Fabric Sculptures

Created in the mid-1960s, "The Tree" is an extraordinary one-of-a-kind monumental fiber sculpture by celebrated Detroit textile artist Jane Knight (1928–2013). Retained in the artist...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Hot Pink metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, u...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

Joseph Havel Nothin, 2008 Double woven silk taffeta labels, acrylic construction, plywood 24 1/2 x 24 1/2 inches

This mixed-media work on paper, canvas and wood forms part of the artist’s ongoing Fragments series, a body of work in which ruptured framing, material tension and partial figuration...

Contemporary Mixed Media Wall Sculpture, Cotton / Silk, 39 x 41 in, Richmond Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received h...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Podroz (Journey) from the Kolodia series, linen, sisal, wool 60" x 56", 1986. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Sza...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a orange-bronze and pink background, the artist has attached several objects, including plastic letters, paper cutouts, and glass slides...

"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993. This contemporary abstract mixed media tapestry was done by California-based American fib...

This exceptional monumental fiber wall sculpture was created in the mid-1960s by acclaimed Detroit textile artist Jane Knight (1928–2013) and remained in the artist's own private col...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Since...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Warp Ikat Spiral, weaving, 36"x108", 1962. This mid-century geometric abstract tapestry was done by American textile artist, Ed Rossbach (1914-2002, Chica...

Eric Rhein “Clarrisa” 1989 Accompanied by a certificate of authenticity Wire, suede, brocade fabric, and found objects 16.5 x 17.5 x 8.5 inches (41.9 x 44.5 x 21.6 cm) This work...

Super cool addition to your shelf or bar by Lucy Sparrow. Released by the artist in 2018 for Art Basel in Miami. Sculpture is based on the Ace Of Spades Champagne bottle. Hand made m...

This handwoven contemporary textile sculpture, Mineral II, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains ...

"Wild in the Woods" fiber, wood, mixed media, 40 x 11 x 16, 1997. This mixed media textile sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing te...

Round red lips clay mosaic wall sculpture in high relief with hand molded and fired ceramic elements. This circular wall relief reinterprets the lips motif through a dense aggregatio...

I wove a tapestry as I returned home to the front-line city of Kharkov, which is constantly under fire. At home, I felt that I wanted to implement the ideas that I had come up with earlier, I wanted to create something new, and the sounds of sirens and explosions did not bother me anymore. Created with the sound of sirens and explosions. Combining bright particles of yarn and thread, I imprint my positive attitude, I live a full life, I breathe. This work is one of the sari of my knitted tapestries, a modern interpretation of the carpet tapestries that used to be hung on the wall, let my bright tapestries...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

For sale is the highly sought-after collaboration between renowned Chinese artist and activist Ai Weiwei and German home improvement store Hornbach, Safety Jackets Zipped the Other W...

Contemporary Mixed Media Wall Mounting Sculpture, 41 x 32 inch, Fabric, Framed Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received...

Round red lips clay mosaic wall sculpture in high relief composed of individually hand molded and fired ceramic elements. This circular wall relief reconstructs the lips motif throug...

This piece is made to order. Please allow for 4 to 6 weeks for production. This piece titled "DALL·E 2023-04-23 11.28.12 x four" is a crafted, original piece by Tuft the World and i...

Coup de Grace,  brushed wool, 7’9" x 4’4", 1997. This contemporary abstract woven tapestry was done by renowned Canadian textile artist, Mariette Rousseau-Vermette (1926 - 2006). Born in Trois-Pistoles, Québec, Mariette Rousseau married painter/ceramicist Claude Vermette...

Linda Stein, Rocking Staff 171 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

Hexagonal yellow clay wall sculpture in hand molded ceramic relief conceived for modular wall installation. This wall-mounted clay sculpture is constructed from hand molded natural ...

French artist Anne-Valérie Dupond transforms humble materials into extraordinary sculptural forms in Alsatia, a captivating textile deer sculpture that merges folk tradition, contemp...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Linda Stein, Spoon to Shell 828 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 828 is from Linda Stein's Holocaust Heroes: Fierce Females series, which h...

Linda Stein, Spoon to Shell 829 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 829 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 1003 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1003 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

Linda Stein, Spoon to Shell 1023 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1023 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

acrylic on African fabric

Sinuosity sculpture. Pedestal mount. No wall mount available. Black Cherry metallic finish. 24"x22"x12" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of ...

Linda Stein, Spoon to Shell 916 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 916 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 915 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 915 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 912 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 912 is from Linda Stein's Holocaust Heroes: Fierce Females series, which h...

Linda Stein, Spoon to Shell 909 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 909 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 910 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 910 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 881 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 881 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

"Suncatcher 2" is an original piece by Roxana Azar made from digital print on digital Print on acrylic, nylon chain. This pieces measures 50"h x 16"w and comes with a signed Certifi...

Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 906 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 907 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 907 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 914 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 914 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 911 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

This handwoven contemporary textile sculpture, Azul, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains her in...

"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...

Mixed Media Fiber Sculpture, 29.5 x 13 x 13 inch, Ethan Meyer, Woven, Stitched "A Guide Who Grants Safe Passage 02" Groot Foundation Grant Honorable Mention Recipient 2025 "My wor...