Plastic Prints and Multiples

"Carte de Voeux #731" is an original lithograph greeting card by Marc Chagall. It is in the Chagall Catalogue Raisonne and is from a rare edition of only 200. It depicts a face and a bird in Chagall's signature whimsical modernist style. 5 1/2" x 4 1/4" art 21" x 18 1/4" frame Marc Chagall was born in Liozno, near Vitebsk, now in Belarus, the eldest of nine children in a close-knit Jewish family led by his father Khatskl (Zakhar) Shagal, a herring merchant, and his mother, Feige-Ite. This period of his life, described as happy though impoverished, appears in references throughout Chagall's work. The family home on Pokrovskaya Street is now the Marc Chagall Museum...

Peter Saville vinyl record art 2007: Off-set print on vinyl record. Measure: 12 x 12 inches Excellent condition. Published by Visionaire Fashion, 2007; un...

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). “Artistic creation is a force which should preferably be directed towards the exploration of space, of the universe, of the infinite realities which surround us, but of which we are hardly conscious,” Soto once mused. Born on June 5, 1923 in Cuidad Bolívar, Venezuela, he studied at the Escuela des artes plásticas in Caracas from 1942–1947 and later served as the director of the Escuela de bellas artes in Maracaibo, Venezuela until his move to Europe in 1950. Settling in Paris, he associated with the Op Art artists Victor Vasarely and Yaacov Agam, as well as members of the ZERO group such as Otto Piene, Jean Tinguely, and Heinz Mack. In 1973, the Museo de arte modern Jesús...

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

This photograph captures the timeless beauty of an aged 18th-century Italian fresco painting. The artwork features potted orange trees, their vibrant green foliage and citrus fruits ...

This grand mural unveils a mesmerizing Baroque-style etching that commands attention with its celestial drama. The expansive sky serves as a vast canvas, adorned with flowing circula...

Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it. Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934): Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.” Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

In the tondo photograph, Los Insectos Eternos, Fidel Santos conjures a fragile world of beauty and disintegration. At the heart of the composition lies a delicate web of fine thread,...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

Artist: Quinn, Marc Title: At the Far Edges of the Universe III Series: At the Far Edges of the Universe Date: 2010 Medium: pigment graphic prints Unframed Dimensions: 27...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

This photograph captures the timeless beauty of an aged 18th-century Italian fresco painting. The artwork features potted orange trees, their vibrant green foliage and citrus fruits providing a striking contrast. Set against the backdrop of an expansive Italian countryside, the landscape unfolds with rolling hills and distant vistas. The significance of the orange trees in the fresco is deeply rooted in the historical context of 18th-century Italy. During this period, the cultivation of citrus fruits, including oranges, became a symbol of prosperity and luxury. Italy, with its favorable climate, was a prime location for cultivating oranges, and their presence in frescoes often represented affluence, abundance, and the beauty of the Italian landscape. Fidel Santos...

This expansive photo mural transforms a space with the grandeur of an 18th-century-style ink-wash drawing, depicting an epic mountainscape. The large-scale composition immerses viewers in a majestic panorama, where towering peaks and sweeping valleys unfold with breathtaking detail. The ink wash technique lends a timeless quality to the landscape, evoking the spirit of classical artistry. Each stroke captures the essence of a bygone era, inviting onlookers to be enveloped in the awe-inspiring beauty of this monumental mountainscape. Fidel Santos...

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

iconic large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites an...

Hand signed, numbered and dated on verso. Landscape 8, from Ten Landscapes (C. 58). Iridescent silver Mylar collage on opaque black Rowlux and gray moire Rowlux. The full sheet, moun...

Serigraph signed and numbered In good condition some minor small frame chips and wear measures 60x40 International buyers most cover shipping expense

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Plage des Catalans...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Katharina Fritsch Schlange / Snake 1999/2001 Plastic, paint 7/8 x 7 1/2 x 3 3/8 inches; 2 x 19 x 9 cm Edition of 240 Accompanied by a certificate of authenticity signed and numbered ...

*temporary listing price reduction due to currency exchange rate large format photograph by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Pan di Zucchero...

ABOUT THIS PIECE: 19.6x23.5, edition of 50 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden phot...

Kerry James Marshall MOCA LA Street Banner (Museum of Contemporary Art, Los Angeles), 2017 Silkscreen on Vinyl 95 × 34 inches Original Gigantic Flagpole Banner exhibited on the stree...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

Marcel Duchamp and by Takiguchi Rrose Sélavy (Marcel Duchamp) in Wilson-Lincoln System (Schwarz, 344), 1967 Lenticular print on thin white board. Hand signed by Marcel Duchamp. Date,...

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

This original screenprint diptych in colours are each hand signed in pencil by the artist with his monogram "A. C." at the lower left margins. Each are dated “1973” next to the sign...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...

large scale abstract panoramic photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Japan's famous Arashiyama Bamboo Grove Bamboo Forest by Erik Pawassar 48 x 175 inches (122 x 444cm) six individual glass panels (48 x 29 inches / each) signed edition of 7 archival quality fine art pigment print “Frameless” acrylic glass mounting * artist signed + numbered certificate of authenticity ________________________ About the artist: Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

large format abstract photograph of monochromatic ocean cloudscape with calming horizon line, glass mounted (45” diameter) Seascape II by Frank Schott 45 x 45 inches (114 x 114cm) ...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

This etching is from my private collection of 20th Century artists. It is original, signed and numbered. Edouard Righetti (1921-2001) was a French post impressionist artist who speci...

2009 Polymer gravure print 41.9 x 58.4 cm Edition of 300 Signed, titled dated and numbered by Emin on the front Excellent condition Unframed Tracey Emin (born 1963) is best known fo...

2010 Polymer gravure etching 20.3 x 25 cm Edition of 300 Signed, titled dated and numbered by Emin on the front Excellent condition Unframed Tracey Emin (born 1963) is best known fo...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 Signed, dated, numbered or inscri...

Yayoi Kusama Infinity Umbrella, 2014 Silkscreen on 100% polyester umbrella with plastic handle 37 × 54 × 54 inches This limited edition silkscreened umbrella was created exclusively...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully...

MAN RAY Hands, 1966 Silkscreen on Plexiglass Published by Gemini GEL Measurements: Image: 20"h x 16"w sheet plexi: 25.5"h x 19.5"w overall (with frame): 26.75"h x 20.75"w. Edition ...

Gerald Laing City Center Light Opera, 1968 Lime colored Screenprint on die-cut Mylar Hand signed, numbered 6/144 and dated in pencil on the front 25 × 35 inches Unframed Gerald Lai...

ABOUT THIS PIECE- Unframed Print Andrea Mary Marshall created her series of VAGUE COVERS for her 2011 Solo Exhibition, Toxic Women. This exhibition was a resounding success and rece...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden photographs one icon of American childhood- a Hot Wheels...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

Keith Haring Pop Shop c. 1986: Set of 6 original Pop Shop magnets designed by Keith Haring. Sold at the Pop Shop in New York circa 1986 (dated 1985). Item is unopened. Features a bol...

large format photograph of Azores beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leis...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden photographs one icon of American childhood- a Hot Wheels...

Racetrack by Frank Schott ( framed ) "Modern Gallery Frameless" highly detailed photographic capture of the mesmerizing night sky above the California desert "Modern Gallery Framele...

large format photograph of iconic Icelandic hot springs by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Myvatn Nature Baths (2016) 61.25” x 81” / 156 cm x 206 cm signed, titled and dated verso edition of 6 + 2AP original archival photography print with diasec (acrylic glass) face mount in contemporary white gallery frame Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of humanity’s coastal habitats in the bright light of summer. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just published Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2021 'No Country For Old Men...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...