Face Sculptures

Katherine Bust draws on Richard MacDonald's unique sensitivity to the experience of the dancer. Based on a classical study for the masterwork Dance the Dream...

Crystal is a young ballerina who has posed for Richard many times. She has a quiet radiance, a pure and thoughtful quality that gives her grace an added dimension. She is lithe and ...

Artist: Mario Brodeur Title: George Washington Medium: Painted Wood Sculpture, signed on plaque Size: 79 inches tall

Richard MacDonald’s “O” Works, based on his interaction with the artists and performers of Cirque du Soleil’s world-renowned show “O”, takes hold of the imagination and blurs the lin...

Nnamdi Okowkwo's stylized seated woman in an attitude of tranquility. To create it, he first sculpts the figure in clay, then casts it in bronze using the lost wax technique. A hot p...

This iconoclastic sculpture links two of the twentieth century’s most renowned figures: President John Fitzgerald Kennedy and Salvador Dalí. Cast in wax and decorated with paperclips...

Albert-Ernest Carrier-Belleuse (French, 1824-1887) "Leda and the Swan" c .1858 Bronze w/Gold Patina 18 x 24 x 14 Signed "A. Carrier" Based upon a c...

Angel of Victory. Bahram reveals inner strength and complexity of character. She stands tall in the face of danger. Her coiled interior is firmly gr...

Angel of Dignity. Hamael encourages us to persist and be practical. Bronze Monaco 2012 Unique Piece 29.1 x 7.5 x 13.4 inches ARTIST STATEMENT: "The beauty, grace and symmetry of traditional figurative sculpture has always called to me. It is my school and my obsession. My language is the figure and I feel the need to comment on the human condition, sometimes distorted by demons, and other times enchanted by all that is pure within us. I have renewed my relationship to the human form. It has undergone a metamorphosis from silent conformity, where the rules and proportions are tantamount to a partial figure where the human condition becomes of primary importance. I want to stretch the canons of classical realism by giving beauty another voice that challenges socio-political norms. I speak of spirit and courage, of heritage and of imperishable strength. Today I challenge the traditional figure, creating a characterization of the Spirit; a metaphor to our inner world that might encourage us to seek a deeper understanding of ourselves. Consciousness, as a philosophical concept, can lead us many places, from the empirical world of the cognitive sciences to a theoretical one, where psychology attempts to provide the answers. It is my intention to reach into the 21st. century using sculpture to transcend disciplinary boundaries between the physical bodies in bronze and the self-knowledge and understanding of the ethereal realm that is our internal landscape." ~ Blake Ward...

"La Cothurne" 1901 Gilt Bronze Approx 21.5" High (to raised hand) Signed and Dated Foundry Mark "Susse Freres" Originally modeled in white biscuit porcelain this Greek dancer is a from a set of eight created for a dining table. They were immediately successful when they were exhibited in the Sevres pavilion at the 1900 Exhibition. Individual figures could be ordered and "La Cothurne" proved the most popular. Their success led to the firm of Susse buying the right to cast versions in metal. Agathon Leonard (1841-1923) is one of the well-known French Art Nouveau sculptors. Born in Lille in 1841, he first studied there before moving to Paris where he studied at the Ecole des Beaux Arts under Eugene Delaplanche. He gained recognition at the annual Expositiones Universelles, winning a Silver Medal there in 1889 and gold in 1900. His most important piece, Jeu L'echarpe, was the best known series of Sevres production at the turn of the century and sold out at the 1900 Expo in Paris and later was given as a gift by the French Gov't to Nicholas II at the Hermitage. His bronzes were cast at the Susse Freres Editeurs Foundry. He worked also in marble, quartz and ivory. He also produced Art Nouveau medallions...

Nuska, Portrait of a Girl, bronze portrait, 1924, unique Isamu Noguchi (Japanese American 1904 - 1988); "Nuska, The Deaf Girl"; cire perdu cast bronze with complex dark patina on bronze base; 15 x lOx 8 inches; base 4.5 x 5.75 x 5,75 inches; signature quilled under and at back - "Isamu"; foundry stamp quilled in wax at the back - "Roman Bronze Works N.Y." Excellent condition. "Nuska, The Deaf Girl" is included in the Catalogue Raisonne of Noguchi's sculpture by Nancy Grove and Dianne Botnick (Garland, 1980) as Number 21. It is currently listed in the digital catalogue being assembled by the Isamu Noguchi Museum in Long Island City, New York as Number 10. This is apparently a unique casting, not part of an edition. This is an apparently early, cire perdu bronze cast by Roman Bronze Works, probably when the foundry was located in the Louis Comfort Tiffany red...

A beautiful contemporary bronze sculpture, evocative of a timeless appeal. Xie Ai Ge is one of the more promising young sculptors of her generation in the world. She has exhibited...

Considered to be one of Richard MacDonald’s greatest achievements, “Nureyev” draws on the artist's highly developed sensitivity for the experience of the dancer, and displays all the...

An original WPA wood sculpture by Chicago artist Burton Freund. Freund worked for the FAP(Federal Arts Project) in Chicago in the 1930's as well as an accomplished illustrator for so...

Xie Ai Ge is one of the more promising young sculptors of her generation in the world. She has exhibited in Asia, Europe and North America. Her works are in many notable private and ...