Baby Prints and Multiples

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Pablo PICASSO (1881-1973) Series 156, Painter Drawing is Model (plate 16), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum, 63 x 76 cm (c. ...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Pablo PICASSO (1881-1973) Mandolin and Guitar, 1958 Lithograph (Atelier Mourlot, Paris) Signed in the plate On Arches vellum, 69 x 55 cm (c. 28 x 22 in) REFERENCES: - Catalogue rai...

Munehiro Hasegawa, 'Seven Kabuki Actors in a Dragon Boat,' woodblock print, c. 1850, Osaka-e, Kamigata-e. Signed 'Munehiro' in the block, upper left. A fine impression with fresh co...

Yoshitomo Nara Lollipop Print on paper 20 3/10 × 14 3/10 in 51.5 × 36.4 cm

Original Peter Max’s “Midget Dream #1” vintage psychedelic poster. In very fine condition, never displayed, and ready to frame. Grade...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Image size: 6 x 4 1/2 inches (150 x 110 mm). Sheet s...

Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...

WITH THE COMING OF SPRING, THE GRASS RETURNS NATURALLY Date of creation: 2013 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Condition: In mint conditio...

Armand Point Golden Age (Légende dorée), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph...

Pablo PICASSO (1881-1973) Le Goût du Bonheur, Picasso with a Beard, 1964 Lithograph Unsigned Printed date in the plate On vellum 32.5 x 25 cm (c. 12.6 x 9.8 in) INFORMATION : Crea...

A clock-faced figure wearing monk's robes floats in a blue void above a roiling storm cloud. This Surrealist lithograph by Salvador Dali shows the figure in movement, traveling with ...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/4 x 7 inches (235 x 170 mm). Sheet size: 12 1...

Alphonse Mucha Seasons: Winter, 1896 Original lithograph Printed signature in the plate Printed on paper 108.5 x 57 cm (c. 42.5 x 22.4 inches) On paper linen on canvas, 117 × 65.5 c...

Jean Cocteau (1889 - 1963) "la Méditerranée" (The Mediterranean), circa 1952 Wool tapestry, signed, dated, and titled lower left in the weave. Produced by Marie Cuttoli and the Luc...

Paris: Sagot, 1889. Wood engraving on cream laid Japon paper with full deckle edges, 8 3/8 x 5 3/4 (212 x 145 mm). Signed, numbered 9/35, and inscribed "1er Etat" in pencil in the l...

Yoshitomo Nara Tomorrow's Far Away Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

The Journeymen, 2025 Archival pigment on 330gsm smooth rag paper. edition of 100 hand-signed and numbered by the artist. Hebru Brantley is an American contemporary artist renowned f...

Yoshitomo Nara Midnight Truth Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Artist: PABLO PICASSO (AFTER ) Title: 'La Ronde de la Jeunesse (The Youth Circle)' Year: 1961 Published by: Combat Pour La Paix, Paris Medium: Lithograph on wove paper Printed by Mourlot Edition: 200 plus EA Size: 26 x 20 inches Signed and numbered in pencil by the master CERTIFICATE OF AUTHENTICITY INCLUDED ARTWORK IS IN EXCELLENT CONDITION Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de la Jeunesse...

Yoshitomo Nara Missing in Action Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Urbain HUCHET Paris : Saint Germain des Pres, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excell...

'Lot Cleaning, Los Angeles', wood engraving, edition 60, Zeitlin & Ver Brugge 69. Signed, titled and numbered '51/60' in pencil. A brilliant, black impression, on Kitakata Japan pape...

Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...

Yoshitomo Nara In the Pink Water, 2021 Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year Unnumbered Sold Out edition pub...

This limited edition color lithograph, titled The Little Prince and His Fox, is a beautiful reproduction from the beloved book Le Petit Prince by Antoine de Saint-Exupéry. This print...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed. New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife." Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

"La Tristesse du roi" is a reproduction of Henri Matisse’s 1952 gouache on paper, known for its distinctive cut and collage technique. Reproduced in 1990, this piece reflects Matisse...

George Condo, Mythological Figures, 2018 Created for the George Condo: The Way I Think exhibition in 2018 the Louisiana Museum of Modern Art, showcasing his signature blend of class...

Medium: lithograph (after the watercolor). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-gl...

Artist- Romero Britto Title: "Follow Me" Year: 2006 Edition: 723/750 Signed & numbered in pencil by the artist. Medium: 3d Serigraph Construction With Cut outs Aproximate Size: Image...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/2 x 4 1/4 inches (240 x 110 mm). Sheet size: ...

Lithograph on vélin paper. Paper Size: 8 x 6 inches, image; 15 x 11 inches, overall. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Marc Chagall, The Jerusal...

Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...

Paper Size: 24.5 x 46.75 inches ( 62.23 x 118.745 cm ) Image Size: 24.5 x 46.75 inches ( 62.23 x 118.745 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Yoshitomo Nara Harmless Kitty Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This is impression #12 from an edition of 45 Born in Charleroi, Belgium, Ravaux is...

Lithograph and stencil on vélin paper. Paper Size: 15 x 12.2 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Douze aquarelles de Auguste Ro...

Original “Coppertone” Colore di Rame vintage Italian poster. Colore de Rame translates into the color of copper. Abbronzatevi! (suntan) Non bruciatevi! (don’t burn) Archival linen-backed in fine condition, ready to frame. This original Coppertone poster is in A condition. The background in the poster is a brighter yellow; after all, it is a sunny day, and you need suntan lotion! Coppertone is an American suntan cream. Interestingly, the American poster of this famous little girl and dog...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

This original lithograph by Joan Miró, titled "Lithografia III," is a first printing published in "Joan Miró Lithographs Volume II" in 1975 by Maeght Editeur in Paris. This particula...

KAWS Clean Slate (grey) new & unopened in its original packaging. A well-received work and variation of KAWS' large scale Clean Slate sculpture - a key highlight of KAWS’ major mus...

Yoshitomo Nara Dead Of Night Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

Salvador Dali (1904-1989) - The Inferno, Canto 15 - The Hard Margins Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Reference:...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue r...

Song of Songs is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs. Printe...

Charles Bragg, American (1931 - 2017) - In the Beginning There Were Mistakes, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 7...

This reproduction of the film feature Disney's Mickey Mouse and the Beanstalk, published in 1987, showcases vibrant colors and high-quality printing. Created using offset lithography...

A striking example of Fernando Botero's iconic style, "Woman with a Stole" captures the Colombian master’s signature exploration of volume, form, and sensuality. Executed in 1972, th...