Kneeling Sculptures

Inner Energy is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 35 × 29 × 22 cm. The sculpture is signed and numbered, it is part of a limited edition of 8 ed...

Bronze Figure of Crouching Venus, or The Naked Aphrodite, 19th Century Italian School Bronze raised on a marble base 21 in. h. x 10 in. w. x 7 in. d., overall 18 in. h. x 8.5 in. w....

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

The Book of Ganesh II, Tribute to Gregory Colbert is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 24 × 71 × 20.5 cm (9.4 × 28 × 8.1 in). The sculp...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

Seated Mercury (Hermes) — Grand Tour Life-Size Bronze Italian School (possibly Naples) Italy, Late 19th–Early 20th Century This commanding life-size Grand Tour bronze depicts Mercury (Hermes) seated in quiet repose upon a rock, rendered with classical authority and exceptional refinement. The youthful god’s finely modeled anatomy, serene, introspective expression, and distinctive winged sandals draw directly from the celebrated ancient prototype, creating a sculpture of enduring presence and balance. Fully restored and ready to place, the bronze presents beautifully for interior display or garden installation, where its patinated surface responds richly to natural light. The composition derives from the renowned Seated Mercury discovered on August 3, 1758, in the peristyle garden of the Villa dei Papiri at Herculaneum. The ancient original—now housed in the Museo Archeologico Nazionale di Napoli—became a touchstone of classical taste and a must-see for Grand Tour travelers of the 18th and 19th centuries, admired for its harmony, restraint, and technical mastery. Cast in richly toned bronze and finished with a nuanced patina, this example exemplifies the Neapolitan tradition of Grand Tour bronzes, prized for archaeological fidelity and sculptural finesse. Its impressive scale and poised silhouette make it a significant focal point in both modern and classical settings—an object that bridges antiquity and the cultivated collecting culture of the Grand Tour. Notable Related Examples: Getty Villa · Kunsthistorisches Museum · Villa San Michele...

The Welcome is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 31 × 28 × 20 cm (12.2 × 11 × 7.9 in). The sculpture is signed and numbered, it is part...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

William Mozart McVey (American, 1905-1995) Rumination Cast bronze with brown patina Signed on back foot 8 x 4 x 3 inches William McVey (12 July 1905-31 May 1995) became Cleveland's ...

Kioveo midnight green is a polymer sheathed with crocodile skin sculpture by contemporary artist Jacques Owczarek, dimensions are 17 × 30 × 13 cm (6.7 × 11.8 × 5.1 in). The sculptur...

Walter Sinz (American, 1881-1966) When the Lights Go On Again, 1943 Cast Stone 10 x 4.5 x 8 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. ...

The Return of the Prodigal Son or The Reconciliation by Constantin MEUNIER (1831-1905) A rare bronze group with a nuanced dark brown patina signed on the back "C. Meunier" cast by "...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

19th Century Grand Tour Bronze Figurative Sculpture Benedetto Boschetti, Roma, circa 1875 This exceptional 19th-century Grand Tour bronze sculpture is a rare and highly refined examp...

Inflatable Love Doll #9 (2015-2017) Dimensions: 22 in. H x 13 in. W x 12 in. D (70 cm H x 30 cm W x 38 cm D) Concrete sculpture made with plastic and iron. A series of feminine cement chests comprised of plastic sex dolls...

Maternity 1982 Patinated bronze on marble base. artist signed edition VI/VII; 1982 Filipe Castaneda was born in 1933 in La Palma in the state of Michoacan, Mexico. The area in which...

A sculpture by Felipe Castaneda. "Pensando" is a contemporary figurative white marble sculpture by Mexican artist Felipe Castaneda. The artwork is signed in the lower right, " F. Cas...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Baltasar LOBO (1910-1993) Pensive on her knees A bronze sculpture with a black patina Signed on the side " Lobo " Cast by " Susse Fondeur Paris " (with the foundry mark) Numbered " ...

Bronze Gladiator Figure, Wounded Gladiator in dark patina bronze, early 1900s Italian sculpture in good condition. The work is inspired by the Hellenistic sculpture depicting the Dyi...

Sculpture Original bronze BELLE ATTENTE Wax lost bronze signed on the thigh: N °: 2/8 foundry stamp CHAPON Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance...

"Joyful Bowler" is a serpentine sculpture signed by Felix Mlungisi an African Shona. This figure is shown squatting and looking upwards with eyes closed. Their hair is not polished s...

This bronze sculpture speaks to the nurturing of women with the small symbol of the home on the top of the women's head. Within the outline of the women is the complexity of women. T...

"Pensive à genoux, 2nd état" by Baltasar LOBO (1910-1993) A bronze sculpture with a brownish green patina Signed on the base " Lobo " Cast by " Susse Fondeur Paris " (with the found...

Nicky Imber Sculpture Signed and Numbered “Fiddler”. In good condition measures 8x7. 1 out of 20

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Sculpture of a man rushing, carrying a briefcase Edition of 9

Giorgio de Chirico, Italian (1888 - 1978) - Cavallo e Cavaliere con berretto frigio, Year: 1950, Medium: Terracotta Sculpture, signature inscribed on base, Size: 15 x 14.5 x 5 in....

Spring Woman Lying Down Bronze Sculpture Female Figure KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien...

Palabres (Small) is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 35 × 20.5 × 26 cm (13.8 × 8.1 × 10.2 in). The sculpture is signed and numbered, it...

Motherhood by Baltasar Lobo (1910-1993) A bronze group with a nuanced greenish dark brown patina Signed at the lower backside " Lobo " Cast by " Susse Fondeur Paris " (with the foun...

Maagd Virgo Virgin Bronze Sculpture Zodiac Sign Constellation Astrology Black Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men a...

Karin Beek's (1948) bronze sculptures are characterized by a friendly, round and at the same time monumental style. They breathe the atmosphere of everyday ...

Volodymyr Mykytenko - magical dream (1995) Magical dream-not long before the birth of my son, this work was created.The birth of a new life is always beautiful. This work is like a ...

Figurative Sculpture Clay Ceramic Handmade Artist: (Garo) Karapet Balakeseryan Medium: Clay Ceramic, One of a Kind Year: 2025 Style: Impressionism, Surrealism Title: Time Belt S...

Bronze of a Nude woman knelling on the pillow. Signed illegibly with initials, posible FL dated '64 edition 1/3. Bronze with dark brown patina on marble base.

Selfie Bronze Sculpture Young Girl Tongue Sunglasses The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poe...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. Dalou’s first public commission in England was to create a large public fountain which still sits behind the Royal Exchange in London entitled Charity, featuring a mother and two children. This maquette is an early sketch, modelled in 1877. During his time in Britain, Dalou’s artistic focus shifted to increasingly domestic scenes that celebrated mothers and children of all social backgrounds. During a time when the Industrial Revolution was making life increasingly frenzied, more pastoral, idealised visions of a simpler life became an increasingly popular escape. It is thought that the shrinking of Dalou’s social circle during his exile to encompass his family and close friends prompted him to focus more on intimate family scenes such as this one. In Charity the mother and her children are fused together in their embrace. Dalou creates a sense of intimacy by focusing the mother’s gaze away from the viewer - the trio are entirely in their own world. Charity’s intended position at one of the city’s key financial centres would have acted as a provocative reminder of what Dalou considered the responsibilities owed to the poor of London by the ruling elite, as aligned with his socialist leanings. Provenance: Alfred Drury...

This majestic bronze statue, depicting a woman kneeling on her heels with her arms crossed over her chest, embodies, through its architectural clarity and sculptural refinement, the ...

Nando Kallweit Steff unique bronze sculpture Dimensions: 14cm tall Serial Unique

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

A sculpture by Felipe Castaneda. Mujer con Guitarra"" is a figurative sculpture, white and gray marble by Mexican contemporary artist Felipe Castaneda. The artwork is unsigned. Felip...

Felipe Castaneda, signed marble sculpture of Beautiful Nude Woman Felipe Castaneda, Mexican, born,1933, is an internationally renowned sculptor whose ar...

You too my son is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 32 × 21 × 19 cm (12.6 × 8.3 × 7.5 in). The sculpture is signed and numbered, it is ...

Femme Fleur / Woman Flower Femme Fleur is a powerful depiction of love in its awakening, cast in bronze with a black patina in an edition of only 8 (this edition: 3/8) by the prestigious Fonderie de Coubertin. Conceived in 1980. Signed “Gudmar” with foundry stamp “FdC.” Certificate of authenticity issued by the sculptor’s family estate. After three decades of exploring classical features and poses with a distinct modern look, Gudmar Olovson...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Chana Orloff (1888–1968) Seated Woman, 1958 Bronze, Height: 55 cm Signed, dated, and numbered 3/8 Stamped with foundry mark Susse Fondeur, Paris A masterful example of Chana Orloff’...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

This is a one of a kind original sculpture by San Diego artist, Cheryl Tall. Its dimensions are 28" x 44" x 15". A Certificate of Authenticity will follow the delivery of this piece...

Pair of Antique Lacquer wood Buddhist Monks Burmese wood and lacquer and gold, color glass decoration. Figures in a praying tranquil position. They are wearing jeweled robes with ...

An original carved marble sculpture by Constantin Antonovici from his Torso Series. Referenced in "Constantin Antonovici: Sculptor of Owls", pg 79 Antonovici was born in Neamt, Romania on February 18, 1911, and graduated from the Fine Arts Academy in Iasi, Romania, in 1939. In 1940, Antonovici studied in Zagreb with the famous Croatian sculptor Ivan Mestrovici, until his arrest by Italian fascists. Antonovici himself survived imprisonment in Germany for his refusal to fight on the side of the Nazis. After the war, he continued his studies in Vienna, under the tutelage of Professor Fritz Behn...

Stone sculture realized by Sirio Pellegrini in 1960s. Hand carved. Very Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his...

'Ready for Marriage' is an original opal serpentine sculpture signed by the Zimbabwean artist Washington Msonza. The sculpture features a single elegant figure in a flowing gown, standing tall and averting her gaze as she clutches the veil that envelops her. Msonza emphasizes the materiality of the work, as is so desired of artists trained in the Shona tradition, by differentiating between the dark, smooth polish of her skin and the lighter textured surface of her clothes. Even more, passages of the surface are left in the serpentine's rough natural state, allowing the green-colored stone to contrast with the red-orange oxidization of its environment. opal stone (serpentine) 33 x 12 x 12 inches signed "Msonza W" on reverse along base Overall good condition; some minor scratches, likely as the sculpture left artist's studio. Base in photographs is not attached and is included at request of buyer. Washington Msonza was born in 1966 in Domboshava where he attended primary school. He then moved to Chitungwiza to attend secondary schooling. While in school, he spent most of his time watching his sculptor brother-in-law Albert Mamvura, whose workshop was close to his house. In 1988 Msonza began assisting Albert full time, while simultaneously gaining experience by watching other well known artists in the area including Gedion Nyanhongo...

Signed and dated on base. Lohman studied at John Herron Art Institute, and Cranbrook and Yale for graduate work. Assisted Carl Milles at Cranbrook Academy before becoming Director o...

Bronze founder CHAPON 1/8. Lost wax. Sophie Susplugas lives and works in Paris. From her earliest years she carved busts, hands, dancers and dancers. It all starts with the ground...

After receiving her BFA from the Otis Art Institute in Los Angeles, Carol Cook earned a Master of Occupational Therapy degree from Texas Woman’s University in Denton. In 2000, Cook e...

Edition of 8 Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigor...

RICHARD GARBE, RA (1876-1957) The Falconer Signed and dated on the reverse: Richard Garbe, ARA / 1932 Patinated plaster 49.5 cm., 19 ½ in. high Proven...

L'Hiver, which is French for winter. An evocative title which pretty much explains the piece. Number 1 out of a production of Seven. Artist Statement: I am very happy to announce that two of my bronze works are now available in a limited edition of 7. The first one, shown above, is my vision of Eros. He is more popularly known in the Roman interpretation of a chubby baby or young boy with an bow and arrow. I have always been more intrigued with the original Greek embodiment of the this deity as a young man. More than the god of love, Eros was a personification of the power of creation. He was balanced by his antithesis was Thanatos, that of destruction. In fact, Thanatos is currently in the design process. This work will exist in an edition of 7 and 2 artist's proofs. Each piece is hand chased by myself and I apply the patina as well. The sculpture was created using the Lost Wax...