Chicken Prints and Multiples

David Shrigley, It's A Long Day, When You Get Up Early, 2020 80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a Briti...

Image dimensions: 18 x 24,3 cm. Chicken and Hens is a color lithograph contained in the Meyers Konversations-Lexikon (or Meyers Lexikon). The print is from the encyclopedia Meyers ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 36-37-38. Published by Aimé Maeght, Éditeur, Paris; printed by Édi...

MORNING OF THE ROOSTER is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 1...

This vibrant and eye-catching 1921 advertising poster by Gautolai promotes Cognac aux Oeufs "Aurore", a rich and indulgent egg-based liqueur. The artwork is a stunning example of ear...

This powerful and symbolic poster, *Paix Désarmement* by Pablo Picasso, was created in 1960 to promote the *Conference for Peace and Disarmament* held in Paris. The image embodies Pi...

This piece titled "Rooster Totem" is an original artwork made from Letterpress, coque feather, mixed media by Katie VanVliet. This piece is shipped in the pictured white frame and me...

80 x 60 cm Off-set lithography Printed on 200g Munken Lynx paper Narayana Press in Denmark David Shrigley is a British visual artist known for his distinctive, whimsical, and often ...

This museum poster, created for the 96 NYE VÆRKER exhibition at the Louisiana Museum of Modern Art in Humlebæk, Denmark, features Borderland State by Alex Da Corte, an artist known f...

Jack Hofflander, American (1920 - 2003) - Barnyard II, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: 35 ...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Emidio di Nola, original Italian pasta poster. Size 19" x 25.5". Professional acid-free archival linen-backed; in excellent condition; ready to frame....

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Takeru Amano (Japanese, b. 1977) The Dog, 2022 Medium: Screenprint on 300gsm Somerset satin rag paper Dimensions: 27 1/5 × 27 1/5 in 69 × 69 cm Edition o...

Le Coq is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

"Contentment, " Grey Japanese Bantams, by the British painter and printmaker John Robert Granville Exley (usually JR Exley) is more than about poultry. This male/female pair sit in c...

The vintage poster for "Cycles Clément Pneumatique Dunlop Clément, Gladiator & Humber Ltd" is a charming relic from the early 20th century, epitomizing the collaboration of renowned ...

Ancient Roman Bust, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Michele Sorello and Nicolaus Vanni in the 18th century. Signed on the ...

This artwork titled "Roosters" c.1980 is an original lithograph on Arches paper by Israeli artist Amos Yaskil, b.1935. It is hand signed in pencil by the artist. The image size is 20...

The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...

Cock Tease is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered XXIX/C (there were also 275 Arabic and 20 AP), framed in a conte...

Les poules by Georges Manzana Pissarro (1871-19610 Pochoir 30 x 46 cm (11 ³/₄ x 18 ¹/₈ inches) Signed with Estate stamp Manzana Pissarro and numbered 7/100 lower left Artist biograp...

Medium: Etching Edition of 90 Year: 1977 ImageSize: 4 x 4 inches Signed, titled and numbered etching from the edition of 90. Humorous portrait of the Serpent (from Adam and Eve) on ...

Poultry Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.69 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued....

Jack Hofflander, American (1920 - 2003) - Bus Stop, Year: 1980, Medium: Screenprint, Signed, Dated and Numbered in Pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: ...

Duane Bryers, American (1911 - 2012) - Miguel, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 16.5 x 22 in., Size: 21 in. x 28.5 in...

Original " Are You 100% American? Prove it! Buy US government bonds. Third Liberty Loan" vintage poster. This poster from World War I questions whether the viewer is genuinely A...

Offering Vesta from "Antiquities of Herculaneum" is a Hand-colored etching on paper realized by Nicola Vanni in the 18th Century. Signed on the plate. Good conditions. The etching...

After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas. The original was destroyed by fire in May 1945 at Immendorf Castle, Lower Austria. Landscapes, for Klimt, are vehicles to convey universal themes such as procreation and the mysteries of life. Using a highly personal language of symbols, Klimt creates a voluptuous scene of fertility, fecundity and domesticity. Klimt uses a similarly lustrous palette of pearly iridescence for the path as he had for many of his female nudes. This feminine quality is intensified by the tunnel-effect produced by the walls of colorful floral blooms whose leafy stalks are redolent with wild abundance at the height of summer.The passage leads to a green covered arbor, womb-like, which contains a simple wooden table and a bench. Human presence is unmistakeable.The two chickens shown in the path provide the link to engage with this scene cerebrally and emotionally. Protective and maternal, the mother hens do somewhat bar one’s path, but by no means in a menacing way. The experiential aspect of walking forward and ignoring those chickens, certain that they will dodge out of the way, heightens the rational with the intuitive senses creating the illusion and feeling that the flanking floral walls are parting to provide clear passage to within. Seen in this context, the age old conundrum to divine what came first, the chicken or the egg, begs the question of the greatest mystery of all. One’s relationship to procreation itself, Klimt shows us, is interwoven all around us. Far from banal, this universal quality of the natural world is fraught with thrilling wonder. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...

A Chicken Family is an original print realized by William French (1815 ca.-1898) in the late 19th century. Black and white lithograph. Original Title: ...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York C...

Recall is a print realized by the Italian artist Gianni Testa in the 20th century. Mixed colored screen print. Hand-signed by the artist on the lower left. Numbered on the lower ...

Derives from a publication of 33 first edition lithographs in four colors, all completed for the final (6th) edition of The Situationalist Times: International Parisian Edition, prod...

Max Schweber's Pigeon Shoot is a compelling black-and-white lithograph that captures a moment of stark urban tension. In the scene, a rooftop teems with pigeons, while a crowd gather...

A fine limited edition color etching of a rooster titled “S.O.S.” by American artist Jamie Wyeth (b. 1946). Wyeth was born in Wilmington, DE and grew up in Chadd’s Ford, PA, the son of Andrew Wyeth, one of America’s most well known artists, and a grandson of the illustrator Newell Convers Wyeth. Wyeth studied under his aunt, Carolyn Wyeth, and apprenticed three years with his father before going to New York City to launch his own art career. During the 1960s and 70s, his portrait work included a posthumous President John F. Kennedy, Andy Warhol, and President Elect Jimmy Carter. Wyeth was commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, and he even painted Christmas cards of the White House for President Ronald Reagan. He summered on Monhegan Island and became closely linked to the Monhegan art...

Decoration With Animals is an Etching realized by Niccolò Vanni (1750-1770). The etching belongs to the print suite “Antiquities of Herculaneum Exposed...

Peasants is a Lithograph on paper realized by Mijo Kovacic in the 1980s . Hand-signed. Artist's proof. Good conditions. The artwork is depicted through harmonious colors in a wel...

This print of a chestnut tree depicts the harsh light and dark light and shadow on a bright winters day, highlighting the curve of the bark and the scars of time and age. This body ...

Hoopoe is a colored lithograph print realized by the Anonymous artist in the late 20th century. Hand-signed in pencil on the lower right, illegible. Numbered on the lower left marg...

Rooster-soldiers is an Original Lithograph realized by Luciano De Vita (1929-1992) in the 1950s. Good conditions. Signed at the top. The artwork is realized...

The Birth of the Bird is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & H...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...

Horse Carousel is an original print realized by the Italian artist Gianni Testa (1936) in 1986. Mixed colored serigraph. Hand-signed by the artist on lower right. Numbered on lowe...

Hibiscus - Linocut Black and White XXI century, Linocut, Flower, Figurative Art MARTA BOZYK (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

The Pecking Order is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 55/275 (there were also 100 Roman and 20 AP)....

The Younger Generation Rowena Fruth American (1896–1983) Date: 1941 Gelatin Silver Print mounted on board Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

Etching and Aquatint realized by Auguste Lançon (1836-1887) in 1883. Published by A. Quantin, Paris, in an edition of 250 copies. This Series depicts scenes from the daily life of T...

La Societe Des Aqua Fortistes is a black and White etching realized by Alfred Cadart in 1862.  Titled in the lower. It was realized as frontispiece of the famous collection of "Soc...

Joanna Padfield One Winter’s Day Limited Edition print on paper Edition of 50 Image Size: H 30cm x W 40 Paper Size: H 38cm x W 53 cm Sold Unframed (Please note that in situ images ar...

Anonymous Artist Unknown. Brigade Chicken Farm, 1973.53 x 77 cm. Aprox. 21 x 30.25 inches .Unlined Ref: Chinese Propaganda Posters, Stefan Landsberger, ...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Animal Decoration is an Etching realized by Filippo Morghen (1730-1807). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità ...