Conceptual Art

the painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with work and authenticity certificate

The painting is being offered with a work and authenticity certificate

tony hernandez was born in Atlanta in 1964 and has been painting professionally since 1988. while he is a southern artist, his works are far from the re...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-74 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,7 x 22,5 cm (11 3/4 x 8 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-54 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 23,4 x 14,5 cm (9 1/4 x 5 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 2-059 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 19,6 x 12,5 cm (7 3/4 x 4 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-236 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 16,8 x 11,8 cm (6 5/8 x 4 5/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-167 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,7 x 17,8 cm (7 x 7 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 11-1-120 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,9 x 13 cm (7 x 5 1/8 in.) Unique Print only Tichý, pract...

Audrey Hepburn. Portrait. Abstract Feel. Oil on Linen. Sides painted black. About the Artist: Karl has been a fine artist his entire life and is well known for his portraits, seascapes and landscapes. Karl’s numerous accomplishments are evident; You can find his work hanging in over 300 public and private collections, including Interpublic Companies, Merrill Lynch, PepsiCo and the Heisman Trophy...

JORGE WELLESELEY From the series: Subterfuges, ”Illumination”, 2018 Aluminum, LED, plexiglass, PLA, concrete 15.5 x 23.5 x 12 in Ed: 2/3 + 1AP Jorge Wellesley (Havana, 1979) Cuban...

Mixed Media on wood featuring the famed Queen Band. Freddie Mercury in the lead. Photographed by Joester. Images on sides as well. Not framed. Ab...

JORGE WELLESELEY, Empty Words, 2009 Rusted steel, concrete Sculpture 17.5 x 18 x 12 in Jorge Wellesley (Havana, 1979) Cuban-born artist based in Guttenberg, New Jersey. He received...

General Idea was formed in 1967 in Toronto and over the next nearly 30 years, the trio made a remarkable contribution to post-modern art. With their subversive approach and intere...

Lego, gold leaf, plastic model This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Lego, gold leaf (24k, 22.66k), copper wire, wood This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Lego, bayberry wood, copper wire, cashew lacquer, gold leaf This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Lego, plastic model, gold leaf, noodle, resin, paper, wood Central piece: W95 × D95 × H195 mm Side pieces: W80 × D85 × H77 mm This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Lego, discarded wood, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

"Chromatic Explosion n. 10" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferra...

"Chromatic Explosion n. 6" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferran...

Photography. Water Pistol Lt Ed 2/20. About the Artist: Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Dog and bird together. Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist". He combines thousands of Lego pieces,...

An early example from pioneering Female Cartoonist/ Illustrator Edwina Dumm, who draws a comic strip from her long-running cartoon series Tippie which lasted for almost five decades. Signed and dated Edwina, 9-25, matted but unframed. Frances Edwina Dumm (1893 – April 28, 1990) was a writer-artist who drew the comic strip Cap Stubbs and Tippie for nearly five decades; she is also notable as America's first full-time female editorial cartoonist. She used her middle name for the signature on her comic strip, signed simply Edwina. Biography One of the earliest female syndicated cartoonists, Dumm was born in Upper Sandusky, Ohio, and lived in Marion and Washington Courthouse, Ohio throughout her youth before the family settled down in Columbus.[1] Her mother was Anna Gilmore Dennis, and her father, Frank Edwin Dumm, was an actor-playwright turned newspaperman. Dumm's paternal grandfather, Robert D. Dumm, owned a newspaper in Upper Sandusky which Frank Dumm later inherited. Her brother, Robert Dennis Dumm, was a reporter for the Columbus Dispatch, and art editor for Cole Publishing Company's Farm & Fireside magazine. In 1911, she graduated from Central High School in Columbus, Ohio, and then took the Cleveland-based Landon School of Illustration and Cartooning correspondence course. Her name was later featured in Landon's advertisements. While enrolled in the correspondence course, she also took a business course and worked as a stenographer at the Columbus Board of Education. In 1915, Dumm was hired by the short-lived Republican newspaper, the Columbus Monitor, to be a full-time cartoonist.[2] Her first cartoon was published on August 7, 1915, in the debut issue of the paper. During her years at the Monitor she provided a variety of features including a comic strip called The Meanderings of Minnie about a young tomboy girl and her dog, Lillie Jane, and a full-page editorial cartoon feature, Spot-Light Sketches[3]. She drew editorial cartoons for the Monitor from its first edition (August 7, 1915) until the paper folded (July 1917). In the Monitor, her Spot-Light Sketches was a full-page feature of editorial cartoons, and some of these promoted women's issues. Elisabeth Israels Perry, in the introduction to Alice Sheppard's Cartooning for Suffrage (1994), wrote that artists such as Blanche Ames Ames, Lou Rogers and Edwina Dumm produced: ...a visual rhetoric that helped create a climate more favorable to change in America's gender relations... By the close of the suffrage campaign, women's art reflected the new values of feminism, broadened its targets, and attempted to restate the significance of the movement.[4] After the Monitor folded, Dumm moved to New York City, where she continued her art studies at the Art Students League. She was hired by the George Matthew Adams Service[5] to create Cap Stubbs and Tippie, a family strip following the lives of a boy Cap, his dog Tippie, their family, and neighbors. Cap's grandmother, Sara Bailey, is prominently featured, and may have been based on Dumm's own grandmother, Sarah Jane Henderson, who lived with their family. The strip was strongly influenced by Mark Twain’s Adventures of Huckleberry Finn, as well as Dumm’s favorite comic, Buster Brown by Richard F. Outcault. Dumm worked very fast; according to comics historian Martin Sheridan, she could pencil a daily strip in an hour.[6] Her love of dogs is evident in her strips as well as her illustrations for books and magazines, such as Sinbad, her weekly dog page which ran in both Life and the London Tatler. She illustrated Alexander Woollcott's Two Gentlemen and a Lady. For Sonnets from the Pekinese and Other Doggerel (Macmillan, 1936) by Burges Johnson (1877–1963), she illustrated "Losted" and other poems. From the 1931 through the 1960s, she drew another dog for the newspaper feature Alec the Great, in which she illustrated verses written by her brother, Robert Dennis Dumm. Their collaboration was published as a book in 1946. In the late 1940s, she drew the covers for sheet music by her friend and neighbor, Helen Thomas, who did both music and lyrics. During the 1940s, she also contributed Tippie features to various comic books including All-American Comics and Dell Comics. In 1950, Dumm, Hilda Terry, and Barbara Shermund...

"Untitled 3.18" Photography 24' x 16' inch Edition of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gij...

Stargazing - Lego Art - Original - C-3PO- From Star Wars Movie. Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist...

Abstract Nature shot. In a canyon. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing bea...

Digital Art. Form scooping water. See reflection. Produced on metal with white 2 inch border. About the Artist: Chad is more than just a freelance ...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver gindei, mounted in Japanese silk scroll Kojun is an self-taught multimédia American ar...

UV print of digital photograph on pewter leaf on paper & mounted in fabric scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. ...

Inkjet print of digtial photgraph on Kakejikuya kozo washi with origami backing paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 199...

UV print of digital photograph on pewter leaf on paper & mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since ...

UV print of digital photograph on silver leaf on paper & mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since ...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver ginder & mounted in Japanese silk scroll Kojun is an self-taught multimédia American ar...

UV print of digital photograph on pewter leaf on paper & mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since ...

UV print of digital photograph on pewter leaf on paper, mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver gindei, mounted in Japanese silk scroll Kojun is an self-taught multimédia American art...

UV print of digital photograph on pewter leaf on paper, mounted in fabric scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. K...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver gindei, mounted in Japanese silk scroll Kojun is an self-taught multimédia American art...

Inkjet print of digital photograph on Kakejikuya 100% kozo paper mulberry washi with silver origami backing paper, mounted in Japanese silk scroll Kojun is an self-taught multimédia...

Inkjet print of digital photograph on Kakejikuya 100% kozo paper mulberry washi layered over inkjet print of digital photograph on Awagami kozo usukuchi washi, mounted in Japanese si...

UV print of digital photograph on pewter leaf on paper, mounted in Japanese silk scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1...

Depiction of a kind of life. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and Tayl...

Matte finish silver leaf over ABS thermoplastic viewer / Washi diffuser with silver gindei wash Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan ...

Mirror finish gold leaf over ABS thermoplastic viewer / Diffraction film diffuser Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. K...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

UV print of digital photograph on aluminum leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

Inkjet print of digital photograph on Kakejikuya kozo washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started i...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...