Abstract Sculptures

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Elisabet Urpí Ràfols and Nacho Umpiérrez Fripp, collectively known as ELIURPI, are the creative duo behind our brand. Based in Barcelona, we specialize in shaping unique pieces through a fusion of culture, architecture, and contemporary art. Founded 14 years ago, ELIURPI originally gained recognition for our sculptural hats. Over time, our artistic scope has broadened to encompass sculptures and art-design pieces. Recently, we showcased our latest creations at the Milan Fair, including an individual exhibition at Palazzo Litta titled "Shadows and Poems," inspired by Junichiro Tanizaki’s "In Praise of Shadows," which extols chiaroscuro as the pinnacle of beauty. Raffia served as the central material uniting all exhibited pieces, creating a harmonious narrative throughout the exhibition space. Our professional and personal lives intertwine, enriching our distinctive artistic language that blends cultural traditions with contemporary aesthetics. We draw inspiration from the interplay of light and shadow, while craftsmanship, creativity, and integrity guide our use of natural materials such as wood, straw, raffia, linen, and silk. Notable milestones include our ongoing exhibitions during ARCO week in Madrid, as well as appearances in international art galleries and craft biennials. In 2023, our work "Sculptural Head Object...

D’Arcy Bellamy’s "Winter Blossoms" is a contemporary metal sculpture that merges industrial artistry with organic elegance. This tall, 84-inch steel sculpture features intricately cu...

This original sculpture is created in cold-cast aluminum, which interacts beautifully with its environment and reflects light in nuanced ways. Because of the reflective surface of aluminum, the sculpture takes on different appearances depending on the lighting conditions: In bright lighting, the sculpture appears more vibrant and silver-toned, showcasing its lustrous finish and fluid contours. The high contrast highlights every curve and swirl, giving it a striking, almost glowing presence. In softer or dimmer light, the tones become more muted and subtle. The sculpture takes on a pewter-like appearance, with deeper shadows and a more understated elegance. This makes it a perfect fit for a variety of settings, adapting to its surroundings and changing mood with the light. The sculpture’s color and finish are consistent; the perceived changes are purely the result of lighting. The color variations in the photos are a testament to the material’s responsiveness to light. If you’re placing it in a room with changing daylight or adjustable lighting, you’ll enjoy how it shifts throughout the day, almost like a living piece of art. Jacob Burmood creates undulating abstract cold cast aluminum sculptures, intuitively redefining aesthetic shapes and visual perceptions. His sculptures draw connections between nature-inspired, organically composed objects, rejecting the rigid structure of geometric abstraction in favor of harmonious compositions that seem to move before the eye. This original cold-cast aluminum sculpture is 26 inches tall by 12 inches wide and 12 inches deep. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. The sculpture Burmood's artworks are inspired by modernist and bio-morphic sculpture...

A collaborative project, artist Javid Jah and fabricator Alex Akbari of Qube Inc. re-designed this series from a recent public art exhibition in downtown Toronto, which was exhibited in collaboration with Roger Mooking and Wyandot artist Catherine Tammaro. The dynamic geometric form of the three pieces—Terra, Aqua and Aero (the elements of earth, water and air) is inspired by the ideas of cosmology (the study of the universe) and sacred ancestral principles. Forged from steel, light shines through the intricately detailed pattern of perforations on the surface. Each individual sculpture can also be used as a wood burning or gas fire pit...

M.151201 is a heat reflective glass and half mirror sculpture by contemporary artist Toshio Iezumi, dimensions are 210 × 16 × 16 cm. (82.7 × 6.3 × 6.3 in) The sculpture is signed and...

Len Klikunas paints minimalist artworks to modify experienced reality through visual perception. The Blocks series is a mix of art and architecture, hovering between painting and scu...

cold rolled steel, sparkle orange metallic powder coated wall sculpture

The Totem " Imnek ” is a unique aluminum and recycled wood Sculpture by David Marshall in 2015 the combination of recycled wood and cast aluminum showcases the Artists ability to tr...

Optical Glass Sculpture, Minimalism, "Green Ovoid Diatom" by Jiyong Lee, 2024 Lee was born and raised in South Korea. He is a studio artist and an associate professor of art and hea...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

This contemporary sculpture is forged from stainless steel and designed for the outdoors. Philippe Pallafray’s ‘Mecanique Celeste’ series of dynam...

Concrete, paint, oil pastel and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

FROM THE SPACE TO YOUR DESK!!!. . . BLUETOOTH AND RADIO SPEAKER INCLUDED!!!! A more traditional HUICHOL style sculpture. Looks great in any room!!! ALTERATION ART . . . is a colla...

Artist Commentary: During the spring of 2011, Columbia fiber and installation artist Susan Lenz spent a mere two hours along South Carolina’s coastline coll...

Ai Weiwei (Chinese, b. 1957) Coca-Cola Glass Vase, 2023 Medium: Cast vase in translucent red glass Dimensions: ⌀ 19 cm x 21 cm x 21.2 cm (7 1/2 × 8 3/10 × 8 3/10 in) Edition of 300: ...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

This squirrel is made by Dutch Artist Frans van Straaten. Van Straaten should be called an artist of balance always searching for harmony between force and movement in combination with space. Because of the wide range in his art-education he has mastered the art of drawing, painting and sculpting technology. However, the classical plastic art of sculpture and modelling opens up the possibility for him to create his own language of sculpture in answer to his urge for art. Due to this style of sculpting, the preference for bronze is natural. After his study of sculpture at the Academy of Art in Rotterdam (1988), Frans van Straaten creates bronze sculptures in which he unites force and movement. Feeling and Emotion converted into Matter Sculpture is an experience of space combined with the challenge of the three-dimensional. The tension of space and movement are the themes, which Frans expresses in his sculptures. Summary it can be said that the power of life and being, the feeling and emotion by force and movement will be converted into matter. The experience of space is being expressed in the shapes and characters in each of Frans’ sculptures. His sculptures of bulls express explosive power while the horses find their strength in being elegant. Each sculpture recalls this way their own association and serves as a metaphor for a certain emotion. Feelings, which has inspired the artist for each sculpture. Powerful and Elegant Looking at the works of this artist, it becomes very clear that one of his most important sources is his background in art history. The Renaissance period as well as several Italian artists served as inspiration to Frans as a sculpture. For instance the expressions in Leonardo da Vinci’s artworks, and also Giovanni Bologna...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Marvin Lipofsky 1938 - 2016 Lipofsky approached glass as an organic, sculptural medium; resulting in his signature amorphic forms. Many of his works are colorful “bubbles” of glass....

Artwork made by ipe, cherry, mahogany, walnut, boat nails, acrylic & reclaimed suede Scott Troxel has exhibited his work at numerous fairs and exhibitions ...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

The powerful architectural form of this contemporary sculpture was created by Jah Qube—a collaboration between Toronto-based artist Javid Jah and Alex Akbari, a masterful fabricator....

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

This abstract tabletop sculpture is by Canadian artist Shayne Dark. Saturated in cerulean—like the colour of a deep blue sky, intersecting lengths of wood form a dramatic sculpture ...

Medium: Walnut and paint As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.

Yoshiro Ikeda Form with Two Cylinders (Ceramic Art, Handbuilt Ceramics, Organic Forms) Ceramic, Glaze Year: Unknown 11.25 x 10 x 4 inches Signed; bottom ...

"Magic Circle Constellation" by Rogan Brown Laser and hand cut paper, framed Rogan Brown creates abstract and sculptural wall reliefs. The large, hand cut pieces are dissected from ...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

This is an engaging multiple artwork by the Italian artist Robert Nanut, a talented artist of 1980’. This is a multiple of numbered edition of 1.000 pieces. This artwork was made in 1980 but it can be considered new cause remained since now stored and packed in the Editor warehouse. The bronze sculpture is completed by the certificate of authenticity, there is the number assigned to the piece and the original signature of the author. Roberto Nanut...

Meredith Brickell, TANK (BLUE) -LOCATION 316, Ceramic, 12.00 X 8.50 in, $1,800.00

Canadian artist Jake Goertzen creates a symmetrical design with six stainless steel rings in this elegant outdoor sculpture. "The circle is associated with wholeness, symmetry, har...

Milled wood, encaustic and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own...

Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass shapes, ...

"Transmission #1 2-2" is an original hand-cut wood collage by Matt R. Phillips measuring 20"h x 13"w. The piece ships in the pictured, artist-made, wood floater frame. The artist us...

Roger Phillips Kinetic Sculpture Painted iron and aluminum on walnut plinth base 44 1/2 inches high x 13 inches wide x 7 3/4 inches deep oger Phillips was born in New York City in ...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

Genesis I is a unique ceramic sculpture by contemporary artist Tien Wen, dimensions are 57 × 13 × 13 cm (22,4 × 5,1 × 5,1 in). The sculpture is signed and comes with a certificate o...

Complete set of 41 sewn cotton, sand-filled bags, contained in a wooden box with screenprinted box lid, 1978, signed and numbered from the edition 13 of 16 (there are also 2 artist’s...

"Magic Mushroom" contains those repetitive features of mantras or mandalas patiently made by hand. It projects a psychedelic image thanks to the chaotic...

Resonance II is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 58 × 72.5 × 67.6 cm (22.8 × 28.5 × 26.6 in). The sculpture is signed and numbered, it is pa...

Untitled IV is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and stainless steel, dimensions are 173 × 43 × 22 cm (68.1 × 16.9 ...

A large contemporary black steel sculpture. Beautiful on the floor or a pedestal. A contemporary statement piece full of elegance and movement. _____________________________________...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

"Blue Lagoon" is a saggar-fired porcelain vase by Alison Brannen. It measures 14" high by 9" wide. Inspired by her journeys sailing the Atlantic Ocean, Alison can’t get enough wind a...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Elevate, Size: 29" x 72" x 4'' inch, (...

"Flashe" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Cosmos, Size: 44" x 71" x 4'' inch, (111x180...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Hand-pitched chrome metallic glazed ceramic sculpture vessel by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. Drawn t...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

a mesmerizing sea of light blue and acqua color tones from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...

A collaborative project, artist Javid Jah and fabricator Alex Akbari of Qube Inc. re-designed this series from a recent public art exhibition in downtown Toronto, which was exhibited in collaboration with Roger Mooking and Wyandot artist Catherine Tammaro. The dynamic geometric form of the three pieces—Terra, Aqua and Aero (the elements of earth, water and air) is inspired by the ideas of cosmology (the study of the universe) and sacred ancestral principles. Forged from steel, light shines through the intricately detailed pattern of perforations on the surface. Each individual sculpture can also be used as a wood burning or gas fire pit...

Covered Parts 24113 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in...

Lofty one of a kind group of sculptures or assemblages handcrafted with organic branch coral in a dramatic ocean inspired composition and presented on lucite bases to enhance the scu...

No.061222 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large-scale sculpture weaves together richly textured geometric forms, establishing a dynamic int...

Heather Binder's "Long Pond" is a contemporary wood fired ceramic sculpture depicting the artists interpretation of gentle ripples reflected on the surface of Long Pond in New Hampsh...