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Medium: Laid Paper
Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Located in Middletown, NY
Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...
Category
15th Century and Earlier Old Masters Laid Paper Prints and Multiples
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category
Mid-19th Century French School Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Handmade Paper, Engraving
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
16th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 141/150
Frame included with official COA affixed to the back
Hand numbered ...
Category
2010s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Permanent Marker, Digital Pigment
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Watercolor
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Laid Paper Prints and Multiples
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Laid Paper Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
"Fete" Mid Century Modern Abstract Etching & Aquatint on Paper (Artist's Proof)
Located in Soquel, CA
"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof)
Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...
Category
Mid-20th Century Modern Laid Paper Prints and Multiples
Materials
Etching, Aquatint, Laid Paper
Canal with a large Boat and Bridge – after Rembrandt van Rijn
Located in Middletown, NY
Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Photogravure
The Quebec and the Surveillante [an animated naval battle scene]
Located in Middletown, NY
Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...
Category
Late 18th Century English School Laid Paper Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Laid Paper
![The Quebec and the Surveillante [an animated naval battle scene]](https://a.1stdibscdn.com/balthasar-friedrich-leizelt-prints-works-on-paper-the-quebec-and-the-surveillante-an-animated-naval-battle-scene-for-sale/a_19792/a_147281421719894824799/1567_1_master.jpg?width=240 "Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]")
"Conception" - Portrait of a Native American on a Vision Quest
Located in Soquel, CA
"Conception" - Portrait of a Native American on a Vision Quest
Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...
Category
1990s Surrealist Laid Paper Prints and Multiples
Materials
Laid Paper, Screen
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Located in Middletown, NY
Bretherton, James (After Rembrandt van Rijn).
Christ and the Woman of Samaria Among Ruins.
London: c 1775.
Etching on light cream laid paper, 4 3/4...
Category
18th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Etching, Laid Paper
Early 20th Century Social Realism Etching by John Sloan -- Bandits Cave
Located in Soquel, CA
1920 Social Realism Etching by John French Sloan titled "Bandits Cave"
Compelling etching by John Sloan (American 1871 - 1951), 1920 during first year of prohibition showing a estab...
Category
1920s Ashcan School Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Chartres Cathedral
By Axel Herman Haig, R.E.
Located in Middletown, NY
Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...
Category
Early 20th Century English School Laid Paper Prints and Multiples
Materials
Etching, Laid Paper
Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed
Located in New York, NY
Anne Youkeles
Gemini, ca. 1969
Three-dimensional mixed media silkscreen on folded sheets of thin card
Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...
Category
1960s Abstract Geometric Laid Paper Prints and Multiples
Materials
Paper, Mixed Media, Laid Paper, Screen
Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Located in Middletown, NY
Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
Located in Soquel, CA
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...
Category
1790s Northern Renaissance Laid Paper Prints and Multiples
Materials
Engraving, Etching, Aquatint, Laid Paper
Portrait of Otto Freundlich (Bildnis Otto Freundlich)
By Otto Dix
Located in New York, NY
1923
Signed in pencil, l.r.
Lithograph on laid paper with original colophon (Edition of 125)
15 x 10 inches
This work is offered by CLAMP in New York City.
Category
1920s Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper
Located in Soquel, CA
"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper
High contrast, multi-layer etching by Bruce Weinberg (American, 1942-1994). A moebius strip is shown against a dar...
Category
1980s American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Antique French Print of Archway and Seascape
Located in Soquel, CA
Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent).
Beautifully rendered piece of an idyll...
Category
Late 19th Century French School Laid Paper Prints and Multiples
Materials
Lithograph, Laid Paper
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Dance at Gopsmor /// Impressionist Swedish Anders Zorn Etching Party Antique
By Anders Zorn
Located in Saint Augustine, FL
Artist: Anders Zorn (Swedish, 1860-1920)
Title: "Dance at Gopsmor"
*Signed by Zorn in pencil lower right. It is also signed and dated in the plate (printed signature) lower left
Year: 1906 (second state of two)
Medium: Original Etching on cream Van Gelder Zonen laid paper
Limited edition: approx. 50 impressions
Printer: the artist Zorn himself, Mora, Sweden
Publisher: the artist Zorn himself, Mora, Sweden
Reference: Asplund No. 197; Hjert & Hjert No. 205; Loys Delteil No. 192
Framing: Recently framed in a gold ornate moulding and 100% cotton rag matting with 99% UV protective Museum Glass. All archival
Framed size: 22.75" x 18.25"
Sheet size (irregular margins): 16.5" x 11"
Image size: 11.88" x 7.75"
Condition: A strong impression in very good condition
Very rare
Notes:
Provenance: private collection - Chicago, IL; acquired from Rothschild & Company, Chicago, IL in the early 1900's. Fleur-de-lis shield with text underneath (Van Gelder Zonen) watermark in center of sheet.
"Towards the end of the nineteenth century and at the beginning of the twentieth century, Anders Zorn became increasingly interested in the history and ancient traditions of his native town Mora and its wider cultural territories which at the time, as a result of industrialisation and urbanisation, were begining to disappear. In 1904, Anders Zorn purchased an ancient farmhouse which he moved to the parish of Gopsmor, situated by the river Dal, North-West of Mora. The simple ritualistic lifestyle of its people, with whom he felt affinity, and Gopsmor's geographical isolation, became for Zorn, a place of refuge for the cosmopolitan artist". - Christie's, London, UK
Biography:
Anders Leonard Zorn...
Category
Early 1900s Impressionist Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Intaglio
Wilby Church, Northhamptonshire, England
Located in Middletown, NY
A fine proof impression on antique paper
Etching on antique laid paper with a large heraldic watermark. 4 1/4 x 2 3/8 inches (109 x 61mm), full margins. Signed, dated, and inscribed...
Category
Mid-20th Century American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Bowling on the Green (from the Bicentennial Pageant of George Washington)
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington)
'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category
1930s American Impressionist Laid Paper Prints and Multiples
Materials
Ink, Etching, Laid Paper
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Early 19th Century Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
16th Century Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper
"Equal Justice Under Law" Screenprint #99/125 on Wove Paper
Located in Soquel, CA
"Equal Justice Under Law" Screenprint #99/125 on Wove Paper
Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...
Category
1970s American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Screen
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Located in Soquel, CA
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...
Category
1980s Contemporary Laid Paper Prints and Multiples
Materials
Rice Paper, Laid Paper, Woodcut
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Three Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.75"
Image size (each): approx. 7" x 11.88"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Engraving, Laid Paper
Passing/Posing Paintings & Faux Chapel, suite of 18 prints Signed on bespoke box
Located in New York, NY
Kehinde Wiley
Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004
Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...
Category
Early 2000s Contemporary Laid Paper Prints and Multiples
Materials
Ink, Mixed Media, Board, Laid Paper, Lithograph, Offset
Studies for Sculpture on Blue Grey Background - Signed Lithograph, #30/60
By Henry Moore
Located in Soquel, CA
Studies for Sculpture on Blue Grey Background - Signed Lithograph, #30/60
Lithograph of six studies for a sculpture by Henry Moore (British, 1898-1986). These six drawings depict a ...
Category
1950s Post-War Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
"Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper
Located in Soquel, CA
"Die Segen" (Sins/Blessing) - 1986 Lithograph On Paper
Original 1986 lithograph on paper titled "Die Segen" ("Sins/Blessing") by Deborah Rumer. Red, green, purple, black and white m...
Category
1980s American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph, Acrylic
Rothko Comfort Blanket (limited edition textile with hand signed tag with label)
By Tracey Emin
Located in New York, NY
Tracey Emin
Rothko Comfort Blanket, 2010
Blanket, Embroidery, Thread, Linen
7 × 7 inches
Edition 14/100
Hand signed and numbered with ink title and inscription on tag "Rothko Comfort Blanket for Private Views and Other State Occasions."
Held in original Emin International packaging (unframed)
Provenance: Emin International
Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery
An article in Artnews recounts the story: When Tracey Emin was going to the Royal College of Art in London in the late 1980s, she broke down while viewing a radiant pink-and-yellow Mark Rothko painting...
Category
2010s Young British Artists (YBA) Laid Paper Prints and Multiples
Materials
Textile, Cotton, Thread, Ink, Mixed Media, Laid Paper, Ballpoint Pen
L'Avant-Foyer de l'Opera /// French Impressionist Etching Figurative Lady Man
By Tony Minartz
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944)
Title: "L'Avant-Foyer de l'Opera"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1903
Medium: Original Etching on cream laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting
Framed size: 18.63" x 16.38"
Sheet size: 12" x 9"
Image size: 9" x 7.25"
Condition: In excellent condition
Notes:
Printed in one color: bistre.
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French.
Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions.
Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...
Category
Early 1900s Impressionist Laid Paper Prints and Multiples
Materials
Laid Paper, Intaglio, Etching
Judith Grasping The Head Of Holofernes... by Giovanni A. Sirani after Guido Reni
By Guido Reni
Located in Middletown, NY
Judith Grasping The Head Of Holofernes By The Hair And Looking To The Left, and Old Woman to the Right. circa 1640
Etching on cream laid paper with a foolscap watermark, 10 x 7 inche...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Figurative Picasso Etching, 'Minotaure Endormi Contemplé Par Une Femme', 1933
Located in New York, NY
"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...
Category
1930s Cubist Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
$28,000 Sale Price
30% Off
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Located in Soquel, CA
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...
Category
Early 1900s Post-Impressionist Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
Located in Soquel, CA
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...
Category
1980s American Modern Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Intaglio
Captured by Steve Lazarides (Black edition
By Banksy
Located in Manchester, GB
Banksy, Captured by Steve Lazarides (Black edition), 2019
Volume 1, Hardcover by Banksy’s ex-manager Steve Lazarides
Edition of 1000.
Numbered inside book
Has many never-before-s...
Category
2010s Contemporary Laid Paper Prints and Multiples
Materials
Laid Paper, Magazine Paper
Pommiers à Auvers
Located in Middletown, NY
New York: Dodd, Mead, 1884.
Etching with aquatint on cream laid paper, 7 3/4 x 10 3/4 inches (196 x 272 mm), full margins. Light age tone, some very minor cockeling and a 1.5 inch v...
Category
Late 19th Century French School Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Aquatint
Doldrums, H13-12, from Where the Land Meets the Sea (Hand signed mixed media)
By Damien Hirst
Located in New York, NY
Damien Hirst
Doldrums, H13-12, from Where the Land Meets the Sea, 2023
Laminated giclée print on aluminium composite panel
47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm
Hand-signe...
Category
2010s Pop Art Laid Paper Prints and Multiples
Materials
Metal
PIERRE-AUGUSTE RENOIR "Enfants jouant à la balle"
Located in Los Angeles, CA
PIERRE-AUGUSTE RENOIR (1841-1919)
"Enfants jouant à la balle"
lithograph, on laid paper with the Dambricourt Frères watermark, circa 1900, a previously unrecorded proof state before ...
Category
Early 1900s Impressionist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
A Domestic Cat Playing with a Garter Snake, from Eaux-Fortes Animaux & Paysages
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, 6 1/8 x 4 3/4 inches (156 x 120 mm), full margins. In good condition with some minor, uniform age tone. Printed by George Bertauts, Paris.
[Beraldi II.140.26]
Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140.
__________
Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category
Mid-19th Century Barbizon School Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
"Iris" Botanical Etching on Heavy Paper
Located in Soquel, CA
"Iris" Botanical Etching on Heavy Paper
Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...
Category
Late 20th Century Photorealist Laid Paper Prints and Multiples
Materials
Ink, Laid Paper, Etching
The young Bostonian 1858 portrait of a notable gentleman Boston Massachusetts
Located in Norwich, GB
A wonderful portrait of a Bostonian dated 1858, by Leopold Grozelier, the artist best known for creating the first electoral poster ever, bearing the portrait of Abraham Lincoln (186...
Category
1850s American Realist Laid Paper Prints and Multiples
Materials
Paper, Laid Paper, Lithograph
Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms.
Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category
1920s American Modern Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Study of a Head
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
SIGNED 1960s Jean DUBUFFET print (Jean Dubuffet exhibition poster)
Located in NEW YORK, NY
Jean Dubuffet Ustensiles Utopiques 1966:
Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...
Category
1960s Contemporary Laid Paper Prints and Multiples
Materials
Offset, Laid Paper, Lithograph
Woman Waving - 1991 Abstract Expressionist Lithograph on Paper
Located in Soquel, CA
Woman Waving - 1991 Abstract Expressionist Lithograph on Paper
1991 black and yellow abstract expressionist lithograph depicting a woman by Sidney Jonas Budnick (1921 - 1994). The w...
Category
1990s Post-War Laid Paper Prints and Multiples
Materials
Acrylic, Laid Paper, Lithograph
rare Maeght sculpted holiday card 1968 - collectors item mid century modern art
Located in New York, NY
Alexander Calder
rare Maeght sculpted holiday card, 1968
Hand made sculpted paper collage on paper with embossing
Embossed artist's monogram
10 × 7 × 6 1/2 inches
This rare, fold-ou...
Category
1960s Contemporary Laid Paper Prints and Multiples
Materials
Paper, Mixed Media, Laid Paper, Lithograph, Offset
Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799.
Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category
Late 18th Century Dutch School Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
A Burro Train, New Mexico
By Peter Moran
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
Category
Late 19th Century American Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
'Two Dancers', Yale, Cooper Union, Prix de Rome, Tyler School of Art, Assisi
By Alan Feltus
Located in Santa Cruz, CA
Signed lower center, 'Alan Evan Feltus' (American-Italian, born 1943), dated 1980 and with number and limitation, '44/60'. Blind stamped, lower right, 'E.P.' for Editions Press and embossed, lower left, 'Arches' for Arches artist laid paper.
This contemporary classical painter of the human figure first studied at the Tyler School of Art at Temple University in Philadelphia and, subsequently, at Cooper Union in New York City, where he received his BFA in 1966. In 1968, he earned his MFA from Yale University. Over the course of a distinguished career, Alan Feltus has been the recipient of numerous prizes, medals and juried awards including the Prix de Rome...
Category
1980s Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Ink, Lithograph
$2,340 Sale Price
35% Off
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Sacelle male, de la cote de Coromandel" (Plate 949)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martinet in the...
Category
1770s Realist Laid Paper Prints and Multiples
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Drypoint
"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper
Located in Soquel, CA
"Charge of the Revolutionist Cavalry" - 1931 Woodcut On Paper
1931 Black and white woodcut print titled "Charge of the Revolutionist Cavalry" by Leo...
Category
1930s Contemporary Laid Paper Prints and Multiples
Materials
India Ink, Laid Paper, Woodcut
Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper
Laid Paper prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Laid Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Suzanne Benton, Francisco Goya, and Samuel & Nathaniel Buck. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper prints and multiples, so small editions measuring 0.01 inches across are also available
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