Op Art

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 24/24". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Technical Information: Julian Stanczak Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

Modern blue, green, and orange abstract op art landscape. Through using 3-dimensional elements and realistic shading techniques, Kidd is able to great an undulating, futuristic lands...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Tulip and Bees Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1694 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

This refined mid century modern mixed media work was realized in the United States circa 1970. In dialogue with the Op Art movement of the time- popularized by such artists such as V...

TRIDIM Gris Screen print, 1986 Signed in pencil lower right (see photo) Edition: 200 (76/200) From: portfolio enetitled "35 ans apres" Printed at Atelier Arcay, Paris, France Publisher: Park West Gallery...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 24/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Signed in pencil lower right Published by Eugene Schuster, London Art Printer: Vistec, Rochester, New York Regular edition unrealized per Stanczak web site This annotated "H.C." ...

Atomic Kate Silver Leaf and Black Glitter Dust on Board 113 x 113 cm 44 1/2 x 44 1/2 in "I have always been fascinated by motion. What fascinates me with this craft is to capture th...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Julian Stanczak Aerial, from Twelve Progressions 1971 Screenprint 26 1/2 x 26 1/2 in. EA #3 Pencil signed and numbered Julian Stanczak (Polish, November 5, 1928 – March 25, 2017) was a Polish-born American painter and printmaker who is considered a central figure of the Op art movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale polychromatic abstract compositions made using acrylic paint on canvas in which he explored the perceptual dimensions of color.[3] Born in 1928 in Borownica, Poland, Stanczak survived a Siberian labor camp during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from Yale University, where he studied with Josef Albers and Conrad Marca-Relli, and was roommates with fellow abstract painter Richard Anuszkiewicz. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor Donald Judd used it in his critical review of the 1964 exhibition titled Julian Stanczak: Optical Paintings at Martha Jackson Gallery in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition The Responsive Eye created by curator William C. Seitz at the Museum of Modern Art in New York. As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the Art Academy of Cincinnati from 1957 to 1964 and, later, as Professor of Painting at the Cleveland Institute of Art from 1964 to 1995. In 2013, he was awarded an honorary doctorate from Case Western Reserve University in Ohio. Stanczak lived and worked in Seven Hills, Ohio with his wife, the sculptor Barbara...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

A vintage screen print poster after minimalist, op artist Joseph Albers from 1968. The piece advertises and exhibit of paintings and graphic works at Denise Rene, a Paris Art Galler...

Step into the mesmerizing world of EXIT, the original acrylic painting on canvas meticulously crafted and shaped by the divine proportions of the golden rectangle. Inspired by the Re...

Faces of Dalí #6 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 115/200 lower left. From the edition of 263 (there were also 2...

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 15/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 23/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 21/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Purple Composition is a contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower rig...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Victor Vasarely Untitled Relief, 1973 is a Studio Line Rosenthal Porcelain relief with aluminum that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) on verso. Number...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Baronian Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches ...

Countessian Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inch...

Ducalion I Barry Nelson, British/American (1937) Date: 1983 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 20.25 x 29.5 inche...

Faith Barry Nelson, British/American (1937) Date: 1982 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches Siz...

Paralax V Barry Nelson, British/American (1937) Date: 1980 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of 22/30 Image Size: 20.25 x 29.5 inc...

Faces of Dalí #2 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 80/200 lower left. From the edition of 263 (there were also 20...

Hidden Flowers is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 20/50...

Hand signed and numbered. Edition of 100 prints. On headed paper.

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Emerged Land is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition of 50 ...

The Red Line is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 2/100....

Complex Geometries is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition o...

Complex Geometries is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition o...

Emerged Land is a colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition of 50 prints num...

Optical Composition is an original colored serigraph realized by Mario Padovan in 1973. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 71/10...

Abstract Totem is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil o...

This artwork titled "Exploded View" 1971 is a color serigraph by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and inscribed A.P (Artist Proof) in pen...

This illusionistic work on canvas titled "Busta" is a collaboration between two artists, Joe Doyle and Diane Rosenblum. The surface of the canvas is completely flat but a remarkable ...

Robert Tucker - Geometric Composition, Year: circa 1975, Medium: Screenprint, signed and numbered in pencil, Edition: 105/200, Image Size: 30 x 30 inches, Size: 35 x 35.5 in. (88.9 x...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Original painting on canvas. Hand signed and titled on verso by the artist. Canvas is stretched in an octagon shape as pictured. Artwork is in excellent condition. Certificate of ...

Jesus Rafael Soto (1923-2005) Quadrato 1974 Editions Denise Rene 46 of 75 Acrylic/aluminum with painted metal rods 17,5 x 15,7 x 12,5 in Signed and dated Provenance: Editions Galeri...

TECHNICAL INFORMATION: Victor Vasarely Cinetique 1973 Silkscreen in two parts; paper and mylar 12 1/4 x 10 x 1 1/2 in. Edition of 50, numbered in Roman Numerals Signed in ink on myl...

Matt acrylic-painted wood relief Éditions Denise René ed no. VIII, Signed. Presented at the exhibition “Vasarely - Le partage des Formes”, 2019 at the Centre Pompidou. p.114 of the c...

The Hungarian word, Iboya, meaning a small forest violet, has been chosen by Vasarely to identify his astonishing series of vertical sculptures for intereior use. The Iboya consist ...

TECHNICAL INFORMATION: Victor Vasarely Sikra MC 1968 Screenprint 21 3/8 x 15 in. Edition of 200 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Cond...

TECHNICAL INFORMATION: Julian Stanczak Yellow One 1970 Silkscreen 28 1/2 x 28 1/2 in. Edition of 165 Pencil Signed and Numbered Accompanied with COA by Gregg Shienbaum Fine Art Co...

Technical Information: Julian Stanczak Conferring Blue 1981 Screenprint 25 x 25 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on...

The series "CSW" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of airbrush painting and hard-edge techniques on...

Skylight XVII Evelyn B. Johnson Date: 1981 Screenprint, signed, numbered, dated and titled in pencil Edition of 19/25 Image Size: 26 x 38 inches Size: 30 x 42 ...