Realist Art

Isaac van Duynen was a 17th century painter, specialized in fish still lifes. Born in Dordrecht, he settled in The Hague around 1650. We know from 17th century sources that his paint...

Oil Painting of Mountain and Forest Landscape by 20th Century Artist, W Ward Art measures 20 x 16 inches Frame measures 24 x 20 inches

This impressive British 1940's portrait oil painting is by noted artist Arthur Royce Bradbury. Painted in 1949 it is a half-length portrait of a young Scottish girl in a mountainous ...

Maria Meriggi, born in 1935, is an Italian painter known for her evocative depictions of urban landscapes and everyday scenes, particularly those of Venice. Her notable works include...

This 19th c. classically realistic oil on canvas painting depicts the majesty of a large sailing vessel on the sea against a light blue sky filled with white cumulus clouds. A gentle...

Elena Burykina's "Laura" (2021) is an original, handmade oil painting that depicts a close up portrait of a woman. This piece measure 12 x 12 in and is ready to hang. About the Arti...

Swedish Hamlet in a Snowy Winter Landscape with Birch Trees by Danish Artist, Jens Christian Bennedsen (1893-1967). Art measures 38 x 26 inches Frame measures 44 x 32 inches An oi...

Vicente Romero Redondo was born in Madrid as the eldest of four sons. Due to the work of his father, he grew up in many different towns all over...

Judd Mercer's (US based) "Under the Boughs," is an original, handmade oil painting that depicts a vast meadow of yellow grass spreading into the distant bl...

In this vibrant oil on paper piece, I poured my soul into capturing the essence of a lush field, inspired by oriental art with expressionistic and impressionistic flair. Using vivid ...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

This artwork titled "Hana" 1982 Is an original lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 199/250 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 19.5 x 26 inches, the sheet size is 22 x 30 inches, framed size is 33 x 41 inches. Custom framed in a dark wood frame, with fabric matting. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, barely visible. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Giacomo Ceruti, known as Il Pitocchetto (1698-1767) – “Turnip” Medium: Oil on canvas Dimensions: 204 x 124 cm (unframed) Provenance: Private collection This remarkable painting, “T...

ROBERT KENNETH WHITE – "CAIRN ROAD" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A QUIET TESTAMENT TO ENDURANCE AND SOLITUDE In “Cairn Road” (2012), Robert Kenneth ...

Snowmass Picnic, Colorado, Estate Edition, Portrait Photograph This late 1960s winter landscape photograph, captured by society photographer Slim Aarons, features a stand-up fondue...

Al Saralis – "Nothing Gold Can Stay 5" Oil on Canvas 39.4 x 39.4 inches (100 x 100 cm) “Nothing Gold Can Stay 5” by Al Saralis is a powerful figurative oil painting that captures t...

Charles LEANDRE (1862 - 1934) Christmas, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph...

471 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Kitty Size: 12 x 16 inch, (...

Maurice UTRILLO Paris : Winter Day at Montmartre Original gouache painting Signed bottom right 40 x 32 cm at view (c. 16 x 13") Painted c. 1934-36 Presented in a golden wood frame ...

Painting of Chrysler Building New York City by Contemporary British Artist Angela Wakefield Art measures 31.5 x 31.5 inches Frame measures 36 x 36 inches This vibrant cityscape by Angela Wakefield captures the electric energy of New York City with cinematic intensity. Featuring the iconic Chrysler Building rising majestically in the distance, the composition pulls the viewer into a dynamic streetscape alive with glowing streetlights, bustling traffic, and the saturated hues of an evening sky. Aesthetic Appeal: • Color Mastery: Angela’s bold use of color creates an emotionally charged atmosphere. The deep reds, warm oranges, and luminous yellows against cool urban blues evoke a sense of both movement and warmth. • Perspective & Depth: The central vanishing point draws the eye forward, enhancing the feeling of stepping into the painting. The architectural precision paired with expressive brushwork creates a rare balance of realism and stylized interpretation. • Urban Romance: There’s a nostalgic, cinematic quality to the work—like a scene from a classic film. It captures not just the physicality of New York, but its energy, its pulse. Why It’s Valuable and Investable: • Signature Style: Wakefield’s distinctive visual language—urban realism infused with vibrant expressionism—has made her a recognized and collected artist on both sides of the Atlantic. • Market Appeal: Cityscapes, especially those depicting iconic locations like NYC, have universal appeal. They resonate with collectors who seek both emotional connection and cultural significance. • Proven Artist: With over two decades of success and international recognition, Angela’s work continues to appreciate in value. Her paintings are held in private and corporate collections worldwide. • Timeless Subject: The fusion of architecture, light, and motion ensures this piece remains relevant and impactful for generations. This painting isn’t just a beautiful addition to any space—it’s a piece of urban history told through the eye of a masterful contemporary artist. Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

Brian O'Neill's (US based) "Exhale" is an original, handmade oil painting that depicts a nude male figure stooped over and keeling on the ground, with his back exposed and bowing his...

Andrzej Skorut's "Last Light" is an oil painting that depicts clouds looming over the vast plains with distant mountains in the background. This piece is framed at 46.50 x 51.50 inch...

Flock and Zinnia (Pink Zinnia Still Life with Sheep and Cloud Landscape) Made is 2021, by Berkshire based artist Ann Getsinger oil on linen, 14 x 11 inches Signed, lower left Ann G...

Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right. Silver leaf custom frame. Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street. Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe. Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922. Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Immerse yourself in the rhythmic dance of the city with "Left...

This remarkable still life is a masterclass in light and reflection, where a burnished silver teapot takes centre stage amidst a quiet constellation of lemons. Set against a velvety ...

Slim Aarons' 1976 photograph of bathers at the Hôtel du Cap Eden-Roc in Antibes, France, is a masterful capture of vintage glamour and the epitome of Mediterranean elegance. This ico...

Early 20th century orientalist watercolour on paper by Aiveill, signed bottom right. In art history, Orientalism is the imitation or depiction ...

Vintage Oil Painting of River Sunset in the Woods of the English Countryside by 20th Century British Artist. Painted using warm orange and green colours creating a unique atmosphere....

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

In the embrace of water, weightlessness becomes our faithful companion, allowing us to temporarily free ourselves from the burden of everyday life and experience the lightness of bei...

Scattered cherry on the metal plate create a vivid contrast against the white tablecloth focusing the viewer's eye towards the center of the composition. The various shades of red a...

Landscape, canvas/cardboard/oil, 39x50 cm, 1929

HARBINGER OF SPRING is an original limited edition, hand drawn lithograph(not a photo reproduction or digital print) by the American artist/illustrator Mel Hunter, printed using hand...

Attributed to Francesco Mazza, called "Il Parmigianino" (1503-1540) – "Adoration of the Magi" Medium: Oil on canvas Dimensions: 88 x 134 cm (unframed), 205 x 149 cm (framed) Proven...

LLuis Ribas (1949) - Self-portrait - Oil canvas Oil measurements 55x46 cm. Frameless.

The painting was painted from life on a hot summer sunny day. It depicts an old street of a typical European town. The main "face" of the painting is a two-story house with a red til...

Wildlife Collection: Pocket Goldfinch is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod ...

Seascape Painting of the Devon Coastline at Sunrise on the South Coast of England, by 20th Century British Artist, Bob Tucker. Art measures 30 x 16 inches Frame measures 34 x 20 i...

Antique American oil painting. Oil on canvas. Signed. Framed. Measuring 26 by 34 inches overall and 20 by 28 painting alone. In excellent condition. Handsomely framed in a period ar...

"Oracle" (2024) by Allen Williams is an original oil painting on a sealed illustration board that depicts an eerie portrait of a nude female figure. Thi...

John Tarantola's original nude portrait "Levi Jackson" (2015) is a realist oil on panel painting that depicts a nude male lying on a bed, looking up seductively at the viewer's point...

This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

From birth, man carries the weight of gravity on his shoulders. He is bolted to earth. But man has only to sink beneath the surface and he is free.

Cornelis Van Leemputten Werchter 1841 – 1902 Schaerbeek Belgian Painter 'The Shepherd with his Flock – Le berger et son troupeau' Signature: signed lower right 'Corn. Van Leemputte...

In this oil painting, I've captured the quiet intensity and discipline of ballet practice. The focus and dedication of the dancers are rendered through soft, precise strokes, reflect...

Kseniia Kokovashina - "Nude II". Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Technique: Photo...

This realistic nautical limited edition print by Michel Brosseau captures the folded and tied white sails of a boat. The subject is rendered realistically with a flat light umber bac...

Rebecca Venn's (US based) "Untitled" is an original, handmade oil painting on canvas paper that depicts a nude female model laying on her back. This pai...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

Portrait of a young girl in a lilac dress with a black bow. Circa 1860. Signature below right, partially visible. Size with frame 59cm x 49cm Size without frame 33cm x 24cm The portrait depicts a young girl with an elegant hairstyle, her hair carefully tied back. Dressed in the fashion of the 1860s, her light lilac dress reflects the synthetic aniline colors, a novelty in fashion at the time. A black bow at the neck and slightly black straps accentuate her attire. Represented at mid-length, with a mysterious and melancholic gaze, suggesting a mourning endured over a year ago. The portrait, executed in pastels, chalks, and charcoals on paper, highlights the mastery and speed of the artist's execution. Framed in a vintage oval frame...

This is an exclusive handprinted limited edition cyanotype. "Blue Moon" shows an outstanding full moon with all its details. Details: + Title: Blue Moon + Year: 2022 + Edition Size...

Elena Burykina's "Halfway" is an original, handmade oil painting that depicts a woman with her hands folded and supporting her chin as she stares forward, her face cast in light and ...

Up for sale is a vintage original oil painting on canvas depicting Still Life Composition with fruits, yellow bottle and kettle. Overall and impressive-looking medium size paintin...

I was born in the bosom of a modest family. My father had a natural talent for drawing and he made portraits of his brothers during a long convalescence due to a serious illness. Und...

Provenance Acquired by the gallery directly from the artist Signed "Mirich" on lower left Artist Statement "A light, breezy day along the coast of Palos Verdes with Catalina Island...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features two bikini-clad holidaymakers posing outside the Carlton Hotel in Cannes, in the south of ...