Naturalistic Art

'Sunflower' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand...

Not signed The hand-colored etching plates by Johann Wilhelm Weinmann, from Phytanthoza Iconographia (1737–45), present carrot and primrose with a detailed balance of structure and v...

Edouard Delabrièrre (1829 - 1912) Lion marchant Bronze à patine verte H. : 14 cm ; L. : 20,2 cm ; P. : 8 cm Signé « E. DELABRIERRE » sur la terrasse Épreuve de fonte ancienne É...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of...

A female and male Goosander bird on ice floes. In the center, a small opening in ice covered waters. This painting, by Christian Berg (1893-1976) is quite interesting and unusual for...

William Westall (1781-1850), served as an artist at age 19 on the Investigator ship, exploring Africa and Australia, then China and India, and another journey to Madeira and Jamaica....

'Egyptians, Crocodile Catching' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...

'37 Tricholoma saponaceum 38 Tricholoma terreum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et B...

'Ixia Columnaris - Columnar-chived Ixia' Native of Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...

14.25 X 12.5 with frame. 8.75 X 7.25 without frame

This is an original John James Audubon hand-colored lithograph entitled "Migratory Squirrel, No. 7, Plate XXXV", from John James Audubon's Quadrupeds of North America, published in P...

Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...

We are proud to present an exquisite drawing by the renowned artist Christian Berg (1893-1976), executed around the 1920s. This captivating artwork port...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

A very beautiful landscape painting by a yet unknown artist signed H.Lövström. The colours are strong and the three-dimensionality is impressive...

'Gloxinias' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

German Realist painter (19th century) - Two children training a dog. 56.5 x 46.5 cm (without frame) - 69 x 59 cm (with frame). Oil on canvas, in a gilt wood frame. Signed indistin...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

This is an original 19th century John James Audubon hand-colored lithograph entitled "Hare Indian Dog", No. 27, Plate CXXXII, 132, from Audubon's "Quadruped...

Copper-line engraving by Massard after Charles Monnet (1732-1808). Theseus returns from the Calydonian hunt and is met by the river god Achelous. From...

About the BRUMA series: What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of ...

'Ragwort (Senecio Jacobaea, Linne) Colour lithograph, 1909.

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Frank Walters (British, late 19th century) - Highland Cattle on the Lakeshore. 51.5 x 76.5 cm (without frame) - 57 x 82 cm (with frame). Oil on canvas, in a gilded wooden frame. S...

Alfred de Breanski Sr is one of the finest plein art artists of the Scottish Highlands. Renowned for capturing the fleeting light of sunset and sunrise, de Breanski masters layers an...

This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...

Oil on canvas 60x40 cm

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

'Chinese Scrub (Cassinia arcuata, Rob. Brown) Colour lithograph, 1909.

Oil on canvas 60x40 cm

Antique 19th century fern lithograph with original hand-colouring , 1854, after Walter Hood Fitch. 250mm by 170mm (sheet) Walter Hood Fitch was one...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

This refined pastel portrait depicts a young woman, probably in her teenage years, shown in three-quarter view with her chin resting lightly against one hand. Dressed in a simple whi...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Geniculata Wieder Kraief, B. Genipa seu Ganipaba". It is plate 531 in...

This an original 19th century hand colored McKenney and Hall Lithograph of a Native American entitled "A Chippeway Widow, No. 64", published by Rice, Rutter & Co. in 1865. Her name ...

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

This is an original John James Audubon hand-colored royal octavo lithograph entitled "Grizzly Bear", No. 27, Plate CXXXI from Audubon's "Quadrupeds of North America". It was drawn on...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

'Gladiolus Carneus - Flesh-coloured Gladiolus' Native of the Cape of Good Hope, Africa. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...

'Adenandra umbellata' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude M...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

'Pyrethrums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

'Ancienne Race de Wiltshire (The Old Wiltshire Breed)' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Wil...

Majesty 41 x 59" Ed. of 10, Framed. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

'Derwent Water with Lowdore Waterfall' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...

The paintings are drawn with oil on the canvas with stretcher A bright still life with pomegranates and lemons. The national Armenian headscarf is on a dark background. There is a s...

Early figurative portrait painting by Houston-based artist Buford Evans. The work features a black woman dressed in a green dress gingerly caressing her young child. Signed by the ar...

Giovanni Riva (Turin 1890 - Turin 1973) - Venice, view of the Basin of San Marco with the Doge's Palace. 18 x 24 cm (without frame) - 29 x 34 cm (with frame). Oil on cardboard, in ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...