Skip to main content

Cord Sculptures

to
5
127
57
36
37
103
Overall Width
to
Overall Height
to
20
340
4
5
6
259
53
7
4
3
1
19
18
14
12
12
10
8
7
5
5
5
4
4
4
4
3
3
3
3
3
3,115
11,658
6,039
3,675
3,326
30
28
21
19
10
334
17
Medium: Cord
"Composition in Black and White", Cotton Wall Tapestry, Thread, Textile, Fiber
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Cotton, Thread, Polyester

Bake Sale: Ice Cream (20232), tufted wall art, textile, fiber, yarn, pink, soft
Located in Jersey City, NJ
Bake Sale: Ice Cream (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Ice Cream" by SarahGrace is a hand tufted wall...
Category

2010s Contemporary Cord Sculptures

Materials

Fabric, Yarn, Felt

Bake Sale: Donut (2023), tufted wall art, textile, fiber, yarn, pink, soft
Located in Jersey City, NJ
Bake Sale: Donut (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Donut" by SarahGrace is a hand tufted wall...
Category

2010s Contemporary Cord Sculptures

Materials

Fabric, Yarn

Large Sculpture: 'Purple Fiesta: Baggage' Emotional Baggage Cart
Located in New York, NY
My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...
Category

2010s Contemporary Cord Sculptures

Materials

Fabric, Thread, Yarn, LED Light, Mixed Media

Psychedelic Abstract Fiber Art, Contemporary Mixed Media, 2D Sculpture Painting
Located in St. Louis, MO
Psychedelic Abstract Fiber Art, Contemporary Mixed Media, 2D Sculpture Painting Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, i...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Yarn

Stay Away (2022), tufted art, textile, fiber, yarn, abstract, wall or table rug
Located in Jersey City, NJ
Stay Away (2022), tufted art, textile, fiber, yarn, abstract, biomorphic, red, pink, teal, wall or tabletop rug "Stay Away" by SarahGrace is a hand tufted wall hanging...
Category

2010s Contemporary Cord Sculptures

Materials

Fabric, Yarn

"Composition in Black and White", Cotton Wall Tapestry, Thread, Textile, Fiber
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Cotton, Thread, Polyester

"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category

21st Century and Contemporary Naturalistic Cord Sculptures

Materials

Concrete, Wire

Hannover
Located in Miami, FL
Jesus Rafael Soto "Hannover" 1970 Color silkscreen on transparent plexiglass panel, metal rods on nylon threads. It has the original box. 7 x 21 x 5 in Ed. 170 of 200 Provenance: Va...
Category

1970s Kinetic Cord Sculptures

Materials

Metal

Flipside, 2018, polyester cord, PVC rod, stainless steel, 96 x 42.5 x 17.5 in
Located in Darien, CT
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...
Category

2010s Minimalist Cord Sculptures

Materials

Stainless Steel

Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Cord Sculptures

Materials

Fabric, Thread, Dye, Found Objects, Plaster

"Carnival", Cotton Tapestry, Wall Hanging Sculpture, Thread, Textile, Polyester
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Cotton, Thread, Polyester

Dishtowel Fold, 2018, polyester cord, PVC rod, stainless steel, 94.5 x 49 x26 in
Located in Darien, CT
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...
Category

2010s Minimalist Cord Sculptures

Materials

Stainless Steel

"Child of the Night" Norma Minkowitz, contemporary mixed media textile sculpture
Located in Wilton, CT
This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz mixes her own interlacing technique with the...
Category

Early 2000s Contemporary Cord Sculptures

Materials

Textile, Thread, Found Objects, Mixed Media

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Cord Sculptures

Materials

Fabric, Thread, Plaster, Dye, Found Objects

Untitled #3/ Tied series (Black and white), Handmade Abstract Sculpture, 2018
Located in Boston, MA
Artist Commentary: “Tied”, the title of the installation, is a phonetic pun on the rising tides and the paper pages bound by threads.
As the water rises and falls, pages of our daily...
Category

21st Century and Contemporary Abstract Cord Sculptures

Materials

Fabric, Thread, Ink, Handmade Paper

"MySpace Tom No. 8" Textile Portrait, Glitch Motif, Crochet Acrylic"
Located in Philadelphia, PA
This piece titled "MySpace Tom No. 8" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Textile, Yarn

"MySpace Tom No. 3", Textile Portrait, Glitch Motif, Crochet Acrylic
Located in Philadelphia, PA
This piece titled "MySpace Tom No. 3" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Yarn, Acrylic Polymer

"MySpace Tom No. 1" Textile Portrait, Glitch Motif, Crochet Acrylic
Located in Philadelphia, PA
This piece titled "MySpace Tom No. 1" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This p...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Yarn, Acrylic, Textile

Flight- yellow and black butterflies embroidered with yellow thread
Located in New York, NY
Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...
Category

2010s Contemporary Cord Sculptures

Materials

Thread, Plexiglass, Pins, Wood Panel

Meteoric Rainbow
Located in New York, NY
Meteoric Rainbow 2021 Embroidery thread, acrylic and wool on wood dimensions variable $300 per stick Lyndi Sales is an artist based in Cape Town, South A...
Category

2010s Contemporary Cord Sculptures

Materials

Wool, Thread, Plastic, Wood

Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Cord Sculptures

Materials

Thread, Dye, Found Objects

Butterfly Girl
Located in New York, NY
Eric Rhein “Butterfly Girl” 1992-1995 Accompanied by a certificate of authenticity Steel, brass, and gold-filled wire, thread, glue, and found object...
Category

1990s Contemporary Cord Sculptures

Materials

Brass, Steel, Wire

Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Cord Sculptures

Materials

Ceramic, Fabric, Thread, Dye, Found Objects

Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Cord Sculptures

Materials

Fabric, Thread, Plaster, Dye, Found Objects

"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...
Category

21st Century and Contemporary Naturalistic Cord Sculptures

Materials

Concrete, Wire

Amber Fox
Located in Bozeman, MT
'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...
Category

2010s Contemporary Cord Sculptures

Materials

Metal

Portrait of Nut / Goddess No. 2
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category

2010s Abstract Cord Sculptures

Materials

Fabric, Thread, Dye

"See Me" Norma Minkowitz, Contemporary mixed media figurative sculpture
Located in Wilton, CT
This two-piece mixed media figurative sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowitz ...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Resin, Mixed Media, Thread

Portrait of Nut / Goddess No. 1
Located in New York, NY
Hand-machine knitted thread, fluid acrylic on dyed fabric Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category

2010s Abstract Cord Sculptures

Materials

Fabric, Thread, Dye

Soft Landing
Located in Bozeman, MT
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny works in a variety o...
Category

2010s Contemporary Cord Sculptures

Materials

Steel

Pathways of Desire, Contemporary Abstract Tapestry, Textile Wall Sculpture
Located in Wilton, CT
Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...
Category

Early 2000s Abstract Geometric Cord Sculptures

Materials

Fabric, Tapestry, Cotton, Thread, Polyester

Italian Modernist Abstract Sculpture Painting Shaped Canvas Brutalist Collage
By Max Marra
Located in Surfside, FL
Signed, dated, and titled "MAX MARRA XXX 2002 verso. Mixed media sculpture painting including acrylic, ink, cord, and wax on shaped canvas, 20 3/4 x 24 in., unframed. Ho viaggiato ...
Category

Early 2000s Modern Cord Sculptures

Materials

Cord, Ink, Mixed Media, Wax, Acrylic

"NESTING LOTUS #4", Sculpture, Wire Mesh, Wood, Concrete, White, Black, Tan Base
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category

21st Century and Contemporary Naturalistic Cord Sculptures

Materials

Concrete, Wire

"Extra Cheese" hand-embroidery, bold text, lettering, thread on paper
Located in Philadelphia, PA
This piece titled "Extra Cheese" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures 8.75...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Thread, Paper

"Frozen Margarita" Hand-embroidery, bold text, lettering, thread on paper
Located in Philadelphia, PA
This piece titled "Frozen Margarita" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures ...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Thread, Paper

"Milkshake Brings Boyz to Yard" hand-embroidery, bold text, lettering, thread
Located in Philadelphia, PA
This piece titled "Milkshake Brings Boyz to Yard" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame ...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Thread, Paper

"Bloody Mary" hand-embroidery, bold lettering, text, black and white
Located in Philadelphia, PA
This piece titled "Bloody Mary" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured whi...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Thread, Paper

Fiber wall hanging: 'Politics of Hair: Camo Green'
Located in New York, NY
Extensions of rope, impeccably wrapped, woven, tied and embellished with recycled beads, zip ties, ribbon, lace, tape and beads lure you into a hue-imbued, installation symbolizing n...
Category

2010s Contemporary Cord Sculptures

Materials

Wool, Thread, Yarn

Black and Puma Lion- Animal 3D unique sculptural piece with thread
Located in New York, NY
What do you get when art meets math and computer programming? If you’re Ani Aba, what you get are stunning replicas of art historical masterpieces or replicas of animals portraits ma...
Category

2010s Contemporary Cord Sculptures

Materials

Thread, ABS

Stolen Stickers & Visions
Located in Philadelphia, PA
This fabric work titled "Stolen Stickers & Visions" is an original artwork by Kelly Kozma made of hand embroidery, sticker and gem on paper. The piece measures 13”h by 13”w. Kelly K...
Category

21st Century and Contemporary Cord Sculptures

Materials

Fabric, Thread, Found Objects

Squeaking By
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery and photographs on paper. The piece measures 13”h by 13”w framed. Kelly Kozma is...
Category

21st Century and Contemporary Cord Sculptures

Materials

Fabric, Thread, Found Objects

Superpowers
Located in Philadelphia, PA
This fabric work titled "Squeaking By" is an original artwork by Kelly Kozma made of hand embroidery, stickers, glitter paper and acrylic paint on paper. The piece measures 13”h by 1...
Category

21st Century and Contemporary Cord Sculptures

Materials

Fabric, Thread, Found Objects

Right On
Located in Philadelphia, PA
This fabric work titled "Right On" is an original artwork by Kelly Kozma made of hand embroidery and collage on rag paper. The piece measures 13”h by 13”w framed. Kelly Kozma is a m...
Category

21st Century and Contemporary Cord Sculptures

Materials

Fabric, Thread, Found Objects

Dead of Night
Located in Philadelphia, PA
This fabric work titled "Dead of Night" is an original artwork by Kelly Kozma made of hand embroidery on paper. The piece measures 13”h by 13”w framed. Kelly Kozma is a mixed media ...
Category

21st Century and Contemporary Cord Sculptures

Materials

Fabric, Thread, Found Objects

Soft Swirl
Located in Philadelphia, PA
This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...
Category

21st Century and Contemporary Abstract Cord Sculptures

Materials

Fabric, Thread, Found Objects

Small Recline, pink, purple, textile, organic, ceramic
Located in New York, NY
Glazed ceramic, recycled textiles, thread, batting, nylon rope, wire, acrylic paint 7 x 4 x 4 inches Artist Statement I hand-sew compound sculptural forms that are constructed from...
Category

2010s Contemporary Cord Sculptures

Materials

Ceramic, Textile, Cord, Thread, Found Objects

Little Weirdo No. 3
Located in New York, NY
Hand-machine knitted thread, fluid acrylic, burlap on dyed fabric 16.5 x 17 inches framed Statement My work is at the intersection of painting, object making, and immersive installation. I use various materials such as vintage threads...
Category

2010s Abstract Cord Sculptures

Materials

Fabric, Thread, Dye

Offerings
Located in Philadelphia, PA
This wall-hanging sculpture titled "Offerings" is an original artwork by Kelly Kozma made of credit card offer envelopes & assorted paper, hand-stitched together with embroidery thre...
Category

21st Century and Contemporary Contemporary Cord Sculptures

Materials

Thread, Paper, Found Objects

OPEN EQUIVALENCE 1 - acrylic on cut linen with cotton thread -Abstract Geometric
Located in Signal Mountain, TN
In this sculptural piece, Linda King Ferguson has cut a piece of linen canvas into a half-diamond shape, with an ellipsis cut-out close to the scalloped right edge. A red cotton thread completes the second half of the diamond shape, then hangs from the bottom corner, evoking the image of a kite. King Ferguson's paintings are abstractions of the female body. She chooses to use linen...
Category

2010s Abstract Geometric Cord Sculptures

Materials

Cotton, Linen, Thread, Acrylic

GOLD RING, GOLD CHAIN - Cross Stitch Embroidered Bull - Orange, Blue Yarn
By Chelsea Velaga
Located in Signal Mountain, TN
This yarn-embroidered bull by Savithri Velaga is a symbol of her cultural heritage. The sacred bull in Hindu mythology, Nandi, represents hard work and perseverance.
Category

2010s Contemporary Cord Sculptures

Materials

Yarn, Mesh

Sage Goat
Located in Bozeman, MT
'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...
Category

2010s Contemporary Cord Sculptures

Materials

Metal

Untitled MM9, silhouette, pattern, textile, icon, gold, blue, red
Located in New York, NY
printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...
Category

2010s Contemporary Cord Sculptures

Materials

Textile, Thread, Sequins

Pigtails
Located in New York, NY
Glazed ceramic, thread 4 x 3 x 3 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clothing, furniture, household items, and other utilitarian m...
Category

2010s Contemporary Cord Sculptures

Materials

Ceramic, Thread

Jelly Legs, textile, patterned, blue, soft sculpture, stripes, blue, orange
Located in New York, NY
Ceramic, recycled fabric, thread, batting 9 x 7 x 6 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clothing, furniture, household items, and ...
Category

2010s Contemporary Cord Sculptures

Materials

Ceramic, Textile, Thread

Drool
Located in West Hollywood, CA
"Drool" is a surrealist and brightly colored wall installation by artist Megan Dune, constructed with acrylic, colored pencil, paper, glitter, thread, foil ...
Category

2010s Surrealist Cord Sculptures

Materials

Foil

Stoneware Figurative Sculpture: 'To exist'
Located in New York, NY
The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...
Category

2010s Contemporary Cord Sculptures

Materials

Clay, Stoneware, Yarn, Wax, Ceramic

Textile Sculpture on Steel frame: 'Gloves'
Located in New York, NY
Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...
Category

2010s Contemporary Cord Sculptures

Materials

Steel

Contemporary Botanical Flora Textile Embroidery Leaves Natural Earth Collage
Located in Buffalo, NY
Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...
Category

2010s Contemporary Cord Sculptures

Materials

Thread, Organic Material

Bloom
Located in Bozeman, MT
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny works in a variety o...
Category

2010s Contemporary Cord Sculptures

Materials

Metal

Cord sculptures for sale on 1stDibs.

Find a wide variety of authentic Cord sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Rachel Denny, Atticus Adams, Kelly Kozma, and Ulla-Stina Wikander. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Cord sculptures, so small editions measuring 0.12 inches across are also available

Read More

This Weathered-Steel Sculpture Distills a Form of Protest into a Minimalist Monument

Part of Alejandro Vega Beuvrin’s “Barricada” series, the work is a subversive tribute to the street smarts of citizen activists.

How the Chunky, Funky Ceramics of 5 Mid-Century American Artists Balanced Out Slick Modernism

Get to know the innovators behind the pottery countercultural revolution.

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve

By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.

How to Spot a Fake KAWS Figure

KAWS art toys have developed an avid audience in recent decades, and as in any robust collectible market, counterfeiters have followed the mania. Of course, you don’t have to worry about that on 1stDibs, where all our sellers are highly vetted.

A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light

At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.

These Soft Sculptures Are Childhood Imaginary Friends Come to Life

Miami artist and designer Gabriela Noelle’s fantastical creations appeal to the Peter Pan in all of us.

Hideho Tanaka Carefully Stitched Together Pieces of Paper to Make This Sculptural Textile

The Japanese fiber artist’s ‘Vanishing and Emerging Wall’ may seem innocuous — but it plays with conceptions of time.

Recently Viewed

View All