Abstract Art

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

This is an exclusive handprinted limited edition cyanotype. This diptych is titled "Japanese Zen Pond Ripples", and shows ripples of water from a calming pond. Details: + Title: Ja...

This acrylic on canvas unique painting features a stylized and textured depiction of Spider-Man in an action pose, swinging on webs across a vibrant, abstract cityscape. The artist ...

An impressionistic portrayal of Japanese Koi fish jubilantly depicted with movement and enthusiasm. In a burst of motion, the fish joyfully swim in the clear light blue waters, as th...

Damien Hirst - STUDLAND BAY Date of creation: 2023 Medium: Laminated Giclée print on aluminium composite panel Edition: 601 Size: 120 x 90 cm Condition: Brand new and never framed T...

From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on the theme of wat...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

Roland Ayers (1932-2017). Untitled, 1983. Ink on paper, measures 17 x 23 inches. Unframed and unmounted. Signed and dated lower left. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

A silent conversation. The painting depicts a gentle dance of water lilies - a silent dialogue of nature unfolding on the water's surface. The lilies, immersed in a tranquil space, s...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting is in orange colour with darks accents. KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of F...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

A bold, intensely color-saturated painting from Stephen Henriques, who is influenced by Bonnard and Vuillard, and the western landscape and its light. When referring to his oil on ab...

Vintage abstract oil painting. Oil on board. Signed verso. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and ...

Stencil, 1952 Not signed Edition : 167/200 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 35.50 cm. x 45.50 cm. 13.98 in. x 17.91 in. (image) Johannot paper Handwritten notes...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Luminary Nights James Hiroshi Suzuki, Japanese/American (1932) Date: 1960 Oil on Canvas, signed lower right, dated and titled on verso Size: 23 x ...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 17 Year: 1986 Medium: 40 x 60 in. (101.6 ...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, and a light blue palette. The foreground portion of the composition beneath the horizon ...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, The Poems, 1960. Published and printed by Tiber Press, New York un...

Abstract Figurative Composition in Oil on Board Boldly colored abstract composition by an unknown Bay area California artist (20th Century)...

An abstract Mid-Century piece with lighter color tones accentuated with the use of basic colors, blue, red and yellow. In this abstract composition we see a figure, tending to their ...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Lithograph, 1970 Handsigned by the artist in pencil and numbered 42/50 Publisher : Galerie Alexandre Iolas Printer : Clot, Bramsen et Georges (Paris) Catalog : [Ulm 17, p. 80] 88.50 ...

HIRST Damien (1965 - ) Rhodotorulic Acid. Woodcut in colors. Signed. Provenance : DTR Modern Gallery, New York. About Damien Hirst (Artist) British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.” In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God. Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

This captivating floral artwork "Summer blooming flowers in a blue vase" is an exuberant portrayal of a bouquet, radiating vibrancy and textural complexity. The piece commands attention with its vigorous brushstrokes, creating a sense of movement and depth. The bouquet is composed of blooming flowers in a rich palette of colors ranging from various shades of pinks and purples to luminous whites. Each flower is rendered with bold, gestural layers of paint, creating a tactile surface that invites the viewer to appreciate the artist’s dynamic technique. The background, with its harmonious blend of cool blues and popping greens, forms a vivid contrast against the warm tones of the flowers, enhancing their visual impact. Noteworthy is the blue-checkered vase...

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

James Lepore (American, 1931-2024) Untitled (Abstract), 1962 Oil on canvas Signed Lepore 62 lower right 43 x 55 inches James Lepore was an American artis...

Harold Feist’s gloriously colorful acrylic abstract painting called Chanson radiates joy. Known for his innovative color field work, Feist has chosen a bright rainbow palette in broa...

Artist : Katherine Bello Title : Valentine Materials : Acrylic and paper on board Date : 1/2020 Dimensions : 18"x18"x.75" Signed and Dated by Hand COA Provided Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition. Vibrant and colorful.

In crafting this artwork, I embraced the chaotic yet harmonious dance of nature. The vibrant greens and soothing pinks capture the rejuvenating spirit of spring, reflecting the renew...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. H...

This is a one-off hand painted Limited Edition, on offer here is the No 1 of the only Five Editions. 60% of the painting is hand painted with original paint on Giclee print on alumin...

Limited edition of 10, fine art print. Signed by the author.

In this intriguing sculpture by Ryan Van Der Hout, a multitude of mirrors reflect the images of sky and land that surround it. Forged from powder-coated steel, each lens is mounted o...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

68 x 39 inches

Pablo PICASSO (1881-1973)(after) The dance, 1946 Lithograph and stencil Signed in the plate On vellum 48 x 33 cm (c. 18.9 x 13 inches) INFORMATION: Edited by Albert Carman in 1946 ...

To Shizico Yi a triptych is a visual prayers; it embodies a meditative journeylike the form of meditation. The repetition of motifs within the triptych serves as a method to revisit...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Limited Edition edition of 3433 12 1/2 × 16 3.5 inches Unframed Accompanied by gallery issued Certificate of Guarantee Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Medium: original lithograph. Printed in 1965 for the art revue Derriere le Miroir (issue number 151-152) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There ...

"Cloud Study: Bird' is a contemporary abstract glass sculpture by David Ruth from his Cloud Study Series. It contains hues of white painterly brushstroke formations in glass called t...

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas.

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...

IT'S NOT TRUE 2022 Paris, France Primarily matte and satin finish black paint, mixed with plaster and oil stick on canvas. An abstract and surreal painting with accents of pinks, reds, purples, and gold. A very faint profile of a leopard walking into the darkness is situated on the lower left side of the canvas. In the upper right "MDCCCXCIV" (1894) is hand painted in gold serif font. Vertical movement is incorporated through the use of subtle colors. Evans Deventer...

The proposed print is a lithograph with a print run of 99 copies, in very good condition. On the lithograph are the print number in the lower margins with its print run and the hand...

Impressive early American modernist abstract expressionist large oil painting. Framed. Oil on canvas. Signed. Image size, 31H by 41L.

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks accented by small beige, black, and yellow shapes set again...