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Medium: Terracotta
Early 1900 Art Deco Terracotta Sculpture " a panther on a rock " 19Th
Early 1900 Art Deco Terracotta Sculpture " a panther on a rock " 19Th

Early 1900 Art Deco Terracotta Sculpture " a panther on a rock " 19Th

Located in Gavere, BE

Outstanding sculpture depicting a panther in an attacking position, standing on a rock. The sculpture has a beautiful patina. It displays excellent muscular proportions. Made from ...

Category

1910s Art Deco Terracotta Sculptures

Materials

Terracotta, Clay

Figural Terracotta Sculpture Depicting Winter
Figural Terracotta Sculpture Depicting Winter

Figural Terracotta Sculpture Depicting Winter

Located in Los Angeles, CA

A beautifully sculpted terracotta statue depicting Winter. The robed figure is holding a burning cauldron of fire. A laurel crown tops her head. She is standing beside a rock with ca...

Category

19th Century Terracotta Sculptures

Materials

Terracotta

Roman 18th century terracotta model for the sculpture of San Camillo de Lellis
Roman 18th century terracotta model for the sculpture of San Camillo de Lellis

Roman 18th century terracotta model for the sculpture of San Camillo de Lellis

Located in London, GB

This remarkably fluid terracotta bozetto was made in preparation for Pietro Pacilli’s most important public commission, a large-scale marble statue of San Camillo de Lellis for the nave of St Peter’s Basilica in Rome. Expressively modelled, this terracotta sculpture is a rare and significant work made by a major Roman sculptor at a transformative moment of European sculpture. Pacilli began his working life on the great Baroque decorative projects initiated in the seventeenth century, but he found success as a restorer of ancient sculpture working to finish antiquities for a tourist market, becoming an important figure in the emergence of an archaeologically minded Neoclassicism. Pacilli trained Vincenzo Pacetti and provided important decorative work for the Museo Pio-Clementino, at the same time he is recorded restoring some of the most celebrated antiquities excavated and exported during the period. Pacilli was born into a family of Roman craftsmen, his father Carlo was a wood carver, and Pacilli is recorded working with him on the Corsini Chapel in San Giovanni Laternao as early as 1735. In 1738 his terracotta model of Joseph and Potiphar’s Wife won the first prize in the second class of the sculpture concorso at the Accademia di San Luca, this is particularly notable as Bartolomeo Cavaceppi came third. He worked as a carver and stuccoist completing works for the churches of San Marco and SS. Trinita dei Domeniciani Spagnoli. Pacilli operated as a sculptor and restorer of antiquities from his studio at the top of the Spanish Steps, close to Santa Trinita dei Monti, where he is listed as a potential vendor to the Museo Pio-Clementino in 1770. In 1763 Pacilli completed a silver figure of San Venanzio for the treasury of San Venanzio. He is recorded as Pacetti’s first master and it was evidently through Pacilli that he began to acquire his facility as a restorer of ancient sculpture. Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on several important pieces of classical sculpture, including in 1760 the group of a Satyr with a Flute for the natural brother of George III, General Wallmoden, Hanovarian minister at Vienna. In 1765, Dallaway and Michaelis record that Pacilli was responsible for the restorations, including the addition of a new head, to the Barberini Venus which he had acquired from Gavin Hamilton. The Venus was then sold to Thomas Jenkins, who in turn passed it on to William Weddell at Newby Hall. In 1767 Pacilli exported a series of ancient busts ‘al naturale’ including portraits of Antinous, Julius Ceaser and Marus Aurelius, also a statue of a Muse and a Venus. As early as 1756 Pacilli seems to have been operating as an antiquarian, helping to disperse the collection of the Villa Borrioni. Pacilli supplied sculpture to notable British collectors, including Charles Townley, who on his first trip to Italy purchased the Palazzo Giustiniani statue of Hecate from Pacilli. Pacilli was involved with the Museo Pio Clementino from its conception, supplying busts of Julius Ceaser and a Roman Woman as well as completing stucco putti surmounting the arms of Pope Bendedict XIV to signal the entrance to the new Museo Critiano. In 1750 Il Diario Ordinario del Chracas announced that Pacilli had begun work on a sculpture of San Camillo de Lellis for St Peter’s. Camillo de Lellis founded his congregation, the Camillians, with their distinctive red felt crosses stitched on black habits in 1591. Having served as a soldier in the Venetian army, Camillo de Lellis became a novitiate of the Capuchin friars, he moved to Rome and established a religious community for the purpose of caring for the sick. In 1586 Pope Sixtus V formerly recognised the Camillians and assigned them to the Church of Santa Maria Maddalena in Rome. Camillo de Lellis died in 1614 and was entombed at Santa Maria Maddalena, he was canonised by Benedict XIV on June 26, 1746. It was an occasion that prompted the Camillians to make a number of significant artistic commissions, including two canvases by Pierre Subleyras showing episodes from San Camillo’s life which they presented to Benedict XIV. In 1750 Pacilli was commissioned to fill one of the large niches on the north wall of the nave with a sculpture of San Camillo. The present terracotta bozetto presumably had two important functions, to enable Pacilli to work out his ideas for the finished sculpture and at the same time to show his design to the various commissioning bodies. In this case it would have been Cardinal Alessandro Albani and Monsignor Giovan Francesco Olivieri, the ‘economo’ or treasurer of the fabric of St Peter’s. Previously unrecorded, this terracotta relates to a smaller, less finished model which has recently been identified as being Pacilli’s first idea for his statue of San Camillo. Preserved in Palazzo Venezia, in Rome, the terracotta shows San Camillo with his left hand clutching his vestments to his breast; the pose and action more deliberate and contained than the finished sculpture. In producing the present terracotta Pacilli has expanded and energised the figure. San Camillo is shown with his left hand extended, his head turned to the right, apparently in an attempt to look east down the nave of St Peter’s. The model shows Pacilli experimenting with San Camillo’s costume; prominently on his breast is the red cross of his order, whilst a sense of animation is injected into the figure through the billowing cloak which is pulled across the saint’s projecting right leg. The power of the restrained, axial contrapposto of bent right leg and outstretched left arm, is diminished in the final sculpture where a baroque fussiness is introduced to the drapery. What Pacilli’s terracotta demonstrates, is that he conceived the figure of San Camillo very much in line with the immediate tradition of depicting single figures in St Peter’s; the rhetorical gesture of dynamic saint, arm outstretched, book in hand, head pointed upwards was perhaps borrowed from Camillo Rusconi’s 1733 sculpture of St. Ignatius...

Category

18th Century Baroque Terracotta Sculptures

Materials

Terracotta

Head of a Young African Man
Head of a Young African Man

Head of a Young African Man

Located in New York, NY

Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...

Category

Early 1800s Terracotta Sculptures

Materials

Terracotta

“Modern Terracotta Bird”
“Modern Terracotta Bird”

“Modern Terracotta Bird”

By Alexander Ney

Located in Southampton, NY

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and stylized bird form. The piece exhibits the ...

Category

1980s Post-Modern Terracotta Sculptures

Materials

Terracotta

Unity, Terracotta by Delphine Brabant, Contemporary Geometric Abstract Sculpture
Unity, Terracotta by Delphine Brabant, Contemporary Geometric Abstract Sculpture

Unity, Terracotta by Delphine Brabant, Contemporary Geometric Abstract Sculpture

By Delphine Brabant

Located in Paris, FR

Delphine Brabant: Unity, terracotta, 2024 28 × 22 × 11 cm / 11 × 8.7 × 4.3 in 8kg / 17.6 lbs Unique work Unity I, terracotta is a terracotta sculpture by contemporary French artist ...

Category

2010s Abstract Geometric Terracotta Sculptures

Materials

Terracotta

The Trapdoor
The Trapdoor

The Trapdoor

By Arturo Martini

Located in Roma, RM

Arturo Martini (Treviso 1889 - Milan 1947), La Botola (1930 / 1933) Terracotta sculpture 34 x 42 x 9 cm signed lower left; label of Galleria del Milione, Milan, on back. Provenance...

Category

1930s Italian School Terracotta Sculptures

Materials

Terracotta

Antique French Sevres Terracotta Ceramic Monkey Snail Animalier Statue Sculpture
Antique French Sevres Terracotta Ceramic Monkey Snail Animalier Statue Sculpture

Antique French Sevres Terracotta Ceramic Monkey Snail Animalier Statue Sculpture

By Emmanuel Fremiet

Located in Portland, OR

A finely detailed antique French terracotta monkey statue by the French sculptor Emmanuel Frémiet (1824–1910), signed and dated 1905. This whimsical and humorous sculpture depicts ...

Category

Early 1900s Realist Terracotta Sculptures

Materials

Terracotta, Ceramic

Terracotta Pair of Busts Portrayed Ariadne and a Satyr Signed Lanzirotti 19th
Terracotta Pair of Busts Portrayed Ariadne and a Satyr Signed Lanzirotti 19th

Terracotta Pair of Busts Portrayed Ariadne and a Satyr Signed Lanzirotti 19th

By Antonio Giovanni Lanzirotti

Located in Roma, IT

The artist portrayed Ariadne and a satyr as busts in an ideal scene and there seems to be a relationship of complicity and trust which is also evident from the facial expressions. Th...

Category

19th Century Other Art Style Terracotta Sculptures

Materials

Terracotta

“Perforated Colored Head”
“Perforated Colored Head”

“Perforated Colored Head”

By Alexander Ney

Located in Southampton, NY

Unique original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023), featuring a vividly painted and perforated head form in rich earthen tones with accents of...

Category

1980s Post-Modern Terracotta Sculptures

Materials

Terracotta

“Stylized Terracotta Head”
“Stylized Terracotta Head”

“Stylized Terracotta Head”

By Alexander Ney

Located in Southampton, NY

Original signed terracotta sculpture by Alexander Ney (Russian-American, 1939-2023) featuring his signature perforated surface texture and abstract stylized head form. The piece show...

Category

1980s Post-Modern Terracotta Sculptures

Materials

Terracotta

Terracotta sculptures for sale on 1stDibs.

Find a wide variety of authentic Terracotta sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Coade, Pablo Picasso, Francine Auvrouin, and Alexander Ney. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Terracotta sculptures, so small editions measuring 0.12 inches across are also available

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