Abstract Art

Antique American modernist abstract expressionist oil painting. No signature found.

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

Contemporary Art, Abstract Painting Acrylic on canvas 160 x 190 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacio...

This large abstract contemporary statement painting by Roger Mudre features many light circle shapes, layered over one another in a concentric fashion and a cool blue and silver pale...

Title: Blue - Suncatchers Suncatchers Painting Animal Horse Modern Gold Striking Invest Bold Freedom Unique Bird Floral Flowers One-of-a-kind This painting forms part of an artwork...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting is in orange colour with darks accents. KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of F...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

This stunning X-large hand drawn with original charcoal line drawing and hand painted with original oil and gesso paint; it is the No 2 of the only 10 Limited Editions; The colours...

"Glow 2" transports viewers into a mesmerizing fantasy landscape, where the boundaries of reality blur with the ethereal. Dominated by hues of pink ...

The artwork will be shipped rolled in a tube to your adress. For other shipping options please contact with our gallery. At Escat Gallery we are committed to maintaining the highest...

In Blooming Horizon, the artist captures the vibrant essence of a blooming meadow beneath a radiant sky. This abstract landscape is characterized by dynamic textures and luminous col...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

"Homage to the Square - Portfolio 2, Folder 14, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

The works produced under the name Sacred Duality are inspired by recognizing the impermanent nature of all things and being aware that nothing is static. Appreciating that continuous...

Leading British Expressionist Paul Wadsworth captures the magic of India in his paintings. These unique pieces are created from real life scenes and experiences laid down onto the ca...

Abstract Still Life with Fruit in Watercolor on Paper Colorful still life with fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Several pieces of fruit appear to be sitting on a table with a purple cloth. The scene is highly abstracted, straddling the line between impressionism and non-representational. The background is brightly colored, adding vibrancy to the scene. Signed on verso and acquired from the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan...

Artist: Pablo Picasso Title: La Pique (I), Le Picador (II), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of four transfer lithographs Ye...

Wacky Abstract by Akos Biro (Hungarian 1911-2002) pastel painting on card, unframed painting: 8.5 x 7 inches provenance: the artists estate, France condition: good and fai...

Untitle -Oil on canvas cm.170x122 - Massimo Caiafa Italy 2009. Abstract painting on canvas inspired by Maestro Mimmo Paladino.Lacquered wooden frame.

Original poster. Linen-backed original Swiss poster "AARAU LADET EIN" An old travel poster with a modern flair to visit Aarau. It has a bea...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Contemporary Art, Abstract Painting Acrylic on canvas 210 x 215 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Original oil painting by Grace Knowlton, signed verso. Grace Knowlton (American, 1932 - 2020) was born in Buffalo, NY, and studied at Smith College and Columbia University’s Teacher...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

This work is from the edition of 3000 printed by Simca Print Artists, Inc., New York and published by Brooke Alexander Editions, New York as a catalog cover for Jasper Johns Screenpr...

Abstract geometric painting in pastel shades of off-white, yellow, green, and light blue - inspired by abstract expressionist Richard Diebenkorn "Leave Me Alone" painted by Hudson Va...

Dan McCaw's (US based) "Textures" is an original, handmade oil painting that depicts an abstracted figure in a moody interior setting. Artist Statement: Born: 1942 A solid founda...

White Landscape is an original artwork by Marilina Marchica, created in 2025. This abstract and minimalist landscape evokes a silent and contemplative horizon, blending the painterly...

A truly special painting by the late Svetlana Shalygina. Titled "Overcast", this mixed media painting uniquely incorporates cracked texture with a soft, earthy palette. The neutral c...

American modernist abstract expressionist oil painting. Oil on canvas. Signed verso.

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on panel. It features nearly opaque light blue circles, arranged in an overlapping pattern to create ...

Raoul Dufy (1877-1953). Nude Figure on a Balcony. Etching, plate measuring 13 x 18 inches; frame measurement 22 x 28 inches. Edition authorized by Louvre Museum, Paris. Vinta...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

Maurice ESTÈVE (1904-2001) Découpage IX Original screen print (silkscreen) Printed signature in the plate On LanaPrime 250g/m² vellum 20 x 25 cm (c. 8 x 10 in) Limited to 500 copies...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

“Bodies at Rest” #24 is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in a soft matte green glaze) is a small scale sculpture that add class and personalit...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

MELISSA MEYER (American, b. 1946), 'Chance' Oil on Canvas 2006 Hand signed, dated and titled, verso Height: 30 inches, Width: 28 inches Provenance: Rebecca Ibel Gallery, Columb...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 39 x 29 inches inscribed verso condition: the work is in overall very so...

Impressive early American modernist abstract expressionist large oil painting. Framed. Oil on canvas. Signed. Image size, 31H by 41L.

Gold Spot Flowers! Elegant Colours: Purples, Burgundy, Yellow Ochre, Vintage Gold, Blues, Greys. Reflects the light, changes in the light, endlessly plays with light! Acrylic, Gold ...

Masri Hayssam (Lebanese, born 1965) "Challenge 16" 2019 Oil paint, Acrylic paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right and the back of the painting....

Wonderful mid-century abstract figurative by North Carolina artist Charles Chapin (American, 20th Century), 1964. signed and dated lower right (Chapin 8/64). Condition: Excellent. Image size: 38"H x 28"W. Presented in painted slat rustic frame. Framed size:: 39"H x 30"W x 1". Charles Chapin received his BA from North Carolina and was associated with the Chapel Hill...

Barricada #18 aip L265 is a stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 266 × 459 × 233 cm (104.7 × 180.7 × 91.7 in). The sculpture is si...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pulling us through the two-dimensional surface of the canvas into the mysterious depths of a multidimensional world. Her works resonate with strong, masculine strokes, vibrant colors, and passionate themes. The common factor is that when looking at her pieces you can spend some time letting your mind play within each painting and you'll come away with a much richer understanding of what Suki Maguire's art has to show at a simple glance. This painting is signed by the artist lower right, and titled and dated on verso. Art measures 28.5 x 35.75 inches There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

Beautiful ca. 1960-70 abstract painting in the style of Vietnamese artist, Hoi Lebadang (1921-2015) Oil on canvas measures 22 x 28 inches. Framed measurement 29.5 x 33.5 inches. Un...

French painting in bright green, blue and yellow tones of someone sitting at a table by artist Jean-Charles Lauthe, 1971. Signed and dated lower right. Original artwork on paper dis...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Gold Edition - with real gold leaf, 23,75 carat Art measures 19.68 x 19.68 inches Frame measures 24.80 x 24.80 inches Framed in a high-quality contemporary wooden moulding. Color...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Thomas Whent (Canadian-American, born 1949) "Bitcoin" 2025 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Bitcoin" is a bold tangle of fire-orang...