Toy Sculptures

Richard Orlinski reinterprets Batman, the pop culture icon, inspired by Zorro and Leonardo da Vinci's flying machines. The sculptor has transformed his Kong into a dark knight with a...

Information : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired...

¡ Holiday Special Pricing ! Edition TP. 0010 signed by the Son of Mexican Famous Wrestler " EL SANTO " ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine ...

Introducing the breathtaking sculpture by Jeremy Geddes featuring a cosmonaut, a stunning tribute to the wonder and beauty of space exploration. Jeremy Geddes is an Australian artist...

WILD KONG EARTH Kong, the gorilla with a muscular physique show- cased by facets, is Richard Orlinski's most iconic sculpture. This time round, he brandishes Planet Earth high above ...

Naor is a French artist from Lyon born in 1988. Completely rooted in his time, he has always traveled a lot around the world. If travel trains youth, Naor was inspired by it. From th...

Dario Tironi is the artist that evades the classic canons of Besharat Gallery's sculptures. But we could not remain indifferent to his fantastic, incredi...

EDITION Each monogrammed, stamped, dated and marked: FxL; Lalanne; 85; Artcurial dated 85 One numbered on a metal label inside a wick: E A 41/80 LITERATURE François-Marie Barnier et Jean-Gabriel Mitterrand, Claude et François...

The electro-love collection was inspired by the artist's time spent in South America and South Africa and seeing these supernatural creatures. Technique: Clay mold...

Keith Haring Bearbrick 400% Figures: Set of 4 works (c.2019-2021): Unique, timeless Keith Haring collectibles, each trademarked & licensed by the artist's estate. The partnered figur...

William Accorsi lifesize sculpture “Native American made in 1991 . 73 inches long! Item must be picked or buyer is responsible delivery service.

Nana Williams' "Delft Frog 1" is an exquisitely crafted small-scale sculpture blending contemporary artistry with classic Delftware aesthetics. This one-of-a-kind piece is made from ...

The Kaws Companion is an instantly recognizable artful home must have. Luxurious Blush Flayed version of this iconic Kaws Companion sculpture. Open Edition marked 2016 on bottom of f...

Roby Dwi Antono Luh and Ruh, 2021 Poly-resin 11 2/5 × 8 7/10 × 8 7/10 in 29 × 22 × 22 cm Edition of 150 Published by VINS

Venado Zapoteco This Mexican Deer was made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with natural dyes and acrylic paintings with Zapotec symbo...

This sculpture by Takashi Murakami features his signature Mr. DOB character in a playful colorful and attention grabbing sculpture. It is a nice size, come with its original box.

KAWS Along The Way (Black) 2019. New and unopened in its original packaging. The KAWS Along The Way figurine is a rendition of the artist's 2013 eighteen-foot wood sculpture origin...

"Pretty Pickle" is an original piece by Jeff Rubio made from stoneware, glaze, epoxy clay. This pieces measures 13"h x 9"w x 6"d and comes with a signed Certificate of Authenticity. ...

Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired by it. From t...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived a...

2008, edition of 20 resin fiberglass painted & varnished 27 3/5 × 31 1/2 × 19 7/10 in - 70 × 80 × 50 cm The artwork is signed by the Artist , carved with edition number and date unde...

Resin, steel, string and acrylic paint Edition of 1000 Not signed or numbered New, as issued. Minor imperfections may appear due to the nature of the materials. Sold in original pack...

Super cool and ready to display out of the box sculpture designed by the legendary artist Futura 2000. Each Futura Bearbrick has unique marble patterns. Comes packaged with 2 sculptu...

The must have modern sculpture, the KAWS Companion in black. Open Edition art toy released in 2016. Stamped Kaws signature in yellow on bottom of foot with “KAWS…2016”. Made by Medic...

Olga Patricia Lenis - Mickey Mouse, Medium: Bejeweled Resin and Aerosal sculpture signed in marker on bottom, Size: 12 x 10 x 12 in. (30.48 x 25.4 x 30.48 cm)

Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired by it. From t...

Childhood’s Sail V is a bronze sculpture with a stainless steel rod by French contemporary artist Marine de Soos, dimensions are 75 × 14 × 14 cm (29.5 × 5.5 × 5.5 in). The sculpture...

Fabbri was born in Quarrata (Tuscany). At the age of 12, he attended the Scuola d'Arte in Pistoia and then, under the instruction of the painter Fabio Casanova, he decided to embark on an artistic career and created his first sculptures, mainly using the wax and plaster. In 1932 Fabbri, in order to continue his education at the Accademia di Belle Arti, moved to Florence where he frequented the artists' Caffè Giubbe Rosse, meeting point for the intellectuals known as the Ermetici Group (Eugenio Montale, Carlo Bo, etc.) and also came into contact with the painter Ottone Rosai and the poet Mario Luzi. At the end of the year he moved to Albisola (Savona), where he worked in the La Fiamma...

2015, Unique Artwork Resin FiberGlass Painted & Varnished 50 x 50 x 50 cm The artwork is dated, signed and numbered carved on base of the sculpture: 1 / 1 The artwork come accompanied with a formal Certificate of Authenticity issued by the studio of the Artist and signed by the Artist serie "Enchanted Dimensions : The Sculpted Odyssey of Virtual Wonders" Potchi Moopp's sculptural masterpieces, stemming from the series "Enchanted Dimensions: The Sculpted Odyssey of Virtual Wonders," unveil a fascinating narrative that delves into the roots of her inspiration. As an art biographer, it is crucial to explore the intricacies of Moopp's creative journey and the origins of her fascination with magic, crazy mushrooms, and the enchanting landscapes of virtual fantasylands. Moopp's artistic genesis can be traced to her upbringing in Nagoya, Japan, where the rich tapestry of Japanese folklore, steeped in mythical creatures and whimsical landscapes, left an indelible mark on her imagination. Growing up in a society that gracefully blends tradition with cutting-edge technology, Moopp found herself captivated by the seamless coexistence of the old and the new, the tangible and the digital. The world of Japanese manga and video games, with its vibrant hues and fantastical narratives, became a wellspring of inspiration for Moopp. In particular, the iconic imagery of mushrooms, as seen in the renowned Super Mario Bros...

2015, Unique Artwork Resin FiberGlass Painted & Varnished 50 x 50 x 50 cm The artwork is dated, signed and numbered carved on base of the sculpture: 1 / 1 The artwork come accompani...

"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...

Pegasus II, is a bronze sculpture of a horse with wings, from Greek mythology, with beautiful light green patina. Pegasus II Horse Bronze Sculpture G...

2015, 8 Editions Stainless Stell Polished & Carved , Painted and Varnished 15 7/10 × 24 4/5 × 18 1/2 in - 40 × 63 × 47 cm The artwork is signed by the Artist , carved with edition nu...

MASTERPIECE Made with natural ceramic. Hand-modeled technique and cooked in a wood-fired oven. LISTING =================================== 1 Ceramic Catrina =======================...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was ins...

Waterman Aquarius Zodiac Bronze Sculpture Contemporary Animals Water Man Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals...

What’s Up [Mickey], 2020 Katherine Bernhardt Hand dry-brush painted resin multiple With the artist’s printed signature under foot Numbered from the edition of 200 on an accompanying...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived a...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was ins...

Mixed metal multiple with lightbulb, 1990, signed in black ink, dated, numbered from an edition of 91 unique works, published by Edition Mönchehaus-Museum, Goslar, Germany, height: 5...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

KAWS Holiday Changbai Mountain (KAWS black Changbai): A beautifully composed KAWS COMPANION published to commemorate KAWS' larger-scale ...

The Kaws Companion is an instantly recognizable artful home must have. Released as part of Kaws' exhibition in 2016. Solid brown Kaws Companion. Original sealed package as issued. Ne...

Key Workers (Full Set of Four Sculptures) By Grayson Perry Grayson Perry is a British artist and potter celebrated for his bold ceramics and tapestries...

SALE ONE WEEK ONLY "El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors. This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work. The renowned Candelario Medrano...

Original sculpture. Acrylic, Spray paints, Enamel, Resin, Varnish Tadas Zaicikas work is fun and joyful, his use of acrylics, spray paints, markers, a...

Beto Gatti – “Toy Art” (2022) Bronze Edition 3/15 35 x 18 x 16 cm 14 x 7 x 6.3 in Beto Gatti’s “Toy Art” is a striking bronze sculpture that merges nostal...

2011, 8 Editions mix media resin and diamondssstrass 39 1/3 × 35 4/10 × 35 4/10 in - 100 × 90 × 90 cm The artwork is signed by the Artist , carved with edition number and date under ...

Olga Patricia Lenis - Little Bear, Medium: Bejeweled Ceramic and Acrylic sculpture signed in marker on bottom, Size: 12 x 7 x 5.5 in. (30.48 x 17.78 x 13.97 cm)

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was ins...

A collection of five hand-made Japanese Noh drama masks, four of them hand-carved wood, and one (the largest, the one that's black and red on one half and w...

Pop Art decorative Bicycle Rider Blue colors hand painted aluminium sculpture

A playful and spirited metal wall hanging by legendary folk artist Rev. Howard Finster (1916–2001), dated 1992 and numbered 25,000,998. This mixed-media piece features a cartoonish U...

Richard Orlinski – "Cactus" (Matt Blue) Medium: Resin Dimensions: 130 x 50 x 40 cm Color: Matt Blue Condition: Excellent With "Cactus," Richard Orlinski brings his signature faceted...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor ...

Narrative figures in various combinations of human, animal and natural forms are the main characters of this work. This blending of forms is reflective of nature, mythology and story...

Frank Meisler Chassidie Dancer Bronze Sculpture. In good condition signed and numbered . 13 1/2 inches tall

Felicor by Roberto Matta, Chilean (1911–2002) Terracotta Wall Plaque, signature inscribed, numbered in ink Edition of 49/150 Size: 15 x 12.75 x 2.25 in. (38.1 x 32.39 x 5.72 cm) Fram...

Playful, colourful and imaginative, Viktor Mitic’s latest series of table-top sculptures appear to merge pop art with science fiction. The colour palette is fun and bright—yellow, red, black and turquoise. These 3-D figures began as digital creations, sculpted out of resin and painted. Their form was initially inspired by the towering abstract sculptures Mitic produced from images of paint splashes on his studio floor. Edition one of ten. “This character has emerged from a shadow of one of my sculptures (as in the video) I have always been a fan of science as well as science fiction writing and movies and for me, X-O-X is a being that came out of a technological world , possibly from another galaxy.” Viktor Mitic “As an icon, or hybrid worthy Viktor Mitic- X-O-X has a synthetic, playful identity. It’s culturally a fusion of influences brought together in one formal public sculpture.” John K. Grande, author, poet, essayist He earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...