Naturalistic Art

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

S.W. Clifford (British, late 19th century) - Wooded Landscape with Waterfall. 92 x 61 cm. Oil on canvas, unframed. Signed lower left: «S.W. Clifford». S.W. Clifford was a British...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...

'Omvetya III (Sea Carrots, Sennen)' Original Artwork. Unframed ______________ The evening light is drawing low soft shadows in the dunes at the salted edge of the Atlantic. 'Omvety...

'Omvetya V (Cypress, Mist)' Original Artwork. Unframed ______________ Fog along the shoreline, obscuring the boundaries between the land, air and ocean. I remember the worn stones, t...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

'Omvetya II (Cargeen, Towards Treryn Dinas)' Original Artwork. Unframed ______________ Softly dancing seaweed, patiently awaits the return of the salty sea to fill the tidal pools. ...

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

Munier, Emile (French, 1840-1895), Young Woman by the Well, 1889, oil on canvas,  signed and dated lower center, 40.5 x 27.25 inches (102.3 by 69 cm.), framed 47.25 x 33.75 inches (1...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

Under the Abyss is a minimalist unique handmade cyanotype, that combines a contemporary visual language with the uniqueness of an analogue photographic process. This unique monotype...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Harvard University etching dedicated to Frank Freed. The work is signed by the artist along with the dedication. The etching is not framed. Artist Biography: Frank C. Dill was born in 1910. He was a Houston, Texas painter...

'Hochzeitskleider I' (Birds) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

'Chaffinch' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century illustrator...

Tripoli – Libia Original ENIT Italian State Railways antique Travel Poster, Linen-Backed, A- Excellent, 39" x 27". Ready to frame. Condition A-. Original vintage travel poster pr...

This is a pair of framed original one-of-a-kind watercolor paintings of flowering plants entitled "Monandria Monogymia, Costus Speciosus" and "Tetrandria Monogynia, Ixorci Stricta" by an anonymous artist. This striking and detailed pair of framed watercolor botanical paintings are presented in identical gold-colored wood frames with cream-colored mats and gold-colored fillets. They are glazed with UV conservation glass. Each of the frames measures 21.5" high, 19.25" wide and 1" deep. The watercolors are painted on very thin Japanese or India paper, which have some wrinkling due in part to the nature of the production and the mounting on a backing of this kind of very thin paper. The paintings are otherwise in very good condition. Monandria is a class of flowers with one stamen. Cheilocostus speciosus, also know as crêpe ginger, is in the family Costaceae. It is native to southeast Asia and surrounding regions, from India to China to Queensland and Indonesia. It has also been cultivated in Puerto Rico, Mauritius, Réunion, Fiji, Hawaii, Costa Rica, Belize, Melanesia, Micronesia, and the West Indies, mainly for its ornamental beauty and for its medicinal uses. It has been used to treat fever, rash, asthma, bronchitis, kidney and other urinary problems, as and intestinal worms. It is mentioned in the Kama Sutra as an ingredient in a cosmetic to be used on the eyelashes to increase sexual attractiveness. Tetrandria is a class of flowers with four stamens. Ixorci Stricta, also known as Ixora chinensis, is native to Southeast China, Indo-China and the Philippines. Although native to the tropical and subtropical areas throughout the world, it is most common in tropical Asia...

Vibrating Corals captures the rich diversity and texture of underwater coral life. The artist uses confident lines and bold, layered colors—reds, blues, yellows, purples, and earthy ...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

'Augenkrankheiten' (Eye Diseases) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...

'St Paul's School' Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...

Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...

Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...

This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages. There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

Charles Paillet (1871-1937) Sans abri, couple de pigeons voyageurs Bronze à patine brun orangé H. : 14,5 cm ; L. : 11 cm ; P. : 9 cm Signé "Ch. Paillet" Épreuve de fonte ancienne, dé...

"Grain by Grain" is a poetic exploration of identity and transformation, captured in Ugne’s signature monochromatic style. This evocative photograph contemplates the interplay betwee...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Sora Rail, 1. Male, 2. Female, 3. Young", No. 62, Plate 306, from Audubon's "...

'Race a laine douce, du Pays de Galles' (Soft-woolled sheep of Wales) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a ...

This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...

The road disappears into white past the oak in the foreground. Morning sunlight glows through the dense fog. The road is Skyline Blvd in Oakland, California the moment when the sun b...

Realistic figurative portrait of an indigenous Native American woman by American artist Kenneth Su. The work features a woman dressed in traditional clothing with tipis in the backgr...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Poppy No.2 is a striking black and white still-life photograph, capturing the delicate elegance of a poppy flower in a large-scale format. Created using a 4x5 Linhof large format cam...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Bubo Maximus" (Great Horned or Eagle Owl) by John Gould, from the supplement to his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Eagle Owl about to feed her brood of babies who are in the their nest. A another adult (possibly the male) is seen in the distant background in the upper right. This striking framed Gould...

Rajon began his career as a photographer while studying at Ecole des Beaux-Arts Paris. This original etching of Alma Tadema was etched by Rajon on one of h...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Waa-Pa-Shaw, Sioux Chief, No. 97", published by Rice, Rutter & Co. in 1865. ...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background. This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...

'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...

'Ranunculus Butterfly’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format ...

'Ebren ha Dor, High Cirrus from the South West, September' Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high above the ...

'Ranunculus Butterfly’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large forma...

'Ranunculus Butterfly no.2’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée prin...

This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...

This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Dusky Squirrel", No. 24, Plate CXVII, from Audubon's "Quadrupeds of North America", dr...

After Eadweard Muybridge — Black-and-White Heliogravure Electa Editrice Portfolio (Milan, 1981/82) — Framed Black-and-white sequential motion study. The sequence echoes Muybridge’s ...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

'Poppy no.3' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed and st...

Rev William Carey and his Brahmin Pundit (Mritunjaya) Steel-engraving by Joseph John Jenkins after Robert Home (1752-1834). 1836. Depicts the orientalis...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a bright blue river winding through a rocky, mountain landscape. Sig...

Robert Littleford. English ( b.1940 – d.2023 ). Oldham From The Surrounding Hills, 1984. Watercolor. Signed & Dated Upper Left. Image size 14 inches x 21.3 inches ( 35.5cm x 54cm )...

Uniche sensazioni Torre S.Emiliano by Amedeo Cianci [2017] original Olio su tela Image size: H:100 cm x W:150 cm Complete Size of Unframed Work: H:100 cm x W:150 cm x D:2cm Sold Unf...

'Crookneck' Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the test of time, preserving the beauty and em...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

'Finland Bear Hunting' Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...