Cord Sculptures

This sculpture titled "Cutting Machine" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measures approximately approx. 11....

Bake Sale: Ice Cream (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Ice Cream" by SarahGrace is a hand tufted wall...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Bake Sale: Donut (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Donut" by SarahGrace is a hand tufted wall...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

SIGNED ON BACK. Lisa Pressman’s Shape of Memory series transforms cardboard, thread, smoke, and Letraset into evocative wall-mounted works that recall ancient relics or worn book covers. Each shaped panel floats about an inch off the wall, often casting glowing, colored shadows from painted backs that shift with the light. Stitched seams and weathered surfaces suggest scars, resilience, and the passage of time, resonating as personal artifacts of memory and healing. Known for her abstract paintings in oil, encaustic, and mixed media, Pressman’s oeuvre consistently explores impermanence and transformation. With their sculptural presence and luminous effects, these intimate objects blur painting...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

Ceramic Wall Hanging or Centerpiece with Engravings, Sticks, and Thread Balanced abstract sculptural piece by an unknown artist (20th Century). This sculpture is composed of various...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt sources and arranges her fabric...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

Contemporary Textile, Fiber, Wall Sculpture, Psychedelic, Woven, Crocheted Groot Foundation Grant Honorable Mention Recipient 2025 Terraforming Consciousness by Ethan Meyer is a po...

Minimal Biomorphic Abstract Sculpture in Hemp Fiber, Contemporary Organic Art By Silvana Ilieva This work was selected for the curated exhibition Artists in Focus at Sofia Art Fair...

"Extra In, Field Flagship (Linea Pictura — Diptych)" is an original artwork by Hyland Mather made of acrylic, ink, string, pins on drop cloth, in tray frames. The diptych measures ap...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Contemporary Fiber Art, Needle Felted "Painting" with Hand Stitched Wrapped Edge Hangs on wall via french cleat Groot Foundation Honorable Mention Recipient 2025 "My work, both in...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

Stay Away (2022), tufted art, textile, fiber, yarn, abstract, biomorphic, red, pink, teal, wall or tabletop rug "Stay Away" by SarahGrace is a hand tufted wall hanging...

What do you get when art meets math and computer programming? If you’re Ani Aba, what you get are stunning replicas of art historical masterpieces or replicas of animals portraits ma...

Temporary End of Summer Sale. This phenomenal wall-mounted mid-century-modern sculpture is titled "Flight" and was created by internationally recognized textile artist Barbara Barr...

"Modus Lumen 05" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

Thin Green Horizon, sisal, linen and flax, 45.5” x 55.5”, 2017. Gudrun Pagter is a Denmark-based artist that is known for creating exquisite woven tapestries. Pagter creates strong...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

"Modus Lumen 03" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

"Modus Lumen 01" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

This piece titled "Tried and True, Nothing Beats a Classic Flip Phone" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on M...

Hand Woven, Stitched and Stretched Fiber Art, Glossolalia by Ethan Meyer Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, involve n...

Artist Commentary: Transitioning is part of my sculptural dress series. I was interested in experimenting with open and closed spaces and colors transitioning from yellow to pink. ...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Black is one in a three part series. “In the ref...

This sculpture titled "Iguana & Myrrh, Magma & Reef" is an original artwork by Kelly Kozma made of assorted & repurposed punched paper, hand-stitched together with embroi...

This piece titled "Bippity," is an original artwork by Genevieve Lavalle made of hand-punched yarn on fabric, with whipped edges. The piece measures 32"h x 21"w and is signed with th...

This piece titled "It Girl" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF with 35 colors and 8,880 stitches using ...

Traces, sisal and hand spun wool, 108" x 42", 1979. This large, figurative, mid-century modern tapestry was done by Polish textile artist, Lilla Kulka...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

LESLEY DILL ONLY, 2004 bronze, paint, ink, wire, thread 58 x 19 x 14 in. 147.3 x 48.3 x 35.6 cm.

This piece titled "Boppity," is an original artwork by Genevieve Lavalle made of hand-punched yarn on fabric, with whipped edges. The piece measures 32"h x 21"w and is signed with th...

"Modus Lumen 06" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

"Modus Lumen Full Series" is an original artwork by Hyland Mather, composed of illuminated lost-object assemblages with translucent acrylic, tape drawing, string, aerosol, and light....

This piece titled "Never Mess With a Bitch With a Blackberry" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF with 2...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it. Theda Sandiford...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

This sculpture titled "Magma & Reef" is an original artwork by Kelly Kozma made of assorted & repurposed punched paper, hand-stitched together with embroidery thread. The pie...

This sculpture titled "Iguana & Myrrh" is an original artwork by Kelly Kozma made of assorted & repurposed punched paper, hand-stitched together with embroidery thread. The p...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...