Bronze Sculptures

Abstract bronze by Reuben Nakian Edition of 9 The powerful legacy of Reuben Nakian has earned him a coveted place in the history of American art. No other sculptor of the twentieth ...

This is an engaging bronze sculpture created by the Italian artist Patrizia Guerresi, in 1986. The piece is a multiple of 1000 specimens on a green-painted wooden base. The title is ...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Carlotta is an elegant figurative bronze sculpture of the female form by German sculptor Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of her...

This very intense and engaging artwork was created by Urano Palma that is a well known Italian artist who starts to create his artworks following the philosophy of Lucio Fontana. He ...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

This strongly posed female nude figure in patinated bronze was created rapidly in clay - in gestures that verge on abstraction. It has then been cast in bronze. This is the Artist...

"Hannah" by Carol Gold Bronze 10.5" x 5" x 5" ed/30 Bust of a woman with hat ABOUT THE ARTIST: Carol Gold was born in Hartford, Connecticut and grew up on a dairy farm in western M...

Reclining nude bronze on black marble sculpture by sculptor Laura Smith. The contrast of the bronze patina on marble makes the figure appear as if floating. There is some discolorati...

Neil Wood is a professional sculptor and fine artist with many years' experience lecturing in fine art and sculpture at institutions in the UK. He has worked in various settings; in ...

​George and Mark Lundeen's Reagan is a distinguished bronze sculpture that captures the essence of President Ronald Reagan's leadership and charisma. Standing at 27 inches tall, 12 i...

Signs and Writings No. 5 is a bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 115 × 50 × 50 cm (45.3 × 19.7 × 19.7 in). The scul...

Hope is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 65 × 23.5 × 14 cm (25.6 × 9.3 × 5.5 in). The sculpture is signed and numbered, it is part of ...

Subrata Paul - Fish Bronze & Wood, H 31 x W 27 x D 8 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

grandfather sitting with grandchildren

The Book of Ganesh II, Tribute to Gregory Colbert is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 24 × 71 × 20.5 cm ...

Suspended in air, this lone figure floats in a curled pose with hands clasped . This dynamic and innovative sculpture challenges our perception of space while captivating the imagination. This sculpture hangs from the ceiling by an adjustable wire and can be installed in the middle of a room or over a buffet or credenza. The possibilities for placement are endless. This artwork can be paired with Flight I as shown in the photos, Also available on 1stDibs. Jesús Curiá Perez Dance IV...

Boulder #1 – The Speaker is a bronze sculpture by contemporary artist Tom Price, dimensions are 155 × 100 × 65 cm (61 × 39.4 × 25.6 in). This artwork is available on commission. 8 e...

Melisandre by Nando Kallweit bronze sculpture, edition of 13 Dimensions: 166cm tall

Sculpture of a boy riding a toy pony.

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition ...

Large Arch is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 40 × 25 × 15 cm (15.7 × 9.8 × 5.9 in). The sculpture is signed and numbered, it is part of a limi...

"I create this sculpture at the very beginning of my career. I sculpted it from a real model. The girl was very lost in her thoughts or dreamed of something. Her body was relaxed an...

Group of Two Fishermen on Stilt IV is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 50 × 45 × 32 cm (19.7 × 17.7 × 12.6 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. The "Fisherman" series of bronze sculptures includes this one. In this piece of figurative art, two fishermen are shown sitting high on uncomplicated pole structures, only sporting a turban and loincloth. With this complex piece, the artist conveys all the poetry this peculiar spectacle has to offer. Standing motionless and waiting for the catch for an endless amount of time while perched above the water...

Jesús Curiá Perez Deslizando bronze and acrylic 24h x 12.50w x 11.75d in 60.96h x 31.75w x 29.84d cm ed. 1/8 JCP068 Jesús Curiá's sculptures arouse something more than purely aesthe...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which ...

The Power of Source is a sculpture in bronze, signed and dated ‘KOSTABI 2022,’ and numbered 7/8 from the edition of nine verso (there was also 1 AP). Mark Kostabi is widely known for his paintings, but the artist has also worked in bronze since the 1980s. Two of his sculptures are permanently installed in Italy – one in the central square of San Benedetto...

Melkior is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 48 × 28 × 16.5 cm (18.9 × 11 × 6.5 in). The sculpture is signed and numbered, it is part of a l...

This 24.01" x 15.74" bronze table top sculpture by artist Arman Hambardzumyan was created in 2013 and features an abstract nude female form. The figure is seated with crossed legs, the torso is curved upward opening into a corset form with outstretched arms. "The image of a woman always inspires me in both physical and spiritual beauty. In this sculpture, I tried to express the image of a woman with her soul, which has no smell, taste and is not tangible. The contour of the beautiful shimmering body of a woman allows you to feel the presence of the female soul inside."--ArmanH Arman is an Armenian artist represented in several major collections around the world including the Terra Garden in Kikinda (Serbia), Contemporary Hall of the National Museum of Fine Arts (Chisinau, Republic of Moldova), Boyajyan Center for the Arts (Prague, Czech Republic), and at private collections in Europe, Asia and in the USA. This work was exhibited in 2015 in 2015 Myths, Folk Art Museum after Hovhannes Sharambeyan. Yerevan, Armenia. Exhibit coordinator: Armine Beglaryan; and at the Art Expo, New York, April 21-24, 2017, organized by Redwood Art...

In this thoughtful sculpture by Canadian artist Richard Tosczak, the gestures of a female figure, head bent, arms wrapped, are captured in bronze. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and green-black patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. This piece is number three in an edition of eight. “The ineffable, vital qualities of the human spirit (is what I’m trying to communicate.)” - Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

Inscribed by the Artist with a signature and edition number on bronze base. 5/30

This delightful bronze sculpture of a walking baby elephant is highly textured and finished with an elegant sepia patina. Canadian sculptor Richard Tosczak begins his pieces with rapid pen and ink studies that evolve into dynamic three-dimensional figurative works cast in bronze. This is number 3 in an edition of 8. “I have always liked sculptures of Ganesh (elephant-headed Hindu god of beginnings) and have thought about making images of baby elephants for years. The baby elephant, for me, symbolizes creativity and the importance of pursuing one’s truest life.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

3 standing figures IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 61 × 22 × 17 cm (24 × 8.7 × 6.7 in).   The sculpture is signed and numbered, i...

Forged from bronze, this contemporary figurative indoor sculpture was made by Galina Stetco. The silhouette of a human bust has a hole where the heart is located and a metal ladder c...

Volodymyr Mykytenko - flower Fairy (2009) flower Fairy-Flower fairies are graceful creatures that wield the magic of nature to promote the growth of flowers. Fairies live in the for...

Apollon IV is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egypti...

Pyxis Awry 2021 (Plunge X) Bronze 14.5" (height) x 9.5" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inter...

A miniature bronze woman is reading. She found the perfect rock to settle on! This is number 2 in an edition of 12, but each edition number varies slightly due to the unique found ro...

This evocative double figure sculpture by Guido Righetti, titled Two African Marabous, is a masterful composition created in 1914. Depicting two marabou storks—a species often associ...

"Maquette" Bronze Sculpture 10" x 7" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. H...

This abstract bronze sculpture attaches to the black granite base using a rotating pin mount, allowing you to change the view as often as you'd like. The bronze sculpture measures 16...

"Union" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 299/350. Inspired by The Creation Sculptures of the Washington National Cathedral...

Bull VII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 59 × 55 × 15 cm (23.2 × 21.7 × 5.9 in). The sculpture is signed and numbered, it is part o...

This intense abstract bronze sculpture was created by the Italian artist Eli Riva in the Late 20th Century. The artwork is a multiple numbered and signed of 5...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

Au fil des sables is a bronze sculpture by contemporary artist Marine de Soos, dimensions are 56 × 75 × 17 cm (22 × 29.5 × 6.7 in). The sculpture is signed and numbered, it is part o...

This 35.43" x 9.84" bronze sculpture by Armenian artist, Arman Hambardzumyan, features a faceless figural form with long legs and a short torso. Th...

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Verso te" translated in "T...

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

Wind Girl II medium is a limited edition bronze sculpture with a nickel plating.

Little Stag I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 32 × 16.5 × 8.5 cm (12.6 × 6.5 × 3.3 in). The sculpture is signed and numbered, it is...

Artist's signature inscribed on the bronze base of the piece with an edition number. 6/20

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

SALE ONE WEEK ONLY This Pre-Star Wars Space Ship captures the magic, power and volume of unidentified objects that pass through our solar system and within viewing site of spaceship Earth. Titled "Untitled" this piece has the monumental quality and style of a spaceship that has been circling the universe forever. Constructed in 1963, prior to film industry creatives scaring viewers with visions of unimaginable spacecraft come to destroy earth, Julius Schmidt's imagination was unstoppable with his numerous and unique cast bronze sculptures. This extraordinary piece is a heart stopping example of what a genius creative can produce. It was exhibited in March 9 - 31, 1963 at the Otto Gerson Gallery, New York, NY. A Catalog of the show accompanies this piece. Julius Schmidt is an American sculptor who earned his B.F.A. from Cranbrook Academy of Art in 1953 and for the next two years studied sculpture under Ossip Zadkine in Paris and at the Accademia di Belle Arti in Florence, Italy. He returned to Cranbrook in Bloomfield Hills, Michigan, in 1955 for his M.F.A. in sculpture. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (bronze sculptures), Herb Babcock...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

Wall is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 37 × 56 × 7 cm (14.6 × 22 × 2.8 in). The sculpture is signed and numbered, it is part of a limited...