Plastic Sculptures

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides. Unsigned, but was acquired with a collection of his work. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Contemporary Ceramic Sculpture with Pigmented PVC Surface, Design, Mixed Media Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

Inspired by Japanese film maestro Akira Kurosawa’s 1957 masterpiece—Throne of Blood, this beautiful pigeon sculpt with a volley of arrows pierced throu...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Abstract composition reverse-painted on an acrylic sheet (Plexiglas) by Laurel Morley (American, b. 1969). Acrylic sheet is mounted on a steel structure with "wings" on either side. ...

This new work by Tal Nehoray is from her latest body of works called "1000 MG Love Pills". All are hand made with Fiberglass and hand painted with automotive paint. It stands on a bl...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Steve Baris is interested in the interconnections of the built environment and spatial experience. His artwork is a response to a largely overlooked type of landscape that is emerg...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

"Pop doll - 2389 " is a decorated sculpture. It is created by the French artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, ...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

FOCUS is a public art sculpture about photographic vision and how it shapes the way we see the world. It is concerned with the viewer’s growing visual perception and bodily experienc...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

"Frequent Flyer" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 18.75"h x 17.75"w x 1.75"d framed, and is ship...

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism ...

Linda Stein, Pumper 291 - Mixed Media Metal Wood Rubber Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incor...

Linda Stein, Loose Wire 295 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorpor...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Black and bright red expressive brushstrokes are layered with glass ...

In ARCHITECTURAL HYPERBOLE 04, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Contrasting her stately, rococo metal...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Artist: Chuck Krause (1949) Title: Shadow Dancing
 Year: 2024 Size: 23 x 23 x 2 inches Medium: Motorized curved arms on white archival museum board Condition: Excellent condition Not...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

This artwork is a composition of three stones made by Piero Gilardi in 1969. The Certificate of Authenticity is provided by Archivio Piero Gilardi n. 1969.01 dated 17/12/2017. This s...

Wood, mirrors, wire, plastic, LED lights. Artist statement: "Behind the doors of this cabinet/tower is an infinity mirror and a DNA double helix branded with the word “trauma.” The...

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...

Fever Songs is an interactive public sound installation project that brings together the vocal traditions of many religions, creating an active sonic experience that explores spiritu...

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

15 x 15 x 31 cm PetG and Metal Gold Paint Lisbon-based, Miguel Rodrigues is renowed by having developed a highly innovative and personal artistic style: the hyperbaroque. His hyper...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Houston Problem (2022) by Gary Sczerbaniewicz. Foam, cast plastic, spray paint, and steel.

This piece titled "Billy Ray's Tavern" is original artwork made from paper, plaster, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastels by Drew Leshko. This piece measures 28"h x 19"w x 7"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three-dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...

This piece titled "Expecting to Fly" is an original piece by Kate VanVliet and is made from 30 repaired chicken eggs, brass, rubber, steel, plastic, and mica. This piece measures app...

This piece titled "Donut (Mint)" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 3.5”w x 1.5”d and ships with the picture...

Esther Traugot obscures natural objects within hand-crocheted coverings, in a curious and aesthetically intriguing attempt to preserve nature and prevent its decay. She refers to the...

Artist: KAWS, Title: Companion Flayed (Gray) Series: Toys Date: 2016 Medium: Sculpture Unframed Dimensions: 11" x 5" x 3" Signature: Stamped Edition: Open Edition

Artist: KAWS, Title: Small Lie (Brown) Series: Toys Date: 2017 Medium: Sculpture Unframed Dimensions: 11" x 5" x 4.5" Signature: Stamped Edition: Open Edition KAWS (America...

Contemporary Ceramic Sculpture with Pigmented PVC Surface, Design, Mixed Media Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

"Algorithm-Levitation" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fibergla...

"Cow Head" is an animal sculpture by an unknown Bidjogo artist. The artist used painted wood, rope, animal horns, and plastic to make this naturalistic mask. 19" x 17" x 18" mask Several types of statues are carved to house the spirits of ancestors. Seated figures are usually used for divination and magic. Two main types of masks are used in initiation. Bull masks...

This piece titled "Mercy Seat" is an original artwork by Jason Andrew Turner made of acrylic on MDF, plywood, acid-dyed linen, foam, and batting. Cut and se...

Spray acrylic, latex, MDF & matte varnish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas ...

Dorothy Thorpe This wonderful piece was designed by Dorothy Thorpe in America during the 1960s Born in Salt Lake City in 1901, Dorothy Thorpe was a mid-century American artist who de...

W 629 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wond...

'Neuron', evolved from prior works arising from the search for the origins of form, highlighting negative and positive space in balance. Space + Line = Form. This bronze sculpture is...

In German, the meaning of the word "niemand" ranges from nobody, none, and no one to anybody. Apply that to Viktor's unique sculptures and a dose of humorous social commentary meets...

Aleksandra Domanović Calf Bearer 2017 Sculpture constructed of Laser sintered PA plastic, polyurethane, Soft-Touch, patinated copper and Kevlar-carbon fiber coating, Corian and foam....

Contemporary, Abstract, Mixed Media, Ceramic, Sculpture, PVC, Pigmented Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into t...

Artist Bio: Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna. Denny is best ...

Wood, window screen, plaster, joint compound, polymer and acrylic paint

Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute she started her career in greeting card design at Hallmark. She now works in New...

This Mixed Media piece titled "Pfft" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 27.5”h x 15”w x 1...

This Mixed Media piece titled "Leafy Leaf" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 21”h x 15”w x 1”d. Roxana Azar’s wor...

This Mixed Media piece titled "Fern Spiral Series 2" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...