Expressionist Art

This original acrylic painting on canvas is an impressive work created by artist Lada Kholosho in 2024. It depicts a solitary figure wrapped in an embrac...

In creating this piece, I poured my soul into the vibrant dance of colors and emotions, crafting a vision inspired by the grace and mystery of the figure. The red speaks of passion a...

In this oil painting, I poured my soul into capturing the intimate moment between these majestic beings. The language of their gentle nuzzle transcends words, speaking to the univers...

"Stars and Stripes" is an oil on board portrait of a young woman with an American Flag, painted by Philadelphia born Expressionist artist Bernard Harmon. The painting is 41 3/4" x 35...

This is original hand carved wood carving used to produce a woodcut print. Hand colored with painting. signed woodblock (unique piece, not a print) by Jacob Steinhardt 1887-1968 "Reuben Offering Food and Drink to Joseph" Hand carved and painted surface, painted in relief. Signed LR, dated LL. In thin wood painted frame, woodcut panel approx. 1/2" thick, raised on frame. panel within gold painted wood liner 16"H x 12.5 framed 22.5 x 18.75 Judaica biblical scene. Steinhardt, Jakob, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting...

Il Revoit le Thabor Georges Rouault, French (1871–1958) Woodcut, initialed in the block Size: 12 x 8 in. (30.48 x 20.32 cm) Frame Size: 18.5 x 14.5 inches

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...

ABOUT THE ARTWORK "I Have the Horse. Am I a Knight?" weaves a narrative of self-inquiry and identity. The central figure, a woman astride a majestic horse, is painted with warm, ear...

Morning Frost… An expressive painting filled with the colours and emotions of an early morning winter walk through the crisp Norfolk countryside, following the weaving rivers of the ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Artist: after Shlomo Katz, Polish/Israeli (1937 - 1992) Title: Who Knows One (Passover) Year: 2000 Medium: Woolen Carpet Tapestry, signature in the cache Size: 120 x 95 in. (304.8 x ...

Part of Gradwell's extensive painting journey. Pompeii and its environment Glazed bespoke frame 60 x 75 cm original mixed media on paper 37cm x52 An entrance to the finest public...

In creating this piece, I embraced the delicate dance between realism and expressionism, aiming to convey deep emotion. The soft interplay of light and shadow across the figure's for...

Artist: Andre Brasilier (French, born 1929) Title: Cavaliers dans les Dunes Year: 1974 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) and "Epr...

Angelo Canevari’s Bucranium is a 34 x 19 inch mix media surrealist sculpture. It is made of metal, resin, green automotive paint, and cardboard. It is a surrealist interpretation of the carved decoration, representing ox-skulls, commonly used in Classical architecture for the friezes of Doric temples. The same motif was also later used on Renaissance, Baroque and Neoclassical buildings. Canevari's contemporary interpretation is evident in the medium he chose to shape this artwork and yet it maintains the same commanding and monumental presence of the classical monuments that have inspired it.. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

Original work by the Spanish artist Joan COPONS. Oil on canvas . Perfect state

"No One Here 'Cept Us Chickens" is from Sandra Jones Campbell's recent Summer collection, a series that displays her unique vision of the world and is informed by her current social...

The Severn Vale is an Original Painting by Eleanor Woolley This miniature painting shows the vast Severn vale looking out from Edge near Stroud. The little patchwork fields of pink a...

There are few things more beautiful in life than capturing the moment when a seagull is playing around in the water. :: Painting :: Expressionism :: This piece comes with an of...

Lester Johnson Self Portrait 1969 drawn with ink, crayon, and spray enamel on paper. Measuring 14 by 11 inches, this drawing was recently professionally framed.

Gill Bradley Monkeys Loose in Notting Hill, 1927 Lithograph 100 x 65 cm "The monkey hunt which has been entertaining all but those immediately associ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us and reminds us of its natural beauty and the importance of its preservation. Details: Title: Sea of Blue N28 & 29 Medium: Mixed Media on Paper Size: 63 x 180 cm (each panel measures 63x90 cm); 24.8 x 70.8 inches (24.8 x 36 inches). Year: 2024 * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. * Certificate of Authenticity provided. Enric Servera (Ciutadella de Menorca, 1970) lives and works between Barcelona and Menorca, Spain. His works explores the colors and forms of the ocean, inspired by the fauna and flora of the Mediterranean Sea. His work has shown in galleries across Spain, and is part of several public and private collections. Words that may describe this series of artworks are: Mediterranean-inspired art, abstract sea paintings...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

'Quay by the Bridge in Paris', watercolour on art paper, by Roland Dubuc (circa 1970s-80s). The broad Parisian river Seine divides the city into the left and right banks. The Left Bank, or Rive Gauche is famous for the Latin Quarter while the Right Bank is better known for attractions like Arc de Triomphe, Montmartre, and the Louvre. A trip here simply isn’t complete without a stroll along this romantic river. And a cruise on the Seine or drinks aboard an anchored boat along the quay is a wonderful experience as well. The artist Dubuc created many artworks with the Seine as backdrop. You can have this one right in your living room. In good overall condition, the piece is newly framed and glazed with anti-reflective glass. Upon request a video of the painting may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

The title, "Lady in Red," sets the tone for the artwork, drawing attention to the woman's commanding presence. Red is a color often associated with passion, power, and sensuality, and in this context, it symbolizes the woman's self-assurance and poise. Her choice of attire reflects her unapologetic embrace of femininity and her willingness to stand out with grace and charm. The sophisticated hairstyle of the young woman is a captivating element of the artwork. It showcases the artist's attention to detail and skill in portraying intricate features. The hairstyle's complexity symbolizes the complexity of the woman herself – a multi-faceted individual with dreams, aspirations, and a unique personality that shines through her every glance. In "Lady in Red," Daniel Oguche...

"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times. At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us. The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen. It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits. In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up. The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come. In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles". Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire. In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

In this oil painting, I've embraced the serene beauty of winter, capturing the season's quiet hush as it blankets a captivated landscape. The harmonious play of cool blues and soft w...

Jack Levine Vintage 1970s Kennedy Galleries poster (Hand signed and warmly inscribed), 1972 Offset lithograph poster (Signed, dated and inscribed in black marker by Jack Levine) Sign...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In a...

In this piece, I immerse the viewer in the depths of a summer atmosphere, where the sea's dynamic caress and the vibrant warmth of sunlight meet. The textures and colors in oil empha...

I've poured my soul into this canvas, blending the visceral textures of oil with the fluid beauty of nature. My brushstrokes convey a dance between realism and impressionism, where l...

Oil on plywood signed and dated . Second of several works depicting butchers. Recently exhibited at the Bartow-Pell Museum on the Bronx NYC. ABOUT Stephen Basso Stephen Basso's h...

In "Speak Up," Bright Toh employs unconventional imagery by merging the head of a cow with a human body. This unexpected combination challenges our preconceived notions and encourages us to look beyond the surface, prompting a deeper exploration of the artwork's underlying message. The cow, often associated with docility and domesticity, takes on a new meaning as it becomes a vessel for the human form, suggesting that even the most unexpected individuals possess the potential for individual expression. The artwork's bright and lively color palette serves as a visual feast for the eyes. Bold hues, such as vibrant blues, fiery red, and vivid greens, infuse the composition with energy and captivate the viewer's attention. The oversized raincoat worn by the figure adds an element of whimsy and intrigue, symbolizing protection and shelter from external influences. It also serves as a metaphorical cloak, representing the need for individuals to find their unique voices and confidently express their ideas and opinions. "Speak Up" serves as a poignant reminder of the significance of individual expression in our society. In a world often characterized by conformity and the suppression of diverse viewpoints, the artwork encourages viewers to embrace their unique perspectives and have the courage to speak up. It celebrates the value of authenticity and reminds us that every individual has a story to tell, a voice to be heard, and ideas that can shape the world around us. Through the fusion of a cow head and a human body, "Speak Up" challenges the traditional notion of what is considered "normal" or acceptable. The artwork serves as a call to question societal norms and encourages viewers to challenge the status quo, promoting a culture of inclusivity and acceptance. It invites us to reconsider the limitations we impose on ourselves and others, reminding us that diversity and individuality should be celebrated rather than suppressed. Bright Toh's artwork, "Speak Up," stands as a vibrant and thought-provoking testament to the power of individual expression. Through the striking fusion of a cow head and a human body, the artwork challenges conventional wisdom and calls for a celebration of authenticity and diversity. By embracing our unique voices and perspectives, we contribute to a richer and more vibrant society. "Speak Up" serves as a reminder to break free from the constraints of conformity and find the courage to express our true selves, amplifying the power of our individuality in the world. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born on the 6th of August 1994 in Buea, Bright Toh holds a Bachelor’s degree in Engineering Electrical and Electronics Engineering from the University of Buea. Notwithstanding his Engineering academic background, Toh is a self-taught visual artist. Bright Toh is a visual artist with artistry portraying the exquisite synergy that exists between the evolving African man, wildlife, and their common environment, through the possession of totems as a liaison to his ancestries, which is a core aspect of his identity and cultural heritage. He is a 2022 ‘Last Picture Show’ Lagos Edition (Collective exhibition) Participant. He also won the UNHCR Global Youth With Refugee Art...

Newlands Corner is an original oil on canvas which captures 'Newlands Corner', a popular beauty spot in the English countryside that commands some of the best views over the Surrey Hills. Russian painter Victor Egorov...

Artist/ School: French School, mid 20th century Title: Expressionist portrait of a man Medium: oil painting on board, framed framed: 27.25 x 27.5 inches canvas: 21.75 x 18 inc...

The picture was painted as the second part of the “Musician” diptych. The violin's music gains weight and visual expression, mixing with autumn leaves and notes and it all becomes an...

The presence of sisters in their community adds a beautiful dimension to life itself. They are not just vibrant hues that enrich the tapestry of existence; they also embody grace, co...

Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...

Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 10 in...

This oil on canvas by artist James Cobb depicts a typical rural farm setting. The rows of freshly planted groves are accented by Cobb's use of texture via h...

In this vibrant oil painting, I aimed to capture the serene vitality of a mountain landscape juxtaposed with the delicate beauty of blooming flowers at its base. Expressive brushstro...

Bolero Mallorquin original expressionist watercolor painting. virtual frame Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista...

This beautiful blue painting is by René Romero Schuler. Her expressionistic paintings depict delicate female figures that she paints using a dry-brushed, minimalist hand, leaving her...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

In this work, I've captured the ephemeral beauty of nature's cycle. I chose oils to convey the rich vibrancy and delicate dance of seeds on the wind. The artistry here lies in the dy...

Anyone who went from nothing to greatness needed to trust God to watch over them. As the psalmist looked at the hills through which he travelled, his thoughts rose above the mountain...

Firmado a plancha en la parte inferior Se presenta enmarcada (el marco presenta algunas faltas y se enviará sin cristal para evitar posibles roturas) Medidas de la litografía: 46 c...

GERHARD MARCKS (1889 1981) (SEATED WOMAN WITH TOGA) 1933. Graphite on wove paper, signed, dated, 14 ¼” x 7”. Sheet 15” x 10”. S...

Lithograph on vélin paper. Paper Size: 10.875 x 22.25 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Mar...

""Teeny Between Gordy & Ruth" is from Sandra Jones Campbell's recent collection, a series that displays her unique vision of the world and is informed by her current social observations. It is custom framed on a box canvas and ready to hang and enjoy! (Framed Dimension is 25" x 25 x2") The internationally collected artist is based in Laguna Beach and has had multiple Solo exhibitions in galleries and museums throughout the United States over the past 30 years. Sandra Jones Campbell’s depiction of social and political scenes reflect both her professional respect for the 30’s style German Expressionists Max Beckman...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Williams Merenini is a Nigerian-born visual artist who hails from Naze, Imo state. He received formal art training at Tope Fatumbi Art Studio, where he honed his artistic dexterity and also networked with creative minds in the art space, with Artists like David Olatoye...

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

In this oil painting, I've captured the awe-inspiring power and serene beauty of the ocean. The expressionist strokes convey the dynamic movement of the waves, while the impressionis...