Cubist Art

Portrait by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 16 x 13 inches Provenance: all the paintings we have by this artist have come f...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Portrait d'un Jeune Philosophe (Portrait of a Young Philosopher) 55 x 38 cm Acrylic on canvas Signed lower right Framed This expressive portrait captures a young man fragmented into overlapping profiles, planes, and architectural forms. Rendered in Mathias’s Diachronic Cubism, the figure appears at multiple moments of thought simultaneously—looking, reflecting, withdrawing—suggesting an inner dialogue rather than a fixed identity. Cool blues and greys dominate the composition, offset by warm ochres and muted greens that structure the space like a cityscape of ideas. The repeated faces and directional lines evoke both introspection and intellectual tension, reinforcing the title’s reference to philosophy as an active, layered process rather than a static pose. The composition balances human presence with abstract geometry, blurring the boundary between mind and environment. This creates a sense of movement in time: the same subject perceived across successive instants of contemplation. Collector’s Insight: This work exemplifies Mathias’s ability to merge portraiture with temporal fragmentation. Rather than depicting a likeness, he constructs a psychological landscape—ideal for collectors drawn to modern figurative abstraction with conceptual depth. The vertical format enhances its architectural rhythm and makes it particularly striking in intimate or transitional spaces. Perfect For: Collectors: – Figurative abstraction with intellectual or philosophical themes – Contemporary European cubist lineage Interior Designers & Decorators: – Studies, libraries, offices, or reading corners – Modern, contemporary, or intellectually curated interiors – Vertical wall art...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Roger de la Fresnaye National Day Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 65 x 50 cm (c. 26 x 20 inch) Excelle...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

A. Rigollot (France, 20th Century) designed this superb post-cubist and colorist abstract oil on board painting. Colorist painting is characterized by intense color use, which become...

Georges Braque, French (1882 - 1963) - Astra et l'Oiseau, Year: circa 1970, Medium: Poster, Size: 26 x 35 in. (66.04 x 88.9 cm), Publisher: Editions des Nouvelles Images.

Seated Nude by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 28.5 inches Provenance: all the paintings we have by this artist have c...

Superb original French oil painting depicting this colorful breakfast table still life scene. The work is signed by its artist, Jean-Yves Fromange (born 1957). Painted with thick, ...

This is an oil painting by spanish artist Emilio Perez Romero. The technique is based on a direct pictorial treatment "alla prima" and thick line. The focus is the harmony of color ...

Cubist Composition French, contemporary indistinctly signed oil painting mounted in a card frame, framed glass covering framed: 21 x 25 inches inner frame: : 20 x 24 inches Provenan...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

Picasso and the Weeping Woman — 1994 Metropolitan Museum of Art Exhibition Poster (Linen-Backed). Grade A- condition. Size is 40” x 37.5”. The painting’s original name is “The Pa...

Marlot – 24-09-20 Marlot Cows And now for something completely different: cows in Marlot. I wanted to change the subject for once and do a drawing similar to the horses in my drawing Laren 30-04-20. I never have been an artist drawing and painting animals frequently but I thought I give it a shot and since I am in the mood after my rediscovery of colored pencils, there you have it. Cubistic Animals I always have loved cows...

Unique patinated metal cubist sculpture. Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. In 1968 he obtained a diploma of "Honor of Merit" i...

Blue Velvet Reprise This graphite pencil drawing ‘Solarized Roundism – 24-02-23’ stems from the latest session with my regular model. Solarization is back on the menu and I ...

2 Poses 27 x 35cm Acrylic on canvas A compelling cubist nude composition that captures the essence of movement and intimacy. The piece showcases two reclining figures fragmented in...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Complete Title: Dans l'Atelier (Peintre au travail avec une grande toile et un modèle debout). Etching, aquatint  and drypoint on Auvergne wove paper. Hand Signed.  Editions of 32/5...

Complex study of nude figures grouping in landscape. Weber works in watercolor and pen with an electric brushstroke. Perhaps a study or a continuation for his major oil. Summer...

Mark Morrison (1895-1964) Cockerel, ca. 1950 Carved and polished red Verona marble 4.25" wide, 8" deep, height is 22.25" Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

John Bowers Draped Hair 1940s Charcoal on Paper 25"x19", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University o...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Cubist composition French school, late 20th century signed oil on board, framed with glass cover framed: 13 x 13 inches board: 9.5 x 9.5 inches Provenance: private collection, France...

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

Pablo Picasso, Spanish (1881 - 1973) - 60 Years of Graphic Works: Los Angeles County Museum. Year: 1966, Medium: Lithograph, Edition: 2500, Size: 26 in. x 20 in. (66.04 cm x 50.8 cm)...

Yves Ganne, born in 1931 in Angers, is a French artist recognized for his vibrant paintings and expressive lithographies. Graduated from the Ecole des Beaux-Arts de Paris, he develop...

Joseph Kardonne (1911-1985). Tugboat, 1939, 9 x 11.25 inches. Ink on paper. Signed, dated and titled lower right. Excellent condition. Born in Newark, New Jersey in 1911, Joe Kardo...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Portrait de petite fille (Portrait of a Young Girl), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Delaunay’s modern sensitivity to rhythm, structure, and expressive clarity, translating the original drawing into a refined synthesis of color and form through meticulous printmaking. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 13.39 x 10.83 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Sonia Delaunay (1885–1979) Title: Portrait de petite fille (Portrait of a Young Girl), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 13.39 x 10.83 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the project inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Sonia Delaunay (1885–1979) was a Ukrainian born French painter, designer, and avant garde visionary whose revolutionary use of color, geometry, and abstraction transformed twentieth century art and design. Born Sarah Stern in Odessa, she moved to Paris, where she became a leading figure of modernism and a pioneer of Orphism, a lyrical offshoot of Cubism founded with her husband Robert Delaunay that fused structure, rhythm, and pure chromatic energy. Deeply influenced by the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Delaunay absorbed the experimental spirit of the European avant garde while extending abstraction beyond the canvas into fashion, textiles, interiors, and stage design. Her theory of simultaneity celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Russes and Atelier Simultane introduced geometric modernism into everyday life. Like Picasso, she sought to unify art and existence; like Kandinsky, she viewed color as a spiritual force; and like Duchamp and Man Ray, she embraced modern technology and materials as tools for innovation. Her works from the nineteen thirties through the nineteen sixties captured the rhythm of modern life through radiant compositions of interlocking forms and shifting hues. The first living woman honored with a retrospective at the Louvre in nineteen sixty four, Delaunay remains a cornerstone of modernism, with works held in the Museum of Modern Art, the Tate Modern, and the Centre Pompidou. Her highest auction record was achieved by Rythme couleur (1964), which sold for approximately 4.3 million US dollars at Sothebys Paris on November twenty four, two thousand twenty one, confirming her enduring influence and global stature. Sonia Delaunay lithograph...

French Modernist Still Life with Bottle, Checked Mug and Oil Lamp by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 13 x 16 inches Provena...

Raymond Guidot (1934–2021) oil painting on board, unframed board: 13.75 x 10.5 inches stamped verso condition: very good provenance: from a large private collection of this artists w...

The Hill Topped Perched Village, Provence French mid 20th century signed Manoël Pillard oil on canvas, unframed canvas: 25.5 x 20 inches inscribed verso Provenance: private collectio...

A bold and evocative pastel on paper by British artist John Alfred Begg (1903–1974), this striking Cubist nude study reflects the artist's Brutalist sensibility through angular forms...

Still life is original print realized after George Braque in 1931, with watermark of editor on the lower-left embossed stamp, J.B, Jenne Boucher Paris, From the edition of 1000 prints performed in 1933, the description notes on the rear. Titled in the French" Nature morte (toile), Editions J. Boucher and J. Becker, Paris and New York. Good conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

The sculpture was created by artist Pablo Maojo, one of Spain's most famous and renowned sculptors. It was created in 2025 and measures 100 x 180 x 3 cm. It is a truncated flute, a m...

Nu aux Pommes by Helene Dadone (French cubist artist 20th century) monogrammed and dated, oil on board, unframed inscribed verso board: 20 x 26 ...

The French City by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection, France condition: very good and sound condition

Artist/ School: French School, mid 20th century Title: Nude Figure in Interior Medium: oil painting on board, unframed . Size: : 13.5 x 10.5 inches Provenance: private collection...

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Roumaine (The Romanian Woman), from the album Roger de la Fresnaye, III, Collection Pierre Levy, 1968, ori...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more realist imagery, transitioning through his intense fascination with the cubist avant-garde movement, into specific cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. "Blue Pacific...

Artist: Tom Cowsert (USA, 1962) Title: Bailaores flamencos Date: 1999 Technique: Acrylic on canvas Dimensions: 61 × 50 cm (24 × 19.7 in) Signature: Signed and dated lower right: T. V...

SERENATA DE GUITARRA by the South American artist Jorge Dumas(1928-1985), is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on ar...

This exquisite lithograph after Fernand Leger (1881–1955), titled Acrobates et musiciens (Acrobats and Musicians), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. Acrobates et musiciens exemplifies Leger’s dynamic integration of human movement, geometric rhythm, and vibrant color—hallmarks of his post-Cubist visual language. The composition celebrates modern vitality and the harmony of mechanized and organic forms, capturing the artist’s enduring fascination with energy, structure, and the human figure in motion. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, translating Leger’s bold visual vocabulary into a masterful graphic work. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Acrobates et musiciens (Acrobats and Musicians), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 270 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose bold, mechanized aesthetic made him one of the most influential figures of modern art. A pioneer of Cubism alongside Pablo Picasso and Georges Braque, Leger developed a distinctive style that celebrated modern life through rhythmic forms, tubular figures, and vibrant color contrasts. His compositions combined industrial precision with human warmth, reflecting both the dynamism and optimism of the 20th century. Influenced by and in dialogue with leading artists such as Henri Matisse, Alexander Calder, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Leger bridged the gap between Cubism, abstraction, and the rise of modern design. His work extended into murals, sculpture, and film, uniting fine art with architecture and everyday life. Represented in major museums worldwide—including MoMA, the Guggenheim, the Centre Pompidou, and the Tate—Leger’s art continues to captivate collectors for its clarity, structure, and vitality. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2012 at Christie's New York for Contraste de formes (1913). Fernand Leger Acrobates et musiciens, Leger Derriere le Miroir, Leger Maeght Editeur Paris, Leger Mourlot...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

This exquisite lithograph after Jacques Villon (1875–1963), titled Portrait d'une jeune fille (Portrait of a Young Girl), originates from the 1972 edition published by Editions A. C....

'Nude Woman at Home', oil on fine paper (1969), by Raymond Debiève. In a clear nod to Picasso's influence both stylistically and in terms of subject matter (Picasso painted many work...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 15H by 19L.

Eva Tanguqy-A Strange Request, New York Evening World newspaper India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (41.9 x 26.7 cm) (each, image) Signed lower righ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Claude VENARD (1913-1999) Woman by the Sea Original Lithograph Signed in pencil Numbered / 100 copies On Arches vellum, 74.5 x 52.5 cm Very good condition, minor handling defects o...

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green studied with prominent artists of the day before settling in Los Angeles in the 1930’s. The artist continued his art education and began exhibiting throughout galleries in Southern California. As with many artists, his earliest style was more academic realistic imagery, transitioning due to his intense fascination with the cubist avant garde movement, into cubist imagery which became the trademark style of painting for the remainder of his life. This is the first presentation of the paintings of Maurice Green since his death in 1993. “The Serenade”, is original mixed media watercolor on artist board, signed, e very early work c.1945, this is a painting which clearly defines his talent as a fine cubist artist.

This is a beautiful painting by Alberto de Blobs (Barcleona, 1982). Alberto is a talented painter whose elaborate mixture of figurative and free form ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Deux femmes nues (Two Nude Women), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis...