Minimalist Art

Blindspot Richard Serra, American (1938–2024) Date: 2003 Poster, signed in marker lower right Size: 35 x 40.5 in. (88.9 x 102.87 cm) Printer: Anthony McCall...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

At the heart of Macyn Bolt’s artistic practice is an interest in qualities of reflection, mirroring and contrasting perspectives that are unique to the space of abstract painting. W...

"See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery. The color code...

"See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery. The color code...

"See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery. The color code...

Christopher Wool (hand signed by Christopher Wool), 2006 Cloth hardback monograph (hand signed by Christopher Wool) Hand signed and dated 2017 by Christopher Wool on the half title p...

32 x 12 x 6.5 carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minimali...

Marie Therese Vacossin Geometric Composition Medium: Colour Silkscreen Year: 1979 Signed, dated, titled, numbered or inscribed Edition: 10 Size: 8.2 × 8.2 on 14.0 × 13.3 inches COA ...

This beautiful landscape painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands before you on the horizon. ...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Kate Boxer Jackdaw Limited Edition Drypoint Print Edition of 30 Sold Unframed Size: H 30.5cm x W 25.4cm x D 0.03cm Please note that in situ images are purely an indication of how a p...

Günther Uecker (German, born 1930) Untitled (from Nagelbuch Portfolio), 1970-1971 Medium: Lithograph on wove paper Dimensions: 34.6 x 34.5 cm Edition of 500: Hand-signed in pencil Co...

Dan Flavin Unique design for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood fra...

Lyman Kipp Untitled drawing, 1993 Unique Colored Ink Drawing on paper with two deckled edges Hand signed, inscribed and dated by the artist on lower front 26 1/4 × 20 inches Unframed...

John Marak 18x24-05-05-2021 Plaster, Acrylic Year: 2019 Size: 24x18 in Signed by hand COA provided ------------------------------------- John Marak is a seco...

Don Giffin (American, 1948-2003) Skin Deep, 2001 Mixed media on canvas Hand signed Don Giffin, titled and dated (verso) 68 x 53 inches. Provenance: from the Art Collection of the InterContinental Buckhead Atlanta Framed dimensions: 74 1/4 x 59 inches. Don Giffin, Born in Chicago in 1948, Giffin earned his bachelor’s and master’s degree at what is now Cal State Northridge. An abstract painter who expanded the Southern California modes of “color and light” and “finish fetish” art, melding impressions of photography, printmaking and painting into a single work. Giffin, a master printmaker as well as a painter. In 1995 he mounted the first of his five solo exhibitions at the Christopher Grimes Gallery in Santa Monica. David Pagel described the artist’s work in a Los Angeles Times review as perfectly smooth, glass-like surfaces when viewed from afar that seemed to decay as one approached. They make pain palpable and evoke mortality’s inevitability, Pagel wrote of Giffin’s creations, which used layers of paint, gesso and tar that he pulled apart as they dried. “His corporeal abstractions bypass your mind to hit you in the stomach.” Giffin was one of 10 Los Angeles, California artists whose work was featured in the 1997 Biennial of the Orange County Museum of Art. (including Robert Blanchon, Jessica Bronson, Julia Couzens, Terri Friedman, Don Giffin, Dennis Hollingsworth, Carlos Mollura, Carter Potter, Monique Prieto, and Chris Wilder.) In reviewing that exhibition for The Times, Cathy Curtis wrote: Don Giffin reinvents stain painting by layering color in such a way that it emits an inner radiance verging on iridescence. The artist continued to push boundaries, and when he displayed his 6 X 5-foot acrylics at the Grimes Gallery in 2000, Pagel described them as mesmerizing works. The cross-fertilization between painting and photography that has been cropping up in some of the most intriguing works being made today takes breathless shape in Don Giffin’s physically resplendent paintings,” the critic wrote. “When I work,” he once said, “it’s like I’m doing a dance with the painting, and I’m not always leading. When the imagery is mysterious, the surface is perfectly smooth and the color contrast is just right with that glow of pale color coming through it’s sheer delight. Finish Fetish denotes a style of art related to the LA Look, pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. The style is similar to the simplicity and abstraction of minimalism and the bright colors and reference to commercial products found in pop art. To the world of postwar art it was a substantive addition. Artists included Peter Alexander, Larry Bell, Billy Al Bengston, Judy Chicago, Joe Goode, Robert Irwin, Craig Kauffman, John McCracken, Kenneth Price, DeWain Valentine, Don Dudley...

oil and wax on layered canvas signature, date, title, on verso Hiro Yokose was born in Nagasaki, Japan in 1951 and moved to Manhattan as a young man, where he lived and worked for t...

"See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery. The color code...

"See Candy was inspired by my immigration to the USA, when an unfamiliarity with American brands turned a simple trip to the grocery store into a voyage of discovery. The color code...

Giclée print on archival paper Gigi Mills work is born out of her need and desire to simplify and/or reduce each moment to its absolute essential, by removing details from life that...

Rosie is a limited edition drypoint etching by Kate Boxer. Kate Boxer makes the plates in her studio which are then sent to to the master printmakers. After they have been printed, ...

Agatha Christie is a hand coloured limited edition drypoint etching by Kate Boxer. It shows the icnonic writer in a black hat and brown fur coat against a red backdrop. Dame Agatha ...

This collage on wooden panel was made by cutting up and reassembling hand-printed botanical cyanotypes (blueprints or sunprints) of leaves from my own garden. While cyanotypes are tr...

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

'Papercut No.6' 2026 Limited edition of 20 Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is shippe...

Title: "Passage II" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on label COA provi...

Title: "Top Floor View II" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

Saratoga Pig is a limited edition drypoint etching with carborundum by Kate Boxer. Saratoga Pig is monochrome artwork is brightened up the playful pink text characteristic of Kate's ...

Large scale monochrome painting by Olivier Mosset in a deep green color. Mosset became interested in monochrome works in the late 1970s, at the height of Neo-Expressionism. Canvas S...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of her visual capture. Her poetic por...

Nancy Charak Title: Geologies Series 9039 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Valerie Jaudon Bomb II, 1994 Mixed media oil painting with varnish Signed, titled and dated on the back of the canvas in black marker Unique Frame included: floated and framed in a ...

Fred Sandback Untitled, 1976 Aquatint 21 1/2 x 25 3/4 ed. 35

Jeremy is a limited edition drypoint etching by Kate Boxer. This strong use of line is highlighted by Kate Boxer's choice to use purple in this contemporary artwork. The complimentar...

Lyman Kipp Untitled geometric abstraction, 1978 Acrylic painting on paper Hand signed and dated 1978 Unique Frame included: Elegantly floated and framed in a hand made white wood mus...

Alain Kirili To Cecil Taylor, Sculptor, 1995 Lithograph Pencil signed, dated and numbered 91/100 on the lower front Frame Included This work is floated and framed Measurements: Frame: 10 x 10 x 1 inch Print: 6 x 6 inches About Alain Kirili: Born in Paris, France, 1946 Died in New York City, 2021 ALAIN KIRILI was a French-American sculptor born in Paris, France 1946, died in New York City 2021. He has had solo museum exhibitions with the Musée de l’Orangerie, Paris; the Musée Rodin, Paris; and the Brooklyn Museum. Kirili has been included in group exhibitions at the Museum of Modern Art, New York; MoMA P.S. 1, New York; the Hirshhorn Museum, Washington, D.C.; and the Jardin du Palais-Royal, Paris. His work can be found in the collections of the Museum of Modern Art, New York; Centre Pompidou; The Jewish Museum, New York; and the Nasher Sculpture Center among others. Courtesy of Susan Inglett Galery ABOUT CECIL TAYLOR Cecil Taylor (b. 1929) is a towering, sometimes divisive figure within twentieth-century music. In the early 1960s, with fellow maverick artists Ornette Coleman, Albert Ayler and others, he revolutionized jazz by extending bebop into a radical terrain dubbed the "New Thing" or "free jazz"—the latter a term with political as well as aesthetic connotations given the social changes underway at the time in America. For Taylor, freedom meant a deep synthesis of the modern composers such as Béla Bartók and Igor Stravinsky that he encountered during his studies at the New England Conservatory of Music with the nuanced and original piano innovations of Thelonious Monk, Horace Silver, Bud Powell...

Artist: Titina Maselli, Italian (1924 - 2005) Title: Untitled Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 100 Size: 25.5 in. x 18.5 in. (64.77 cm x 46.99 cm)

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Emma Bell 73cmx73cmx 7cm Three clays XIII Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a pot...

Peter Halley (American, born 1953) Organizational Charts, 1990 Medium: Portfolio of four silkscreens on mylar Dimensions sheet 1, Is it an Arrival or a Departure?: 83 x 57 cm Dimensi...

Richard Serra Forged Rounds (hand signed), 2019 Offset lithograph poster (hand signed by Richard Serra) 26 × 40 inches Boldly signed in black marker on the front by Richard Serra Unframed Acquired from Gagosian Gallery, New York City From Gagosian Gallery about Serra's Forged Rounds project: Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness and therefore I have more to say about it, more to say about the balancing of weight, the diminishing of weight, the addition and subtraction of weight, the concentration of weight, the rigging of weight, the propping of weight, the placement of weight, the locking of weight, the psychological effects of weight, the disorientation of weight, the disequilibrium of weight, the rotation of weight, the movement of weight, the directionality of weight, the shape of weight. —Richard Serra Gagosian is pleased to present recent sculptures and drawings by Richard Serra. At 980 Madison Avenue, a series of new diptych and triptych drawings...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

The capability to transform into any shape and There is a hand that protects me The dichotomy between the immanent existence of representations in consciousness and the transcendent...

There is a hand that protects me and A rock cannot burnt to ashes The dichotomy between the immanent existence of representations in consciousness and the transcendent existence of ...

A rock cannot burnt to ashes, The capability to transform into any shape and There is a hand that protects me The dichotomy between the immanent existence of representations in cons...

Among my gestural drawings there is a special series. It's called «Image Meditation». Before I start drawing, I think of a word, close my eyes and try to feel the vibration of this w...

Hercule Poirot is a hand coloured gouache imited edition drypoint print with carborundum by artist, Kate Boxer. This contemporary minimalist Kate Boxer artwork depicts the beloved fi...

Curlew is a limited edition drypoint etching by Kate Boxer. Kate Boxer balances muted and vibrant natural tones beautifully in this contemporary animal artwork. Kate Boxer makes the ...

Lyman Kipp Kipp, at Betty Parsons Gallery, 1968 Rare Minimalist silkscreen announcement poster 24 × 13 1/4 inches Unframed Extremely rare. If you're reading this listing, you know wh...

Untitled [for Obama], 2012 Ellsworth Kelly Lithograph in black, on Rives BFK white wove Signed and numbered from the edition of 150 From Artists for Obama Printed and published by G...

Bernar Venet Sculpture (Monograph - hand signed and inscribed), 2013 Lavishly illustrated hardback monograph with dust jacket (signed and inscri...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

Richard Tuttle The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005 Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

David Novros (American, b. 1941) Untitled (Home Savings Study), 1986 Watercolor on paper Framed: 35 1/4 x 86 3/4 x 1 3/4 in. Each panel: 30 x 42 in. From Los Angeles and working fro...