Abstract Sculptures

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Standout vintage obelisk crafted in brass and rouge marble in a modern stylized form on ball feet. Signed Maitland-Smith on the bottom.

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Roma II" is an exquisite example of Morris Brose's abstract sculpture that invites numerous imaginative suggestions from architecture to weaponry and armor. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...

The sculpture has an abstract form with smooth curves, openings and a mirror-polished surface, which creates the effect of a play of light and reflections. It creates a textured part...

Bronze sculpture created by Tommaso Cascella and his wife. 20x12 cm. Work signed with felt-tip pen inside the left paw. Good conditions. Tommaso Cascella (1890–1968) was an Itali...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

"Rendezvous" by Kevin Barrett Bronze Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Metal Outdoor Sculpture...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

Sara Fine-Wilsons ”Halo” is a gestural 15 x 12 x 9 inch ceramic sculpture in pale yellow and cream with accents of warm sepia, grey and quiet tinges of pink. In this graceful and evo...

Ivars Miķelsons (1962)

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

A large & impressive abstract figurative bronze sculpture, by the Pacific Northwest sculptor Frederic F. Littman (1907–1979), circa 1960. This large bronze by Hungarian-American scul...

Pigmented lacquer on birch, heart pine Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Con...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Artwork made with acrylic on birch on MDF and metallic enamel & waxed finish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, includin...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 15"h x 12"w. This piece ships in the pictured black frame. Charles Clary wa...

Materials: printed florist paper, woven Winqvist applies the ideal of functionalism by simplifying the forms as much as possible, while avoiding unnecessary decoration. She has expl...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on no...

Artist: Kuno Vollet Title: Blue Orbit Materials: Stainless Steel Size: 40cm x 40 cm x 25 cm About the Gallery: Folly and Muse was established in 2015 in London to find and colla...

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Event Horizon, Original Abstract Wooden and Floral Collage, 2019 30" x 50" x 2" (HxWxD) Wood, Plastic Tablecloth, Resin Repurposed materials including ...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

The sculpture “Metamorphosis” embodies the idea of ​​change, transformation and movement of life. Its smooth, elegant lines create a sense of dynamics, and the combination of a mirro...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

Porcelain and paper clay, 2012, 21.5 x 20 x 3 in Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the forms come from arc...

From the series Cuerpos Magnéticos (Magetic Bodies) Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks,...

Pray acrylic on poplar with gloss clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texa...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

19 x 19 x 18 in October 2021 This piece was carved after reading 50 shades of Gray. Artist statement: My passion for sculpting is expressed in my creation of the virtual records of contemporary culture. I capture everyday objects in carved stone, using a technique I invented more than 20 years ago. At the start I mull over the food, article of clothing or particular brand I wish to replicate as historical evidence for future generations. I feel driven to duplication by carving stone of similar color – or purchasing one of neutral tones and staining it to that which I desire. I ask myself, ‘Will a bottle of Heinz ketchup...

This abstract boat wall sculpture by Danish artist, Jane Balsgaard, is constructed with iron, bamboo, willow, fishing line and handmade plantpaper...

A refined kinetic sculpture, composed of a vertical transparent panel adorned with precisely arranged geometric semicircles in vibrant, contrasting hues. The composition engages dyna...

Italian Stainless Steel With Hyperthermal Prismatic Patina This sculpture will be shipped directly from the artist's studio.

Colorful textured mixed media wall sculpture composed of clustered candy-like spheres and a contrasting lavender circular form. This wall-mounted artwork by Elizabeth Art Candy pres...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

"Untitled (Sun Over the Rain Clouds)" is an abstract kinetic sculpture with many moving parts created by Arthur Bauman. The artist carved his initials into the red disc that hangs at...

Spray acrylic on solid maple with gloss clearcoat Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NY...

'Ha'apai' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails ar...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

"Flash" by John Ruppert Cast stainless steel, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been working in cast metals; manufa...

Robin Antar: One day I woke up and said to myself, "I want to have some people visit my studio." I could not let anyone in because of COVID-19 so I decided to cut studio visitors out of stone. These pieces are carved out of a very rare piece of blue onyx. American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

"Groove" by Kevin Barrett Bronze metal abstract sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Organic, Abstrac...

Relationships III is part of a series of three sculptures inspired by my personal experiences. When my two sons were growing up I told them the most difficult thing in life are relat...

Artist: David Jaworsky, American Title: Attitudes Year: 1991 Medium: Blown Glass and Bronze with a Marble Base Size: 31 x 20 x 24 in. (78.74 x 50.8 x 60.96 cm) Base: 16 x 2 x 16 ...

"Cut Mandala Variation" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan Brown create...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Hand built heavily glazed solid ceramic structure by NY artist Judy Engel. Expressionist style hand built and heavily glazed in a high metallic palladium glaze. Judy's first introduction to this style was the Empire State Plaza in Albany, NY. "In the 1970s, upstate school kids...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

EMERSON WOELFFER Abstract Form No. 1 1979 Porcelain on wooden plinth 3.5 x 3.5 x 11.5 inches

David was tackling the surface on this sculpture- he first tried it rough with deep gouges. No, back to what he did with the maquette- Guardian II. He carved and sanded and the bold ...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Anthony Caro Bronze Belt Buckle, 1993 Bronze sculpted belt buckle. Stamped on the verso 3 × 4 1/2 inches Exhibition History: Victoria and Albert Museum, L...

A major figure in both the Abstract Expressionist and American Figurative Expressionist movements of the 1940s and 1950s, Elaine de Kooning's prolific output defied singular categorization. Her versatile styles explored the spectrum of realism to abstraction, resulting in a career characterized by intense expression and artistic boundary-pushing. A striking example of de Kooning's explosive creativity is Untitled (Totem Pole...