Naturalistic Art

Beach is a beautiful drawing in pen realized by the artist Jeanne le Soudiere. Hand-signed on the lower left. The state of preservation is excellent. The artwork represents a beac...

River is a superb original lithograph realized at the beginning of the XX century by the French artist Marcel Roche (1890-1959). The State of preservation is good and aged. The art...

The elegant and significant sculpture is made of bronze. The artist has been working for over twenty years on the world of bees (and in general on those species of animals that need...

Image dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...

This splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...

Niels Frederik Martin Rohde, born 27 May 1816 in Copenhagen, died 14 July 1886 at Frederiksberg Castle, Copenhagen, was a Danish painter. Rodhe studied, among other things, at Det Ko...

Pascal Dabere is a French artist born in 1957 who lives & works in Amboise, Indre-et-Loire, France. At 17 years old, he was spotted by Dargaud Editions and works for Morris, the creator of Lucky Luke...

The Beanstalk is a singular and striking work of art, hand-forged in wrought iron by Italy's foremost living blacksmith-artist, Ivan Zanoni. This sculptural piece-showcased in 2024 at the prestigious Mart Museum in Rovereto-one of Italy's leading institutions for contemporary art-belongs to Zanoni's celebrated series of botanical subjects. Renowned for his expressive wrought iron creations, Ivan Zanoni is internationally recognized as one of today's most significant iron sculptors. His mastery of the medium brings an organic vitality to metal, particularly in his evocative depictions of plants and animals. Born and based in Caldes (Trentino, Italy), Zanoni inherited his passion and skill from his father, Luciano Zanoni. A revered artisan, Zanoni notably created a monumental four-meter olive tree...

Au coin du feu is a beautiful original etching realized by Armand Queyroy (1830 -1893), printed on ivory colored paper by Delatre, Paris. This is an original print signed on plate o...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Artist Commentary This painting was on display during the East Austin Studio tour. It is #2 of my "Vexation" painting series. The first painting was just vines, this (the second) one...

Here are four framed hand colored humming bird species published in the early 20th century representing the original 19th century work of Scottish naturalist, Sir William Jardine. Presented under glass with marbleized mating...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Details: Dandelion and bee hand-forged in iron with gold leaf Features: indoor or outdoor sculpture, perfect as a centerpiece Origin: Italy Material: Wrought iron Condition: New A...

watercolor on paper, 51"x72" This large scale watercolor on paper depicts a crystal chandelier that appears to have crashed to the floor. Smal...

Unknown Artist (European, nineteenth century) Oil on canvas, 15 x 20 3/4 inches Framed: 23 x 28 inches Signed at lower left: “A.H.” The area around the Arch has changed dramatically over the years. This view is most similar to views taken circa 1835. See, for example, Charles Heath Wilson (1809–1882) The Arch of Titus...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The encaustic artwork "LOTUS TEMPLE #1" is ...

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Jerusalem by Ludwig Blum Oil on canvas 18 x 28.7 inches / 45.7 x 73cm Signed Painted circa 1955

Artist Commentary: A powerful storm was rolling in from west Texas when I captured this image with my camera. I painted it a few years later. The original artwork is matted and frame...

John Gould (British, 1804-1881) Nasiterna Bruijni c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Dye Sublimation Print 16x24 on metal - $650 20x30 on metal - $900 About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art photographer ...

#garden #sculpture #contempraryart #decoration #outdoors #bronze #nature #acorn This large bronze sculpture is a contemporary art piece which can also serve as art for the garden or outdoors. María José de...

Dye Sublimation Print 20"x30" Dye-sublimation printing is a computer printing technique which uses heat to transfer dye onto paper. 16x24 on metal - $650 20x30 on metal - $900 Abou...

This plate is unique both for the unmistakable beauty of the bird species and for the great scientific and artistic skill of Elisabeth and Jhon Gould to have rendered it. The price ...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

This collection, a compendium of sensory and emotional experience, delves into the very essence of painting as a medium of expression. Each canvas is a testament to the mastery of l...

Appearance 30" X 40" Ed. of 10, Unframed we can frame it in a white wood shadow box. The frame price is 400$. Also in size 41.5 x 59 A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best known for his industrial, waterfront scenes of New York between 1930-1970, Berger effortlessly captures a period when the technology and landscape of the city was rapidly changing. Although he paints scenes of a bygone era, Berger draws inspiration from the waterfronts near his home in New York’s Hudson River Highlands as well as historical sources in museums. Berger holds BFA and MFA degrees from Alfred University. Earlier in his career, the artist painted representational landscapes rendered in watercolor, a medium in which he achieved great success, sharing a sellout two-person show in Tokyo with Andrew Wyeth. In the mid-2000s, Berger transitioned to his signature industrial scenes of the city, employing oil on panel in a painterly manner influenced by the Hudson River and Brandywine schools...

A natural landscape painting is beautiful because it connects us to the innate tranquility and majesty of the natural world. The harmonious colors, such as the greens of forests, the...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Black & White Photo U-Wash-Truck, Death Valley, CA Edition: 5 Medium: Archival Pigment Print Price: $550 Printed to Order Also available in 20"x30" Edition of 10 $725 Gerry Gilibe...

Artist Commentary: Delicate Texas wildflower. Keywords: Landscape and Nature Artist Biography: Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin, an old ...

Silver Lining 32" X 42" Ed. of 10, Framed $3,600 ($3200 unframed) A pigment print on archival paper, framed in a white shadow box with clear antireflec...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Fusion” beautifully illustrates the collision of two young birch trees. Loosely drawn with short, lateral strokes, the drawing depicts the slow process of two trees fusing together as a graceful gesture of physical touch. The horizontal motion of the sketch-like linework captures the striated texture of birch bark, punctuated by the irregular forms of its eye-shaped markings. The light-colored trees are contrasted by a dark backdrop, a void of negative that isolates the trees in space and time. Restricting the composition to only a portion of the tree trunks, Surdo accentuates their abstract forms and focuses on the simple beauty of their graceful movements. Guided by his memory, Surdo recalls the trees as soft, gentle and calm, leaning in on each other in a tender embrace. His freeform, expressive style reveals the subjectivity of this memory and finishes the composition with a transient, dream-like atmosphere. Charcoal on paper...

Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Terriers No. 1 1883-84 Chromolithograph 8.5 x 11 inches

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...

An archival pigment print on fiber paper,mounted and seton awhiteshadowboxframe. From an edition of 10 in this size other edition sizes available on request Jean-Michel Lenoir’s pass...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This charcoal drawing entitled “Memory of Leaves” beautifully illustrates the branching form of a mature birch tree. Loosely drawn with informal, sketch-like linework, the tree is shown in the middle of winter, bare of leaves and white with frost. Surdo’s skillful placement of shadow illustrates the forking branches with incredible texture and effortless realism. The intricate play of light and dark is accentuated by the stark white background, a negative space that isolates the tree in space and time. Restricting the composition to only a portion of the tree trunk, Surdo accentuates the tree’s abstract form, lingering on areas of unusual shape or texture. Seeking to convey the strong emotional response elicited by his initial encounter with the tree, Surdo focuses on the tree’s sculptural form, contrasting the strong trunk...

Horizon pastel on paper 6 x 6inches 12 x 12 inches 2023

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best known for his industrial, waterfront scenes of New York between 1930-1970, Berger effortlessly captures a period when the technology and landscape of the city was rapidly changing. Although he paints scenes of a bygone era, Berger draws inspiration from the waterfronts near his home in New York’s Hudson River Highlands as well as historical sources in museums. Berger holds BFA and MFA degrees from Alfred University. Earlier in his career, the artist painted representational landscapes rendered in watercolor, a medium in which he achieved great success, sharing a sellout two-person show in Tokyo with Andrew Wyeth. In the mid-2000s, Berger transitioned to his signature industrial scenes of the city, employing oil on panel in a painterly manner influenced by the Hudson River and Brandywine schools...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Watercolor on paper BIOGRAPHY: Eunju Kang was born in 1962 and raised in Daegu, Korea. She moved to California at 14 years old with her mother and two sisters in the 1970s. Kang was always an avid doodler, often in her textbooks, which became a helpful communication tool as she adjusted to her new life. Since the early 1990s, Kang has lived and worked in NYC, painting, printmaking and turning her doodles into a successful business with her sisters. Kang earned fine art degrees at UC Santa Barbara and Pasadena Art Center College of Design where she graduated with distinction. She has been awarded residencies at The Fine Arts Work Center in Provincetown (FAWC), the Virginia Center for the Creative Arts and the Vermont Studio Center. She has taught at the L.A. County High School for the Arts, the ArtCenter College of Design and the School of Visual Art in NYC. Her fine art is in private collections around the world. Her illustration work has been used in packaging and ad campaigns by Godiva Chocolate...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...