Paint Sculptures

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent driven by the artist’s avid interest ...

mixed media on wood 21” x 21” x 6”, 2014 In this piece, Zin Helena Song is much more subdued with her color choices, choosing calming beige colors which contrasts with her use of...

Size: 12x8x13 cm Pedestal not included. Medium: Wood, acrylic and holographic print At Escat Gallery we are committed to maintaining the highest ...

Title: El Doctor Year: circa 1990 Medium: Bronze Sculpture, signature and number inscribed Edition: V/XXX Size: 12.5 in. x 6 in. x 6 in. (31.75 cm x 15.24 cm x 15.24 cm)

The artworks of 2031 series bring up the subject of epochs clash and the search for balance in a modern technological world. Symbolic accents in this series are even more contrasting...

“Is beating me from the inside..” …Is beating me from the inside. Breaking my ribcage just to reach you. The palm trees are rustling, making secrets with the wind. The water is rumbl...

"Warm Luau" is an original, painted ceramic sculpture by John Oliver Lewis measuring 7”h x 5”w x 5”d. ABOUT // Originally from Wisconsin, John Oliver Lewis currently lives and works...

“So I lay here..” So I lay here curled in a home that is not my home (anymore). The sound of the memory. Tire whirring on asphalt. Echoing against the trees, becoming a hum. This cu...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

"White Raven II" is an original hand-painted wall-hanging woodcarving by Dennis McNett (also known as Wolfbat) measuring 41”h x 50”w x 2”d. Please send us...

“I could start fires...” I could start fires with what I feel for you. Destructive love. Engulfing flames. Burn the world until the ashes fly into space. Nothing left but feeling... ...

“As you pray...” As you pray, saying only my name, so I might save you from the monotony of waking up on a Wednesday by playing piano. My fingers only tap the keys that make you sing...

“Your name plays…” Your name plays like a prayer in my mind. I hear it coming out of my heart, not with longing, but with hope. You are my hope for this world and I pray your name ag...

“Your lipstick left a bruise..” Your lipstick left a bruise on my wrist. I tried to wipe it away, but my pulse was still thumping. The honey on your tongue left me sticky. Sweating s...

Biagga (Sea Wind), painted viscose and linen, 67" x 71", 2010. Contemporary Abstract Tapestry Painting, Wall Sculpture. Ulla-Maija Vikman (b. 1943, Oulu, Finland) is a fiber artist w...

In WARM CIRCLE QUILT, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping yell...

Joan Cornellà Idiotmeter Man (Green): Idiotmeter Man represents Joan Cornellà's signature character clad in a kelly green suit and holding a scanner gun that presumably notifies one ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

“Here I learn..” Here I learn the smallest of sounds become thunder if you let them. So I gave you silence to hear every frequency of you, echo off every frequency of the forest... ...

“Your pulsing giant heart..” Your pulsing giant heart brings you to your knees. Praying while you pull it out. Shove it into the earth and let it be home. May flowers grow where the ...

“And you blink..” And you blink and we are in another moment. Fingertips pulsing pure passion into placating lust. Brushing the dust off your lips.. This cup is one of 48 that make ...

Celadon 6 from Chloe Hedden’s Fold Series envelops the viewer in the quiet drama of form, color, and materiality. Created from hand-dyed linen on linen, the piece merges tonal subtle...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massac...

"Chance Encounter: Invent" walnut, paint, dowels, Vertical: 80 x 11 1/2 x 2; Horizontal: 12 x 62 x 2, 2009. (originally commissioned for The Green Issue for the NY Times Magazine 4/20/08 pp 45-72). This mixed media wall sculpture was done by San Francisco-based artist, Gyöngy Laky...

acrylic on African fabric

Technique: handmade porcelain made in Italy Edition: handmade piece, unique edition Information: Ardor is a brand born from the vision of artist Raffaele and dedicated to his son....

Deidad (Deity) edition 17/20, 1988, signed with certificate. Edgard Negret studied at the School of Fine Arts in Cali between 1938 and 1943. The followi...

Venetian sculptor (18th century) — Group of four popular figures. 9 x 7 x h 20 cm each. Full figures in carved, lacquered and painted wood. The four statuettes depict popular Vene...

Artist: Doug Coupland Title: Bottle No. 5 Downey Year: 2002 Medium: Hand-carved wooden and painted oversized bottle Description: ADDITION offers a rare opportunity to acquire "Bot...

The intricate retablos of contemporary artist Patrick Fitzgerald are his means of paying homage to the musicians that inspired him throughout his life. Derived from Mexican votive...

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to l...

Milled wood and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms fo...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Born in Mexico City in 1953, artist Noé Katz lives and works in the U.S., and his paintings and sculptures can be found around the world. He received his formal training at the Schoo...

This petite ceramic vase features bright cool colors and plant forms, with winding snakes as the center characters. The jungle aesthetic accentuates the dense connotations of the sna...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms that recall the Venus of Willendorf and other historical fertility objects...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

This piece is part of the Historic Jar Collection and celebrates the tenacity and vulnerability of women and clay, an interplay of history and hope. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This ceramic vase features lush, vibrant plant forms. On each side, a hand emerges as if to reach for something. The title references both the vulnerability of the earth and humanity...

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire at her throat, and the other with a pattern, which may be interpreted as ...

Italian sculptor (16th century) - Saint Maurus. 54 x 30 x h 110 cm. Full-length figure in carved, lacquered, and painted wood. Saint Maurus is depicted standing in full figure, id...

“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.” The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the...

This is a shadow box construction approx. 13" x 9" x 2.5" with painted and collaged materials and found objects. Encased in a dark wood frame under glass. It is signed and dated twice, at different orientations. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Sterling Ruby (b. 1972) Head Worker, 2008 Bronze and paint 49.5 x 55.9 x 50.8 cm (19 1/2 x 22 x 20 in) Sculptural form composed of interlacing, root-like elements rising from a rect...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Happy Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a b...

The object is a part of a furniture, glass door opening a little bit difficult to close, due to the age. Wood in good shape, probably end of 19th Century or early 20th Century. This ...

Melanie Sherman Vintage Moth III (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches S...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Pigmented satin lacquer on solid poplar Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...