Fabric Sculptures

Sinclair Wolf, Howling at the Moon Fabric, wadding, cardboard, buttons and trimming 20.5 H x 6 W x 12.5 D inches / 52 H x 16 W x 32 D cm French artist Anne-Valérie Dupond transforms...

French artist Anne-Valérie Dupond transforms humble materials into extraordinary sculptural forms in Alsatia, a captivating textile deer sculpture that merges folk tradition, contemp...

This sculpture by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeeste...

Tamara (Spatial Wall to Ceiling Edition) Textile, Paper Clay, Hand-formed Steel, Metal Mesh Size on wall : H 60 x W 36 x D 15 in Size on ceiling : H 26 x W 60 x D 48 in 2026 Thi...

Joseph Havel Nothin, 2008 Double woven silk taffeta labels, acrylic construction, plywood 24 1/2 x 24 1/2 inches

This mixed-media work on paper, canvas and wood forms part of the artist’s ongoing Fragments series, a body of work in which ruptured framing, material tension and partial figuration...

The Held Promise Dangling with the weight of expectation, ‘The Held Promise’ glimmers with the hope of a new beginning Textile H 63 x W 18 x D 10 in This artwork is conceived as a...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

Anne Andersson Sisal fiber wall sculpture Lion's Head (# 13) Hand signed to verso Dated 2009. Measures approx. 22 1/2" height x 14 1/2" width x 10" depth Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

This work from Olga Radionova’s “Imaginary Gardens” series is a one-of-a-kind textile sculpture meant for immersive contemplation. Blending earthy green tones with natural textures, ...

This large mixed-media work on paper, canvas and wood belongs to the artist’s ongoing Fragments series, where ruptured framing and material expansion become central to the act of rep...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Austrian Landscape Oil on Linen 1905 Goetheanum Designer Hand Carved Wood Frame Historically significant wood work and wonderful landscape celebrating the Austrian landscape and for...

Hexagonal yellow clay wall sculpture in hand molded ceramic relief conceived for modular wall installation. This wall-mounted clay sculpture is constructed from hand molded natural ...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

Sapphire blue felt takes the shape of a biomorphic form in this contemplative wall sculpture by fabric artist Chung-Im Kim. The felt is cut into irregular shapes that are sewn with p...

This sculpture is called Tree of Life. It features recycled wood—a 130-year-old oak tree. this wood was a part of 18th century building in Kyiv. The artist gave it a second life by ...

From the “Imaginary Gardens” series, Winter Garden is a textile sculpture inspired by silence, slowness, and seasonal transitions. The piece features soft padded shapes, metallic thr...

Rare Vintage unusual piece. A cute couple, Chassidic bride and groom in their wedding best. Frank Meisler has sculpted the city of Jerusalem, its walls and buildings culminating in the Temple Mount. There is a little hole in his hand for the flower that is currently missing but can easily be filled with any small sprig FRANK MEISLER Gdansk, Poland - Israel, b. 1929 Frank Meisler (born 1929) is an Israeli architect and sculptor. He was born in Germany, grew up in England, before moving to Israel in 1960. Meisler was born into a Jewish family in Danzig (then in Germany, now Gdańsk in Poland). He was evacuated from Germany by the Kindertransport in August 1939, travelling with 14 other Jewish children via Berlin to the Netherlands and then to Liverpool Street station in London. His parents were arrested three days after his departure, held in the Warsaw Ghetto and later murdered at Auschwitz concentration camp. He was raised by a grandmother, who lived in London. He attended school in Harrow, and then did national service in the Royal Air Force. He studied architecture at the University of Manchester, and was involved in the construction of the Heathrow Airport. Meisler moved to Israel in 1960, where he has a workshop in the Old City of Jaffa. He makes small Judaica sculptures, and also large public works. His public works include a memorial to Ben Gurion in Israel, a statue "Eternal Kiev" in Kiev, and a series of Kindertransport memorials: "Kindertransport - the arrival" erected at Liverpool Street station in London in 2006, "Trains to life, trains to death" erected at Friedrichstraße station in Berlin in 2008, "The departure" erected at Gdańsk Główny station in 2009, and "Crossing to life" erected at the Hook of Holland in 2011. Each includes bronze statues of a group of children, with luggage. Known for his whimsical Folk Art, Judaic sculptures he is a long time denizen of Jaffa along with Ilana Goor. He made large-scale sculptures commemorating various historical figures, including Joseph Stalin, Theodore Roosevelt, Winston Churchill at the 1945 Yalta Conference, and Christopher Columbus. Meisler also worked on a smaller scale, producing menorah, Jerusalem fountains, Jewish figurines...

Pascal Mourgue (France, 1943-2014) Model Contraste Rocking chair, late 20th century. A blackened wooden frame with a sculptural elliptical backrest and rocker base, paired with an ...

Kinetic head sculpture rotates in gentle air currents, creating a hypnotic interplay of coastal tones and organic form. AR (2024) by Aldonza is crafted in white high-temperature refr...

This large abstract statement painting by Teodora Guererra features a soft, airy palette of pale whites, icy blues, hints of sage green, and touches of lavender gray. The artist buil...

Corey Pickett's (US based) "Ray Gun 56" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Picke...

This textile-based wall sculpture by María Magán brings together embroidery, fabric sculpture, and painting in a surreal mixed media assemblage. Titled Crecer y menguar and part of t...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Odchodzacy (Departure II), wool, cotton & stilon, 92" x 36", 1993. This large figurative, abstract tapestry was done by textile artist, Lilla Kulka (b. 1946, Krakow, Poland). Arti...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Humpty Dumpty...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

"Carta Series, Paper Imbeds" Experimental Printmaking Wall Sculpture Handmade paper sculpture by Harold Paris (American, 1925-1979). This piece exemplifies post-minimalist and exper...

Wait, Weight - Abstract Wall Sculpture with Reflective Spheres Abstract wall sculptures by Cassandra Jacobs (American, b. 1964). Each piece is constructed from plaster bandages, wra...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

While her work ranges in scale from dainty diminutive pedestal objects to large sprawling installations, there is a common thread that runs through these seemingly disparate bodies o...

Round red lips clay mosaic wall sculpture in high relief composed of individually hand molded and fired ceramic elements. This circular wall relief reconstructs the lips motif throug...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

This piece titled "Fiber Truck - PHD Edition" is an original piece by Han Cao and is madecotton embroidery thread, plastic stitching canvas, painted wooden spools, acrylic display ca...

This abstract painting by Teodora Guererra features a deep teal and pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping strokes...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

This abstract painting by Teodora Guererra features a light palette with light, muted green at the top and bottom, and other accent colors toward the center of the composition includ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

acrylic on African fabric

This hand-molded clay mosaic sculpture explores organic textures, autumnal tones, and tactile memory through an abstracted acorn motif. Created on a hexagonal panel using natural cla...

This large abstract statement painting by Teodora Guererra features a palette that transitions from deep blue at the bottom of the canvas up to lighter blue followed by a lavender vi...

Structural tapestry, my interpretation of contemporary, traditional Ukrainian folk art. I saw the idea and the visual form of the sculpture as a picture in my imagination just the other day, and I immediately wanted to try to implement it, because. I don’t always fully understand how in the process it will be possible to realize what was conceived. This tapestry differs from others in that it has a form, a small volume created from wooden sticks and wire. And then the usual textiles. This tapestry is part of the project on my idea before the war, I continue to implement my ideas old and new. My arrival home gives me new strength and ideas. Despite the danger of living in a frontline city. My new tapestry is a modern interpretation of classic tapestries...

Title: Autumn Moon Year: 2022 Medium: Mixed media sculptural lamp Condition: Excellent Edition: 20, plus proofs Notes: AllRightsReserved, Hong Kong in collaboration with the artist. ...

This abstract painting by Teodora Guererra features a blue and white palette ranging from deep blue-grey at the bottom of the composition, and fading up to light blue and white at th...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Joseph Havel Rest, 2004 Double woven silk taffeta labels in an acrylic construction 13 1/2 x 12 1/2 x 1 3/4 inches

Textile & mixed media

This painting features hues of blue and black. Born in Medellín, Colombia, Esteban Patino is an Atlanta-based artist whose latest body of work, Shapeshifter, explores the deconstruc...

This painting features hues of red and black. Born in Medellín, Colombia, Esteban Patino is an Atlanta-based artist whose latest body of work, Shapeshifter, explores the deconstruct...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Super cool addition to your shelf or bar by Lucy Sparrow. Released by the artist in 2018 for Art Basel in Miami. Sculpture is based on the Ace Of Spades Champagne bottle. Hand made m...

Paint on muslin & mixed media

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...