Face Sculptures

Georges Van der Straeten (Belgian, 1856-1941) "The Harpist" Patinated Bronze Sculpture, late 19th century, the elegant lady in a flowing dress holding a harp, on a square plinth sign...

Angel of the Annunciation Prague workshop from the circle of Master Theoderich (mentioned from 1359 to 1368) Around 1380/90 Carved & polychrome painted limewood Height 88 cm An ang...

Corpus Christi around 1150/70 Southern France or Catalonia carved oak wood

 height 109 cm, width 96 cm Remains of polychromy

"Reclining Man" Ashcan Early 20th Century American Scene Social Realism Gay Nude Isadore Konti (1862 - 1938) "Reclining Man" 7 1/2 w x 4 1/2 d x 7 high inch...

Dale Dunning’s contemporary sculptures often use the generic image of the human head as a metaphor for our collective experience. With this table top piece in bronze, the Canadian ar...

This young saint or angel has suffered over the centuries, but his spirit has not been broken - and miraculously, his beautiful face has remained intact. With a gentle face and an al...

Rudolf KAESBACH (1873-1955), "Snake Charmer" Inscribed 'R. Kaesbach' on the plinth and with the foundry mark, height with base: approx. 30.2 cm Founding mark RM Rosenthal & Maeder ...

Mathurin Moreau (French, 1855-1919) Bronze female figure titled Danseuse a La Lyre, The Lyre Dancer.  A patinated maiden posed holding a lyre with a tortoise shell accent in her rai...

A Swedish Girl - Sculpture is a fascinating sculpture realized by the Italian artist Costanzo Mongini (1918-1981) during the 20th century. Edition of 99 ...

Untitled 1982 Young Man With Closed Eyes Artist signed, and dated. WILLIAM LUDWIG (1935-2011) Education: University of Connecticut, 1957-1961 Hartford Art School, University of Har...

Augustus Saint-Gaudens 1848-1907 American Young Emperor Augustus Marble This extraordinary marble bust by revered American sculptor Augustus Saint-Gaudens is crafted in the class...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

Finely carved female figural marble statue by C. Dazzi  A full length white marble statue of a young woman in a dynamic dress admiring her engagement ring. Resting on a pink marble vase...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 27 inches tall, with a length of 16 inches and a depth of 13 inches....

Embossed monogram signature. Referenced in "Beyond Time; The Art of Alfred Van Loen" SunStorm c.1993, p. 38. Van Loen was a highly influential modern artist and teacher of German de...

ALEX KATZ (1927-Present) This Alex Katz work 'Yvonne' is a 2018 cutout in powder-coated aluminum, UV archival inks, stainless steel. The signature impressed to the base ‘Alex Katz’....

Leonard Wells Volk was a famous American sculptor. He went to posterity after making one of only two life masks of United States President Abraham Lincoln. I...

Head of a Woman, ca. 1939. Stepan Dmitrievich Erzia, born Stepan Nefyodov on October 27, 1876, in Bayevo, Simbirsk Governorate, Russia, was a distinguished sculptor of Erzya Mordvin descent. He adopted "Erzia" as his artistic pseudonym to honor his ethnic heritage. Erzia's artistic journey began with apprenticeships in icon-painting studios in Alatyr and Kazan between 1892 and 1897. During this period, he decorated churches throughout the Volga region and attended the Kazan Art...

Toy Soldier #5 (Prone Position) by Yoram Wolberger Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: ...

Created in 1947, this early Picasso ceramic is the second that artist ever produced. It is in wonderful condition and presented in a fine black wood fra...

John Bennett (Born 1952) Fredericksburg, Texas Artist "Grace in the Storm" John Bennett (Born 1952) John Bennett was designated Texas State Artist 2010 by the 81st Texas Legislature....

Circe 19th-century Italian Wooden Sculpture, the proposed neoclassical figure is a fascinating and rare depiction of the Goddess Circe, made in the early 1800s. The pine wood carving...

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

Testa 9 is an expressionist ceramic head sculpture created in white stoneware with a bismuth Rakú glaze. This ceramic head belongs to the artist’s Testas series, a body of work compo...

Numbered and signed. Limited edition of 100 pieces. Excellent conditions. Aurelio Mistruzzi was an Italian sculptor and medalist. He attended the Udine School of Art with professor ...

Supreme Skateboard Decks, 2019 (set of 2 works): A standout Supreme skateboard deck set featuring the Supreme logo and a printed World Famous logo on front. Strong vibrant colors and classic imagery that combines for unique pop wall art that hangs with ease. Medium: Silkscreen on Maple Wood. 2019. Dimensions: 31.5 x 8 in. (applies to each individual work). Printed Supreme logo on front & reverse (applies to each). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. Related Categories Damien Hirst. Andy Warhol. Supreme. 1980s Pop Art. Street Art. Skate Art.

"Caress of Love" by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group sculpture with a nuanced dark brown patina Signed on the back "A. Carrier-Belleuse" Reposing on its orig...

Clemente Spampinato, born in 1912 in Calabria, Italy, was a versatile artist and sports enthusiast. He created Bronze Trophies and Medallions for the Olympics and Italian sporting events in the 1930s and '40s. After becoming a U.S. citizen in 1947, he moved to New York, where he channeled his artistic passion into capturing the essence of the American West, specializing in sports and Western-themed sculptures. His work, celebrated for its realism and dynamic portrayal of athletic movements, is exhibited in museums, galleries, and private collections across the United States, Canada, and Europe. Selected sculptures can be seen in various locations, including Washington DC, Cooperstown, NY, Canton, OH, New Orleans, LA, and the complete collection is on display in Sea Cliff, New York. Large Bronze Nude Of Male Athlete During A Shot Put...

After Paul Dubois (French, 1829-1905) "Le Chanteur Florentin" [The Florentine Singer] Patinated Bronze Sculpture, the standing singer resting on a pedestal whilst playing a lute, on ...

Marcel Début 1865–1933 French Fisher Boy Signed "Marcel Début" on base Patinated bronze A rare and visually dynamic example of late 19th-century French bronze sculpture, Fisher B...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

Terracotta life-size male head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculptures ...

"Sculptor Marsha Gertenbach signed and numbered this bronze sculpture, edition 5/10. Here is the artist's message about this unique piece: In every loving relationship we experience...

"Jokwe Maternity, Angola" is a wood sculpture from Africa created circa 1910. The figure kneels on the ground holding a baby in her arms. Her eyes are closed and she is wearing a com...

This fabulous figural bronze statue of Psyche by the Barbedienne Foundry is simply exquisite. Remnants of a lovely green oxidation, nestled within the corners, curves and crevices of...

This is a one of a kind original wall sculpture by San Diego artist, Cheryl Tall. It's 26 inches in height, with a length of 18inches and a depth of 4.5 in...

Aquarius Contemporary Bronze Sculpture Nude Male Figure Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high s...

Untitled 1989 Man With Closed Eyes Bronze on wooden base WILLIAM LUDWIG (1935-2011) Education: University of Connecticut, 1957-1961 Hartford Art School, University of Hartford, 1961-...

French sculpture from the mid-20th century. Plaster work depicting a Sailor in Art Deco style, copy of the famous Meurice ceramic, Ideal Man scanning the...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

French Art Deco bronze sitting nude by F. Trinque, 1930. A gorgeous Art Deco woman stretching her arms and drying her back with a towel possibly after a swim or bath with a rich gold...

Allegory of Spring Mathurin Moreau (1822-1912) A Belle Epoque bronze statue depicting an Allegory of Spring with a seated maiden looking over to view two birds as a putto gathers a...

Nude woman figure knelling on the pillow. Signed illegibly with initials, dated '64 edition 1/3. Bronze on marble base.

Splendid polychrome wooden sculpture depicting the Blessing Child Jesus, made by a Central Italian master in the 14th century. The work, 66 cm high, is distinguished by its harmoniou...

This is a one of a kind original sculpture by San Diego artist, Cheryl Tall. Its dimensions are 28" x 44" x 15". A Certificate of Authenticity will follow the delivery of this piece...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

Charles Theodore Perron (French, 1862-1934) "Woman with Iris" Gilt and Patinated Bronze Sculpture, late 19th century, the standing figure upholding Irises, on a circular base, signed...

Jan Jozef Jaquet (1822 Antwerp - 1898 Brussels), Psyche, 1847. Black-brown and brown patinated bronze on a cast base. 30 cm (height) x 22 cm (width) x 12 cm (depth), weight 5 kg. Ver...

Cast in 1984, The Crusader presents a modern interpretation of the medieval warrior, blending classical sculptural techniques with a contemporary sensibility. The bronze bust capture...

Ceramic and gold leaf 7 x 23.5 x 22 cm

Bronze sculpture. Incised signature by the artist and numbered. Artwork is in excellent condition. Edition of 10. Certificate of authenticity included. All reasonable offers will be ...

19th Century Miniature Bronze Sculpture of a Young Girl Holding a Doll Charming bronze atop a marble base The overall dimensions are 2" wide x 2" deep x 5.75" high Signed at the b...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Vincent Desire Faure de Brousse (French, 1876-1908) "Mephistopheles and Monkey" Patinated Bronze Sculpture, late 19th century, the standing figure in Renaissance costume and accompan...

Henri Godet (French, 1863-1937) "La Reveil de L'Aurore" [The Awakening of Dawn] Patinated Bronze Sculpture, early 20th century, on a circular base with applied plaque "La Reveil de L...

Familia Big Bronze Sculpture Mother Father Child Outdoors and Indoors Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the prim...

"Girl in the Clouds”, by ceramic dynamo Katharine Morling is a porcelain free standing sculpture, depicting an woman riding a horse. She wears a crown made of textile as they maneuve...

Gustave FONTAINE ( Etterbeek 1877-1952 Bruxelles). Opera firmata (vedi dettaglio foto) Misura scultura (vedi scheda tecnica) Base appoggio 32 x 29 cm Scultore policromo e pittore....