Glaze Sculptures

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

Ak Jansen was born in Dongen, The Netherlands, in 1988. He studied at the Design Academy Eindhoven focusing on textile design, material culture, and techniques of fabrication. He wor...

Sara Fine-Wilson's ”Grasp” is a gestural 10 x 8 x 5.5 inch ceramic sculpture in pale yellow with accents of cream, white and tan. In this graceful and evocative sculpture individual ...

Sara Fine-Wilsons ”Carry” is a gestural 11 x 7 x 6 inch ceramic sculpture in pale celadon green with accents of warm yellow, brown and white. In this graceful and evocative sculpture...

Sara Fine-Wilson's ”Poodle” is a gestural 9 x 7.5 x 5.5 inch ceramic sculpture in pale yellow and light green celadon with accents of warm tan, light pink and white. In this graceful...

Sara Fine-Wilson's “Open" is a gestural 13.25 x 13.5 x 8 inch ceramic sculpture in white and cream with accents of blue and grey constructed from white stoneware. In this graceful an...

Striking pair of parrot sculptures or figures perched on bases with leaves and berries, crafted in terra cotta in large scale, hand decorated and glazed.

Albrecht was half way through his MFA program (ceramics) at the University of Iowa when he was deployed to Iraq (03-04 medic/security work). His work explores the collision of war m...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

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"Dark Days Ahead" is in fact a glorious paper-thin porcelain sculpture with fluted sides. The "two bowls and one ball" are nestled and permanently fixed. The black and white linear design to the porcelain is relieved by the movement of the fluted sides of the "bowls." This complex design is both light and airy while being visually weighted by the innermost "ball" being covered in a silver glaze suggesting heavy stainless steel. The ceramic piece is slip cast porcelain, masking tape stenciled and glazed in the style of abstract expressionism, specifically Pointillism.  It was fired in oxidation at 2230 degrees Fahrenheit.  The sphere in the center has luster glaze. John Albert Murphy...

I’ve long taken inspiration from the Dutch/Flemish tradition of Vanitas still life painting in which the notion of futility is key. I look to translate that futility into an artistic...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Cake stand ONLY: "Jello (Pink)", another sculpture by Jenny Day, is not included in this item. JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA ...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

Italian terra cotta dachshund or doggy with a white glaze and realistic form ready to be rescued.

SUCCES SALUTE by Liana Axinte A person is successful. He stands naked on a stage in the world and greets the audience outside with the spotlight with flowers in his right hand. The ...

REID NICHOLLS Lines, lines, lines, 2018 ceramic, glaze, clay pigment, paint, acrylic glass 60h x 32w x 28d in Reid Nicholls is an American ceramic artist from Ohio, where he st...

Rare teapot by Suzuki Goro stoneware and glaze 11" tall is the teapot size. Comes with a signed box Teapot is signed on the bottom by the artist. Date unkn...

"Clay is a fantastic material that allows me to create whatever surface I want to help enhance my narratives. It is so versatile and both the additive and subtractive qualities make ...

Porcelain; Textured Glazes on Thrown Porcelain 54 x 55 x 55 cm 21 1/4 x 21 5/8 x 21 5/8 in. ------- Montserrat is totally convinced that ceramics is the most noble, traditional and humanly attached material of all. Also, historically, what this material has allowed us, the humanity, to achieve, in all aspects, from improving our health to a medium of expression, is immense. This makes him feel real veneration and respect to it. He shows a very particular interest for the highly technically demanding oriental glazes from the Old Masters, having inspired him to make an extensive research, giving the strong finish to Montserrat’s work. Glazes are his passion. He is fascinated to see and endlessly test what the chemical elements around us bring to the surface of the vessels that he throws on the wheel. He has a special interest in the traditional vessels that the history of ceramics has brought to us. From the Egyptian canopic...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

This series imagines the artwork as a fragment, hurriedly dislodged from a “wall” with rough sides and a smooth surface. A prosaic image of a dive into water is rendered in a cobalt...

My biomorphic abstractions range from intimate to immersive in scale, referencing our interconnectedness. Building curvilinear ceramic sculpture and then drawing intertwined graphi...

Glazed ceramic, Bruno Cambone

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

Monika Laborcz (Hungarian, b. 1941) Figural Group Red Glazed Ceramic Relief Plaque, signed "MONIKA" to reverse. 5.25" H x 14.25" W x 1.25" D. Provenance: From a New York City Collect...

Choosing the path of a maker, Shae Bishop attended the Kansas City Art Institute where he earned his BFA in ceramics and art history. During his time as an undergraduate he also lear...

Hundida, meaning drowned in Spanish, is a glazed ceramic stoneware of a woman holding her throat and enveloped in her hair. It was made during covid, a time when Rafaela was in early...

Michael Frimkess Large Frimkess Jar from the Instant Migration Series (INV# NP3747) stoneware, underglaze, glaze, and decal 28.5 x 8 x 8" 1977 signed ...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Antique Italian true pair of lions crafted in terra cotta, decorated, glazed and forever in repose.

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Magdalena Suarez-Frimkess Lidded Venice Beach Motif Jar (INV# NP3997) stoneware, underglaze and glaze 6.5 x 5" 1981 signed by artist provenance - The Nevica ...

Although this whimsical sculpture by Allan Winkler has the look of outsider art, this ceramic work stems from the art school-trained artist’s interest in...

Standout pottery pear sculpture or object of art featuring a distinctive raku style glaze. Signed by noted pottery artist Steven Forbes-deSoule on the b...

John Gill Oblong Mug (INV# NP3732) stoneware and glaze 2002 signed by artist

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Grant Levy-Lucero Dottie's Beauty Garnier (INV# NP3571) stoneware and glaze 24 x 12.5 x 13" 2018 signed by artist

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirit’s. They look Angry, but not at You. They are Protecting you from Bad Spirits! The m...

Ron Nagle Ship Vessel porcelain, enamel decal, overglaze 2 x 2 x 2 date unknown Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

Terra cotta horse sculpture or object of art decorated in holiday attire under glaze. Signed made in Italy on the bottom.

Mid century rhinoceros sculpture crafted in terra cotta with a white crackle glaze.

A pair of very regal seated Majolica lions, a white glaze over a terracotta base, great condition, with some of the terracotta showing through the glaze,...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Ruan Hoffmann uses ceramic earthenware as his preferred medium. Ruan Hoffmann chooses familiar objects such as plates as his canvases, however the resulting works are not presented a...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-political events, daily occurrences, as well as private intuitions that are made concrete through creative action. My objects are places of remembrance where multiplicities of associations take place. Most recently these have been concerned with issues of the human condition. “In recent ceramic Fire Paintings and Sculptures abstracted figures, made from cut twigs, are impressed into wet clay. As I investigated, the figures kept running, fleeing, tumbling, searching, moving away from and towards something else. They moved across landscapes, towards glowing buildings/edifices, systemized structures/societies, which both beckoned them and somehow dominated them. The figures were present, yet also in spirit form, floating and dissolving in diaphanous light and shimmering waters. Twigs became, fathers, mothers and children. They became surrogates, rather like a small child’s dolls, playing out a deeply psychological fiction of desperately moving toward “something”. Something hopeful, yet presently out of reach. Something eternally becoming …” Tony Moore is an English-American sculptor and painter represented in international museum collections including the Guggenheim Museum, Brooklyn Museum, Greenville Museum, San Angelo Museum of Fine Arts, Woodstock Artists Association & Museum, Art Museum of the U. of Memphis and ASU Art Museum, US and the Yorkshire Museum and Derby Museum, UK. He received a MFA in Sculpture from Yale University and is the recipient of prestigious awards, including a Louis Comfort Tiffany Award...