Blackboard Art

Pauline Ziegen oil, aluminum leaf, mixed media on panel white, gray, white gold, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kansas where vast ...

This stunning Scottish Impressionist Victorian landscape oil painting is by noted Glasgow Boy artist Robert Macaulay Stevenson. Painted circa 1899 the composition is a rising moon ov...

Basket with Eggs and Flowers by Huia Mingfu is an original Chinese folk art painting depicting a woven basket overflowing with brightly colored eggs, surrounded by flowers and patter...

Veld 12, Noordoostpolder, Flevoland, The Netherlands, 2016 Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I ...

Through a process of layering the paint, repeatedly wiping out and repainting, Ripley achieves a sense of moody visual jazz, where depth, movement and color create an ever-evolving v...

Veld 4, Noordoostpolder, Flevoland, The Netherlands, 2016 Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I a...

Oil on canvas Anne Pélissier alias BERG is a French painter born in 1953 who lives and works in Paris, France. Under the pseudonym "Berg," meaning mountain in Goethe's language, lie...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

XIV Winter Olympics games is a vintage poster realized by the artist Yozo Hamaguchi, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984.

Povey was born in the gas-lit and devastated post-War London, the only child of a merchant seaman and a pretty shop girl. He studied drawing in England, oil glazing in Wales, and bec...

Paper Size: 33.5 x 20 inches ( 85.09 x 50.8 cm ) Image Size: 23.5 x 16 inches ( 59.69 x 40.64 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supple...

Colorful geometric figurative painting featuring playful imaginary characters gathered in a dreamlike interior scene. La Quedada (“The Gathering”) belongs to Héctor Francesch’s ongo...

A man eagerly warms his hands by the fireplace in this characterful genre scene. Another man reads a book nearby whilst a cat rests quietly on the floor. Well presented in a ridged g...

Hunt Slonem (b. 1951) is an internationally celebrated American artist whose vibrant and instantly recognizable works have made him one of the most collectible contemporary painters ...

Published in 1967 by Touchstone Publishers, New York, this beautifully crafted hardcover edition is bound in elegant black cloth with a printed paper label and housed in a sturdy sli...

6161 Italian Fututistic grey tone abstrct oil painting on wood with framed border Signed Rutile

Oil paint on canvas Unique work Hand-signed by the artist The red necklace of the naked Queens “My artistic research has expanded over the years, crossing paths already traveled a...

Medium: original lithograph. Catalogue reference: Galfetti 408a. Executed for Derriere le Miroir (issue No. 210) in 1974, and published in Paris by Maeght. Size: 15 x 11 inches (380 ...

Damien Hirst Work from the Limited Edition Book "The Souls", 2011 Three color foil block print Image: 23.5 x 14 cm Frame: 50 x 39.5 x 3.5 cm Ed. 31/100 Signed and numbered in white ...

Rune Andersson (1936– ) Sweden Händerna (The Hands), 1968 signed and dated a tergo oil on panel and relief framed approximately 66 × 57 cm (26 × 22.4 in) Provenance: Private colle...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Sideways is an elegant, seemingly monochrome acrylic painting on canvas. The underlying colours are green and red, the flower white and blue-grey. I applied glazes to suggest depth. ...

'Insalata' featuring tomatoes on a kitchen counter with olive oil in glass bottles, salt and a chalk board by artist Mimi Jensen, who uses bold colors to depict theatrically lit obje...

"The Watershed Series of monoprints was published by the Northwest College of Art in Portland, Oregon. In September 2023, I had the honor of serving as a Guest Artist in the Master o...

Figurative art, Original oil Painting Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2026 Style: Contemporary Art...

Charles Bragg (1931 - 2017 self portrait painting a tapestry mixed media drawing 9 x 11 Gold wood Frame is 30 x 32 comes with coa Black mat with gold border

This 13.5" x 17" oil painting on canvas by Boston, Massachusetts-based artist Anthony Dyke is an abstract interpretation of an urban cityscape. Through exploration of color and their...

Patrick Caulfield's cheeky, Pop Art take on a seaside favorite, dressed lobster, abstracted in graphic black strokes atop a field of red decorated with tiny sprigs. Signed by the art...

CV Ādams Tills ​(born 1981) ​Artistic Education ​2006–2008: Studies at the Art Academy of Latvia, Department of Figural Painting, Master’s Degree. ​2002–2006: Studies at the Ar...

James Rosenquist Morning Mirror, 1966 is a mesmeric piece that captures your attention with the use of 3 colors; red, yellow, and grey. Front and center, in the middle of the composi...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

Blackboard - Hut 2, Bletchley Park, documentary photograph by Richard Heeps. "I photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to...

Blackboard - Hut 3, Bletchley Park, documentary photograph by Richard Heeps. "I photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trus...

Allan Rohan Crite: 1910-2007. Well, listed African-American artist mostly associated with the Boston area. He was known in his time as the Deen of African-American artist. He chronic...

This minimalist oil abstract painting features a country landscape. Over an impressive career that has spanned decades, Canadian artist Pat Service has refined her own distinctive v...

Twenty-Two Cherries (Yellow) by Yozo Hamaguchi, (1909 - 2000) Date: 1990 Medium: Mezzotint, signed in pencil Edition: HC Image Size: 21.5 x 9.38 inches Frame Size: 35 x 21.5 inches

Linda Connor: Lick Observatory These celestial images are made from glass plate negatives that belong to the archive of the Lick Observatory in San Francisco. These images were mad...

Andrew Scott, Firework, 2024 Giclée on 310 gsm Etching Rag Paper with hand burnt mount board 45 x 33 cm (17 7/10 × 13 in) Edition 227 of 250 Framed in open-grain black wood Signed a...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Paper Size: 5.5 x 8 inches ( 13.97 x 20.32 cm )_x000B_Image Size: 14.5 x 17 inches ( 36.83 x 43.18 cm )_x000B_Framed: Yes_x000B_Condition: A-: Near Mint, very light signs of handling_x000B__x000B_Additional Details: Original exhibition invitation to Johan Creten...

Vintage photograph printed by Kenna. Purchased in SF. Excellent condition. Framed since purchase.

Original exhibition poster for a 1977 show at Fischbach Gallery, New York, featuring Gene Davis’s Red Rectangle (1958). A striking example of Washington Color School aesthetics, thi...

Nature's Delight an original oil painting by Konstantin Savchenko

This minimalist landscape by Canadian artist Pat Service was inspired by the many road trips she has taken over the years. The view down the highway towards a mountain range in the d...

Veld 1, Noordoostpolder, Flevoland, The Netherlands, 2016 Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I a...

Joseph Glasco (American, 1925–1996) Head 1970 Ink on paper Signed and dated lower right 39.5 x 30 inches 43 x 32.25 inches, framed Joseph Glasco was born in Paul’s Valley, Oklahoma...

Landscape Near & Far by Carole Seborovski, American (1960) Date: 1985 Charcoal Drawing on Toned Paper Size: 26 x 19 in. (66.04 x 48.26 cm)

Johnny Friedlander:1912-1992. Well listed German abstract expressionist artist. He has had an auction record price for a single print over $2400. this powerful piece is either an et...

Condition report the varnish darkened; with a broad craquelure pattern, framed behind glass. Measures 22x16. International buyers must pay all shipping expenses

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

This artwork titled "Light and Two Branches" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbe...

A compelling visual exploration of abstraction and textual interplay, this mixed media art piece on paper exudes a bold yet contemplative energy. Signed 1981, its untitled nature inv...

Charming little 19th century oil on board. I am not sure if it’s European or American. The painting measures 12 inches wide by 6 inches high. The frame is 3/4 of an inch around. Pain...

Signed, dated and editioned. Signed, titled, editioned and dated on back of mount on artist copyright stamp. Available in 20 x 24, 26 x 32 and 44 1/2 x 56 inches (largest size includ...

Nick Vedros Dunce Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Plante aux Toritos is a linocut reproduction realized in smaller size after a linocut by Pablo Picasso of 1960. Good conditions, except for very minor foxing on edges. Not signed....

Original poster created for the American Dance Festival in 1992, designed by Sheila and Jeff Metzner. Hand-signed and numbered in black pen from the limited edition of 150. Printed b...

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British...