Naturalistic Art

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...

'Agaricus Casareus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

'1-4 Hydnum Repandum 5 Hydnum Imbricatum' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name b...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Oil on canvas 50x60 cm

Oil on canvas 60x40 cm

Oil on canvas 60x40 cm

Oil on canvas 50x50 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

Oil on canvas 60x60 cm

"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100 Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore. Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing. Mat size: 11"H x 14"W Paper size: 5.5"H x 10.25"W According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope" Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer. Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...

This very rare, first edition, folio hand-colored woodcut engraving of a bird of prey is plate 219 from Ulisse Aldrovandi’s 'Opera Omnia', published ...

'Dept. du Var', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre. Var covers the heart of the French Riviera or Cote d'Azur., and includes the resort cities of Cannes, Nice and San Tropez...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

This luminous painting captures the vibrant intricacy of coral reef ecosystems through layered textures and flowing organic forms. Bold strokes of teal, violet, ochre, and coral oran...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.

This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

'Part of Middleham Castle, NW Riding, Yorkshire' Engraving by T Woodyer after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

'Chinese Scrub (Cassinia arcuata, Rob. Brown) Colour lithograph, 1909.

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

'Brother Water descending from Kirkstone' Aquatint by William Green, 1804 William Green of Ambleside was a Lake District draughtsman, soft ground etch...

About the BRUMA series: What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with new communities and place-making. On...

'Chaffinch' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century illustrator...

'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...

“This collection, a compendium of sensory and emotional experience, delves into the very essence of painting as a medium of expression. Each canvas is a testament to the mastery of l...

'Clianthus puniceus' Original engraving with original hand-colouring, 1838. Native plant of New Zealand. From Benjamin Maund's 'The Botanist'. 1836-1...

This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...

A signed and numbered print of a bobcat from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame and white m...

'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...

This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...

This is a rare 17th century engraving of a plant entitled "Caunga" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 6 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the caunga plant, also known as Inca cucumber or horned squash, which is a climbing vine that produces edible, cucumber-like fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.25" high by 18.88" wide. There is a central fold, as issued. There is a small dark spot on the left which appears to represent a paper inclusion which occurred when the hand-made paper was produced. The print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van Rheede tot Drakenstein...

'Killing Seals in a Cavern, Summer' Colour aquatint by Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822) From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was a...