Naturalistic Art

This is an original John James Audubon hand-colored lithograph entitled "Migratory Squirrel, No. 7, Plate XXXV", from John James Audubon's Quadrupeds of North America, published in P...

Otto Eichinger Austrian, 1922 – 2004 Still Life with Peaches Oil on panel 10 ¼ by 12 ¾ in, w/ frame 17 ¼ by 19 ¾ in Signed lower right Otto Eichinger was born in 1922 in Vienna, Au...

English family portrait from the late 18th century. The canvas is aged accordingly with newsprint from October 1847. The painting is framed in a decorative gold frame with an open ba...

'Eggs' Antique English natural history chromolithograph. Key to eggs below the image. Tiny numbers in the margins to identify the eggs. Sheet 19cm by 12.5cm, image 13cm by 9.5cm.

'Hochzeitskleider I' (Birds) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...

Signed in pencil below the image. Signed and dated in the plate. The number '327' inscribed in pencil in lower margin. Mortimer Menpes was an artist and engraver, author, printmake...

European painter (late 19th century) - Landscape with grazing cows. 101 x 76 cm. Old oil painting on canvas, without frame. - Work signed lower right. Condition report: Lined can...

'Oxlip' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand and...

Signed lower right, 'W.H. McConnell' (American, 19/20 century) and dated 1936. A member of the Association of United Scenic Artists in Hollywood, W.H. McConnell worked as a backdrop...

'Persian Cyclamen' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amat...

Poppy No.12 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

'137. Pholiota squarrosa 138. Pholiota aurea' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swis...

Dancing Stems by Jo Haran [2020] original Gouache, watercolour ink and gesso. Image size: H:53.2 cm x W:62 cm Complete Size of Unframed Work: H:56 cm x W:64.5 cm x D:0.01cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Dancing Stems' by Jo Haran is an original paitnng of lively rose stems and dark inky leaves in a dynamic composition. I used touches of neon pink acrylic...

English painter (19th century) - Walking along the path. 46 x 77 cm. Old oil painting on canvas, unframed (not signed). Condition report: Lined canvas. The painted surface is in g...

'Winter Heath' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur ...

This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...

Antique bird egg colour woodblock , 1880, from Francis Orpen Morris’, 'A Natural History of the Nests & Eggs of British Birds', 1875. The woodblocks ...

This is a beautiful and highly decorative watercolor painting, featuring a charming garden scene filled with pink and white hollyhocks alongside blooming roses. Nestled among the del...

One feels very small yet peaceful strolling among Sequoia Sempervirens, California’s oldest living residents. And if that’s not enough to make a human feel insignificant, these coast...

This framed hand-colored engraving entitled "February Bouquet" is from 'The Twelve Months of Flowers' by Henry Furber, published in London in 1730 by Robert Sayer and John King. Each of the twelve hand-colored engravings in the book were produced from paintings by Pieter Casteels (1684-1749) and engraved by Henry Fletcher (1710-1753). The book featured twelve detailed engravings of seasonal plants in bloom in the form of a bouquet. More than 400 different species of flowering plants were included with each plant numbered and accompanied by a list of the corresponding species names. Thirty-five species of flowers are depicted in this engraving in a bouquet sitting in an ornate attractive bowl. A few of the flowers lie loose on a table. The flower species are listed in a table in the lower portion of the plate, along with the month that these flowers are in bloom. This colorful print is presented in a gold-colored wood frame with a cream-colored double mat with a heather green inner mat. The frame measures 23.5" High, 19" wide and 1.63" deep. There are a few small frame abrasions, but the print is in very good condition. Robert Furber...

Artist: Phillip Graybill Title: Sosa Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper with a Baryta finish. Edition as follows: 24X24 from an edition of 25 36c36 from an edition of 10 Remastered and printed at FATHOM Los Angeles Frame: FATHOM solid hardwood frames are sourced from managed forests that meet or exceed FSC certification standards. The shadow box style frame is 1 1/4 in high by 3/4 in wide with premium plexiglass. Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker...

'Omvetya III (Sea Carrots, Sennen)' Original Artwork. Unframed ______________ The evening light is drawing low soft shadows in the dunes at the salted edge of the Atlantic. 'Omvety...

'Swallow-wort Gentian' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor ...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

'162. Hypholoma sublateritium 163. Hypholoma fasciculare 164. Lacrymaria lacrymabunda' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suis...

'Augenkrankheiten' (Eye Diseases) German chromolithograph, circa 1895. Central vertical fold as issued. 240mm by 305mm (sheet)

'Odontoglossums' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Kloakentiere' (Monotremes - echidna and platypus)) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

Rick Borens' piece showcases a Native American chief standing in front of a landscape Dimensions without Frame: H: 20in x W: 31.5 in. Artist Bi...

19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...

Naturalistic animal painting by contemporary artist Matthew Paoletti. The work features a group of brown and tan horses running through an abstract gr...

Metamorphosis Insectorum Surinamensium, Plate No. 26; Cocoa plant, caterpillar, pupa, and butterflies. The Netherlands: 1705. En...

'Paradiesvogel' (Birds of Paradise) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Naturalistic bronze wildlife sculpture by Texas based artist Ronnie Wells. The work features a pair of green-wing teal ducks by the water as they inspect a snail. Titled, signed, and...

German realist painter (19th century) - Two children playing with a trained dog. 56.5 x 46.5 cm without frame, 69 x 59 cm with frame. Antique oil painting on canvas, in a gilded wo...

Herman Österlund (1873-1964) Sweden Ocean View from the West Coast, 1916 oil on canvas signed and dated Herman Österlund 1916 canvas dimensions 14.37 x 16.73 inches (36.5 x 42.5 cm...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

'Nepenthes Villosa Hook. fil.' Botanical lithograph with original hand-colouring of a carnivorous pitcher plant, native to Borneo. 1858.

Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora. Framed and glazed. London, 1...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

'Honesty' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of Freehand a...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Fine 19the century landscape by member of the renowned Williams family of artists, George Augustus (1814-1901). George Augustus was the son of Edward Williams (1781-1855), whose wife...

This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...

Charming 19th century/20th century oil on canvas painting in carved wooden frame, signed A. Willett in lower right corner. Arthur Willett (1868-1951) is known for his landscape paintings in both watercolor and oil, many of a similar size. Pleasant rural scene with windmills, sky and water. Great price for an original landscape oil painting by a known and respected landscape artist, this one is presented in wooden frame with gilt retouches, and a carved wood inset against the canvas. The painting stands 13" high and 16" wide, and the canvas sight is 9" high by 12" wide. The carve inset is in overall very good condition. The wooden gilded frame...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Rare 1980 Hunt Slonem painting. The artist has painted - literally - thousands and thousands of bunnies (and almost as many birds and butterflies), but you won't easily find the li...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

'George Stubbs Esq RA' Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809. George Stubbs was a famous English painter of the horse and some wild animals. Th...

Every autumn, apple trees become the queens of the garden, their branches laden with so much fruit they seem ready to break under the weight. These familiar fruits, evoking a sense o...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...

WEINMANN, Johann Wilhelm. Citrus and Apricots Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plate, being one of the earliest examples of colour printing. Johann ...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...

'Tansy' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanis...

Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper. John Latham was the leading English or...

'Aldborough Anemones' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.