Stone Sculptures

Pietro Bazzanti (1842-1881) specialized in allegorical and genre subjects as well as copies of Antique and Renaissance sculpture. Regarded as one of the most talented sculptors of h...

Cereal Monsters - Set Of 4 By KAWS KAWS, the pseudonym of American artist Brian Donnelly, is widely recognized for his distinctive blend of street art and pop culture iconography. ...

Duck Egg Blue Horse Hair Raku Fired Ball Vase - Small by Tamsin Levene. ADDITIONAL INFORMATION: Duck Egg Blue Horse Hair Raku Fired Ball Vases by Tamsin Levene Ceramic on Stone 1...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skii...

Complete Stone Heads Portfolio. Consists of 4 slabs made of limestone inlaid with patinated bronze and 4 slabs made of slate inlaid with anodised aluminum. Each slab measures 25.59 x...

French limestone, David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition with minimalist abstraction...

Mark Morrison (1895-1964) Young Penguin, ca. 1950 Carved Tennessee Marble 8.5" x 7" by 3.5", height is 13 inches. Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, O...

BL15SQ is a unique small size contemporary modern wall sculpture painting relief by German artist Dieter Kränzlein. This sculpture relief is carved from a single block of limestone, ...

An exceptional drummer sculpture by Willitts Designs International and Shen Lung. The sculpture is cold painted and made of hand cast resin. The drumm...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

'Bride' is an original springstone sculpture signed by the Zimbabwean artist Brian Nehumba. Brian was trained in the Shona stone carving traditio...

Duck Egg Blue Horse Hair Raku Fired Ball Vase - Small by Tamsin Levene. ADDITIONAL INFORMATION: Duck Egg blue horse hair raku fired ball vase by Tamsin Levene Ceramic on Stone 12.5 ...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Rare Vintage unusual piece. In this bronze or metal sculpture by Frank Meisler, the artist depicts a Klezmer violin player The figure seems cartoon-like with exaggerated facial featu...

Artist: Ellen Brenner-Sorensen, American Year: circa 1970 Title: Abstract Medium: White Marble Sculpture Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)

Naked Raku Pottery, Tall Grey Vase is a ceramic work by Tamsin Levene featuring an elegant tall shape and a unique grey and white colour scheme. ADDITIONAL INFORMATION: Clay 43.1 H...

Magnificent hand carved Carrara marble sculpture of a lioness head from Rome. Mounted on a metal base. Base 13.75"W x 12.25"D.

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

This is a wonderful original hand carved unique marble sculpture by one of America's most treasured artists, Chaim Gross. For more than sixty years Chaim Gross's art has expressed op...

Sezione Aurea 78 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of oxidised black Palissandro marble and gold leaf, dimensions are 79 × 47 × 8...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Antoine Poncet Unique Granite Sculpture. Black Patina Signed Dimensions: 62,5 cm L : 35 cm P : 25 cm Antoine Poncet, Swiss (1928 - ) Born in 1928 Member of the Institute Grands...

This contemporary outdoor figurative sculpture is a metal maple leaf. This iconic image of a maple leaf, a national symbol and its ‘key’ ...

Doug Hyde: Born 1946, is a well listed American artist who is known for his Native American sculptures. He has auction results as high as $22,000. This is by far one of his finest ex...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Divyendu Anand - Eternal Beauty Liquid Metal Coating over Composite of Stone Glass & polyester Resin Black Granite H 31 x W 18.5 x D 19 inches, 2020 Gr...

DIONYSOS, the youthful, beautiful, but effeminate god of wine. He is also called both by Greeks and Romans Bacchus. This very fine large Neoclassical white marble bust of Dionysos ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin Box Santa Fe-based artist, Kevin Box, pushes the boundaries of traditional metal casting...

A white marble sculpture by Domenico Casasanta from 1972. A pristine, minimalist object of modernist, architectural features. Artist: Domenico Casasanta, Italian (1935 - ) Titl...

Studio of Raffaello Romanelli Early 20th Century Italian Clio Inscribed "Executé sous la Direction du Prof. Romanelli" (on base) Marble Clio, the muse of history from Greek mytho...

Stone sculture realized by Sirio Pellegrini in 1960s. Hand carved. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

The Lily by Auguste CLESINGER (1814-1883) Outstanding bust sculpted in white Carrara marble Signed on the ribbon " J. Clésinger, 1871 " Presented on a rounded white marble base France 1871 height 76,5 cm width 48 cm depth 35 cm Noted in "Clésinger – Sa vie, ses œuvres - Le catalogue de ses œuvres", A. Estignard, Librairie H. Floury, Paris, 1900, p.169. Biography : Jean-Baptiste Auguste Clésinger, known as Auguste Clésinger (1814-1883), was a French romantic sculptor. His father, Georges-Philippe Clésinger, himself a sculptor, trained him at the School of Fine Arts in Besançon where he was a teacher. Auguste also studied sculpture under the direction of Bertel Thorwaldsen...

Standing figure of Julius Caesar wearing a Tunic and holding a billowing drapery with a composition marble square-section pedestal. . The other figure is of Hannibal. Provenance fro...

Hula V, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the mo...

A very fine large, rare and charming, French, 19th century. Belle Époque carved white marble whimsical figural urn fountain depicting children climbing on an urn with flowers and gar...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height wi...

Presented is a one-of-a-kind single edition sculpture by female sculptor artist Sherry Rossini. Hand carved by the artist from alabaster stone that was ...

Scultore attivo probabilmente in Francia alla fine del XIX secolo. La scultura raffigura un soggetto particolarmente famoso di Jean-Baptiste Carpeaux (1827-1875), intitolato "Le Rieu...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery, Woods Davy, Rod Kagan, Pol Bury, Niki de Saint Phalle, Magdalena Abakanowicz, Larry Bell, John Okulick...

Bacchic revelry. A sexy and nude curvaceous young Nymph/Bacchante makes amorous advances to a Herm - whose facial expression reflects her erotic touch. The Herm is stylized where his...

"RIVER LANDSCAPE (tailfin)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and meta...

Modern Scorpion Fish, Early 20th Century Bronze on marble base 23 x 22 x 10 inches

Light Element is a unique Belgium black marble and LED sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 30 × 24 cm (4.7 × 11.8 × 9.4 in). The sculpture...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

'Playing Sisters' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe...

Holiday, Thailand. Grey By KAWS KAWS, the pseudonym of American artist Brian Donnelly, is widely recognized for his distinctive blend of street art and pop culture iconography. Ren...

an elegant pair of grand tour sculptured obelisks, carved in a warm and elegant green marble with two squared three orders bases carved in a Siena Yelllow Marble. The two marble used...

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

Bronze,Glass & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emoti...

DIONYSOS, the youthful, beautiful, but effeminate god of wine. He is also called both by Greeks and Romans Bacchus. This very fine large Neoclassical white marble bust of Dionysos ...

26" x 15" x 30" Black serpentine, signed. Colleen Madamombe (1964–2009) was born in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she won the award of Best Female Artist of Zimbabwe three years in a row, and became an established figure of the Second Generation of Zimbabwean stone...

'Dressed For Tonight' is an original black serpentine stone sculpture signed by the Zimbabwean artist Rangarirai Makunde. The sculpture presents the figure of a tall and elegant woma...

'Flower' is an original fruit serpentine sculpture signed by the Zimbabwean artist Josphat Makenzi. Makenzi was trained in the contemporary Shona stone...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Antonio-Giovanni Lanzirotti, "La Danza", grande scultura in marmo bianco di Carrara, firmata AG Lanzirotti sulla base. Antonio Giovanni Lanzirotti, nato a Palermo il 9 maggio 1839 e...

Roman Marble Altar fragment from the 1st/2nd Century A.D. with the typical element of Roman rituals. Provenance: Nicolas Koutoulakis (1910-1996), Paris...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...

Augustus Saint-Gaudens 1848-1907 American Young Emperor Augustus Marble This extraordinary marble bust by revered American sculptor Augustus Saint-Gaudens is crafted in the class...

"Reconsidering Sisyphus (fallen obelisk)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the...