Plaster Sculptures

An initialed, vigorously modeled, patinated resin sculpture of two stallions at play signed (see image 5) by listed, Italian artist, Marino Mazzacurati (1900-1969). Mazzacurati was ...

Elizabeth Jordan is an emerging artist working primarily in sculpture. Her work uses multiple materials to produce unique, organic forms. In early 2016, she participated in an exhibi...

This piece titled "Arthur's Dog House" is original artwork made from paper, acrylic, plaster, enamel, watercolor, basswood, wire, vinyl, inkjet print, pastel by Drew Leshko. This pie...

Bill Mack "Illusion" Bonded Sand Sculpture Signed And Numbered. In good condition. Measures 60x45

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

This piece titled "Live Crabs" is original artwork made from painted paper, inkjet prints, wood, pigments, plaster by Drew Leshko. This piece measures approx. 15”h x 7.5”w x 3”d. Dr...

The sculpture is painted cast plaster. The dimensions are for the painted cast plaster. The black base dimensions are 2 x 10 x 10 inches. About this body of work: “Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...” ―William Gaddis, "The Recognitions" “A great deal of my recent work was made during a time when I was reading the great American novel by William Gaddis, "The Recognitions," the most demanding book I’ve ever read. Along the way, I extracted sentence fragments that interested me and I pieced them together to make the titles for the last three years of my work. So, my recent work is linked to Gaddis’ novel through the titles, but also in the theme of “recognition,” which speaks to the nature of my work. I feel my way through various processes until I recognize a possibility―a possibility that is promising in terms of visual dynamics but also in terms of giving a body to some part of my experience. It is my hope that the viewer is compelled to recognize some part of themselves reflected in the work.” —Michael O’Keefe Michael O’Keefe earned his MFA from SMU and currently teaches at The O’Keefe Studio Center in Richardson, Texas. This sculpture was included in "Recognitions," his fifth solo exhibition at Valley House...

This is a Bill Mack original sculpture “” signed and numbered. In excellent shape. Buyer must cover any additional shipping expense. measures 55x37

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

This low relief sculpture is created by casting hydrocal FGR 95 (a very hard plaster) over a hand sculpted oil clay design. Once the hydrocal is...

Forms is a unique plaster sculpture coloured in the mass by contemporary artist Delphine Brabant, dimensions are 23 × 36 × 15 cm (9.1 × 14.2 × 5.9 in). The sculpture is signed and co...

Daniel Arsham Modern Artifact 001, 2021 plaster and cast resin 12.7 (h) x 19.5 cm (dia.) Edition of 500 Daniel Arsham's Eroded Series is a captivating exploration of time, memory, a...

Cow is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 86 × 52 × 60 cm (33.8 × 20.4 × 23.6 in). This scu...

Gustave Fontaine (Etterbeek 1877-1952 Brussels) was a sculptor–painter. He took courses in Saint-Josse-ten-Noode and continued his training at the Aca...

"The Artist Is Present" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 16.5"w x 2.5"d and comes with a gallery-is...

"Pioneer Family," 23 1/2 x 16 1/4 x 10 3/4 inPlaster. c. 1927. Unsigned. Realism The Smithsonian has a cast of this sculpture in its collection. Pictured on the cover of “The Sculpt...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Shots Sculpture by Zoe Moss Resin & Plaster Sculpture (set of 3) Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist

A unique piece: a hand modelled sculpture by French artist Jeannine Nathan (b.1924). Working in Paris, Jeannine was able to visit Picasso’s studio, and was impressed by the Master’s ...

An anatomical maquette of Houdon's l'Écorche (Flayed Man), after the original completed in 1767 while Houdon was a student in Rome, and the basis for his sculpture of Saint John the ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed from his childhood. His favorite the...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew Leshko. This piece measures 35"h x 16"w x 9"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

Goat is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 35 × 45 cm (32.2 × 13.7 × 17.7 in). This sc...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

From Memories of Egypt Series. The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-s...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Char is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 84 × 28 × 48 cm (33 × 11 × 18.9 in). This sculpt...

Squirrel is a unique smoke-fired stoneware, resin and plaster sculpture by French contemporary artist Cécile Raynal, dimensions are 75 × 30 × 60 cm (29.5 × 11.8 × 23.6 in). This scul...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Hybrid II by Polly Little (2022). Plaster and acrylic paint.

"Make Yourself Useful" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 22"h x 23"w x 6.25"d and comes with a gallery-issued ...

"Trash Fish" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 10.75"h x 24.75"w x 2.5"d and comes with a galler...

Artist: John Taylor (1936-) Scottish Title: "Wall Relief Tiles" (a pair) Medium: oil on board Size: 15cm x 20cm inc. frame & 13cm x 21cm inc. frame Notes: Painter, notably in watercolour, and printmaker, gallery owner and teacher, born in Darvel, Ayrshire. Graduated from Glasgow School of Art in 1959, some years later taking a higher diploma in art. Taylor made a big impact on the Scottish gallery scene when in 1963 he opened the New Charing Cross Gallery in Glasgow, giving young artists a chance to exhibit more adventurous work. Taylor had a long association with the Glasgow Print Studio as senior technician. In 1977, with Ainslie Yule, he was recommended by Scottish Arts Council for a residency at Editions Alecto to work on a screenprint. Taylor’s own work could sometimes have a strong polemical element, notably regarding war and the nuclear threat. As well as taking part in many group shows across Europe he was a regular solo exhibitor. Notable among these were Compass Gallery, Glasgow, 1985 and 1987; Richard Demarco Gallery in Edinburgh and Glasgow Print Studio in 1987; and Edinburgh Print...

Artist: Claes Oldenburg (1929-2022) Title: Fire Plug Souvenir-'Chicago August 1968' (Platzker 10) Year: 1967 Medium: Cast plaster with acrylic paint Sculpture Size: 7.875 x 7.5 x 5.8...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Life-Size Charioteer of Delphi — Museum-Quality Plaster Cast with Custom Bronze Patination After the Ancient Greek Original, c. 470 BCE This life-size plaster cast of the Charioteer ...

An abstract sculpture by Post War artist Tim Hawkinson depicting yellow shoes encased in plaster in a red shoe box. Signed underneath, "Tim Hawkinson, Tim...

"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

This piece titled "Ortliebs" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 13”h x 1”w x 7.5”d. Dr...

Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...

Never opened at all and still sealed in Original Packaging. An absolutely iconic piece from Daniel Arsham and a must have for any Pokemon Fan! Daniel Arsham Pokemon Perrotin Pika...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

Pair of scagliola sculptures - Double-tailed winged sirens. Italy, 17th century. 60 x 45 x h 100 cm each. Made entirely of scagliola, these replicas are statues from a Baroque vill...

This piece titled "Billy Ray's Tavern" is original artwork made from paper, plaster, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. This piece measures 28"h x 19"w x 7"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This blue and gold-colored figurative sculpture titled "Parting Lines" is an original artwork by Jedediah Morfit made of plaster, paint, yarn, and adhesive. This piece measures 38”h x 23"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

This piece titled "Don's Auto & Truck Repair" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measure...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says...

"Old hurt" is a freestanding sculpture by Darla Jackson measuring 10.5”h x 10”w x 10”d. This piece is part of a limited edition of 3. The piece is made from hydrocal, black gesso, ...

Marc Sijan (American, born 1946) Hyper realistic wall sculpture. titled and dated on verso "Champagne Glass" 1986 Limited edition number 14/95. Features a Art Deco style girl in ...

This free-standing sculpture titled "An Exact Record Of How It Happened" is an original artwork by Jedediah Morfit made of plaster, paint, wax, thermoplastic, epoxy, wood, rope. This piece measures 33.25"h x 10"w x 14"d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...