Abstract Expressionist Art

"Metaebene XXVII" is a unique oil on canvas painting of German artist Willi Bucher. It depicts an abstract, metaphysical landscape in thick oil colors wi...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and number...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed verso. Some scratched out, illegible writing in paint and graphite verso, which may ha...

Robert Arthur Goodnough (AMERICAN, 1917-2010) Untitled oil on aluminum with nuts and bolts Provenance: Christie's Auction House from the estate of William F. Buckley and Patricia ...

At once an Abstract Expressionist and Color Field painting, this large colorful work by Robert Goodnough bursts with the energy of confetti. This acrylic and oil on canvas painting i...

Angela Webb Winter Dog Walk Original Landscape Painting Oil Paint on Canvas Canvas Size: H 24cm x W 18cm x D 2cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. Winter Dog Walk is an original painting by Angela Webb. Crisp, evening walk with my black Labrador dog...

BORN JULY 31, 1979 IN NEW JERSEY, USA CURRENTLY LIVES AND WORKS IN WEST PALM BEACH, FLORIDA BIO: As an artist based in the vibrant community of West Palm Beach, my work is an exploration of the interplay between color, emotion, and memory. Growing up in Guatemala, I was immersed in a culture rich with vivid hues, captivating vistas, and a tapestry of diverse experiences that continue to influence my work. I decided to pursue an artistic and creative career as a painter because of my deep passion for self-expression and the power of art to evoke emotions and provoke thought. I found solace in drawing and painting, using these mediums as a way to communicate and interpret the world around me. The ability to convey complex ideas and feelings through colors, shapes, and strokes fascinated me. Painting has been an avenue for me to explore our inner thoughts and reflect on life, creating a profound connection between myself and my art. " All boundaries are imagined, and our perceived mental frontiers are vast and unexplored. The bond that unites us all is love and through art we grasp the ephemeral if only for that brief moment." SCOTT HARPER CV -Studied under- Nim Carcha Randi Grantham (sculpting) - Exhibitions- 2015 Solo exhibition, " La Galleria" Palm Beach Gardens FL. 2019 Solo exhibition, " Mirrors Of the Unseen", West Palm Beach FL. 2022 Group showing , Big Art Now Gallery, West Palm Beach FL. -Collections- Private collection, Antwerp Belgium Private collection, Delray Beach FL. Private Collection, Palm Beach Gardens FL. Private collection, Orlando Fl...

Very powerful and colorful abstract, expressionist painting. Seems to be a mixed media of oil and gouache. The painting measures 15 inches high by 12 inches wide. The frame measures...

JOHN CHAMBERLAIN Driver, 2002 Digital monoprint on canvas, mounted on wood. Unsigned. W 59 1⁄4” x H 40 1⁄2” Chamberlain began to explore photography in the late 1960s, but it was...

Painting Features: The original painted work with the texture in the brush strokes and the blending of true colors. Its dimensions of paint ebb and flow with wonderful motions for a ...

Sunset 8.0 x 10.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstract sunset painting with blue and orange tones."...

Sailboats oil painting on canvas, signed lower right KOKO. The certificate of authenticity is available by artist Koko. We have some custom framing options upon customer request.

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Roaming Around is a Monotype with Collage and displays bold and bright colors to highlight this abstract figurative work of art. This is a new series of monotypes/collages by Charlotte Seifert...

Katrin Fridriks' Redlight is an abstract artwork that uses bold red tones to convey energy and tension. The painting combines fluid brushstrokes with sharp, geometric shapes, creatin...

"The Mystic" is a soft abstract expressionist oil painting on canvas by artist and trusted seller Trixie Pitts. The soft palette includes white, pale violet-gray, pale blue, pale tur...

Keeping with my passion of nature, this collection focusses on the movement and structure of nature. Primarily that from trees. I am fascinated by trees and their amazing beauty. Co...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Moonscape Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300 Image Size: 30 inches diameter Si...

Stunning shades of vibrant colors are contrasted and complemented by yellow with a twist in this one-of-a-kind abstract painting. This high-quality painting on canvas is 16X1...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Balancing II" is original abstract painting by Annie King. Mi...

An early American Abstract Mixed media / Ink on woven paper of three abstract figures. American abstract artist Lester Epstein (1919 -1963 ) signed and dated 1953. Professionally mo...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

A good abstract expressionist oil on canvas still life, by the Swiss-American artist Hans Gustav Burkhardt (1901-1994), Los Angeles California, 1937. This very attractive still life ...

This item portrays the impact of the blurring of time long after the tranquil September Sardinia beach vacation is over. The blue tides are stilled in time moving over the creamy whi...

Fragments of Venice III In this painting, I sought to capture the enchanting allure of Venice under a mystical blue light, emphasizing the historic architecture and reflective water...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

A very good large 20th century Abstract Expressionist oil circa 1975. Stanley Smith (b. 1923) British. oil on board 61cmx 122cm. Gallery frame 65cmx 126c...

A Ripe Landscape #2, A Ripe Landscape #5 and A Ripe Landscape #6 triptych by Jon Rowland Overall size cm : H59 x W79 A Ripe Landscape #2 . Spring in the south west of the UK. This...

Light 2001. Canvas, oil, 92x65 cm The artwork portrays a colorful and abstract woman figure against a backdrop of pink and blue hues. The central focus of the painting is the woman...

Colorful bright abstract painting on canvas, fantastic conversation starter and great statement for any room. Add a touch of color and bring a happy and joyful feeling. :) The painti...

Richard Saba, the American abstract painter, is best known for works that relate to Lyrical Abstraction and Abstract Expressionism. He is renowned for his colorful palette, appearing vastly open yet concise and analytically conceived. The artist’s abstract works juxtapose geometric forms with organic splashes, much like celestial bodies seen through the Hubble Telescope...

A large Abstract Expressionist painting featuring several large green and gray dots swarming the canvas. The lower left bears a signature by the artist. Daven Madu George Chemeche, ...

Happy Morning Josep Grau-Garriga, Spanish (1929–2011) Date: 1982 Acrylic and Collage on Paper, signed and dated upper left Size: 25 in. x 17.5 in. (63.5 cm x 44.45 cm) Provenance. A...

Abstract by Yvette Dubois-Habasque (1929-2016) signed with initials verso oil painting on artists board, unframed painting measures: 10.75 x 13.75 inches Stunning original abstract...

Gina Pellón (1926-2014) "Untitled" Lithograph 30 x 22 in Frame included

Abstract by Yvette Dubois-Habasque (1929-2016) dated verso oil painting on artists board, unframed painting measures: 15.75 x 15.75 inches Stunning original abstract painting by th...

A pair of original hand printed screen prints on paper by American contemporary female artist Kari Achatz.

"AD 3.23" Abstract Painting 59" x 59" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion fr...

Balancing Act 3 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 3 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Abstract Bluebells Pink by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:2cm Sold Unframed P...

This lively original abstract painting on hand-cut parchment brings a pop of life to any room. The painting is 16X20â€

An impressive abstract expressionist painting by Christophe measuring 54"x38" framed.. There is an excitement in the art world when you find the artist that is going to be the next ...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

"Abstract Composition" original Oil Painting by Yvette Dubois Habasque (1929-2016) oil on card, card: 10 x 10 inches Fine original abstract painting by the French artist, Yvette D...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

The painting is being offered with a work and authenticity certificate

A one of a kind 32x45 Figurative Pop Expressionist Acrylic on Canvas Painting executed by artist Larry Caveney. A certificate of authenticity will be provided upon its purchase or de...

75x60x1.5 cm. One of a kind work. Signed front and back. Sold with a certificate of Authenticity. Painted on canvas with the highest quality professional oil colors. Sold with a simp...

Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...

Abstract minimal seascape with blue and light tones depicting an abstract sea view. Acrylic painting on canvas. Ready to hang. Framed: NO. Signature on front. Comes with certificate ...

Artist: Jack Graves III (American, 1988-) Title: "Spring Wildflowers Field" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 M...

An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.

This vast abstract canvas stages a confrontation between shapes and colors, evoking the hues of autumn leaves. It is crossed by a dark, horizontal band, like a slash cleaving the spa...

"Amorphous Structures 2" Wall Sculpture 45 x 68 x 5 in Ed. 1/5 by ILLYA TIGOIS Title: Amorphous Structures 2, Flesh Medium: steel & acrylic paint (varnish) “Amorphous structures” -...

TECHNICAL INFORMATION Paul Jenkins Celestial Wink c. 1970 Watercolor 14 5/8 x 22 1/2 in. Signed ABOUT THE WORK This work has all the elements of a great Jenkins watercolor. It has...

Signed lower right and a double sided painting.

Organic abstract sculpture by G. Krueger. The Serpentine stone has gorgeous earth-toned green, yellow, and orange hues, sculpted into a flowing shape in the style of Herman Miller Sc...

(Framed size: 17.5 x 17.5 inches)

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

A very good impression of this color lithograph on light gray Rives BFK. It is signed, dated and numbered 119/120 in pencil by Brown. Printed and published by Gemini, G.E.L., Los Ang...