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Art Subject: Blackboard
Nest 9

Nest 9

By Kate Breakey

Located in Sante Fe, NM

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Category

2010s Contemporary Landscape Photography

Materials

Silk, Archival Pigment

Mélika (W)

Mélika (W)

By Leonor Fini

Located in Columbia, MO

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Category

20th Century Surrealist Portrait Prints

Materials

Paper, Ink, Etching

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound
Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound

Located in Soquel, CA

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

Category

1910s American Impressionist Landscape Paintings

Materials

Linen, Oil

Scratched

Sarah HadleyScratched, 2011

$1,040Sale Price|20% Off

Scratched

By Sarah Hadley

Located in Los Angeles, CA

The Depths is part of Sarah Hadley's Story Lines series. In Story Lines, Hadley creates surreal intimate cinematic narratives which blur the lines between reality and fiction. Inspir...

Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

Representation of Norman Pavers, engraving by William Fowler , 1802
Representation of Norman Pavers, engraving by William Fowler , 1802

Representation of Norman Pavers, engraving by William Fowler , 1802

By William Fowler

Located in Melbourne, Victoria

'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS' Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832). ...

Category

Early 19th Century Medieval Interior Prints

Materials

Etching, Aquatint

"90 Low Tide Barred Island" Small Pastel Sea Scape Maine Deer Island Pines Sea
"90 Low Tide Barred Island" Small Pastel Sea Scape Maine Deer Island Pines Sea

"90 Low Tide Barred Island" Small Pastel Sea Scape Maine Deer Island Pines Sea

Located in Austin, TX

Page size: 8 x 10 in. Frame size: 10.5 x 12.5 in. Signed, bottom left. Inscribed with title, bottom right. The rectangular picture plane can hardly contain energic mark-making in th...

Category

1990s Expressionist Landscape Drawings and Watercolors

Materials

Pastel, Illustration Board

Letter J Serigraph from Alphabet Suite, Hand Signed, Edition OF 350, Framed
Letter J Serigraph from Alphabet Suite, Hand Signed, Edition OF 350, Framed

Letter J Serigraph from Alphabet Suite, Hand Signed, Edition OF 350, Framed

By Erté

Located in Aventura, FL

Serigraph in colors on paper from the Alphabet Suite. Hand signed by Erte lower right. Hand numbered 20/350 lower left. Sheet size: 25.5 x 18.56 inches. Image size: 15.75 x 10.5...

Category

1970s Art Deco Figurative Prints

Materials

Paper, Screen

Jasper Johns Alphabets Offset Print, Signed, 1987, 33.5 x 20 Inches
Jasper Johns Alphabets Offset Print, Signed, 1987, 33.5 x 20 Inches

Jasper Johns Alphabets Offset Print, Signed, 1987, 33.5 x 20 Inches

By Jasper Johns

Located in Brooklyn, NY

Paper Size: 33.5 x 20 inches ( 85.09 x 50.8 cm ) Image Size: 23.5 x 16 inches ( 59.69 x 40.64 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supple...

Category

1980s Prints and Multiples

Materials

Offset

Twelve Clouds, Softly, Slowly (C)
Twelve Clouds, Softly, Slowly (C)

Twelve Clouds, Softly, Slowly (C)

By Kate Breakey

Located in Sante Fe, NM

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Category

2010s Contemporary Black and White Photography

Materials

Pastel, Pencil, Archival Pigment

Twelve Clouds, Softly, Slowly (K)

Twelve Clouds, Softly, Slowly (K)

By Kate Breakey

Located in Sante Fe, NM

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment, Pastel, Pencil

Yogiri (Abstract Painting)
Yogiri (Abstract Painting)

Yogiri (Abstract Painting)

By Janise Yntema

Located in London, GB

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Category

2010s Abstract Abstract Paintings

Materials

Mixed Media, Wax, Oil, Panel

Grandeur of the Sunset: Landscape with the Perfect Blend of Contrast and Harmony
Grandeur of the Sunset: Landscape with the Perfect Blend of Contrast and Harmony

Grandeur of the Sunset: Landscape with the Perfect Blend of Contrast and Harmony

By Max Skoblinsky

Located in Zofingen, AG

In this painting, an oil landscape unveils the magnificence of the sunset and the beauty of nature. The main focus is on the expansive sky, stretching across a significant portion of...

Category

21st Century and Contemporary Romantic Landscape Paintings

Materials

Oil

Attrib. George Shalders (1826-1873) - Mid 19th Century Oil, The Smithy
Attrib. George Shalders (1826-1873) - Mid 19th Century Oil, The Smithy

Attrib. George Shalders (1826-1873) - Mid 19th Century Oil, The Smithy

Located in Corsham, GB

A charming 19th century genre scene attributed to the well listed artist George Shalders (1826-1873), depicting a blacksmith shoeing a horse outside his forge. The composition is ill...

Category

Mid-19th Century Figurative Paintings

Materials

Oil

Dunce Gnome

Nick VedrosDunce Gnome, 2000s

$790Sale Price|39% Off

Dunce Gnome

By Nick Vedros

Located in Kansas City, MO

Nick Vedros Dunce Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Category

2010s Contemporary Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Dead Trees, South Australia

Dead Trees, South Australia

By Kate Breakey

Located in Sante Fe, NM

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Category

2010s Contemporary Landscape Photography

Materials

Gold Leaf

A Leather Story
A Leather Story

A Leather Story

By Michael William Eggleston

Located in Soquel, CA

Abstract art with an abstract story by San Francisco artist Michael William Eggleston (American, 20th century). From a collection of his works. Unsigned. Unframed. Image, 47.75"H x 3...

Category

1990s Abstract Expressionist Figurative Paintings

Materials

Canvas, Oil

A. Rear View

A. Rear View

By Robert Stivers

Located in Sante Fe, NM

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

Category

1990s Contemporary Portrait Photography

Materials

Archival Pigment

Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)

Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)

Located in New Orleans, LA

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

Category

1980s Modern Animal Prints

Materials

Mezzotint

April 29, 1957

April 29, 1957

By Linda Connor

Located in Sante Fe, NM

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Photographic Paper

Framed Early 19th Century Oil - By the Fire
Framed Early 19th Century Oil - By the Fire

Framed Early 19th Century Oil - By the Fire

Located in Corsham, GB

A man eagerly warms his hands by the fireplace in this characterful genre scene. Another man reads a book nearby whilst a cat rests quietly on the floor. Well presented in a ridged g...

Category

Early 19th Century Figurative Paintings

Materials

Oil

Pointillist Oil Painting Fall Landscape 19th Century, Unique Frame 1900
Pointillist Oil Painting Fall Landscape 19th Century, Unique Frame 1900

Pointillist Oil Painting Fall Landscape 19th Century, Unique Frame 1900

Located in Buffalo, NY

A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.

Category

Early 1900s Pointillist Landscape Paintings

Materials

Oil, Board

Sweet Nectar

Sweet Nectar

By Myron Stephens

Located in Burlingame, CA

In this cinema noir series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that are masterfully...

Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Oil, Acrylic, Wood Panel

European painter in the Chinese manner - 18th century pagoda and figures
European painter in the Chinese manner - 18th century pagoda and figures

European painter in the Chinese manner - 18th century pagoda and figures

Located in Varmo, IT

European painter in the Chinese manner (18th century) - Oriental scene with pagoda. 54.5 x 72.5 cm (without frame) - 73 x 82 cm (with frame). Oil on canvas, in carved and gilded wo...

Category

Mid-18th Century Rococo Landscape Paintings

Materials

Canvas, Oil

Wielki Theatre - Vintage Poster by Waldemar Swierzy - 1968

Wielki Theatre - Vintage Poster by Waldemar Swierzy - 1968

By Waldemar Swierzy

Located in Roma, IT

Wielki Theatre is an original manifesto realized by Waldemar Swierzy (Poland, 1931 - 2013) in 1968. Good condition. Hand-signed. Waldemar Swierzy (Poland, 1931 - 2013); born in Katowice, Poland, he graduated from the Kraków Academy of Fine Arts in 1952. He was subsequently Professor in the University of Fine Arts in Poznań from 1965 and Professor in the Academy of Fine Arts in Warsaw from 1994. In 1992 the government of Poland issued a postage stamp to honor one of his Cyrk posters, 'Clown with derby'. Swierzy is one of the Polish School of Posters' most prolific artists, having created over 2500 posters. He employed unusual concepts with a variety of techniques, frequently mirroring Polish social history from 1950s through 1980s, with a myriad of styles: folk art from the 50s, pop art from the 60s...

Category

1960s Contemporary Figurative Prints

Materials

Paper, Offset

Flesh and the Kiss

Flesh and the Kiss

By Myron Stephens

Located in Burlingame, CA

In this cinema noir series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that are masterfully...

Category

21st Century and Contemporary Contemporary Figurative Paintings

Materials

Oil, Acrylic, Wood Panel

Profile, Pop Art Etching by Peter Max
Profile, Pop Art Etching by Peter Max

Profile, Pop Art Etching by Peter Max

By Peter Max

Located in Long Island City, NY

Peter Max, German/American (1937 - ) - Profile, Year: 1990, Medium: Etching, signed in crayon and numbered in pencil, Edition: 39/41, Image Size: 11 x 9 inches, Size: 22.5 in. x...

Category

1990s Pop Art Portrait Prints

Materials

Etching

Landscape with Hills
Landscape with Hills

Landscape with Hills

Located in Wiscasett, ME

Oil on board, signed and dated 38' in lower right. Measures 6.75" x 15.5" including the frame, also inscribed and signed on reverse. Nikolai Timkov is one of the best known Russian ...

Category

1930s Modern Landscape Paintings

Materials

Oil

VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973

VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973

By Victor Vasarely

Located in Pembroke Pines, FL

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Category

1970s Op Art Interior Prints

Materials

Screen

KCHO (Alexis Leyva Machado), ¨La Jungla 5¨, 2003, Aquatint, 24x29.1 in

KCHO (Alexis Leyva Machado), ¨La Jungla 5¨, 2003, Aquatint, 24x29.1 in

By KCHO (Alexis Leyva Machado)

Located in Miami, FL

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 5', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-106 Hand-signed by author

Category

Early 2000s Contemporary Prints and Multiples

Materials

Paper, Screen, Etching, Aquatint

KCHO (Alexis Leyva Machado), ¨La Jungla 1¨, 2003, Aquatint, 24x29.1 in

KCHO (Alexis Leyva Machado), ¨La Jungla 1¨, 2003, Aquatint, 24x29.1 in

By KCHO (Alexis Leyva Machado)

Located in Miami, FL

Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 1', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-102 Hand-signed by author

Category

Early 2000s Contemporary Landscape Prints

Materials

Paper, Etching, Aquatint

Untitled

Untitled

By Miguel Padura

Located in Miami, FL

Miguel Padura Untitled Lithograph Ed 49 of 100 24 x 31 in

Category

1990s Contemporary Still-life Prints

Materials

Lithograph

Grapheme 1

Grapheme 1

By Matt Magee

Located in Houston, TX

Matt Magee Grapheme 1, 2013 Lithograph 12 x 10 inches ed. 15 Framed

Category

21st Century and Contemporary Abstract Geometric Prints and Multiples

Materials

Lithograph