Plaster Sculptures

A unique piece: a hand modelled sculpture by French artist Jeannine Nathan (b.1924). Working in Paris, Jeannine was able to visit Picasso’s studio, and was impressed by the Master’s ...

This piece titled "Don's Auto & Truck Repair" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measure...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

84 x 24 x 10 inches Precision board and Venetian Plaster Elegantly slender, contemporary minimalist wall sculpture that is extremely lightweight. Long vertical lines, casting shado...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

"Old hurt" is a freestanding sculpture by Darla Jackson measuring 10.5”h x 10”w x 10”d. This piece is part of a limited edition of 3. The piece is made from hydrocal, black gesso, ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

This piece titled "Ortliebs" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, pastel by Drew Leshko. This piece measures 13”h x 1”w x 7.5”d. Dr...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Ana, a striking mixed medea sculpture by Juan Manuel Gomez-Quiroz. From the estate of the artist. Painter and printmaker and sculptor Juan Manuel Gomez-Quiroz was born in Santiago d...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

32 x 12 x 6.5 carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minimali...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says...

Very rare Art Deco three dimensional terracotta sculpture of Adam and Eve by the Austrian artist, Virgil Rainer. Hand painted by the artist. Signed bott...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

In his sculptures, drawings and paintings, Michael O’Keefe employs unpredictable processes as a means to discover content. He couples accident and chance with unconventional methods, tools, and materials as a means to move beyond the boundaries of his tendencies. In his recent sculptures of heads...

ERODED SAFARI, 2022 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sculp...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Group of Two Domenick Capobianco (American, b. 1928), Geometric Mixed Media Sculptures, both stamped "Domenick Capobianco Studio" to underside. Larger: 14" H x 17.5" W x 15.5" D. P...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived ...

"The Wages Of Doing Everything Correctly Is Also Death" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster and paint. This piece measures 26.25”h x 23”w ...

"Tiny Buckets" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 26.5"h x 17"w x 2.5"d and comes with a gallery-issued Certif...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Artist: Claes Oldenburg (1929-2022) Title: Fire Plug Souvenir-'Chicago August 1968' (Platzker 10) Year: 1967 Medium: Cast plaster with acrylic paint Sculpture Size: 7.875 x 7.5 x 5.8...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

"Frequent Flyer" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 18.75"h x 17.75"w x 1.75"d framed, and is ship...

"Costume Armature" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20.25"h x 24.25"w x 2.75"d framed, and is sh...

Sara Fine-Wilson's "Coming Up for Air" is a mixed media sculpture of multiple ceramic elements that were previously formed, fired, and glazed and the...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Exhibited in "Benji Stiles: A Human Day" at Reeves Art + Design. In “A Human Day,” a solo show dedicated to the work of contemporary multidisciplinary artist Benji Stiles, we explor...

"Pioneer Family," 23 1/2 x 16 1/4 x 10 3/4 inPlaster. c. 1927. Unsigned. Realism The Smithsonian has a cast of this sculpture in its collection. Pictured on the cover of “The Sculpt...

Sara Fine-Wilson's "Caterpillar" is a small 16 x 6 x 6 inch abstract mixed media sculpture in neutral white, gray and brown with a playful, raw and refined quality. In this whimsica...

Eroded Carrera RS, 2021 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sc...

This piece titled "Ten Milkweed Pods" is an original artwork made from Plaster, acrylic paint pens, milk, relief on mulberry paper, and silverpoint, moun...

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

Both totemic and confrontational, Goat Head distills raw symbolism into sculptural form. With its broad horns and direct gaze, the piece evokes themes of sacrifice, instinct, and def...

Artist: Paul Von Ringelheim, Austrian/American (1933 - 2003) Title: Bust of Alberto Giacometti Year: Circa 1970 Medium: Painted Plaster Size: 29.5 x 13 x 17.5 inches

Alfred Drury's (1856-1944) body of work locates him as a leading figure in the New Sculpture movement, yet his position as an innovator and conduit betwee...

Outstanding image of the Virgin Mary Immaculate, made of wood pulp. This sculpture originated from the Olot School, created at the beginning of the 20th century in the Spanish town o...

This figurative sculpture titled "Straight Man" is an original artwork by Jedediah Morfit made of plaster, paint, foam, and wood. This piece measures 19.75”h x 8"w x 11.75"d. BIO J...

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

Terracotta bust of a young girl, the color mimicking the shadow of bronze sculptures, a feature that established the fame of the Friederich Goldscheider ceramic manufactory in Vienna...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...