Naturalistic Art

A large print of John Gould & Henry Constantine Richter Pheasants II from his published book " Birds of Australia ". John Gould was influenced by James Audubon paintings of birds w...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

Louis-Aime Japy was a talented artist who painted nature with a great deal of sensitivity. He visited Italy at the beginning of his career and while he ma...

A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...

Artist Commentary: A powerful storm was rolling in from west Texas when I captured this image with my camera. I painted it a few years later. The original artwork is matted and frame...

La naturalidad, la pasión, el amor, el deseo, la fuerza, el coraje, la delicadeza, la energía, pero también la tristeza y la melancolía son los motores de mi vida. Todo ello me lo ha...

Artist Commentary: Halloween twilight in the Texas Hill Country. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin,...

Artist Commentary: This image is drawn from my imagination and imagery that I am inspired by. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in t...

Artist Commentary: This image is drawn from my imagination and imagery that I am inspired by. Keywords: Landscape Artist Biography: Judith grew up 15 miles north of Milwaukee in t...

Ren Wei Heng offers a profound glimpse into the human experience through her unique artistic lens. Her journey, from battling severe health issues and psy...

Ren Wei Heng offers a profound glimpse into the human experience through her unique artistic lens. Her journey, from battling severe health issues and psy...

Eric Forlee American, b. 1949 Cheetah Oil on canvas 24 by 36 in, w/ frame 34 by 46 in Signed and dated ‘Eric Forlee 90’ A painter of large wild African animals from portraits to pa...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in, w/ frame 32 by 28 in Studied under Gerome, Paris Exhibited: Society of American Painters 1878 Paris Sal...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

This floral, kiln formed glass artwork was created using layers of hand placed glass pieces. The piece is made to hang on a wall and is backed with a...

My work uses an array of landscape forms—cities, seas, forests, deserts and other spaces—as a platform for transformation, altering the appearance of these places with the intention ...

Louis-Aime Japy was a talented artist who painted nature with a great deal of sensitivity. He visited Italy at the beginning of his career and while he ma...

It is only after we emerged from the horrible Pandemic, that we realized what a battle it was for simple daily living. Tom created The Battle a few years into the Pandemic. The pict...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

A cute baby playing with toys is captured as he/she responds to someone outside the picture plane. Haddon Sundblom is a masterful artist in the school of An...

The sculptor is fresh from the success of a major exhibition that the MART, Museum of Modern Art in Rovereto (the most prominent in Italy), dedicated to him. Born and raised in Cal...

Still life in earth colors, with dried flowers Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Black and white photograph by Houston, Texas photographer, Nash Baker, of the Chapel of St. Basil's cross window and crucifixion procession sculpture. Titled, signed, and dated by ar...

Autumn motif. 1973, paper, watercolor 53.5x55.5 cm Still life with orange flowers in a vase Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint figural composit...

Still Life, sunflowers in the fall. 1984, paper, watercolor, 59x71 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint figural compositions, portraits, lands...

Wreath. Paper, lithograph, 29x24 cm Apsitis Aleksandrs (1880. 06. 04. Riga – 1943. 19. 09. Germany) – painter, graphic artist. 1894. – His family gone to St. Petersburg and in this time to his made copies from good known artists. (1898. – 1999.) – he learned at the art Studio of L. Dmitriev – Kavkazski. He is best known as a book and journals graphic (his pseudonyms were Aspids, A. Petrovs, Čūska, Skits, Oseņevs and others). In this time living at St. Petersburg and Moscow he cooperated with journals «Родина», «Нива», «Звезда» (1902. – 1906.), and also with book publishes I. Sitina, A. Stupina and P. Soikina. He illustrated a Russian classic writer’s books (A.Chechov, I. Turgenev, M. Gorky, M. Saltikov - Scedrin and others). 1912. – Illustrated the jubilee edition to L. Tolstoy „War and Peace”; 1913. – Illustrating to first Russian’s children...

Purple tonal naturalistic watercolor landscape by Texas artist Harry Worthman. This watercolor is an early watercolor made by the artist. It is signed, titled, and dated by the artis...

Original watercolor landscape painting of Niagra falls in the winter and in the spring. The pair of paintings are signed by the artist in the bottom corne...

Naturalistic European harbor scene with boats and figures preparing the boats of sailing. The work is signed and dated by the artist in the bottom corner. The paper comes with a blac...

The measures of the composition are cm h 10 x w 36 x d 36. The measurements written on the technical file correspond on each single stag beetle. After the success of a major exhibi...

A naturalistic study of a reclining woman. The woman is highlighted with color pencil. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Harvard University etching dedicated to Frank Freed. The work is signed by the artist along with the dedication. The etching is not framed. Artist Biography: Frank C. Dill was born in 1910. He was a Houston, Texas painter...

Black and white photograph of a machine used in the early to the late 20th century to assist people who suffered from diseases like polio and certain poisons. The photograph is frame...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Otto Eichinger Austrian, 1922 – 2004 Still Life with Cherries Oil on panel 10 ¼ by 12 ¾ in, w/ frame 17 ¼ by 19 ¾ in Signed lower right Otto Eichinger was born in 1922 in Vienna, A...

Rudolf Hirth du Frenes German, 1846-1916 A Dog’s Trick Oil on panel 19 ⅜ by 14 ½ in, w/ frame 23 ⅜ by 18 ½ in Studied at the L’Ecole Des Beaux Art de Nuremberg under Kreling; he al...

Peter Caledon Cameron (American, born Scotland, 1852-c. 1920) Absecon Island, New Jersey, 1894 Watercolor on paper, 17 1/2 x 27 inches (sight) FRAMED: 26 1/2 x 36 1/2 inches Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894" Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life. In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...

My work uses an array of landscape forms—cities, seas, forests, deserts and other spaces—as a platform for transformation, altering the appearance of these places with the intention ...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge)" (Triandrie Monogynie, Plate 905) Portfoli...

Artist Ernest Chateignon was born in 1887. Ernest Chateignon exhibited at the Salon since 1867. Through his painting, he always marries peasant exis...

Coral Croup 4 by Sandra Giunta Wool, Wool Art, Felt, Felting, Wall Hanging, Tapestry, Home decor, Wall Art, Earth Tones, Nature, Ocean, Sea Life, Coral

L'albero abbattuto, 1981, rif. 412 Etching inches 15.6 x 19.2 (mm 397 x 490). Contemporary Art Etcher. A prominent figure of the art of engraving in Italy, Federica Galli was born ...

Henri Léon Mabboux French, 1843-1895 Still Life with Steak Oil on canvas 23 ½ by 32 ½ in, w/ frame 29 by 38 ¼ in Signed upper left

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

The beauty and magic of art are that every artist has their unique take on the same subject matter. In this particular case, no other artists would interpret them like that. This org...

The artist has an elegant mark of nature, and the experience of working en plein air allows her to capture emotions that would otherwise not be possible. She is considered Italy's best botanical artist and collaborates with many botanical gardens where she also holds watercolour courses, a technique she masters like few contemporary artists. The artist herself prepared the background in real, stainless gold, which gives it a modern, warm surface that chameleonically matches the colours of the surrounding walls. Margherita Leoni was born and raised in Italy, however, she spent most of her adult life in San Paulo, Brazil. It was there that she started a collaboration with the botanical faculty of the local university, allowing her to develop interesting research in rare botanical species studies and drawings. For this reason, most of her artworks, illustrate Brasilian botanical species, both rare and common. The artist's mastery of watercolour allows her to take part in botanical expeditions where she paints in plein air. Given her exquisite watercolour technique and her extensive botanical knowledge, Margherita Leoni is considered the heir of Margaret Mee. Among her most important exhibitions, three of her artworks were selected by Shirley Sherwood...

Reverie Size: 44 x 36cm Oil on board This modernist style painting strikes a fine balance between realism and abstraction. We see a calming and dreamy riverscape on the one hand, bu...

Jessica Carroll is an Italo- American sculptor (b. 1961), member of an artistic family (her father was a painter, her mother a writer and her grandfather directed the movie Totò, Pep...

Calvary naturalistic tree. Unique piece, not replicable. Hand-forged in wrought iron by the outstanding Italian sculptor Ivan Zanoni. This sculpture in the form of a Cross is animated by natural elements and insects and is one of the most striking examples of the liveliness and singularity with which Ivan Zanoni knows how to forge iron and mould it according to his own sensitivity. The Cross was the sculptural work chosen to welcome visitors to the 2024 solo exhibition that the prestigious Mart Museum in Rovereto - one of Italy's leading institutions for contemporary art - has dedicated to him. Renowned for his wrought iron creations, Ivan Zanoni is internationally recognised as one of today's most significant iron sculptors. His mastery of the medium lends an organic vitality to the metal, particularly in his evocative depictions of plants and animals. Born and living in Caldes (Trentino, Italy), Zanoni inherited his passion and skill from his father, Luciano Zanoni. A revered craftsman, Zanoni created a four-metre monumental olive tree sculpture...

Half-length giraffe, with striking eyes and vibrant colors

This artwork presents a hauntingly surreal scene that captivates the viewer's attention with its enigmatic composition. At the center, a pale figure emerges amongst a tangle of dark ...

This artwork is a captivating depiction of a serene and atmospheric landscape, showcasing a masterful interplay of light and shadow. The scene presents a dusky, almost ethereal ambia...

This enigmatic artwork captivates viewers with its haunting blend of shadow and form. The composition is dominated by a murky, almost opaque darkness that envelops the scene, creatin...

The artwork presents a haunting and mesmerizing scene, capturing three figures standing amidst a dense, verdant rainforest. The subjects, depicted with their backs to the viewer, rai...

Danish Painter School J Beney? J. Brady? signed and dated lower left 1868 Songbird in a snowy underground

In the work we can see a naked couple in what appears to be the beginning of sexual relations.

Monarch boy depicts a portrait of one of my sons along with a blackbird symbolizing my deceased father as a protector. Alongside are the moon, sun and Jewish stars in the night sky. ...

Artist Ernest Chateignon was born in 1887. Ernest Chateignon exhibited at the Salon since 1867. Through his painting, he always marries peasant exis...

The sculpture is carved from the precious black marble of Belgium, one of the most fascinating materials a sculptor has. The precious artwork was created a few years ago and is the...