Toy Sculptures

KAWS, Companion (Black), 2016 Black vinyl figure 6.4 x 11.4 x 26.7 cm (2.5 x 4.5 x 10.5 in) Open edition Pristine condition, accompanied with original packaging KAWS is a New Yo...

KAWS, Flayed Companion, 2016 Painted cast vinyl 7 x 10 x 27 cm (3 x 5 x 11 in) Open edition The most recognizable figure in all of KAWS' work, the companion has appeared in man...

Olga Patricia Lenis - Mickey Mouse, Medium: Bejeweled Resin and Aerosal sculpture signed in marker on bottom, Size: 12 x 10 x 12 in. (30.48 x 25.4 x 30.48 cm)

Artist: KAWS, Title: Flayed Companion (Black) Series: Toys Date: 2016 Medium: Sculpture Unframed Dimensions: 11" x 5" x 3" Signature: Stamped Edition: Open Edition KAWS (Am...

KAWS SMALL LIE: Complete Set of Three. Each new and sealed in their original packaging. These KAWS figurative pieces are a rendition of Small Lie produced in collaboration with Qatar...

Hebru Brantley Flyboy, 2017. New, never displayed; accompanied by original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New and sealed in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club...

Artist: OG Slick Description: OG Slick 'LA Hands' 3 Foot Tall limited edition blue vinyl hand-cast resin figurine, made in Los Angeles. Edition Size: 10 Di...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Har...

Yayoi Kusama Cast resin multiple sculpture painted in colors, 2019, with the artist's stamped signature and title on the underside, from a limited edition of undisclosed size, publis...

Artist: KAWS, Title: Share (Black) Series: Toys Date: 2020 Medium: Sculpture Unframed Dimensions: 12.5" x 6" Signature: Stamped Edition: Open Edition KAWS (American, b.1974...

Takashi Murakami DOB-kun Figure 2019: DOB-kun’s name, defined in his rounded ears and face, is the first three letters of an improvised phrase tha...

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

The American pop iconoclast popularised by his signature fusion of varying cultural touchstones features themes from current pop icons to past historical art figures...

As all of you will know, every Meissen figure is painted individually by an artist. While all Meissen is of high quality, I feel that the present figure is particularly fine, with th...

An impressive French Art Deco sculpture of a semi nude male holding a trident. Cast in patinated French spelter and sits on a marble base. We believe Bezin may be a pseudonym for ano...

FURIONS KONG Kong, the most human of Richard Orlinski's sculptures, is the mirror of our emotions. Standing on his feet, muscles tense, his long arms slightly bent, Furious Kong clen...

What if the first superhero was a Kong? Richard Orlinski has sculpted a Superkong wearing a tight blue costume to show off its muscles. With its cape and red boots, it holds out its ...

When Richard Orlinski's Wild Kong dons his technological armour, he seems to challenge the world, sure of his own invincibility. Richard Orlinski likes to interweave stories in order...

Takashi Murakami Luxor and Kurage-bo (from Jellyfish Eyes) 2014: Rare limited edition Takashi Murakami art toy. This work was produced by Murakami in 2014 and features the playful, highly decorative Luxor and Kurage-bo characters from Jellyfish Eyes (a 2013 fantasy film directed by Takashi Murakami). Medium: 3D plaster...

S.Krtistol always been fascinated by the “TIGER”, it is an animal of great elegance with a strong character and an astonishing charisma. It is however, today, an animal in danger of ...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

Richard Orlinski’s "Horse" captures the essence of wild energy and untamed spirit through its dynamic rearing pose. The sculpture presents the horse standing on its hind legs and tai...

Keith Haring Bearbrick 400% Figures: Set of 4 works (c.2019-2021): Unique, timeless Keith Haring collectibles, each trademarked & licensed by the artist's estate. The partnered figur...

KAWS, Holiday Taipei (Black), 2019 £ 900.00 Painted cast vinyl 14 x 17.8 x 14 cm (5.5 x 7 x 5.5 in) Limited edition Comes in original unopened packaging KAWS is a New York-base...

Takashi Murakami Melting DOB, 2021: Takashi Murakami's signature DOB figure new/unopened in its original packaging. A standout Murakami limited edition collector's piece, rarely presented new/sealed in its original factory box. Medium: Painted cast vinyl figure with metallic disk stand...

WILD KONG LOVE Richard Orlinski drew his inspiration from the film King Kong to imagine his Kong, a generous gorilla who teaches us that, when it comes to a human being and a primate...

An edition of the famous ‘Balloon Rabbit’ After Material: zinc alloy. Comes with its original box and certificate of authenticity. From a Limited Edition of 500, unique number eng...

Naor is a French artist from Lyon born in 1988. Completely rooted in his time, he has always traveled a lot around the world. If travel trains youth, Naor was inspired by it. From th...

KAWS Holiday Changbai Mountain (KAWS black Changbai): A beautifully composed KAWS COMPANION published to commemorate KAWS' larger-scale ...

WILD KONG Is a signature Richard Orlinski piece. It declares itself invincible with its open mouth and fearsome teeth as it beats its chest with mighty fists. But the ferocious beast...

This sculpture by Takashi Murakami features his signature Mr. DOB character in a playful colorful and attention grabbing sculpture. It is a nice size, come with its original box.

Playful, colourful and imaginative, Viktor Mitic’s latest series of table-top sculptures appear to merge pop art with science fiction. The colour palette is fun and bright—yellow, red, black and turquoise. These 3-D figures began as digital creations, sculpted out of resin and painted. Their form was initially inspired by the towering abstract sculptures Mitic produced from images of paint splashes on his studio floor. Edition one of ten. “This character has emerged from a shadow of one of my sculptures (as in the video) I have always been a fan of science as well as science fiction writing and movies and for me, X-O-X is a being that came out of a technological world , possibly from another galaxy.” Viktor Mitic “As an icon, or hybrid worthy Viktor Mitic- X-O-X has a synthetic, playful identity. It’s culturally a fusion of influences brought together in one formal public sculpture.” John K. Grande, author, poet, essayist He earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

KAWS GONE Grey & KAWS Pink BFF Companions (set of 2 works 2017-2019): Medium: Vinyl paint & Cast Resin (applies to each work). Published 2017 & 2019, respectively. GONE: 14.25 x 7 i...

This exceptional Murano glass piece was created in 1970 by Alessandro Barbaro (Dorsoduro, 1936), a renowned artist and master glassmaker celebrated ...

KAWS TOGETHER Companion 2018: A rare sealed/unopened example in excellent condition. Medium: Vinyl Paint & Cast Resin. 10 x 8 inches. New/sealed in its original packaging; packagi...

Technique: Chrome resin sculpture Certificate: signed Dimension : 35 cm About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he ha...

The panda by Richard Orlinski features sharp facets yet its round ears, nose and stomach take centre stage. These facets create pools of light and dark that ...

S.Krtistol always been fascinated by the “TIGER”, it is an animal of great elegance with a strong character and an astonishing charisma. It is however, today, an animal in danger of ...

"Pop Doll" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer, acrylic, stencil, aerosol, mother of pearl, digigraphy, varnish, resin, Indian headdress 218 cm or helmet 198 cm. NEW MOVEMENT & STYLE: POP ART, POP FREE, Contemporary Edition : Unique, signed Weight: Approximately 25 kg. “The impressions of David's artworks on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his artworks bring positive emotion, represented by the vast creative power of his talent.” David Cintract was born in 1970. Halfway between Andy Warhol and Roy Lichtenstein, the artist projects his vision of consumer society on all media: paintings, dolls or mannequins. While paying tribute to the great artists Pop, Cintract has stood out thanks to his strong personality, becoming a key figure in the movement that he founded: “The Pop free.” David Cintract has a fascination for the exuberant sculpture and storage works so “Aladdin’s cave...

Takashi Murakami × ComplexCon Mr.DOB Figure by BAIT × SWITCH Collectibles (Gold Edition), 2016-2017. Painted cast vinyl, cast resin polychrome sculpture 10 4/5 × 9 3/10 in 27.4 × 2...

KAWS: HOLIDAY Shanghai: complete set of 3 works: KAWS' signature character COMPANION presented holding the moon, and gazing at the sky. New in original packaging - published to comm...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

Set of Takashi Murakami Mr. DOB Complexcon set of 2. The Gold one is from an edition of only 250 and the Red is from an edition of 750

2011 - 8 Editions mix media resin and diamondsstrass 39 1/3 × 35 4/10 × 35 4/10 in - 100 × 90 × 90 cm The artwork is signed by the Artist , carved with edition number and date under ...

Panda Plush Large

Toy Soldier #4 (Offhand Position), 2015 Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: 72 × 60 × 2...

S.Krtistol always been fascinated by the “TIGER”, it is an animal of great elegance with a strong character and an astonishing charisma. It is however, today, an animal in danger of ...

18th Century European School St George Slaying the Dragon Wood, gilded 8 inches in height, 6 3/4 x 4 inches base This 18th century carved and gilt wood statuette depicts the moment ...

Naor is a French artist from Lyon born in 1988. Completely rooted in his time, he has always traveled a lot around the world. If travel trains youth, Naor was inspired by it. From th...

Toy Soldier #5 (Prone Position) by Yoram Wolberger Additional information: Medium: 3D digital scanning, CNC digital sculpting, Reinforced Fiberglass Composite, Urethane Dimensions: ...

Richard Orlinski has created a new superhero epitomising freedom and adventure. The famous Wild Kong wears a US flag-style costume and brandishes a shield to protect it and combat to...

The electro-love collection was inspired by the artist's time spent in South America and South Africa and seeing these supernatural creatures. Technique: Clay mold...

Artist: KAWS, Title: Flayed Companion (Brown) Series: Toys Date: 2016 Medium: Sculpture Unframed Dimensions: 11" x 5" x 3" Signature: Stamped Edition: Open Edition KAWS (Am...

Timothy Berg and Rebekah Myers are a studio art collaborative based in Claremont, California. Berg and Myers have participated in multiple solo exhibitions including On the bright side... at the Falconer Gallery at Grinnell College (2016); Site Unseen at the American Museum of Ceramic Art in Pomona, CA (2014); Honest to Goodness at Santa Barbara City College (2014); An embarrassment of riches at Dean Project Gallery in New York, NY (2013); and As Luck Would Have It at Nääs Konsthantverk Galleri in Göteborg, Sweden (2009). Berg and Myers have also participated in numerous group exhibitions in the US, Mexico, South Korea, Qatar and Kuwait. Their work is included in many private and public collections including The Betty Woodman Collection at the University of Colorado...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

This push up wooden figure features Ai Weiwei standing on top of a Han Dynasty urn printed with one of his trademark "ism's." It is inspired by his artwork ...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor ...

EDITION Each monogrammed, stamped, dated and marked: FxL; Lalanne; 85; Artcurial dated 85 One numbered on a metal label inside a wick: E A 41/80 LITERATURE François-Marie Barnier et Jean-Gabriel Mitterrand, Claude et François...

Richard Orlinski reinterprets Batman, the pop culture icon, inspired by Zorro and Leonardo da Vinci's flying machines. The sculptor has transformed his Kong into a dark knight with a...