Stone Sculptures

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height wi...

"Committed" maquette by Denny Haskew Cast ​Bronze on Travertine and Walnut Base Signed and Numbered AP/25* 38"h 15"w 10"d *This limited edition is sold out, the available piece is t...

A detailed sculpture, attributed to Benedetto Boschetti, a 19th-century Roman sculptor, depicts a right foot wearing a Roman-style sandal. It is carved from a splendid and rare Giall...

"Black Label" Johnny Walker Black scotch Robin Antar Carved honeycomb calcite and mixed media 20 x 5 x 5 in What is America? American sculptor Robin Antar has been called “Brooklyn’...

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

ARISTIDE PETRILLI Italian, (1868-1930) Flora (Allegory of Spring) Signed Prof Pedrilli; Galleria Bazzanti Firenze 49 inches high (Statue); 32 3/4 x 19 1/4 inches (Pedestal) Notes: Finely carved Italian carrara marble of a nude beauty signed Prof Petrilli...

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Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

"Relic" by Michael Thacker British, 21st Century Mandale Fossil Limestone with Gold Leaf Sculpture size (HxWxD): 13.5 x 9 x 5 inches

This 19th-century French patinated bronze, after François-Joseph Bosio, depicts a young King Henry IV in detailed Renaissance attire. Standing 31 cm tall (37.5 cm with its rouge marb...

"Sheer" by Michael Thacker British, 21st Century Rose Aurora Marble Sculpture size (HxWxD): 13.75 x 10.5 x 5 inches

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie G...

Charon's Steel Styx Passage, John Van Alstine. Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ...

MSA 04-2025 is a monumental sculpture by contemporary Italian artist Mattia Bosco. It is made of black Palissandro marble and gold leaf. Dimensions: 201.5 × 83 × 48 cm / 79.3 × 32.7 ...

Sinuosity sculpture. Wall mount or pedestal mount. Mid Blue metallic finish. 21"x18"x7" keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common material...

Gabriel Mendoza Niño-Niña (Boy-Girl), 2020 Bronze on marble base 15.50 x 11.30 x 5.20 in Edition XII of XII Sculpture can be shown on two sides: front side is a girl and back side i...

Marble and wood

riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

"Wine Country" by Chapel 22x20x10" last casting in edition of 15 (last in edition) Mixed Media: Cast Bronze, Cast Stainless Steel, Marble Base Song birds gather along the top of vineyard grape vines This particular piece is available from the estate of the artist. It is in excellent condition. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

"Spirit Medium" is a stone sculpture made with yellow opal, green jade, and opaline by Aaron Perkins Chikumbirike. This sculpture is signed and depicts a f...

The Mezcala culture refers to an ancient Mesoamerican civilization based in the southern Mexican state of Guerrero, particularly within the upper Balsas River region. Though not well...

Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life-size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory subject. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Signed and dated: A.nio Tantanrdini F.ce / 1863. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

A wonderful cement sculpture cast of the artist’s Persian cat Pou Pou by American artist Harriet Whitney Frishmuth (1880-1970). Harriet was born in Philadelphia, PA, and, as a teenager , she studied sculpture in Paris classes (with critiques by Auguste Rodin) and later enrolled at the Academie Colarossi there. On her return to the United States she studied with Gutzon Borglum at the Art Students League, served an apprenticeship with Karl Bitter...

This 25" x 17" x 11" bronze sculpture by the celebrated multidisciplinary artist Harold Castor is a realistic depiction of a woman with her two children....

A stone sculpture by an unknown Indian artist. "Procession with Horses, India, 12th Century" is a royal procession scene from a medieval, Indian temple. ...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship headed to Haifa. The ship's passengers were refused entry by the British mandatory authorities and imprisoned in a detention camp in Mauritius. In 1943, Imber worked out a deal with the authorities for his release by joining the British Army, serving as a war artist and a dental assistant in East Africa. After the war, he opened an art school in Nairobi, Kenya, and worked as a photographer and a safari guide. In 1949 to 1954, he lived in Venezuela, where he was contracted to do an East African Diorama series. The National Museum added an entire wing to display it. During this period he got married and had a daughter Raquel, who accompanied and assisted him. In 1959, Imber was commissioned to create sculptures and dioramas for the Haifa Prehistory Museum at Gan Ha-em in Haifa, Israel. In 1960 he returned to Venezuela to restaured the Phelps series of Dioramas for the Museum in Caracas. Between 1961 and 1971 he travelled extensively around Europe and after establishing an international name for himself, returned to the United States. In New York he became famous for his realistic oil paintings of portraits of Aga Khan, Tyrone Power, Ava Gardner, David Ben-Gurion, Golda Meir, Sir Richard Burton...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

Fabulous, 1920s, detailed, cast bronze falconfrom a lost wax cast by important Italian artist, Sirio Tofanari (1886-1969). Executed by the Fonderia Artistica Ferdinando Marinelli in ...

"Our Love" by Denny Haskew Figurative Female Nude 23x10x10" Bronze with Gold Leaf, Limited Edition of 21 (#2 available) Sandstone base included "Love isn't something you find. Love...

Nicholas Licausi says of his work… “My artistic practice is driven by a fascination with emerging technologies and their capacity to redefine the frontiers of art, architecture, and...

"Night and Day, Cranes" by Chapel 35x10x10" 4/21 Mixed Media: Cast Bronze, Stainless Steel, Granite Base The base takes on more significance in this sculpture as an illusion of water, the imagery etched into the polished granite is a reflection of the cast bronze crane couple who rest on one leg while preening together. This particular piece is available from the estate of the artist. It is in excellent condition. This edition closed early due to the death of the artist, all molds have been destroyed. Shipping price includes the custom packing necessary for safe transport of fine art. Chapel, 1948-2021, Artist's Statement: “I was raised on the Western Slope of Colorado, with almost unfettered access to the American wilderness. I currently reside on a sailboat in Oakland, CA with my studio in nearby San Leandro. I work with permanent materials including bronze, steel, stainless steel, aluminum, glass and stone. It is my contention that a work of art must include a complete environment, not just a single object. In my opinion, it is very difficult to convey meaning with either pure abstraction, or pure representation. Describing an abstract concept with another abstraction does not define the subject. There is nothing in a completely non-objective artwork from the viewers experience upon which to base some meaning. One the other hand, a completely realistic presentation doesn't define an abstraction any better than a dictionary. This is why my sculpture is a blend - the symbolic joining of modern man with primitive experience. They are in-depth studies of the archetypes and symbols used to communicate their relevance to our everyday lives. Mythology, poetry and art are humanity's attempt to describe the mysteries of life which are beyond our ability to consciously comprehend. This is the appeal of the visual arts, poetry, literature and music; they excite an emotional response, or memory that transcends mere words.” - Ron Chapel...

"Leaf Boats" Bronze by Jane DeDecker A girl and boy release boats they've constructed from nature into the water. 39" x 30" x 30" ed/21 The Boat “I must launch out my boat. The languid hours pass by on the shore---Alas for me! The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger. The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall. What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?” ---Rabindranath Tagore...

"Helios" by Michael Thacker British, 21st Century Carrara Marble Sculpture size (HxWxD): 11.75 X 27.5 X 6 inches Executed in 2019

A Rare and Important American White Marble Sculpture of Thomas Jefferson Holding The Declaration of Independence. Circa 1870, in the Manner of Horatio Stone (1808 –1875). Inscribed on scroll: 'The Declaration of Independence, It becomes necessary for one people to dissolve the political bands which have connected them with another. etc. etc. T. Jefferson. The present work is unsigned but is reminiscent of Horatio Stone's life-size marble figure of John Hancock...

Intrigued by the stature and carriage of a particular figure, MacDonald pursued Angelic Crystal, the study of a ballerina in the studio. Inspired by a continuing appreciation of danc...

This monolithic contemporary stone and glass sculpture lights up at night. The rugged beauty of David Perrett’s sculptural work has found a place in many notable public collections....

19th Century French Bronze Figure Of A Singer blowing a kiss. Art Nouveau style, signed with initials PF and titled illegible. Nice original old patina and details, Marble base.

"Sisyphean Circle 8-14-17" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

"Giving a Sign (C-33)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece at the base. This artwork features a woman in a large, textured dress gesturing to her side. 11" x 11" x 6" art Colleen Madamombe was born in 1964 in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she has won the award of Best Female Artist of Zimbabwe for the past three consecutive years, and is quickly becoming an established figure of the Second Generation of Zimbabwean stone...

Ugo Rondinone (1964)
Small Green Mountain

signed with the artist's initials, titled and dated "Small Green Mountain u.r. 2016" on the underside
painted sto...

Smooth surfaced, engineered white marble sculpture flecked almost imperceptibly with grey has been sculpted into an elegant abstracted wave. Pierced by three openings the graceful sh...

Sculptor probably active in France in the late 19th century. The sculpture depicts a particularly famous subject by Jean-Baptiste Carpeaux (1827-1875), titled "Le Rieur napolitain," ...

A large, lost wax cast of an eagle by important Italian artist, Sirio Tofanari (1886-1969). Executed by the Fonderia Artistica Ferdinando Marinelli in Florence. Mounted on a marble ...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

Artist: Kuno Vollet Title: 4 Leaf Stone Gingko Materials: Cast brass, gold leaf, Stone base This small elegant original brass cast and gold leaf sculpture by German artist Kuno Vol...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer on a baroque chair. Thin lines and grac...

This contemporary outdoor sculpture is made from metal and marble. This elegant outdoor sculpture is by Jean-François Maheux and Nadia Mercier, an artistic couple who formed a colle...

Riverstone, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...

'In the manner of' Aristide Maillol 1861-1944, was a French sculptor, painter and print maker. Maillol predominantly was a painter and weaver of tapestry, however Gaugin advised him ...

In Grandmother's Garden by Jane DeDecker Figurative Bronze with Metal and Stone Bench 38x26x22" bronze ed/31 bench measurements: ABOUT THE ARTIST: 'Part of Jane's artistic genius i...

A hand-carved marble head of Mercury mounted on a stained wooden plinth.

Enameled ceramic sculpture on a black granite base. After the original 1963 gouache. Incised artist’s signature and numbered 1/8 on the front right side. Literature: Heger de Loewe...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

"QUILL II (Slate Rocker)" by John Van Alstine NY State slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone a...

Finely carved mythological subject in white Carrara marble of Apollo head .

bauxite, sheet metals, shale, oxides, acrylic paints Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...