Stone Sculptures

Sinuosity sculpture. Pedestal mount. No wall mount available. Black Cherry metallic finish. 24"x22"x12" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of ...

By Bob Ragan Two Indiana Limestone caryatid sculptures Dimensions and Weight for each: 73" x 21.5" x 20.3", 2000 lbs About the Artist: Bob Ragan is...

Sezione Aurea-C2 is a unique monumental sculpture by contemporary artist Mattia Bosco. This sculpture is made of Cave Michelangelo statuary marble and 23.8-carat gold leaf, dimension...

Hand carved from the richly marked cream-coloured Sienna Travertine marble, this contemporary tabletop sculpture of a walnut tree is by Doug Robinson. Th...

The recipient of numerous awards including fellowships from the American Academy in Rome and the National Endowment for the Arts, Deutsch’s work is marked by an ease of understanding...

The Lily by Auguste CLESINGER (1814-1883) Outstanding bust sculpted in white Carrara marble Signed on the ribbon " J. Clésinger, 1871 " Presented on a rounded white marble base France 1871 height 76,5 cm width 48 cm depth 35 cm Noted in "Clésinger – Sa vie, ses œuvres - Le catalogue de ses œuvres", A. Estignard, Librairie H. Floury, Paris, 1900, p.169. Biography : Jean-Baptiste Auguste Clésinger, known as Auguste Clésinger (1814-1883), was a French romantic sculptor. His father, Georges-Philippe Clésinger, himself a sculptor, trained him at the School of Fine Arts in Besançon where he was a teacher. Auguste also studied sculpture under the direction of Bertel Thorwaldsen...

Infinity loops Stone mass h 21 cm; w 11 cm; d 11 cm Small gray color abstract sculpture "Infinity loops" from stone mass

Mark Morrison (1895-1964) Sleeping Cat, ca. 1940 Carved Vermont granite 7.5" wide, 5" deep, height is 7" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Educat...

Refined white marble statue from the first half of the 20th century. This is a very high quality copy of a work by the great Italian sculptor Giacomo Ginotti (1845-1897). Known as Th...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Mini. Black Cherry Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculptu...

Large Italian bust of the Roman Emperor Caracalla, cement sculpture from the second half of the 20th century. Copy of the famous Caracalla Farnese bust dated 3rd century AD and kept ...

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Farmer Han and the Farmer's Wife by Dee Clements Figurative Bronze Pair. Excellent condition, reviewed by the artist. See condition notes. Additional images available upon request. ...

Bronze, granite & glass Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar...

White Deer of Autumn by Denny Haskew Figurative Bronze with unique sandstone-like patina. Based on sandstone. 30" x 14" x 9" ed/21 "May the nourishment of ...

19th century grand tour carving of the "Medici" lion. Carved green porphyry granite. This is an unusually large size. Pieces carved porphyry granite are uncommon. It's hardness makes...

Attributed to G. GAMBOGI, Italian (FL. LATE 19TH / EARLY 20TH C.) Origin: Italian Date: Late 19th century Dimension: 42 in. x 15 in.

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 15.75" tall x 4.38" wide x 4.38" deep Weight: 5.4 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. The Venus de Milo is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

PAIR OF ROMANESQUE MARBLE COLUMNS Italy, 13th/14th Century marble 86 x 16 x 13 cm 33 3/4 x 6 1/4 x 5 in

Contemporary Minimal Silver polished stainless steel sculpture. It is a stunning polished stainless steel and makes for an elegant statement in any garden, lobby or private home. Ku...

AMERICA MARTIN "Woman Seated" Powder Coated Steel in Burnt Amber on Carrara Marble Base Size: 19.5 x 11 x 4.5 Inches Edition: 1/1 JoAnne Artman Gallery is pleased to present, Conne...

This small, pedestal sized or table top sculpture by Israeli artist, Boaz Vaaida is a rare find. Very few small works, such as this are available. Cast in bronze from an original s...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height wi...

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

'Saluting Bird' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential ...

"Monumental" is an original springstone sculpture by Shona sculptor Phineas Masaya. The artist signed the piece. This artwork features an abstracted figure. 10 1/2" x 4" x 4" art Shona artists and crafts people have been working in different media for generations. These include paintings, pottery, basket ware, wood carvings, and sculpture done in metal as well as the stone carvings. While there is not a long standing tradition of sculpture in what is now Zimbabwe (formerly Southern Rhodesia), stone carvings dating from the 15th century were seen in Great Zimbabwe, an excavated temple near Bulawayo. Most of the artifacts from this location have been moved to museums in Cape Town, South Africa or London. It is generally agreed that Zimbabwean stone sculpture as seen today began during the late colonial period of the 1950's and 1960's. During this period the artists and artisans depicted many of the traditional Shona and other tribal spiritual myths. Out of all the nations in Africa, the large varieties and abundant supplies of rock formations present throughout the Zimbabwe landscape...

Abstract Scultpure by Duff Browne 11" x 21.5" x 4

Giuseppe Palumbo's "Einstein Op/Ed Cement Sculpture" is a notable work in contemporary art, distinguished by its use of cement and its thematic focus on Albert Einstein. In this cont...

Beautiful La Belle Epoque marble in nive vintage condition. Mathurin Moreau (1822-1912) was a French sculptor in the academic style. He was born in Dijon, first exhibited in the 1848 Salon, and finally received a medal of honor...

"Meditation Mickey Lagerfeld (Grey)" resin, automotive paint and automotive gloss sculpture on a granite base by artist Skyler Grey. Skyler Grey © and Pop Art Society logos on bottom...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

A gray sandstone head of Avalokiteshvara, Khmer, Cambodia, Bayon Style from the 13th century. The artwork is unsigned. Provenance: Charles Craig, Privat...

Mark Morrison (1895-1964) Lilith (Nude Figure) , ca. 1950 Carved stone 8.25" wide, 7.25" deep, height is 28.75" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

This striking modern abstract bronze sculpture by Edward (Eduardo) Arcenio Chavez (1917-1995) is mounted on a polished granite base. The piece measures 7 ½ x 6 x 2 inches, including ...

Mark Morrison (1895-1964) Small Rooster, ca. 1940 Carved grey Vermont granite. 6.5" by 3.5", height is 6 1/8" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK E...

Artist: Kuno Vollet Title: Balance 2 Materials: Bronze, black granite base Size: 42 x 22 cm _______________________________________________________________________ This elegant...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

'Bride' is an original springstone sculpture signed by the Zimbabwean artist Brian Nehumba. Brian was trained in the Shona stone carving traditio...

Mirror “with fold” 148 is a unique mirror-polished stainless steel sculpture and concrete base by contemporary artist Franck K, dimensions are 153 × 148 × 50 cm (60.2 × 58.3 × 19.7 i...

ITALIAN MARBLE BUST OF MELPOMEN, MUSE OF TRAGEDY Late 18th Century inscribed to base Melpomen marble height 66 cm height 26 in

"00:03" Resin Sculpture 73" x 71" x 27.5" inch Edition 2/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a Bache...

Mark Morrison (1895-1964) Dodo, ca. 1940 Carved granite 7.75" wide, 5" deep, height is 7" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: Univers...

AMERICA MARTIN "Two Birds of Paradise Tall" Sand Blasted Pepper Marble Size: 22 x 13 x 6.5 Inches Edition: 1/1 AMERICA MARTIN "Flowers for Warhol Tall" Sand Blasted Pepper Marble S...

A Rare Italian White Marble Relief of "Young Saint John the Baptist" circa 1860 after Desiderio Da Settignano. The original pietra serena relief by Desiderio Da Settignano, is in Th...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

PROVENANCE Private J.E. Collection, Bavaria, 1960s

Variegated white marble, abstract model of a crouching figure on ebonized wooden base, signed by Hyam Myer (English 1904-1978).

A pair of large, detailed cast bronze Roman figures of a senator (likely Julius Caesar) and possibly an emperor. Each in cascading drapery with beautifully rendered facial expression...

"Reconsidering Sisyphus (fallen obelisk)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the...

Provenance: Private Collection, Spain. Known as Peruvian alabaster for its translucency and workability, Piedra de Huamanga is a highly prized material from the province of Ayacucho in Peru. In the 17th and 18th centuries, local craftsman in the town of Huamanga began to specialize in the production of small-scale, polychrome religious sculptures made from this distinctive stone. Huamanga sculptures are among the most accomplished examples of carving from the Spanish Americas, where polychrome wood sculpture was a far more common sculptural medium. These works, which were created as independent sculptures or as sculptural groups—such as our three Magi—were intended for ecclesiastical as well as domestics settings. Our three figures likely formed part of a larger Nativity group—a New World variant of the tradition of the Neapolitan Crèche...

Untitled Biomorphic Form Abstract Sculpture Onyx Sculpture on granite base. Artist signature Graham dated 73. Richard D. Graham is a Postwar & Contemporary artist born in 1940 know...

'African Queen' is an original opal serpentine stone sculpture signed by the contemporary Zimbabwean artist Chenjerai Chiripanyanga. The sculpture itself stands tall and proud like a...

Punta 1 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble, dimensions are 113 × 78 × 37 cm (44.4 × 30.7 × 14.5 in). This ...

Bronze & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, where...

Live's A Beach 2020 Patinated bronze, high grade automotive paint on a black granite 1 of 1 only. Randi Grantham was born and raised in Las Vegas, Nev...