Cubist Art

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La table Louis-Philippe (The Louis-Philippe Table), from the album Roger de la Fresnaye, III, Collection Pier...

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones

This exquisite lithograph after Roger de La Fresnaye (1885–1925), titled La Conquete de l'air (The Conquest of Air), from the album Roger de la Fresnaye, III, Collection Pierre Levy,...

John Marin (1870-1953), Brooklyn Bridge No. 6 (Swaying), 1913, Etching. Z112. Edition c. 12 (Steiglitz); 1924, unknown but small (New Republic). Signed in pencil. Signed and dated...

Survage,Cubism,1915,france Leopold Survage ( 1879-1968) Work signed lower right Provenance : Gallerie Zlotowski Paris Galerie Guillermo de Osma ,Madrid Private collection In Madrid...

Ming Ming Liang (Chinese, born 1964) "Orange Flowers" 2022 Oil paint on canvas, stretcher bars The artist signed the bottom right corner of the painting. Ming Ming Liang's "Orange F...

Artist: Josette Cayol (French, circa 2000) Title: Violette Medium: Oil on canvas Size: 20 x 16 inches Frame: Unframed Signature: Signed (lower right) Condition: Good condition, minor...

Huile sur toile. Dimensions encadré: 59x68 cm

This original lithograph in colours is hand signed in pencil by the artist "G. Braque" at the lower right margin. It is also hand numbered in pencil 75 from the edition of 75, at the...

Ted Hinrichs Jericho Acrylic on Canvas Year: 2022 Size: 36x24in Framed: 38x26x1.75in Signed by hand COA provided Ref.: 24802-1724 *Framed in naural Woo...

Deplacement Acrylic on canvas 60 x 92 cm Déplacement unfolds horizontally — at 60 x 92 cm, it is one of Mathias's larger canvases, and the format is not incidental. The wide, friez...

Still Life. Oil on canvas, 94.5x115.5 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, gradua...

Artist: Beatrice Rubel (aka Betty Abbott) Title: Blue Symphony Year: circa 1948 Medium: Pastel on paper, signed verso Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame Size: 19.5 x 2...

Artist: Fernando Farulli, Italian (1923 - 1997) Title: Il Suicida Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 59 in. x 71 in. (149.86 cm x 180.34 cm)

"Survivors" Abstract Figurative Painting 27.5" x 63" in by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x48"x2". It is unframed. A Certificate of Authenticity will follow th...

One of the Great Masters This oil is an ode to Tamara de Lempicka and why not? Since I haven’t enjoyed a formal training I had to learn directly from all great masters. Surely I...

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

Leopold Survage (French / Finnish 1879- 1968) Les danseuses Signed and dated ‘Survage / 31’ (lower right) Pencil on paper 10.1/2 x 8.5/8 in. (27 x 22.2 cm...

A burst of pure delight in primary colors, by a notable artist who's been exhibited at many of America's most important museums. It was painted during the mid-century resurgence of c...

A Break-Out This graphite pencil drawing ‘Gent – 08-05-23’ shows a different scenery for a change. Usually you see me wandering about in the Haaglanden area, searching for a...

A poetic fusion of music, light, and intimacy, “Melody in Candlelight” transforms a simple still life into an evocative masterpiece. This 10-inch black ceramic plate...

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

George BRAQUE Elegant flight Lithograph on vellum after a painting Printed signature in the plate 399 copies unnumbered On Arches vellum 18 x 23" (45 x 58 cm) Excellent condition

This original lithograph was designed for the Tapestries at Pace exhibition held at Pace Columbus in 1974. Though the exhibition featured works connected to Pablo Picasso, this litho...

First Oil This oil painting ‘Nina - 13-10-23’ follows a prestudy I made last August. As stated before, she is a great model with a gorgeous body. I feel honored to draw and pa...

This is a one of a kind original cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 20"x 24" x1.5". It is unframed. A Certificate of Authe...

Artist: Pablo Picasso Title: Monogram "L" with Landscape (Plate XXXIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Sig...

Once Again Once in a while I get that itchy feeling again that makes me want to turn to roundism. The last one by that title I made half a year ago. In between lie an odd couple...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph after Georges Braque (1882–1963), titled La barque D-27 (The Boat D-27), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, an...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux de nuit (Night Birds), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964–1965, originates from the 1964 edition published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C., and printed by Mourlot Freres, Paris, October 27, 1964. This lithograph exemplifies Braque’s poetic exploration of form, balance, and symbolism, merging Cubist structure with lyrical abstraction. In Oiseaux de nuit, the recurring motif of the bird—one of Braque’s most personal and spiritual symbols—embodies freedom, transcendence, and harmony between nature and imagination. Executed as a lithograph on velin d'Arches paper, this work measures 10 x 7.5 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and reflects Braque’s ability to fuse structural clarity with lyrical mystery. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux de nuit (Night Birds), from the album Prints from the Mourlot Press Medium: Lithograph on velin d'Arches paper Dimensions: 10 x 7.5 inches (25.4 x 19.05 cm) Inscription: Unsigned and unnumbered as issued Date: 1964 Publisher: Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C. Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Prints from the Mourlot Press, published by Fernand Mourlot, Paris, 1964 Notes: Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Herve Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carre, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhemar, Curator of prints at the Bibliotheque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th October 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director Andre Brignole, was responsible for the typography. The edition has been limited to MM examples on Velin d'Arches and CC on Velin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. About the Publication: Prints from the Mourlot Press, published in Paris by Fernand Mourlot in 1964 in collaboration with the Embassy of France and the Smithsonian Institution, celebrated the profound artistic partnerships that defined 20th-century printmaking. The portfolio accompanied a traveling exhibition organized by the Smithsonian’s National Collection of Fine Arts and presented at major institutions across the United States between 1964 and 1965. Containing twenty-four original lithographs by leading modern artists—including Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, Fritz Glarner, and Jean Cocteau—the publication chronicled the collaborative artistry of Mourlot Freres, whose Paris workshop elevated lithography to a fine art. Each plate demonstrated the mastery of color, composition, and craftsmanship that defined postwar printmaking, while the edition itself stood as a symbol of Franco-American cultural exchange. About the Artist: Georges Braque (1882–1963) was a French painter, sculptor, and printmaker whose pioneering vision transformed the course of 20th-century art. A central figure in modernism and the co-founder of Cubism alongside Pablo Picasso, Braque redefined visual perception by breaking objects into geometric forms and reassembling them from multiple perspectives, creating a new visual language that bridged the gap between abstraction and reality. His early work was influenced by the vibrant colors and expressive energy of the Fauvist painters Henri Matisse and Andre Derain, before evolving toward the more analytical and structured compositions inspired by Paul Cezanne’s theories of form and perspective. Braque’s collaboration with Picasso between 1908 and 1914 marked one of the most fertile and revolutionary periods in art history, resulting in works that challenged traditional notions of space, depth, and illusion. Throughout his career, Braque maintained a deep interest in harmony, rhythm, and balance, infusing his still lifes, landscapes, and later reliefs with poetic subtlety and intellectual rigor. He moved among a brilliant circle of contemporaries including Pablo Picasso, Henri Matisse, Marc Chagall, Juan Gris, Fernand Leger, and Amedeo Modigliani—artists united in their pursuit of new modes of artistic expression. Braque’s influence extended well beyond his own era, shaping the creative approaches of later modernists such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom drew inspiration from his structural innovations and aesthetic integrity. His works are held in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to embody the essence of modern artistic thought and visual poetry. The highest price ever paid for a Georges Braque artwork is approximately 15 million USD, achieved in 2013 at Christie’s New York for Paysage a la Ciotat (1907). Georges Braque Oiseaux...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24" x 36" x 1.5". It is unframed. A Certificate of Authenticity will fol...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Paper Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Image Size: 10.25 x 7.5 inches ( 26.035 x 19.05 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Pablo Picasso A.R. 403 Spanish Dish with Toros Plat Espagnol au Toros 1957 15.7” round Edition of 100 Red earthenware clay, glaze decoration, knife engrav...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Urban Syntax drifts between graffiti and form, where the suggestion of a dress and hat moves through the city like a quiet presence. Lines, patterns, and marks gather and release, ec...

A one of a kind 48" x 24" Figurative Cubist Acrylic Portraiture Painting executed by artist Alexander Arshansky. A certificate of authenticity will be provided upon its purchase or d...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 16.5 x 27.5 i...

My cellists in a very large and deconstructed composition. A very deconstructed cubist composition, it's very large and dramatic. I love musical instruments, they are artworks themse...

Artist Name : Sander Vos Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP Medium : Photography, Print Description: The series ‘In ...

This is a one of a kind original abstract cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 20"x 24"x1...

Cubist School, circa 1940 Interior with a Vase of Fruit Oil on canvas Canvas: H. 55 cm - W. 38 cm Frame: H. 66 cm - W. 49 cm Good overall condition, some wear and tear I am at your...

The Return of the Flapper Girl This colored pencil drawing ‘Louise Brooks – 22-09-24’ is inspired after a previous one, called ‘Julia 11-09-18’. There are paintings and ...

Composition No. 7. 1976, veneer, tempera, 81,5x64,3 cm Composition with 4 orange objects on dark blue background Boris Nikolajevitch Bitch / Борис Николаевич Бич (1946) - Russian suprematism artist. He studied at the art studio of D. G. Sobolev. Since 1975 he participated in informal exhibitions. In 1977 he joined painting section at the City Committee of graphic artists at Malaya Gruzinskaya, 28. Since 1982 - one of the group "21" leaders, group "20" exhibitions participant. Creative work He created a paintings series from several series: 1977 - compositions GEO (geometric unity), 1979 - compositions GEOKON (geometric constructions), 1982 - compositions GEOMED (geometric mediums), 1986 - compositions GEOEX (geometric expressionism) and Pangeometric constants, 1988 - GEMGER (geometric hermeneutics). A new large works series of recent years "Dialogues with Malevich" is a suprematist composition that made on geographical maps of various world regions. The author's works are in the State Tretyakov Gallery in Moscow, in the State Russian Museum in St. Petersburg, in the Moscow Museum of Modern Art, in private collections in Russia, Europe, Canada and the USA. Participation in exhibitions 1979 "Color, shape, space" City Committee of graphic. Moscow, M.Gruzinskaya 1986 "Object" Moscow, M.Gruzinskaya 1987 "Geometry in Art" in Moscow 1989 "Labyrinth" The Moscow Palace of Youth. Moscow, Warsaw, Hamburg 1990 Gallery Floor, Stockholm, Sweden 1990 "Other Art" State Tretyakov Gallery. Moscow 1991 "The Art of Europe" Wilhelmshafen. Germany. 1992 "Moscow avant-garde of the 50-80's" Kleinsassen. Germany 1992 "Cultural contact" Neumarkt. Austria 1993 Art-Myth. Manege. Moscow 1993 "Culture and Politics in Russia" Gallery Zandman. Hamburg. Germany 1994 "”No” to conformism" Russian Museum. Russia, St. Petersburg 1995 Exhibition of unofficial Russian artists. The Halle Museum. Germany 1995 "Exhibition of six Moscow artists" CHA. Moscow 1997, 1998 Art-Manege. Moscow 1999 Exhibition. The museum of L.Talochkin. RSUH. Moscow 2000, 2004 "Pleskoye gravitation" Museum of the landscape. Russia. Ples 2000 "Dedication to Malevich" New gallery. Moscow 2000-2001 "Russian art" Japanese house. Moscow 2001 "Abstraction of the XX century" The State Russian Museum. Russia. St. Petersburg 2002 "Russian avant-garde" Russian house...

Trude Fleischmann This pastel drawing ‘Neo Deco – 12-01-25’ pays tribute to Austrian photographer Trude Fleischmann. Last 26th December 2024 I had the pleasure to meet her ...

Max Papart — “Blue Harlequin” Original Lithograph • Artist’s Reserved Proof • Pencil‑Signed A vibrant and highly collectible Max Papart lithograph (Aquatint medium) featuring the ic...

Rodolphe-Théophile Bosshard Cubist Portrait, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

Monotyping-like This colored pencil drawing ‘Sans Titre – 31-03-25’ depicts American celebrity moviestar Jean Muir from the 1930s. Cubism meets art deco glory in yellow. Aft...

Natte Beek This graphite pencil drawing ‘Beek – 14-04-25’ depicts a slighty cubist interpretation of an eponymous landscape. There’s this house called the ‘Natte Beek’...

My Favorite Spot This graphite pencil drawing ‘Berg en Dal – 21-04-25’ is my next landscape endeavour after the previous one, called ‘Beek – 14-04-25’. Cubism meets im...

Jean Émile LABOUREUR The Harbor Cafe, 1921 Original etching Signed in pencil by the artist Numbered on / 50 copies On vellum 32.5 x 39.5 cm (c. ...

New Paper This pastel drawing ‘Model Session - 17-06-25 – 1’ is a cubist experiment really. Model Donika delighted us with her arrival. Well, the experiment is contained in ...

Time Limited This oil painting ‘Neo Deco – 30-07-23’ is an elaboration of my graphite pencil drawing ‘Art Deco – 23-08-22’. As artist, my time on earth is limited comp...