY

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

Category

18th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

The Windmill by François Vivares, after Rembrandt
The Windmill by François Vivares, after Rembrandt

The Windmill by François Vivares, after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Category

Mid-18th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

The Three Oaks
The Three Oaks

The Three Oaks

Located in Middletown, NY

A well-inked impression of Ruisdael's finest Haarlem-period etching. Amsterdam: Franz van Wyngaerde, 1649. Etching on buff cream laid paper, 5 1/8 x 6 inches (130 x 153 mm), the ful...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Laid Paper

Kampf dreier Männer (Man fighting with two couples on horseback)
Kampf dreier Männer (Man fighting with two couples on horseback)

Kampf dreier Männer (Man fighting with two couples on horseback)

By Hans Sebald Beham

Located in Middletown, NY

Frankfurt: c1550. Engraving on laid paper, 1 7/8 x 3 5/8 inches (47 x 92 mm), thread margins. Ex-collection D.G. de Arozarena (Lugt 109) with his collector's mark in blue ink on ver...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Engraving

'The South of France', MMA Paris, Pompidou, Ecole des Beaux-Arts, Benezit
'The South of France', MMA Paris, Pompidou, Ecole des Beaux-Arts, Benezit

'The South of France', MMA Paris, Pompidou, Ecole des Beaux-Arts, Benezit

By Pierre Garcia Fons

Located in Santa Cruz, CA

Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...

Category

1970s Laid Paper Prints and Multiples

Materials

Laid Paper, Lithograph

Sleeping Herdsman by Charles Amand-Durand
Sleeping Herdsman by Charles Amand-Durand

Sleeping Herdsman by Charles Amand-Durand

By Rembrandt van Rijn

Located in Middletown, NY

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Engraving

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper
"Sometimes is forever" - 1976 Surrealist Lithograph on Paper

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper

Located in Soquel, CA

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

Category

1970s Surrealist Laid Paper Prints and Multiples

Materials

Laid Paper, Lithograph

The Beheading of the King of England; Enthauptung des Königs in England
The Beheading of the King of England; Enthauptung des Königs in England

The Beheading of the King of England; Enthauptung des Königs in England

By Matthäus Merian the Elder

Located in Middletown, NY

The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below. Engravin...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box
Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box

Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box

By Kehinde Wiley

Located in New York, NY

Kehinde Wiley Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfoli...

Category

Early 2000s Contemporary Laid Paper Prints and Multiples

Materials

Ink, Mixed Media, Board, Laid Paper, Lithograph, Offset

Old man with a long beard and cap - After Rembrandt, copy
Old man with a long beard and cap - After Rembrandt, copy

Old man with a long beard and cap - After Rembrandt, copy

By Ferdinand Bol

Located in Middletown, NY

Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...

Category

Mid-17th Century Flemish School Laid Paper Prints and Multiples

Materials

Laid Paper

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

1780s Victorian Laid Paper Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White
"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White

"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White

By Lee Bontecou

Located in New York, NY

Lee Bontecou First Stone, 1962 Signed, dated, and numbered lower right Lithograph from one stone in black ink on cream laid paper Image 12 3/16 x 15 11/16 inches Sheet 19 1/2 x 25 13...

Category

1960s American Modern Laid Paper Prints and Multiples

Materials

Ink, Laid Paper, Lithograph

From the Ponte Vecchio, Florence

From the Ponte Vecchio, Florence

By John Taylor Arms

Located in Middletown, NY

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Category

1920s American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Tigre couché à l'entrée de son antre  (Tiger Lying at the Entrance to its Lair)

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)

By Eugène Delacroix

Located in Middletown, NY

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Category

Early 19th Century Realist Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

"Iris" Botanical Etching on Heavy Paper
"Iris" Botanical Etching on Heavy Paper

"Iris" Botanical Etching on Heavy Paper

Located in Soquel, CA

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Category

Late 20th Century Photorealist Laid Paper Prints and Multiples

Materials

Ink, Laid Paper, Etching

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

By Charles Amand Durand

Located in Middletown, NY

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Category

17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters

Located in Saint Augustine, FL

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Etching, Laid Paper

"Conception" - Portrait of a Native American on a Vision Quest
"Conception" - Portrait of a Native American on a Vision Quest

"Conception" - Portrait of a Native American on a Vision Quest

Located in Soquel, CA

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Category

1990s Surrealist Laid Paper Prints and Multiples

Materials

Laid Paper, Screen

"4 - U proof" - 1976 Surrealist Lithograph on Paper
"4 - U proof" - 1976 Surrealist Lithograph on Paper

"4 - U proof" - 1976 Surrealist Lithograph on Paper

Located in Soquel, CA

"4 - U proof" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "4 - U proof" by Jim Crabb (American, b. 1947). This piece resembles a narrow, surreal...

Category

1970s Surrealist Laid Paper Prints and Multiples

Materials

Ink, Laid Paper, Lithograph

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper
Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

By Sidney Budnick

Located in Soquel, CA

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper 1991 black and yellow abstract expressionist lithograph depicting a woman by Sidney Jonas Budnick (1921 - 1994). The w...

Category

1990s Post-War Laid Paper Prints and Multiples

Materials

Acrylic, Laid Paper, Lithograph

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

By Mickalene Thomas

Located in New York, NY

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

Category

2010s Realist Laid Paper Prints and Multiples

Materials

Laid Paper, Permanent Marker, Digital Pigment

Cathedral de Saint Julien le Mans
Cathedral de Saint Julien le Mans

Cathedral de Saint Julien le Mans

By John Taylor Arms

Located in Middletown, NY

Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper
God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

By Leopoldo Méndez

Located in Soquel, CA

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

Category

1940s Symbolist Laid Paper Prints and Multiples

Materials

Linocut, Printer's Ink, Laid Paper

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Ponte della Trinità, Florence
Ponte della Trinità, Florence

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

The Grosse Horloge and Fountain, Rouen, Normandy.

The Grosse Horloge and Fountain, Rouen, Normandy.

Located in Middletown, NY

Etching on cream laid paper with an unknown watermark with an AL inside a ribbon. 10 1/4 x 7 7/8 inches (258 x 187 mm), full margins. Signed, titled, and dated in pencil lower margin. In good condition with one small, very minor 1/4- inch horizontal tear in lower-center quadrant of the image area, in the area of the doorway beneath the arch, very difficult to discern, and completely unobtrusive. 1/2-inch minor horizontal edge tear center sheet edge, bottom margin (outside of image area). Paper tape from a previous hinge at top right and left sheet edges. Light scattered age tone and surface soiling. __________ Perhaps now most famous for one particular illustration for an edition of The Rubaiyat of Omar Khayyam, Sullivan's etching of a skeleton crowned in roses was appropriated by Stanley Mouse and Alton Kelley...

Category

Mid-20th Century Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Apollo, plate 11 from the series of The Gods in Niches
Apollo, plate 11 from the series of The Gods in Niches

Apollo, plate 11 from the series of The Gods in Niches

Located in Middletown, NY

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...

Category

17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Handmade Paper, Engraving

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art

By François Nicolas Martinet

Located in Saint Augustine, FL

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Category

1770s Old Masters Laid Paper Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Le Chapeau Epingle
Le Chapeau Epingle

Le Chapeau Epingle

By Pierre-Auguste Renoir

Located in Naples, Florida

Etching and drypoint in black on laid paper, with wide margins Signed in the plate From La Vie Artistique by Gustave Geffroy Literature: Delteil 8; Stella 8 Le Chapeau...

Category

1890s Impressionist Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Bowling on the Green (from the Bicentennial Pageant of George Washington)
Bowling on the Green (from the Bicentennial Pageant of George Washington)

Bowling on the Green (from the Bicentennial Pageant of George Washington)

By Childe Hassam

Located in Soquel, CA

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

Category

1930s American Impressionist Laid Paper Prints and Multiples

Materials

Ink, Etching, Laid Paper

The Resurrection
The Resurrection

The Resurrection

Located in Middletown, NY

A rare and beautiful 18th century bible illustration by a female artist. Engraving on cream laid paper with a "V" shaped watermark, 8 x 4 5/8 inch...

Category

18th Century Italian School Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

By Tracey Emin

Located in New York, NY

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Category

2010s Contemporary Laid Paper Prints and Multiples

Materials

Cotton, Screen, Mixed Media, Laid Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Laid Paper Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed
Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

By Anne Youkeles

Located in New York, NY

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Category

1960s Abstract Geometric Laid Paper Prints and Multiples

Materials

Paper, Mixed Media, Laid Paper, Screen

El reposo

El reposo

By Manuel Mendive

Located in Miami, FL

Beautiful Serigraph print on paper by the Cuban artist Manuel Mendive. El Reposo, 2021 Lithograph 23,5 x 29 in Ed. 10 of 100 Signed and numbered by the artist. Manuel Mendive is an ...

Category

21st Century and Contemporary Contemporary Laid Paper Prints and Multiples

Materials

Laid Paper, Screen

Old Houses, Byres Road, Partick (Scotland)

Old Houses, Byres Road, Partick (Scotland)

By Sir David Young Cameron, R.A.

Located in Middletown, NY

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 1900s Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Headland IV - Etching by Gordon Cook on Japanese Paper
Headland IV - Etching by Gordon Cook on Japanese Paper

Headland IV - Etching by Gordon Cook on Japanese Paper

By Gordon Cook

Located in Soquel, CA

Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963." Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...

Category

1960s American Impressionist Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Small Horse by Albrecht Dürer
The Small Horse by Albrecht Dürer

The Small Horse by Albrecht Dürer

By Albrecht Dürer

Located in New Orleans, LA

Albrecht Dürer 1471-1528 German The Small Horse Dated in the plate on upper center; monogrammed in the plate lower center: AD Meder state a Copperplate engraving on laid paper “W...

Category

16th Century Renaissance Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife

Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife

By Aegidius Sadeler

Located in Middletown, NY

Sadeler, Aegidius II, after Bartholomeus Spranger Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller Engraving on hand made laid paper wit...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Engraving

Galley slaves preparing a meal
Galley slaves preparing a meal

Galley slaves preparing a meal

Located in Middletown, NY

Shackled Ottoman slaves prepare a communal meal in a military field camp. A superb impression from an important English collection. Rome: M. Scheap, 1658. Engraving on cream laid p...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s
Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s

Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s

By Anne Youkeles

Located in New York, NY

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

Category

1970s Abstract Geometric Laid Paper Prints and Multiples

Materials

Screen, Laid Paper

Early 20th Century Social Realism Etching by John Sloan -- Bandits Cave
Early 20th Century Social Realism Etching by John Sloan -- Bandits Cave

Early 20th Century Social Realism Etching by John Sloan -- Bandits Cave

By John French Sloan

Located in Soquel, CA

1920 Social Realism Etching by John French Sloan titled "Bandits Cave" Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...

Category

1920s Ashcan School Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Triumph of Caesar: Plate IV of IX

The Triumph of Caesar: Plate IV of IX

By Andrea Mantegna

Located in Middletown, NY

Andreani, Andrea, after Andrea Mantegna The Triumph of Caesar: Plate IV of IX 1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Ink, Woodcut

View of Resolution Bay, in the Marquesas
View of Resolution Bay, in the Marquesas

View of Resolution Bay, in the Marquesas

By William Hodges

Located in Middletown, NY

An image after the draftsman who accompanied Captain James Cook, R. N. on his second voyage of exploration to the South Pacific aboard the Resolution (1772–75). London: Hogg, Alexan...

Category

Mid-18th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Umbrian Street; An Assisi Street
Umbrian Street; An Assisi Street

Umbrian Street; An Assisi Street

By John Taylor Arms

Located in Middletown, NY

Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

Jeanne
Jeanne

Jeanne

By Armand Rassenfosse

Located in Middletown, NY

Leipzig: Zeitschrift für Bildende Kunst, 1904 Etching with aquatint printed in brownish black ink on cream laid paper, 9 3/8 x 7 inches (237 x 176 mm), full margins. In good conditio...

Category

Late 19th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Aquatint

Pink Flowers - Limited Edition Naive Serigraph
Pink Flowers - Limited Edition Naive Serigraph

Pink Flowers - Limited Edition Naive Serigraph

By Ivan Rabuzin

Located in Soquel, CA

Pink Flowers - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) Three giant pink flowers stand in a ...

Category

1980s Folk Art Laid Paper Prints and Multiples

Materials

Ink, Screen, Laid Paper

Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle

Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle

Located in Middletown, NY

Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...

Category

15th Century and Earlier Old Masters Laid Paper Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm
Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm

Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm

By Armin Hansen

Located in Soquel, CA

Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...

Category

1920s American Impressionist Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse

By Pablo Picasso

Located in Saint Augustine, FL

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...

Category

1930s Cubist Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Intaglio

La diligence de Beaucaire
La diligence de Beaucaire

La diligence de Beaucaire

By Félix Hilaire Buhot

Located in Middletown, NY

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Category

1880s French School Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Aquatint

The Quacksalver
The Quacksalver

The Quacksalver

By Adriaen van Ostade

Located in Middletown, NY

Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Cathedral of Saint Cyr and Saint Julitta, Nevers
Cathedral of Saint Cyr and Saint Julitta, Nevers

Cathedral of Saint Cyr and Saint Julitta, Nevers

By John Taylor Arms

Located in Middletown, NY

Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...

Category

Mid-20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Corbel on Gate House, Stokesay Castle, Shropshire
Corbel on Gate House, Stokesay Castle, Shropshire

Corbel on Gate House, Stokesay Castle, Shropshire

By John Taylor Arms

Located in Middletown, NY

Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...

Category

Mid-20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Laid Paper prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Laid Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Suzanne Benton, Francisco Goya, and Samuel & Nathaniel Buck. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper prints and multiples, so small editions measuring 0.01 inches across are also available