Realist Art

Giovanni Domenico Campiglia, 'Dei Praestitis Signumexaere' (God's Providence Signumexaere), engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. E...

The bird’s eye view, strong light on the mother-of-pearl of oysters and folds create this image. The medium used is oil on canvas, which allows to capture the vibrant color, delicate texture, and the play of light on the subject matter. The iridescent oysters contrast on a black plate focusing the viewer's eye towards the center of the composition. Color palette in “Oysters and lemon...

Mary Kiisel Greenwood (b.1924) Studied: PAFA Exhibited: Gross McCLeaf Gallery, Philadelphia Portrait of a Beatnik, ca. 1955-60. Oil on canvas measuring 12 x 16 inches. Some w...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

“Japanese cherry“ is a painting that pays homage to the natural beauty and timeless elegance of this flowering tree. My intention was to keep tenderness and fragility of flowers, a ...

“Lemons” is an ode to the simple pleasures of life, inviting viewers to appreciate the inherent beauty in everyday objects. The central place is occupied by a plate of lemons with le...

French school of the 19th century Ernest MESSONIER (Circle of) Portrait of a soldier in armor 27.5 x 17.5 cm (31 x 21 cm with the frame) Beautiful pitch pine wood frame Good condition

English Landscape of Church & Farmhouse with the Lake District Mountains in the Background, by 20th Century British Artist, Michael Dent Art measures 20 x 16 inches Frame measures 2...

This evocative 19th century oil painting on canvas portrays a tender moment as a fisherman returns with his catch to his two daughters on the tranquil, moonlit shores of a sea bay b...

Alexandra Manukyan’s “Crimson Murmurs” (2024) is an original oil painting executed on linen mounted to aluminum gallery wrap, measuring 30 x 24 inches (32 x 26 inches framed). This e...

A woman sits in a sunlit room with soft geometric lines and a peaceful color palette of green, beige, and blue. A black cat rests on her lap, staring out the window at a calm, bl...

This captivating 19th century oil painting on wood panel depicts a serene coastal landscape featuring a solitary fisherman walking along a rough hillside path. The composition showca...

Karen Offutt's (US based) "The Bather" is an original, handmade oil painting that depicts a nude female in a landscape, bathed in light, with a towel draped around her. The painting ...

After Thomas Moran Harbor, Venice oil/canvas board signed LL 15.75 x 20 unframed, 24 x 28 framed Good original as purchased condition in what looks to be a period frame? Possibly original. Signature looks similar to others found online. The last two photos are of similar signatures from two paintings listed in Brunks Auction in 2025. Small dent, lower center, under the two black objects as seen in photo. Might benefit from a light professional cleaning. Purchased at Stair Auctions Also shown here is a similar venetian painting by Moran sold at Shannons Auctioneers 2022 for $162.500 including premium showing a similar signature. Biography Thomas Moran was born 12 February 1837 in Bolton, England, not far from Manchester, the birthplace of the Industrial Revolution. Several generations of the Moran family had worked as handloom weavers in Bolton until the introduction of power looms radically changed the industry. In 1842/1843, seeking public education for his children and economic opportunity in a new land, Thomas Moran, Sr., journeyed to America. The following year his wife and children joined him and the reunited family settled in Kensington, a suburb of Philadelphia, where they became part of a well-established community of immigrant textile workers. While still a teenager Thomas became an apprentice at the Philadelphia engraving firm of Scattergood and Telfer. After three years he withdrew from his apprenticeship and began working in the studio of his older brother, Edward, who had begun to establish himself as a marine painter. Serving, in effect, a second apprenticeship, Moran benefitted not only from the advice of his brother but also from that of James Hamilton (1819-1878), a well-known Philadelphia painter who had befriended Edward. Described by contemporaries as the "American Turner," Hamilton may have sparked Thomas Moran's life-long interest in the work of English artist J.M.W. Turner. In 1861, after several years of studying Turner's work in reproduction, Thomas and Edward journeyed to London where they spent several months studying and copying Turner's work at the National Gallery. A decade later, when Thomas journeyed west to join Ferdinand Vandiver Hayden's expedition to Yellowstone, the watercolors he produced on site bore clear evidence of his debt to Turner. Moran's trip to Yellowstone in 1871 marked the turning point of his career. The previous year he had been asked by Scribner's Magazine to rework sketches made in Yellowstone by a member of an earlier expedition party. Intrigued by the geysers and mudpots of Yellowstone, he borrowed money to make the trip himself. Numerous paintings and commissions resulted from this journey, but the sale of his enormous (7 by 12 feet) Grand Canyon of the Yellowstone (1872, National Museum of American Art) to Congress shortly after passage of the bill that set Yellowstone aside as the first National Park, brought Moran considerable attention. In 1873, following up on his earlier success, Moran joined John Wesley Powell's expedition down the Colorado River through the Grand Canyon. Shortly after his return he set to work on a second canvas equal in size to his earlier Yellowstone painting...

This exact work was exhibited at the Art Students League in an important show. (details below) Elizabeth Catlett Homage to the Panthers, 1993 Color Lithograph on wove paper with deck...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

18th Century Italian or Spanish School "The Adoration of the Magi" Medium: Oil on canvas Dimensions (Framed): 109 x 197 cm Dimensions (Canvas): 90 x 170 cm No signatured Provenance: ...

Chono Ca Pe, is the remarkably handsome man looking back at us across some 200 years, expressing a certain wariness of the white man painting him. Also known as Big Kansas, the sitte...

Horses in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins is a ...

Matt Talbert's "Stillness" (2024) is an oil painting on linen, measuring 21 x 14 inches (53.34 x 35.56 cm). The unframed artwork features a nude female figure seated beside a window,...

**Title**: Fisherwomen on the Beach **Author**: Rafael Mumpao Hinojosa **Technique**: Oil on canvas **Canvas dimensions**: 25.6 x 31.9 in **Framed dimensions**: 37.8 x 44.1 in This artwork captures a beautiful costumbrist scene, focusing on traditions and everyday life. **Rafael Mumpao Hinojosa**, with his detailed and realistic style, draws inspiration from renowned painters such as **Joaquín Sorolla**, a master of light and movement, and **Julio Romero de Torres...

Beautiful Italian Still Life painting by unknown artist in the style of Giorgio Morandi. Oil on panel, measuring 16 1/8 x 22 inches. ca. 1960s Artist board and fixtures are Italian.

Where the sea meets the sky, infinity is born. The horizon dissolves into shades of blue, promising freedom and new paths. Unstretched

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

Pink hyperreal glass water balloon sculpture by Dylan Martinez. These hyperrealistic water balloons are made of solid sculpted glass sandblasted and acid-etched to resemble real wa...

Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches; 17 x 21 inches framed. Artist studio stamp on verso. Excellent cond...

The most ordinary rural landscape. A quiet life among nature. This place is a good place to relax after the hustle and bustle of the city. • Includes a certificate of authenticity si...

471 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Kitty Size: 12 x 16 inch, (...

49 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper, Year: 2022 Style: Realism, Subject: Water Rail, Size: 12 x 16 ...

Pair of Terriers Gianni Reggio (Italian, 1898-1961) Circa 1930s Gouache on paper 15 x 14 inches (frame) Signed on the back. Gianni Reggio was an Italian painter and illustrator wh...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Woman in Hat, Size: 31.5 x 3...

Loch Katrine in the Scottish Highlands Landscape Vintage Painting. A beautiful realist oil painting of the Scottish Highlands from a highly respected British Artist. Art measures 36...

Roy Blakey (1930-2024). Portrait of Black Dancer, ca. 1972. Mr. Dennis was immortalized in 1975 as the original Richie "Gimme The Ball" Walters in A Chorus Line, after making his B...

Josep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

Exclusive limited edition cyanotype diptych. Details: + Title: Azure Clouds + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 100x21...

Beach Path oil/panel 11 x 14 image unframed, 17.38 x 20.38 framed Beach Path is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a plein a...

483 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2025 Style: Classic Art Title: Sleeping Cat Size: 12 x 16 i...

This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8 x 11.75 inches; 10.25 x 13 inches framed. Artist studio stamp on ve...

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

This realistic painting, a portrait of children, is by internationally recognized artist Daniel Hughes. Daniel Hughes is known best perhaps for his true-to-life figurative paintings. Early in his life, Hughes was strongly influenced by the work of his artist mother and her friends, many of whom were renowned British artists. He grew up drawing…never in color books but on six-foot lengths of computer paper. Hughes was especially drawn to the figurative paintings of British artists of the 1950s. His aesthetic focuses on a realistic interpretation, composition, light, harmony, and emotion. Hughes' work, like this acrylic and charcoal painting of two little girls sleeping...

Mountain Landscape Art Painting of the English Lake District by British Artist, Philip Stanton. This is a high quality original, oil on canvas, in great condition and ready to hang! Art measures 30 x 20 inches Frame measures 38 x 28 inches (Presented in an ornate gold frame, commensurate with age) This exquisite oil painting captures the breathtaking beauty of a serene lake nestled among majestic mountains, reminiscent of the iconic landscapes found in England’s Lake District...

Randall Exon (b.1956). Matthew, 1990. Oil on wood panel. Measures 24 x 36 inches. Unframed. Excellent condition with no damage or conservation. Signed and dated lower right. Gallery stamp on verso. Plastic wall mount taped down on verso. Provenance: The More Gallery INC, Philadelphia; Aramark Corporate Collection. Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. In 2003, the James A. Michener Art Museum in Doylestown, Pennsylvania, staged a solo exhibition of his work. He was awarded the Thomas Benedict Clarke Prize in the 2004 179th Annual Invitation Exhibition of Contemporary American Art at the National Academy Museum and School of Fine Arts, New York. More recently, Exon’s work was featured in Visions of the Susquehanna, a traveling exhibition organized by the Lancaster Museum of Art, Pennsylvania, in 2008, and Haunting Narratives, a major exhibition at the Woodmere Art Museum, Philadelphia, in 2012. BORN 1956 Vermillion, SD EDUCATION 1982 M.F.A. in Painting, University of Iowa, Iowa City, IA 1981 Skowhegan School of Painting, Skowhegan, ME 1981 M.A. in Painting, University of Iowa, Iowa City, IA 1978 B.F.A. in Painting, Washburn University, Topeka, KS SOLO EXHIBITIONS 2013 Hirschl & Adler Modern, New York, NY 2009 Hirschl & Adler Modern, New York, NY 2007 Hirschl & Adler Modern, New York, NY 2004 Hirschl & Adler Modern, New York, NY 2003 Randall Exon: A Quiet Light, James A. Michener Art Museum, Doylestown, PA 2001 Mulvane Museum of Art, Topeka, KS 2000 More Gallery, Philadelphia, PA 1998 More Gallery, Philadelphia, PA 1996 More Gallery, Philadelphia, PA 1994 More Gallery, Philadelphia, PA 1993 Tasis England American School, Main Gallery, Thorpe, Surrey, England 1992 More Gallery, Philadelphia, PA Theatre Gallery, Washburn University, Topeka, KS Widener University Art Museum, Chester, PA 1990 Charles More Gallery, Philadelphia, PA 1988 West Chester University, McKinney Gallery, Mitchell Hall, West Chester, PA Charles More Gallery, Philadelphia, PA Carleton College, Northfield, MN 1987 University of Maine at Machias, University Gallery, ME Topeka Public Library, Central Gallery, KS 1986 More Gallery, Philadelphia, PA 1984 More Gallery, Philadelphia, PA Stoneybrook School, Suffolk, Long Island, NY 1981-82 Florence Wilcox Gallery, Swarthmore College, PA Beauchamp Gallery, Topeka, KS SELECTED GROUP EXHIBITIONS 2019 Unforeseeable Thereness, Stanek Gallery, Philadelphia, PA 2018 Vis-à-Vis, Hirschl & Adler Galleries, New York, NY 2017 The New Baroque, Booth Gallery, New York, NY, curated by Robert Zeller Painted Landscapes: Contemporary Views, Heritage Museums and Gardens, Sandwich, MA 2016 Mixed Environs: Contemporary Painters, Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA 2015 Home is Where the Art Is, Hirschl & Adler Galleries, New York, NY 2014 Our American Life, Hirschl & Adler Galleries, New York, NY 2014 Edge of the Seat, The Rye Arts Center Gallery, Rye, NY 2013 Duets: Art in Conversation, Hirschl & Adler Galleries, New York, NY 2012 Haunting Narratives: Detours from Philadelphia Realism, 1935-Present, Woodmere Art Museum, Philadelphia, PA Structuring Nature, Walton Arts Center, Fayetteville, AR Summer Selections, Hirschl & Adler Modern, New York, NY 2011 Masterworks: The Best of Hirschl & Adler, Hirschl & Adler Galleries, New York, NY 2010 Summer Selections, Hirschl & Adler Modern, New York, NY 2009 Holiday Selections, Hirschl & Adler Modern, New York, NY 2008-2009 American Green – Art and Stewardship, Somerville-Manning Gallery, Greenville, DE 2008 Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2007 Finding a Form: Influences in Figurative Painting, Tower Gallery, Philadelphia, PA Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2006-2008 Visions of the Susquehanna, Susquehanna Art Museum, PA; Governor’s Residence, Harrisburgh, PA; Washington County Museum of Fine Arts, Hagerstown, MD; Roberson Center for Art and Science, Binghamton, NY. 2006 Summer Selections, Hirschl & Adler Modern, New York, NY 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, NY Selected Works from the Ballinglen Collection, United States Embassy to Ireland, Ambassadors Residence, Phoenix Park, Dublin, Republic of Ireland. Part of the Art in the Embassies Program, Washington D.C. 2001 Personal Affinities, Contemporary Artists Influenced by the works of Edwin Dickinson, Pennsylvania Academy of the Fine Arts Museum, Philadelphia, PA 2000 December Show, Fenton Gallery, Cork City, Ireland Works from the Archives, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1999 New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, NY Indomitable Spirits, The Figure At The End Of The Century, The Art Institute of Southern California, Laguna Beach, CA 1998 Visual Poetry, A Selection of Work by Artists Inspired by the Words and Sentiments of Walt Whitman, Stedman Gallery, Rutgers University, Camden, NJ The Artist's Window, Lee Hansley Gallery, Raleigh, NC Embodied Fictions, Twelve Contemporary Figure Painters, The Boyden Gallery, St. Mary's College of Maryland, St. Mary’s City, MD 1997 Abstract and Image, Four Painters, Hopkin's Center, Dartmouth College, Hanover, NH An Extended View: Landscapes by Philadelphia Artists, Levy and Paley Galleries, Moore College of Art and Design, Philadelphia, PA 1996 Figure Drawings, Hillyer Hall, Smith College, Northampton, MA Figurative Paintings, Edith Caldwell Gallery, San Francisco, CA A Show of Hands (Exhibit and auction to assist AIDS research), Moore College of Art and Design, Philadelphia, PA 1994 Figures in the Landscape, More Gallery, Philadelphia, PA 1992 Landscapes by Randall Exon & Joseph Byrne, Dartmouth College, Hanover, NH 1991 A Show of Hands, Moore College of Art and Design, Philadelphia, PA 1991 Ten Contemporary Philadelphia Painters, Westmoreland Museum, Greensburg, PA 1991 Sport in Art, Woodmere Museum, Chestnut Hill, PA 1990 Myth and Monument, More Gallery, Philadelphia, PA 1990 Evidence of the Senses, 7 Painters, Woodmere Museum, Chestnut Hill, PA Pollack Award Winners, Mulvane Gallery, Washburn University, Topeka, KS 1989 Works on Paper, More Gallery, Philadelphia, PA Nocturnes, More Gallery, Philadelphia, PA 1986 Nature Morte, Southern Alleghenies Museum of Art, St. Francis College, Loretto, PA 1984 The Spirit of the Coast: Paintings, Monmouth Museum, NJ Drawings: Personal and Intimate, More Gallery, Philadelphia, PA Night Paintings, Florence Wilcox Gallery, Swarthmore, PA 1983 Realist Direction, Penn State University Museum, University Park, PA 1981 Graduate Student Traveling Exhibit, University of Iowa, Iowa City, IA 1980 Selected Painters, Mulvane Gallery, Washburn University, Topeka, KS 1979 Artists Choose Artists Exhibit, University of Missouri at Kansas City Art Gallery, MO JURIED SHOWS 1990 Philadelphia Art Now, Philadelphia Museum of Art, PA 1989 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1987 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1984 Butler Institute of American Art Annual Exhibit, Youngstown, OH National Academy of Design Biannual Competition, New York, NY 1981 32nd Iowa Artists Exhibition, Des Moines Art Center, Des Moines, IA 1980 Iowa Artists Solon, Burnnier Gallery, Iowa State University, Ames, IA 1979 Kansas Bankers Association Exhibition, Topeka, KS AWARDS/GRANTS/RESIDENCIES 2004 The Thomas Benedict Clarke Prize, 179th Annual Invitational Exhibition of Contemporary American Art, National Academy Museum and School of Fine Arts, New York, NY 2001 2nd Fellowship, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1997 Fellow, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1992 Washburn Fellow, Washburn University, Topeka, KS 1989 Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1988 Andrew Carnegie Prize, 163rd Annual Exhibition of the National Academy of Design, New York, NY 1987 1985-86 1984 1981 1981 1980 1976, 78 TEACHING 1982-present 1994-00 1980-82 Best of Show prize, juried museum exhibition, The State Museum of Pennsylvania, Harrisburg, PA Henry Luce Scholar, Bali, Indonesia Julius Halgarten Prize for Best Painting by an Artist under 35 years of age Academy of Design Annual Exhibition, New York, NY Iowa Artists Salon, Second Prize Skowhegan Scholarship Award, University of Iowa, Iowa City, IA Student Award, 32nd Iowa Artists Exhibition, Des Moines Art Center, IA Charles Pollack purchase prize for the best painting from annual student exhibition, Washburn University, Topeka, KS Professor in Studio Arts, Swarthmore College, Swarthmore, PA Chair, Department of Art, Swarthmore College, Swarthmore, PA Teaching Assistant to Ben Frank Moss, University of Iowa, Iowa City, IA VISITING ARTIST/LECTURES 2002 2001 1998 1995 1994 1993 1994, 1992 1992 1989 1987 1986 1985 1982 Pennsylvania State University, Abington, PA Hollins College, Roanoke, VA Maryland Arts Institute, Baltimore, MD Beaver College, Glenside, PA Union College, Department of Art, Schenectady, NY Allentown Art Museum, PA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Bucks County Community College, Newtown, PA Tasis England American School, Thorpe, Surrey, England Boston Art Institute, MA Boston University, M.F.A. program, MA Beaver College, Department of Art, Philadelphia, PA Dartmouth College, Department of Visual Studies, Hanover, NH Dartmouth College, Department of Visual Studies, Hanover, NH Carleton College, Northfield, MN University of Maine at Machias, ME Horsham College of Art, Horsham, England Stoneybrook School, Suffolk, Long Island, NY Moore College of Art, Basic Drawing, Philadelphia, PA Vassar College, Department of Art, Poughkeepsie, NY PUBLIC COLLECTIONS Allentown Art Museum, PA ARA Corporation, Philadelphia, PA Security Pacific National Bank, Sanger Branch, Los Angeles, CA University of Iowa, Permanent Collection, Iowa City, IA Mulvane Gallery Permanent Collection, Washburn University, Topeka, KS Woodmere Museum, Mt. Airy, Philadelphia, PA Henry Luce Foundation, New York, NY Henry Wendt Collection, Philadelphia, PA Susquehanna Art Museum, Harrisburg, PA SELECTED BIBLIOGRAPHY Sozanski, Edward J. “Simple Situations, in almost holy light,” Philadelphia Inquirer , February 7, 2003 Francis, Naila,“Studies in Light, Space,” The Intelligencer, January 9, 2003 Thompson, Jodi, “Fabulous Realism, seeing the light,” Out & About, January 9, 2003 Hopkin, Alannah, The Irish Examiner, July 1, 2002 Hopkin, Alannah, The Irish Examiner, January 2002 Sosanski, Edward, Philadelphia Inquirer, February 2001 Carr, Jeffrey, “Landscapes of the Imagination,” American Artist, January 1999 “On The Town,” New York Times Art Review, November 1998 Adelson, Fred B...

Kelly Birkenruth's "Orange Wrapped in Plastic" (2023) is an original oil painting on panel, measuring 5 x 5 x 1 inches. This captivating still life features an orange wrapped in a tr...

"Squared Tropical Garden I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Ro...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. With Green Songbird in a Box, Lucinda Holland offers a jewel-l...

Antonio Balestra (1666–1740) – "Samson & Delilah" Artist: Antonio Balestra (1666–1740) Title: "Samson & Delilah" Medium: Oil on canvas Framed Dimensions: 147 x 165 cm Canvas Dime...

Mark Bradley Schwartz’s "Looking Away" (2020) is a masterful example of contemporary figurative realism, executed in oil on board. This original, handmade painting captures a quiet, ...

A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...

Antique European realist portrait oil painting. Oil on canvas. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang ...

The painting was painted from life on a hot summer sunny day. It depicts an old street of a typical European town. The main "face" of the painting is a two-story house with a red til...

This whimsical oil painting by Marina Dieul, titled "Betises 22," created in 2024, features a dual portrait of a cat and a mouse. The artwork is rendered on a panel measuring 10.5 x ...

This portrait captures a blend of realism and mystery, focusing on a figure dressed in modern, understated elegance. The subject, with flowing alabaster hair, stands out against a mu...

Please note: This is a secondary market artwork with one previous owner. Kang Cho's artistic legacy endures through "Reclining Nude," a serene and contemplative handmade original o...

Cy Twombly Allusions, Bay of Naples (from the collection of Donald Baechler), 1975 Color offset lithograph and photo lithograph on wove paper Signed and numbered 56/80 in ink on the ...

Christopher Clark's "Paris Rainy Cafe" is an original, hand made oil and acrylic painting that depicts a night scene of a bustling cityscape in France. Christopher has been an artist since early childhood, when he would watch Bob Ross on PBS and mimic the famed oil painter’s art with crayons. He considers himself a self-educated artist, with his studies ranging from personal training with contemporary masters, to classical academic art technique, with much inspiration from 19th Century art and the Impressionist Movement. Christopher lived in Italy for a time, immersing himself in Italian culture and art, which continues to influence his painting. His fan base has grown considerably since his return to the US, gaining the attention of Lucasfilm and Marvel Fine Art, which both signed him as an officially licensed artist in 2016. Other clients include George Lucas, Major League Baseball, Louisville Slugger, and Fender Guitars. Christopher’s painting skills are not his only talent in the arts. He has won several national swing dance championship competitions, and also studies tango and blues dancing. He has played guitar since the age of 12, and during his time as lead guitarist for a rock band, he opened for Blue Oyster Cult and Eddie Money...

This exquisite antique 19th century oil painting on canvas depicts a romantic portrait of a young lady in serene contemplation. The model gracefully lies leaning against the curved a...

Unidentified Artist 17th-Century Tavern Scene Oil on canvas Framed: 113 x 103 cm Canvas: 96 x 91 cm This 17th-century oil painting captures a lively tavern scene, a popular subject in Dutch and Flemish genre painting of the Golden Age. The composition is rich in character and storytelling, depicting a group of men engaged in a card game, with coins, letters, and drinks scattered across the table. A standing woman, possibly a barmaid or concerned onlooker, leans in, while a man enters from the left, holding his hat and appearing amused by the game. In the foreground, a small child tends to a jug and tankard, adding a touch of humor and domestic realism. Executed in oil on canvas, the painting showcases earthy, warm tones and rich chiaroscuro, emphasizing the candlelit glow of the scene. The artist masterfully captures the textures of fabrics, wood, and metal, giving depth and dimension to the environment. The expressive faces and animated gestures highlight the social interactions typical of Dutch and Flemish tavern paintings...