Cord Sculptures

This found object sculpture titled "Tape recorder" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. Her i...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

This abstract mixed media artwork titled "Rhapsody" is an original artwork by Kelly Kozma made of hand embroidery & mixed media on recycled rag paper. This piece measures 12.5”h x 12...

This piece titled "LG enV" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from recycled cell phone mounted on crocheted acrylic in ornate frame. ...

This sculpture titled "Small Fruit Press" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. This piece measu...

Contemporary Textile, Fiber, Wall Sculpture, Psychedelic, Woven, Crocheted Groot Foundation Grant Honorable Mention Recipient 2025 Terraforming Consciousness by Ethan Meyer is a po...

This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...

This piece titled "Darkmark999" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF, for a total of 22 colors and 10,164...

Bake Sale: Ice Cream (2023), tufted art, textile, fiber, yarn, soft sculpture, pink, teal, wall or tabletop rug "Bake Sale: Ice Cream" by SarahGrace is a hand tufted wall...

Stony Signs, wool, sisal, copper, 35" x 90", 1978. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Stay Away (2022), tufted art, textile, fiber, yarn, abstract, biomorphic, red, pink, teal, wall or tabletop rug "Stay Away" by SarahGrace is a hand tufted wall hanging...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Untitled Steel Mesh I 2012, Jin-Sook So, steel mesh, painted, electroplated silver and gold leaf, 31.5" x 52.75" x 6.25", 2012. This abstract geometric wall sculpture was done by fi...

Beth Reitmeyer is a visual artist based in Nashville, TN. Her current installations are based upon landscape topography and geology, specifically sinkholes, caves, geodes, and rocks....

This piece titled "Classic Nokia Brick" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from recycled cell phone mounted on crocheted acrylic in o...

This piece titled "Antique Samsung Flip" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from recycled cell phone mounted on crocheted acrylic in ...

This piece titled "Can I Please Eat In The Computer Room Tonight (Again)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic o...

This piece titled "Tried and True, Nothing Beats a Classic Flip Phone" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on M...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This piece titled "Moodiest Button To Ever Exist (AIM away message)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic hangin...

This piece titled "The Original Fidget Spinner" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic on MDF. This piece measures...

This piece was created using carefully curated materials that were then bound together. The materials used were all discarded and would otherwise have gone to a landfill. I repurpose...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

Merging Styles and Cultures, Original Contemporary Mixed Media Installation, 2021 Digital images printed on transparency, hand-stitched Utili...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This found object sculpture titled "Thermos and Mug" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. Her intricate textile constructi...

Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...

Podroz (Journey) from the Kolodia series, linen, sisal, wool 60" x 56", 1986. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Sza...

Memory, Kyoko Kumai, stainless steel filaments, 41” x 19” x 19”, 2017. This steel thread woven wall sculpture was constructed by Japanese fiber artist, Ky...

This contemporary wall mounted fiber sculpture, Specimen 24 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton thread is wrapped ar...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Black in Gold (2017) by Hillary Waters F...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

A pair of original wire mesh figurative sculptures by American contemporary artist Randy Cooper.

Sand-cast glass, steel mesh, silver mesh, and metal. 60"H x 45"W x 20"D Yasemin Aslan Bakiri specializes in sand-cast glass techniques using ideas relating to the natural world...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

This abstract boat wall sculpture by Danish artist, Jane Balsgaard, is constructed with iron, bamboo, willow, fishing line and handmade plantpaper...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Space Between (2017) by Hillary Waters Fayle. Magnolia leaves...

Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones start...

Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This sculpture titled "Crossing Paths: Sunset" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This collection is made up of meticulously...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Red is one in a three part series. “In the refin...

Leaves are precisely arranged and intricately embroidered, rendering them earthly and otherwise, fibrous in both a natural and textile sense. Corners of the Sky Series (2022) by Hill...

Saba's Garden, linen, sisal and wool, 84" x 92", 1978. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Szafranska (b. 1929, Warsa...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...

A wall-mounted contemporary fiber sculpture, Specimen 44 reads as an artistic rendition of a beautiful sea specimen. Luminous hand-dyed violet blue and purple embroidery thread is wr...

Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obtain this kind of words. √Mei recalls something that catch the attention, that is intermittent and that can change. For the three following artworks we decided to decline the root starting from the concepts of light and sound, using a set of different languages, such as English, Russian, Sanskrit, Latin, Avestan, Greek and Persian, and to create shapes...

"We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Artist Commentary: Transitioning is part of my sculptural dress series. I was interested in experimenting with open and closed spaces and colors transitioning from yellow to pink. ...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...