Cubist Art

"Time Travel" Painting 53" x 47" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of th...

Arnold Hoffmann, Jr., American (1915 - 1991) - First, Year: circa 1970, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 16/50, Image Size: 27.25 x 20.75 inches...

Jean ABADIE (Tarbes 1921 – Ballan-Miré 2010) Market in Périgord Oil on canvas H. 73 cm; L. 92 cm Signed lower right Provenance: - Galerie France-Art, Paris, circa 1980 - Private col...

Pablo Picasso A.R. 519 Le Verre Sous La Lampe 1964 13” x 10” Edition of 100 Terracotta clay, inscribed 'Edition Picasso' with the Madoura stamp. Ramie 519 is a Madoura ceramic that one rarely sees come on the market. The photo you see here is the actual piece that you will receive. Most sellers online post using stock photos that don’t necessarily match exactly to the piece you receive. This particular piece is pristine: there are no nicks, bruises or scratches of any kind. Be careful when buying from others – the pieces sometimes have nicks or scratches. The Certificate of Authenticity comes with this piece. We have sold over 3300 pieces with all positive reviews. We are located in the USA. When you buy from a foreign seller on 1stdibs, you have to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When you purchase from an auction house, you pay a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when you “win” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. When you purchase from an auction house, you pay the packing and shipping fees, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. When you purchase from an auction house, the sale is final. If you receive the piece and are not 100% satisfied with it, there is nothing you can do about it. You are stuck with it. By contrast, when purchasing from us, the buyer can determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! The prices of Picasso Madoura Ceramics have been on fire lately (no pun intended). The major auction houses – Sotheby’s, Christie’s and Phillips – have now been regularly holding Picasso Madoura Ceramic auctions...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 12"x12"x2". It is unframed. A Certificate of Authenticity will follow th...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20"x2". It is unframed. A Certificate of Authenticity will follow th...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16"x20"x2". It is unframed. A Certificate of Authenticity will follow th...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

This is a one-of-a-kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24"x24"x1.5". It is unframed. A Certificate of Authenticity will follow ...

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

A poetic fusion of music, light, and intimacy, “Melody in Candlelight” transforms a simple still life into an evocative masterpiece. This 10-inch black ceramic plate...

Peintre barbu en robe de chambre, avec deux femmes nues et un visiteur, from « 347 Series » Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition 32/50. ...

This is a one of a kind original oil on paper painting mounted on board by Viktoria Romanova. Its dimensions are 24" x 32". It is unframed. A certificate of authenticity will follow ...

This gouache and tempera with pencil is signed in gouache by the artist in the lower right image "Kàdàr Bèla". The paper bears the collector’s mark of Rudolf Bedő and an invetory num...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 20" x 20". It is unframed. A Certificate of Authenticity will follow the...

Cubist sculpture of a cat designed by Karin Swildens for Austin Productions from 1989. Made of plaster with a white matte finish, the sculpture is stamped with the maker's and design...

Sandycove I Acrylic on Canvas 46 x 38cm A fresh modern cubist view of the Irish seaside town of Sandycove, blending sharp geometry with soft Atlantic tones. This acrylic on canvas...

A one of a kind 16" x 20" Figurative Cubist Acrylic Portraiture Painting executed by artist Alexander Arshansky. A certificate of authenticity will be provided upon its purchase or d...

A one of a kind 48" x 24" Figurative Cubist Acrylic Portraiture Painting executed by artist Alexander Arshansky. A certificate of authenticity will be provided upon its purchase or d...

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

This is a one of a kind original cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 20"x 24" x1.5". It is unframed. A Certificate of Authe...

FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1934 / 15, reproduced in p. 231 PROVENANCE Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

This is a one of a kind original abstract cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 22"x 28"x1.5". It is unframed. A Certificate ...

Artist: Avi Farin, Turkish (1943 - ) Title: Still Life with Red Chair Year: 2003 Medium: Oil on Canvas, signed Size: 30 x 24 in. (76.2 x 60.96 cm) Frame: 41 x 35 inches

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 11" x 14" x 1.5". It is unframed. A Certificate of Authenticity will fol...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Eclatante Venise Acrylic on Canvas 70 x 50 cm Éclatante Venise by Grégoire Mathias captures the vibrant essence of Venice through the structured yet dynamic lens of Diachronic Cubi...

This cool-colored cubist painting by Edmund E. Niemann is a captivating exploration of form and color, embodying the essence of the Cubist movement. Through his unique artistic visio...

Exhibition poster for "A Poem in Each Book" by Paul Eluard, illustrated by his friends the painters-engravers, at Maison de la Pensée Française, Paris, October 26 - November 11, 1956...

Trois Instants en Mai (Three Instants in May) 65 x 54 cm Acrylic on Canvas "Trois Instants en Mai" by Grégoire Mathias captures the essence of fleeting moments with a striking moder...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16x16x1.5. It is unframed. A Certificate of Authenticity will follow the...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 24x24x1.5. It is unframed. A Certificate of Authenticity will follow the...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 9x12x1.5. It is unframed. A Certificate of Authenticity will follow the ...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16" x 20". It is unframed. A cirtificate of authenticity will follow del...

As a cultural artifact, the circus holds various symbolic meanings over time, challenging our beliefs while inspiring wonder. In this tribute to F...

Mélodie (Melody) Ink on paper 53 x 53 cm A rare square-format nude ink drawing on paper by Grégoire Mathias, perfect for adding a pop of color and movement to compact spaces, art cl...

One of a kind biomorphic cubist painting by San Diego artist, Alexander Arshansky. This painting is acrylic on canvas. A certificate of authenticity will follow delivery. This style...

Loren Munk (b. 1951) American, Salt Lake City, UT Cubist Figure on a Bicycle, 1989 Gouache, ink, collage on paper 17 ½ x 18 inches unframed (44.45 x 45.72 cm) 28 ¼ x 29 ½ inches fra...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 – Excideuil 2005) Artist's self-portrait Oil on canvas H. 171 cm; L. 70 cm Signed on the back Provenance: Private collection, Périgord Born in the heart of the Bièvre valley, a few kilometers from Versailles...

Artist: Jeffrey Maron, American (1949 - ) Title: A Head of Tomorrow from Yesterday Year: 1992 Medium: Mixed Media, Watercolor, Pastel and Collage on Paper, Signed and dated Paper Si...

Artist: Jacques Villon, after Title: En Colore from Douze Contemporains Year: 1959 Year of Original: 1952 Medium: Lithograph with Pochoir on Wove paper, signed in the plate Edition...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Rick Prol (American, b. 1958), Untitled (Figural Interior Scene), Mixed Media on Paper, 11 May 2014, signed and dated in pencil lower right and to verso, unframed. Sheet: 22.5" H x 3...

Amoureuses (Women in Love) Acrylic on Canvas 41 x 33 cm In Amoureuses, Greg Mathias delivers an emotionally charged dual portrait that merges bold modernism with raw intimacy. Two female figures emerge from a tapestry of angular lines, fragmented planes, and vibrant contrasts. Black contours define and disrupt the forms, while saturated reds, yellows, and earth tones highlight the figures' lips, hair, and eyes with almost theatrical intensity. Mathias’s Diachronic Cubism is palpable in this compact yet powerful composition. The faces appear to hold more than one emotional state or temporal expression, inviting the viewer to imagine multiple layers of affection, memory, or desire unfolding across time. The figures are both stylized and expressive—unified yet distinct—suggesting a narrative of closeness, duality, or romantic introspection. Executed in acrylic on canvas, this smaller-format work makes an immediate impact and is well-suited for collectors of contemporary figurative cubism. It’s a standout piece for those interested in bold color palettes, emotional resonance, and distinctive portraits with modern edge. Perfect for: Collectors of modern figurative cubism, lovers of expressive portraiture, and buyers seeking a compact yet high-impact artwork. Ideal for interiors emphasizing bold lines, vibrant colors, and character-driven contemporary art. Keywords: Greg Mathias, Diachronic Cubism, Modern Cubist Portrait, Contemporary French Artist, Acrylic Painting, Abstract Figurative Art, Red Lips Painting...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: Fantasy, circa 1940 Technique: Original Hand Signed Gouache on paper size: 46.2 x 29.4 cm / 18.2 x 11.6 in Additional Information: This work is a guache painting by the famous Hungarian artist Bela Kadar. It is hand signed in pencil "Kadar Bela" in the lower right corner of the paper. Exhibitions: New York, Shepherd & Derom Galleries, Hungarian Modernism, 29 April-2 July 2010, no.12. Tel Aviv, Galerie le Minotaure...

Soirée Philosophique (Philosophical Evening) 80 x 40 cm Acrylic on Canvas This captivating cubist painting by Grégoire Mathias portrays an intellectual gathering rendered in his sig...

Jon Rowland Chaumont #1 Original Abstract Painting Acrylic Paint, Collage and Mixed Media on Canvas Canvas Size: H 100cm x W 100cm x D 3cm Sold Unframed Please note that in situ imag...

New England Landscape, 1925, by Jan Matulka (1890-1972) Oil on canvas, mounted to masonite 29 ¼ x 21 ¾ inches unframed (74.295 x 55.245 cm) 30 x...

Après Midi en Grèce II Acrylic on Canvas 56 x 46 cm Après Midi en Grèce II is an exploration of classical inspiration through the lens of Diachronic Cubism. This 56 x 46 cm acrylic...

Toro and Horse Lithograph, 1957 Signed and numbered in pencil by the artist. Titled in pencil lower left. Edition: 25 (24/25) Printer: Ravel, Paris Reference: Freeman L57.11 'Toro and Horse' was inspired by Spanish bullfighting...

Original painting. Hand signed and dated by the artist. Canvas size 45 x 33 inches. Custom framed as pictured. Frame size is approx. 52 x 44 inches. Please note the frame has som...

Aquatint on wove paper. Hand signed and numbered by Pablo Picasso. Plate 106, from the serie "347 gravures" (B. 1586; BA. 1602 II B b 1). Published by Galerie Louise Leiris, Paris. ...

Hommage à Davide Bowie 35 x 27 cm Acrylic on canvas Hommage à David Bowie is a bold and dynamic cubist portrait paying tribute to the legendary musician. Using Diachronic Cubism,...

HUGO SCHEIBER 1873-1950 1873 - Budapest - 1950 (Hungarian) Title: The Rhythm of the City, 1920's/1930's Technique: Original Signed Charcoal and Pastel Drawing on Paper Size: 61 x ...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

Painter's family (Ed. Kalnins). Oil on cardboard, 50x79,5 cm

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones