Bride Sculptures

Janus's Heads is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 54 × 26 × 17 cm (21.3 × 10.2 × 6.7 in). The sculpture is signed and numbered, it is p...

This piece titled "MySpace Tom No. 1" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This p...

This piece titled "Running Towards Fear" is an original artwork by Jodi Rice and is made of polypropylene. This piece measures 72" in diameter About the artist: "I strive to create ...

Using simplified shapes, artist Frances Semple reveals the emotive essence of movement in this bronze sculpture of a walking woman. At 60 inches high, the figure is life-size. The sculpture is inscribed by the artist with initials and edition number, 3/9. The concrete base measures 12h x 24w x 42d inches. Together, the sculpture and base...

Small Bronze Of A Lady Opening A Box Artist signed a small bronze with a carved ivory face 4wx2dx2.75h The sculptor Peter Tereszczuk was born in 1875 in the Ukrainian city Wybudow. H...

Edition of 25 'Demeter' by Carl Payne. A bronze sculpture of a figurative woman representing Demeter, goddess of the harvest and fertility, captures both grace and symbolic power. T...

"Record Player" by Jerome Ferretti, Detroit muralist, painter and sculptor, is a genuine Symphonic Record Player with built-in speakers that Je...

• A unique ceramic work by Pablo Picasso Famille, Têtes Laurées : Quatre Personnages is a unique ceramic composition by Pablo Picasso, dated August 8, 1956, with the date inscribed a...

Pair of scagliola sculptures - Roman figures. Italian manufacture, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Made entirely of scagliola. Depicting two f...

Museum Madonna Nikolaus Weckmann Ulm 1481 - 1526 Ulm Carved limewood Polychrome painted & gilded Height 132 cm Niklaus Weckmann was an important sculptor who was active in the l...

Original sculpture 6/8 ex. 2011 - 2020. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites...

Venus Italica, imposing sculpture in white Carrara marble, mid-nineteenth-century Roman atelier. Antonio Canova made several sculptures depicting Venus. The first was made as compen...

Three Horses is a bronze bas-relief sculpture by French contemporary artist Pierre Yermia, dimensions are 42 × 81 × 2 cm (16.5 × 31.9 × 0.8 in). The sculpture is signed and numbered...

Antique sculpture of a female Moor with flowering cornucopia Venice, 19th century Carved, lacquered and gilded/silvered wood Total height 202 cm (column base 82 cm, figure 120 cm) ...

Frederick William MacMonnies (American, 1863-1937) Model Study for Truth, c. 1910-14 Painted plaster 16.5 x 9.25 x 7.5 inches For the 1920 sculpture for the New York Public Library ...

Erté designed Golden Fleece for a Folies-Bergére scene entirtled "The Golden Fleece" and a 1926 George White's Scandals scene entitled "La Toison d'or." Erté, whose artistic style was influenced in part by a childhood admiration of classic Greek art, was always drawn to a good story with a sense of drama – typified by Greek tragedy. Catalogue - Erté: The Last Works (Dutton, pgs. 115, 207). From the total edition of 462; numbered 207/375 (there were also 50 Roman and 37 AP). Referring to the legend of Jason and the Argonauts, the Golden Fleece sculpture depicts an elegant woman in a classic Greek garment. The curled horns of the ram style her headdress, elegant in appearance and yet fierce in battle. Descending from these horns is the golden fleece itself, its curly mane covering the woman to her toes. Her gown, a gracefully draped toga, is designed to leave one breast bared, in the folkloric tradition of the Amazon tribe of women warriors...

Gypsum cast-medieval tile, inspired from Central Europe. Could be also adjusted in a frame, ready to hang or install ( price will be different).

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

The Spring by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture made in white Carrara marble signed on the base "A. Carrier " presented on its red marble base France circa 1860...

Corpus Christi around 1150/70 Southern France or Catalonia carved oak wood

 height 109 cm, width 96 cm Remains of polychromy

Wooden sculpture depicting Saint Catherine of Alexandria Provenance Lower Rhine or Southern Tyrol Late 15th century (circa 1480) Linden wood (single trunk, hollowed back), trac...

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

This sculpture is cast and manipulated stone, fiberglass, iron, and casters. Deborah Ballard is best known for conceiving of figures and groupings of figures who relate to one anoth...

This figurative mixed media bust sculpture in ceramic, metallic oxides and carved fir wood opens with a strong emphasis on material expression and emotional tension. The work belongs to the Xentes series, a body of sculptures by the Spanish artist Óscar Aldonza Torres that explores the dialogue between individuality and collective identity. The piece combines high-temperature ceramic for the head—treated with oxides and imitation gold leaf—with a tall fir-wood torso...

This lithe, elegant female figure was sculpted by Quebec artist Paul Duval. One of a series of paper mache, wire and metal table top pieces, each one imbued with a distinct personality. Duval uses simple gestures, posture, and colour to convey each character’s individuality. Celestine is clothed in a royal blue gown...

Gilded bronze centerpiece Paris, ca. 1820–1830, identical counterpart in Donald Trump's Oval Office Significant gilded bronze centerpiece or “Centre De Surtout De Table" based on a design by Gustav Friedrich...

OUTSTANDING MADONNA Bavaria Around 1515/20 Lime wood carved Original, polychrome version Height 60 cm This masterfully carved, full-round Madonna was created around 1515-20 in...

Four season ,monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Timeless classical decoration for you...

Mark Morrison (1895-1964) Black Swan , ca. 1950 Carved and polished black pearl granite 7" wide, 11.5" deep, height is 29" Provenance: Estate of Mrs. Mark Morrison. Born: Kin...

Bronze 72 cm signed Height: 72 cm. Base diameter: approx. 22 cm. Signed "E. Drouot". Stamped "BD Fondeur, Paris". Plaque engraved "Hebe Par Drouot (Hors Concours)". Bronze, cast, ...

MASTERPIECE Made with natural clay. Hand-modeled technique and cooked in a wood-fired oven. LISTING =================================== 1 Ceramic Sculpture of a Virgin ============...

ANCIENT ROMAN MARBLE RELIEF FRAGMENT Rome, 1st Century b.C. marble 23 x 15 x 5 cm without base 9 x 6 x 2 in

Book Sculpture, Signed by Robert Robinson Robert Robinson is an American artist born in 1960 who lives and works in London, UK. He creates 3-D media artworks using comic book encycl...

Italian modeller (18th century) - Allegory of Vanity. 17 x 12 x h 42 cm. Fully modelled terracotta figure. The group depicts a standing female figure, partially draped with bare b...

Reclining nude bronze on black marble sculpture by sculptor Laura Smith. The contrast of the bronze patina on marble makes the figure appear as if floating. There is some discolorati...

MUSEUM PAIR FLYING ANGELS Brabant/Brussels Around 1500 Oak wood, full round carved Height 40/38 cm These two figures are a pair of flying angels mad...

Master in the circle of Michael Pacher (Mühlen ca. 1435 - 1498 Salzburg) Salzburg Around 1480 Carved limewood Old polychrome version Height 118 cm This Madonna is an outstanding ex...

Richard Klemm, German (1852 - 1916) - Couple Proposing, Medium: Porcelain Clock, maker's mark stamp verso, Size: 39 x 12 x 6.5 in. (99.06 x 30.48 x 16.51 cm)

This found object sculpture titled "Tape recorder" is an original artwork by Ulla-Stina Wikander made of needlepoint embroidery and vintage object. Her i...

MASTERPIECE Piece made of cardboard, delicately hand painted by the most expert artisans of Guadalajara Jalisco, México. LISTING =================================== 1 Cardboard handpainted Virgin =================================== DIMENSIONS =================================== 24" x 24" x 8" in or 60 x 60 x 20 cm =================================== DETAILS =================================== Time of Preparation: 2 months Made: Guadalajara, Jalisco, México. Artisan: Danilo Lopez Ochoa...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

Finely carved mythological roman subject of Minerva in Marble Travertino . Excellent condition from an estate of Veneto. Measurements: Statue cm 180 . Minerva (Pallas Athena in Greek...

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

Crystal is a young ballerina who has posed for Richard many times. She has a quiet radiance, a pure and thoughtful quality that gives her grace an added dimension. She is lithe and d...

Albert-Ernest Carrier-Belleuse 1824–1887 French Allégorie de la Paix (Allegory of Peace) Signed “Carrier-Belleuse” White marble A vision of serenity and grace, Allégorie de la Pa...

An impressive neoclassical Silver Plated urn, featuring both a classical female mask and a lion-mask terminal, sculpturally integrated into a dramatic vertical form with a winged fem...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

Artist statement: My work is essentially about the dignity and pride of being female and feminine and the reality of manual labor and hard work and how we balance those things daily...

Volodymyr Mykytenko - Tree of Life (2022) Tree of Life-a tree in the middle of the Garden of Eden, the fruits of which give eternal life, planted by God along with the Tree of the k...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recu...

Dynamic statue of an Arab Falconer riding a horse in motion. A falcon lands on the falconer's arm as his horse trots along a mud road leaving hove prints behind. Artist: Pierre-Jul...

One of a kind Goddess sculpture by Noche Crist (1909-2004). Noche Crist was an American artist born in Romania. Sculpture is made from polyester res...

Quebecois sculptor Paul Duval has created a delightfully engaging series of table-top sculptures that portray a variety of characters. Bella is a bronze-coloured female figure dresse...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Daphne Sweet is a contemporary artist based in Butte, Montana, whose work intertwines personal narrative, mythology, and the landscapes of the American West. Born in Los Angeles and...

Representation of the San Domenico di Camerino Altarpiece, painted by Carlo Crivelli in 1482, and made by Antonio Pandiani in the 19th century.

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...

Virgin and Child with Goldfinch Workshops of Metz, Lorraine, circa 1330 Limestone carved in the round with remains of polychromy Height: 61 cm This sculpture is sold with a certific...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...