Abstract Sculptures

"Sisyphean Circle (tank top)" by John Van Alstine Riverstone, stainless, galvanized, and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances ...

Striking cut and polished slice of rhodochrosite, a semi precious mineral, with its distinctive red color and white banding. Presented on a custom lucite and brass stand.

George Sugarman (1912 - 1999) Roland, 1970 Patinated steel 17 3/8 x 16 x 5 1/4 inches Incised with the artist's signature and numbered "15/17" on the underside Manufactured by Lippin...

"Abstract Visage I" Abstract Sculpture 18" x 8" inch by Ibrahim Abd Elmalak Double-faced Fiberglass Signed & Dated Sculptures that mostly depict his characteristic figures of femi...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spati...

Bloom No. 5 from the Bloom Series by Norman Mooney Edition of 10 + 2AP Clear float glass, aluminum Inspired by the work of the 19th century biologist Ernst Haeckel and his study of ...

Dorothy Thorpe This wonderful piece was designed by Dorothy Thorpe in America during the 1960s Born in Salt Lake City in 1901, Dorothy Thorpe was a mid-century American artist who de...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...

Artist Commentary: Abstract forms emerge from remembrances of disco dancing, Earth Wind & Fire, darkness, heat, perspiration and glitz. Materials are twisted into ambiguous shapes, s...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

"Queen of Hearts" by Kevin Barrett Fabricated aluminum, automotive paint Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Me...

The sculptures of Damon Hyldreth appear both static and fluid, rigid and flexible, strong and smooth, effectively blurring the line between nature and structure. By crafting organic ...

Slip cast form. Fired to cone 01. Glaze fired to cone 07. Finished with acrylics and oils Dimensions: 13"h x 10"w x 7"d Year: 1994 Reflecting on her Mexican roots, Nora Pineda...

Brindle’s Light Glyph’s, are luminescent and mercurial sculptures, constantly shifting in hue as the viewer moves around them. Absorbing and reflecting light, they have a meditative ...

(Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the ...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she take...

Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material. First, she begins with a drawing of an idea. Then she takes a daily walk in the woods surrounding her studio and collects tree limbs and long sticks that have fallen to the ground. She never chops down a living tree or uses green wood. Eiferman allows the wood time to cure in the studio to make sure it won’t check or crack. Next, she debarks the branch and looks for shapes found within each piece of wood. Using a Japanese hand saw, she cuts and connect these small shapes together using dowels and wood glue. Then, all the open joints get filled with a home made putty, which is then sanded so she can see the newly formed shapes. This process is until the new sculpture appears like the original line drawing but in space. She wants the work to appear as if it grew in nature, when in fact each sculpture is composed of over 100 small pieces of wood that are seamlessly jointed together. Her work can be called the ultimate recycling: taking the detritus of nature and giving it a new life. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark off with our fingernails. Her work taps into that same primal desire of touching nature and being close to it. Trees connect us back to nature, back to this Earth. Her work has a meditative quality to it—a quiet, calming energy. Her influences are many; from looking at nature and plant life on this Earth to researching the heavenly bodies in the images beamed back from the Hubble Telescope. From studying ancient Buddhist mandalas and designs to delving deeper into quantum physics. And from researching mysterious manuscripts to studying the patterns inside our brains. For Invocation, we are exhibiting her newest body of work, inspired by the illustrations found in the Voynich Manuscript. This 250-page book, is believed to have been written in the early 15th century, of a mysterious origin and purpose. Written in an unknown language and currently housed at Yale University’s Beinecke Rare Book Library, the manuscript has eluded all attempts in the intervening centuries to decode or decipher its purpose and meaning. This enigmatic book is divided into 6 different sections (herbal, astronomical, biological, cosmological, pharmaceutical and recipes). Having discovered the images contained in this codex over the Internet, Eiferman felt an immediate, profound and inexplicable connection to this manuscript and its creator. The artist is currently transposing the “herbal” section of manuscript into sculptures. This section has drawings in it of plants and flowers that do not really exist in nature—past or present. These aren’t just pretty images of flowers—they also contain the wacky root systems and seemingly out of proportion leaves, stamens and pistils. Loren Eiferman was born in Brooklyn, NY. She received her BFA from SUNY Purchase. Her work has been exhibited extensively throughout the Tri-State region including gallery and museum exhibitions in the Hudson Valley and Connecticut. Her work is included in numerous corporate and private art collections. In 2014 she was awarded a NYC MTA Arts & Design art commission to produce steel railings...

Catherine Bohrman: The quiet encounter of two lovers kissing is captured in this wonderful cast bronze with a gold patina. The softness of the moment o...

Yayoi Kusama Red & Black Pumpkin 2019: An iconic, vibrantly colored pop art piece - this rare, sought-after red Kusama pumpkin sculpture features the universal polka dot patterns...

Traces, sisal and hand spun wool, 108" x 42", 1979. This large, figurative, mid-century modern tapestry was done by Polish textile artist, Lilla Kulka...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Sculture

"Yellow Red Cobalt - In" by Elizabeth Gregory-Gruen Hand cut 2-ply museum board, gouche This sculptural wall piece can mounted in a plexi box (dimensions: 24" x 20" x 3") Cut Work ...

24cms high x 25 x 25 Painted wood Stamped with monogram signature and uniquely numbered 861 Unique Rotating the sculpture allows the spectator to choose...

"Flairing Bastion" Minimalist Abstract Metal Sculpture by Michael Enn Sirvet Red powder-coated aluminum About Michael Enn Sirvet's Bastion Series The Bastion Series of sculptures a...

Catherine Bohrman: The quiet encounter of two lovers kissing is captured in this wonderful cast bronze with a gold patina. The softness of the moment of her reach to him is captured...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

Artist Commentary: Lip service came about during sheltering in place. While visiting with my grandchildren it broke my heart that they could not see me sm...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

B'Still Life, Anda Klancic, hand-controlled, machine-embroidered lace, cotton, synthetic, metal threads, 23" x 42", 1996-2020. "The tactility of the interweaving in the fibrous wor...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...

Authentic branch coral specimen with its clean bleached white color and organic textural form. Presented on a custom coquina stand. Available only in the United States of America, ...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

46 high x 10 x 10 cm Bronze on a composite base Stamped with monogram signature and uniquely numbered 873 Unique Natural bronze elements on the edges and face are protected by lacque...

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 physical
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Artwork made with acrylic on solid maple with satin clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-ce...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Sphère-trame, 1962. Welded steel rods, stainless steel. 13.75 inches diameter. This work is from an edition of 100 (the edition was not fully executed). Artwork is in excellent condi...

"Patriot" by Kevin Barrett Epoxy, acrylic, and urethane on aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Painting...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith H...

Found plastic & tree Environmental theme

The sculptures of Damon Hyldreth appear both static and fluid, rigid and flexible, strong and smooth, effectively blurring the line between nature and structure. By crafting organic ...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

An early studio glass creation by Dr. Robert Fritz. Dr. Robert Fritz attended San Jose State College in the early 1950s, where he earned a Bachelors, and Master's of Arts. He went ...

Bunny Ryan Cronin Oil Paint, Wood, and Fiberglass 52" (Height) x 25" (Width) x 12.5" (Depth) When people look at his work Cronin wants them to feel an immediate impact, even if they...

Brindle’s Light Glyph’s, are luminescent and mercurial sculptures, constantly shifting in hue as the viewer moves around them. Absorbing and reflecting light, they have a meditative ...

Panier-maison II, Stéphanie Jacques, wood, willow, raw clay coated and limewash, 17" x 20" x 15", 2010. This contemporary abstract mixed media sculpture was done by Belgian artist, ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...