Op Art

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aperture Year: 1976 Medium: Acrylic on Canvas, signed verso Size: 30 x 30 in. (76.2 x 76.2 cm)

This acrylic painting was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizontal and vertical divisions on the graph paper...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...

Hydra Roy Ahlgren, American (1927–2011) Date: 1980 Screenprint, signed, numbered, dated, and titled in pencil Edition of 17/50 Image Size: 17 x 23 inches Size: 20 x 26 in. (50.8 x 66...

TRIDIM Gris Screen print, 1986 Signed in pencil lower right (see photo) Edition: 200 (76/200) From: portfolio enetitled "35 ans apres" Printed at Atelier Arcay, Paris, France Publisher: Park West Gallery...

Peter Christian Peterson (Danish, b. 1973), "Cellphone Accident Surprise 1", Acrylic and Enamel on Plastic, 1999, signed, titled, dated, and American-European Fine Art label to the v...

Artist: Peter Mack Title: In the Cannon's Mouth Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 60 x 60 in. (152.4 x 152.4 cm)

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon VI Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size: 20 x 20 ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aztec Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22.5 x 30 in. (57...

This swirling chrome and silver print is named in reference to the famous painting “Starry Night” by Vincent van Gogh. The spiral that pulls at the center of the composition is remin...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Exploded View Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 50 Image Size: 17 x 17 inches Size: 20 x 20 i...

Start, 2000 Bridget Riley Screenprint in colours, on paper Signed, titled, dated and numbered from the edition of 200 Printed by Artizan Editions, Hove Image: 34.8 × 38 cm (13.7 × 1...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

This piece is a unique original oil painting on aluminum by Andreas Nottebohm, created in 2015. Andreas Nottebohm is a German artist that came to America circa 1979. Nottebohm's work...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

Technical Information: Julian Stanczak Fractions, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. Edition of 90 Pencil signed and numbered Accompanied with COA by Gre...

Victor Vasarely Untitled, c. 1970-79 is a glazed porcelain multiple that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) and is numbered from the edition of 50 on ve...

Signed and numbered in pencil Publisher: Eugene Shuster, London Arts Printer: Vistec Graphics, Rochester, New York Stamp verso: London Arts Copyright 1980 Edition: 175 (85/175)

Technical Information: Julian Stanczak Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

Victor Vasarely Seven Plates I from Album Meta; 1976 Screenprint in colours, on wove paper 45 5/8 x 28 3/8 inches Signed and numbered from the edition of 225 in pencil Published by Editions Denise René...

This refined mid century modern mixed media work was realized in the United States circa 1970. In dialogue with the Op Art movement of the time- popularized by such artists such as V...

Victor Vasarely NB 11, 1968 is a glazed porcelain relief that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on label affixed on verso.

'Untitled' by John Kalymnios, 1999. Pantone ink on paper, 78.5 x 51.25 in. (framed). This geometric op art drawing features bands of concentric circles with the full spectrum colors ...

TECHNICAL INFORMATION: Victor Vasarely Nebulus II c. 1980 Screenprint 32 1/2 x 30 3/4 in. Edition of 50 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art....

3-d lenticulary photography

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

In Didem Yagci’s artwork “Aurora,” she intricately layers cut wood panels on plaster, creating a mesmerizing symmetrical design. The wall sculpture is anim...

Victor Vasarely Seven Plates 2 from Album Meta; 1976 Screenprint in colours, on wove paper 45 5/8 x 28 3/8 inches Signed and numbered from the edition of 225 in pencil Published by Editions Denise René...

Disconnected Circles is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition...

Hidden Flowers is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 20/50...

Baronian Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches ...

Faith Barry Nelson, British/American (1937) Date: 1982 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches Siz...

Paralax V Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 22/30 Image Size: 20.25 x 29.5 inc...

Complex Geometries is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition o...

Emerged Land is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition of 50 ...

The Red Line is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 2/100....

Emerged Land is a colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition of 50 prints num...

Fluo Composition is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 13...

Abstract Totem is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil o...

Rhythm 15 is an original colored serigraph realized by Mario Padovan in 1969. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 26/50. Original...

TECHNICAL INFORMATION Victor Vasarely Zeng c. 1975-1980 Silkscreen 30 3/4 x 30 3/4 in. Edition of 250 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Ar...

The Exchequer - Victor Vasarely - 1935 Lithography Inscribed on the back "L'échiquier - Lithog (1935)". Paper size: 40x46cm Size of the work: 33x23cm Signature at bottom right in p...

Contemporary Op Art Painting by Ferruccio Gard, Italian, 1941

Original dimensional hand painted, custom cut and mounted wood. Hand signed on front and verso. Artwork is in excellent condition. Certificate of Authenticity included. All reason...

Faces of Dalí #6 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 115/200 lower left. From the edition of 263 (there were also 2...