Men Sculptures

After Jean-Antoine Houdon (French, 1741-1828) Diana the Huntress Bronze with fine brown green patina 24 x 19 x 10 inches 15 lb. The first, life-size version of this representation ...

An impressive French Art Deco sculpture of a semi nude male holding a trident. Cast in patinated French spelter and sits on a marble base. We believe Bezin may be a pseudonym for ano...

an important and impressive white marble sculpture of Hercules as torso. The figure standing in contrapposto position wearing on the left shoulder a rest of a drapery with a sculpted...

Albert Wein was born in New York in 1915 and was the only son of an accomplished woman artist, Elsa Wein. Her influence and intense commitment to nurturing the young Albert's seeming...

An important grand tour Antonio Canova Ebe (Aprés), carved in white marble by an Italian sculptor artist in the 19th century from a block of white marble. The work depicts the go...

"LarA 019" is a portrait sculpture in tinted cement, presenting a symbolic female head where the contours of the face are progressively overtaken by a dense cluster of architectural ...

Kashan Terracotta Head of a Bearded Man, c. 1st-2nd Century AD Terracotta head of a bearded man, with polychrome to the face, lips, and beard, mounted to wood stand. 5.5 in. h. x 3.7...

Pablo PICASSO (1881-1973) Corrida, 1953 Round dish in white earthenware Decoration with engobe and enamel under partial cover, brown, green decoration with oxidized paraffin. Signed...

Holi is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 62 × 24 × 23 cm (24.4 × 9.4 × 9.1 in). The sculpture is signed and numbered, it is part of a limite...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

Three Skunks of WWII c. 1940s Carved and painted wood Unsigned 8 x 10 in. h. each These skunks are depicted as Adolf Hitler, Benito Mussolini, and Hideki Tojo. Condition: There ...

After Lysippos (Greek, 390 BC-300 BC) 19th Century Grand Tour Bronze of the Uffizi Wrestlers Bronze J. Chiurrazi & Fils, Naples 17 x 20 x 12 inches 76 lb. The Wrestlers is a Roman m...

David Deming (American, 20th Century) Contortion Nude Bronze Signed on base 14 x 12 x 9 inches David Deming is a nationally recognized contemporary Ameri...

Terracotta sculpture - Memento mori. Italy, 18th-19th century. 16 x 25 x h 18 cm. Entirely in terracotta. - This item is sold with a certificate of authenticity with legal validi...

This figurative, bronze, outdoor sculpture is by Roch Smith. Inspired by life’s big questions, Roch Smith creates thoughtful and playful contemporary sculptures. This figure cast in ...

A very unusual and interesting monumental marble relief, hand carved in Italy in the early XX century that shown an interesting scene: the Apotheosis of the emperor Augustus. Apotheo...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

Pair of white marble sculptures - Allegory of Summer and Winter. Italy, early 17th century. 13 x 10 x h 30 cm including base, 11 x 9 x h 28 cm excluding base. Entirely in carved wh...

Le Pousseur de Lune is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 56.5 × 74 × 14 cm (22.2 × 29.1 × 5.5 in). The sculpture is signed and numbered...

An original carved wood sculpture of an Art Deco standing nude . German sculptor (1871 Berlin to 1942 ibid), studied at the Dresden Academy, took part in exhibitions in Munich, Düsse...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Aquila Bronze Sculpture on pedestal of marble Hight bronze 57 cm with pedestal of marble (included) 68 cm Wim van der Kant's sculptures are in bronze...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

TWELVE CHAIRS GALLERY “Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze cast...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Guardando" translated in ...

A fine antique large French Art Nouveau Bronze Figural Sculpture, titled "Prise de Corsaire" by Emmanuel Villanis (1858-1914), circa 1900. This very...

Large Sandstone Head of Shakyamuni Buddha Thailand (formerly Siam), Ayutthaya Kingdom 17th century 16 1/2 inches on stand, 11 1/3 without Private collection, France. The face is ...

The Guardian by Nando Kallweit bronze sculpture, edition of 13 Dimensions: 167cm tall

An elegant African sculpture from the West African Baoulé or Baule people, depicting a young woman wearing a loincloth. Smooth black lightly worn patina.

Eugene Laurent (1832-1898) original signed bronze of Erato holding Lyre gilded gold Red & black marble base 14 x 18 x7 great condition for its age very heavy bronze

This bronze sculpture is made by Spanish artist Pedro Quesada Sierra. (2021) The Spanish sculptor, despite his only 39 years, is already a lot of laureate artist. In March 2018 he...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994....

Expressionist lost-wax bronze sculpture trio channels organic earthbound forms and raw textures in an emotive exploration of identity and existential journey. This pack—Replica Numbe...

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art movement. He embodies a world that is in many ways lost to us; he...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

TWELVE CHAIRS GALLERY Zura – Life‑Size Female Figure (2023), Plaster Dimensions: 39 × 16 × 12 in │ 99 × 41 × 30 cm Medium: Hand-modeled plaster (also available in bronze) Signature: ...

Max Kalish (American, 1891-1945) Locomotive Engineer, 1926 Bronze Signed and dated on base, foundry mark: Meroni Radice Cire Perdue Paris 15.5 x 6 x 5 inches Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Amazing male bronze bust with a black patina. This work is the 6th from an edition of eight. Its creator, Igor Mitoraj, is a polish sculptor deeply rooted in the classical tradition....

Flute Player II is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 151 × 108 × 36 cm (59.4 × 42.5 × 14.2 in). The sculpture is signed and numbered, i...

Pair of scagliola sculptures - Roman figures. Italy, 19th century. 51 x 26 x h 118 cm (left) - 41 x 28 x h 118 cm (right). Entirely in scagliola. Condition report: In good general...

"Sitting Girl on Panel" is a bronze sculpture of a nude sitting female on a rustic panel. Edition 30, signed, numbered and dated on the back. The rustic panel can be hung on a wall ...

Cockatoo Head turned to the right, with a raised and spread out crest by Edouard-Marcel SANDOZ (1881-1971) A bronze sculpture with a dark brown patina nuanced with green Signed on t...

Auguste Rodin French, 1840-1917 "Main Droite Feminine, doigts semi replies, annulaire leve" Feminine Right Hand, semi-folded fingers, raised ring finger Conceived circa 1890-1900; cast circa 1930-1940 Signed "A Rodin" on the right side of the wrist and with the foundry mark "Alexis Rudier...

Head of Man is an original artwork realized by Amedeo Bocchi in 1920 ca. This little sculpture is made in gilded bronze. The original wax model is published on the artist's monogra...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Mark Morrison (1895-1964) Head of Woman , ca. 1950 Carved stone 7.75" wide, 9" deep, height is 20 7/8" Signed at base. Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

The alabaster of "Cloud," upon which this bronze is based, is in the collection of the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Anita Huffington's work is also included in the collection of the Metropolitan Museum of Art in New York; the Morris Museum in Augusta, Georgia; the Arkansas Arts Center in Little Rock; and the Samuel P. Harn Museum of Art at the University of Florida in Gainesville. Anita Huffington's history includes a long period in New York City starting in the late fifties when she studied dance with Martha Graham and Merce Cunningham. Huffington became acquainted with a circle of artists of the New York School, including Kline and de Kooning, as well as a diverse and individualistic group of painters, sculptors, musicians, and poets in this vital and idealistic period. These experiences, and her later choice to live in the woods of the Arkansas Ozarks, sowed the seeds for the sculpture she makes in stone, bronze, wood, and mixed media. Her work reflects both the world of art and the spirit of her life in the woods. Anita Huffington states: "I do direct carving in stone and make bronzes, often using the stone as part of the process. My sculpture is usually based on the human form, primarily the female nude. I often carve torsos...

Ludo is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 25 × 20 × 15 cm (9.8 × 7.9 × 5.9 in). This sculpture is signed and numbered, it is part of a l...

Attitude III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 41.5 × 14 × 18 cm (16.3 × 5.5 × 7.1 in). The sculpture is signed and numbered, it is ...

This surrealist, male, figurative, bronze outdoor furniture sculpture is by Roch Smith. Roch Smith’s engaging contemporary sculptures are desi...

Great Standing Figure II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 140 × 26 × 24 cm (55.1 × 10.2 × 9.4 in). The sculpture is signed and numbe...