Bride Art

Experience the raw energy of nature’s transition with "The Thaw," a vibrant abstract piece that captures the exact moment winter’s grip begins to loosen. This painting is a rhythmic ...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream la...

Constant Cap Sint-Niklaas 1842 – 1915 Antwerp Belgian Painter 'The Arrival of Saint Nicholas, 1899' Signature: signed, inscribed Antwerp, and dated 1899 lower right 'C. Cap. Antwer...

An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...

Pastoral pencil on paper sketch by a celebrated Filipino artist, Jose V. Blanco. The drawing depicts Filipino women and children sorting out mangoes...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. This composition is sourced from Paolo Uccello’s St George and...

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph T. Pen. This alluring studio scene, painted in the 1960s, exemplifi...

JEAN-BAPTISTE CAMILLE COROT (1876 - 1875) PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii) Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...

“The Kermesse of Saint George (A Village Festival)” is an oil on canvas painting by David Teniers the Younger (or David Teniers II) as opposed to his father, David Teniers the Elder....

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

28" x 20.5" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White

Studio of Domenico Corvi Portrait of Prince Henry Benedict Stuart, Cardinal York c.1750 oil-on-canvas 30 x 25 in. Provenance With Philip Mould Ltd; Christie’s, Old Master & Bri...

Ladies at Leisure in a Summer Meadow Art measures 16 x 12 inches Frame measures 22 x 18 inches This charming early 20th century impressionist painting depicts three elegantly dre...

Tigran Hovumyan Figurative Surrealist Oil Painter Artwork Title: Triumph Medium: Original Oil on Linen Dimensions: 40" x 32" x 1" (101 x 81 x 3 cm) Year: 2024 Unframed, Stretched o...

An acrylic painting by Giancarlo Impiglia from 1990. An art deco style pop art portrait of a waiter serving wine in a lavishly formal upper-class setting. Unframed. Artist: Giancarlo Impiglia, American (1940 - ) Title: Butler with Tray...

French School, 17th Century, Circle of Philippe de Champaigne (1602 - 1674) A Turquerie portrait of a Lady dressed in the Oriental Style of Sumptuous Silk Brocade and a Turban, a ten...

A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Lithograph after Alexandre-Gabriel Decamps (1803–1860). This striking lithograph by Eugène Le Roux interprets a dramatic composition by Alexandre-Gabriel Decamps, one of the leading...

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Work on canvas Signed “Jean Berger” lower right. Dimension with frame : 68.5 x 47 x 3.5 cm A richly painted floral still life by Swiss artist Jean-Louis Berger (1919–1995), depicting...

Leroy Neiman, 1921-2012, April at Augusta/Good Luck, Serigraph. In good condition measures 43x51

This work is devoid of fuss—only ripe apples, subdued light, and objects that seem to have been remembered for generations. This painting is about peace, time, and home. DELIVERY: T...

Dimensions: 23 W x 31 H x 16 D cm Weight: 4,9 kg Material: Bronze, patina, metal Edition: 3/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

Etching on Ingres D'arches off-white laid paper, with burin, signed Tenth and final state Posthumous Impression, 1998 14.25 x 10 in (36.2 x 25.4 cm) Framed 25.13 x 32 in The Raising...

This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

A lively genre scene after a 1633 painting by the Flemish Baroque artist Willem van Herp the Elder (1614-1677). The original is in the collection of the National Trust at Tyntesfield...

Artist/ School: Kathleen Crow, British contemporary Title: Dolomites Medium: oil on board, framed Framed: 22 x 26 inches Board: 19.5 x 24 inches Pro...

The 1948 political poster "De Gaulle à Moulins" is a historical artifact that encapsulates a crucial moment in French political history. Created durin...

Artist: Robert Rauschenberg Title: Homage to Picasso Medium: Offset Lithograph on Arches Watermark Paper Edition: 73/80 Size: 30" x 22.5" Year: c. 1970s Inscription: Signed and numbe...

Artist/ School: English School, circa 1740's Title: Portrait of a Lady, traditionally identified as 'Anne of Chesterfield'. Medium: oil painting on canvas, framed Size: painting: ...

L’étoile, from the series Fantômes, 2025. © Diana Markosian / Aperture Framed and Signed Magnum/Aperture square print sale Diana Markosian takes an intimate approach to her photogr...

Artist: Alexander Shandor Title: Spring Mountains Medium: Oil on Hardboard Year: 2011 Style: Impressionism Dimensions: 7.5 x 7.5" x 0.2" inch (19 x 19x 1cm) Presentation: Unframed, ...

Louis Icart, French (1888 - 1950) - Black Fan, Year: 1931, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16 x 20.75 inches, Frame Size: 25.75 x 30 inches, P...

Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...

ARTIST - Attributed to Domenico Santi, Called Il Mengazzino (1621–1694) // PERIOD - Circa 1660–1670, 17th Century // ORIGIN - Bologna, Italy // MEDIUM - Pen and Brown Ink, Grey Wash ...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower left. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artist...

Gérard de Lairesse (Liège 1641 - Amsterdam 1711) workshop The Myth of Apollo and Issa (from Ovid, Metamorphoses, book VI, 122-124) Oil on canvas 65 x 82 cm. - Framed 84 x 99 cm...

Seated Japanese Amida Nyorai Buddha Polychrome porcelain Japan, Meiji era, early 20th century Satsuma Kilns 11 1/2 x 6 1/3 x 6 1/3 inches ...

This original poster, Goddess Depot by Robert Rauschenberg, was created for his 2005 exhibition at the University of Louisiana at Lafayette. It reflects Rauschenberg’s talent for ble...

Erhard Ludewig Radeberg Winterstein (1841-1919), oil on cardboard, 'Portrait of a Lady', depicting a young woman wearing a red headband, gazing directly at the viewer. The work is pr...

Coppia di medaglioni in marmo raffiguranti i profili dei papi Gregorio VIII e Leone IX. Italia, bottega romana, fine XVII-inizi XVIII secolo. Gregorio VIII, nato Alberto di Morra ...

Signed fauvist oil on canvas landscape circa 1910 by French painter Louis Valtat. This stunning piece depicts a view of Bagatelle Park in the north of France in summer when all of th...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Each size is available in a limited edition of 35. Signed, titled and numbered by the artist Harry Benson’s self-described “one photograph” is Beatles’ Pillow Fight...

Edition of 3 More sizes on request. 6 ladies dancing in baroque costumes. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Mid-Century Angelo Urbani del Fabbretto Italian Signed Painting This important oil painting on panel stands as an unrivalled testament to the talent of Angelo Urbani del Fabbretto, w...

Seducing Lady is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition,...

Portrait of a Lady - Ettore Frattini Italia 2005 - Oil on canvas cm.100x70. The painting by Ettore Frattini depicts an elegant and refined noblewoman, the painting is inspired by t...

Yevgeny Kravtsov (b.1965), Russian School, Oil on canvas. This impressionist painting depicts a sun-drenched Mediterranean villa, rendered in loose, energetic brushstrokes. Kravtsov ...

This superb British Post Impressionist oil painting is by noted female artist Doris Clare Zinkeisen. Painted circa 1950 the painting echoes the French Impressionists in their style a...

Beautiful proof of I state on III before the white space under the sword is covered. Without Margins. Very good condition. Ref. Bartsch 92; Biörklund 40-B; Hollstein (White and Bo...

French Village Stone Bridge Watercolour Painting by Maurice Mazeilie (French) watercolour painting on artist paper, unframed painting: 8.25 x 11.75 inches An atmospheric original wa...

What could be more beautiful than rain after the summer heat? Nature seemed to be waiting for this refreshment. I want to run on the wet grass, like in my youth. Serenity, this is e...

J. F. BUFFORD PUBLISHER and PRINTER LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865 Lithograph, very good impression. The 2 lower publishing lines ...

Artist: Karl Lagerfeld Title: Original Drawing Danka Medium: Mixed Media: Ink Pen with Marker on Paper Size: Paper size 19 3/4" x 8 1/2" Edition: Original Year: Circa 1963-1969 Condi...

OUTSTANDING MADONNA Bavaria Around 1515/20 Lime wood carved Original, polychrome version Height 60 cm This masterfully carved, full-round Madonna was created around 1515-20 in...

Alson Skinner Clark (American, 1856 - 1949) Signed: Alson Clark (Lower, Left) " Morning Sunlight in The Patio " Mission San Fernando Oil on Canvas 30" x 32" Housed in its original 3 1/2" Newcomb...

Gouache, ink, pen, and gold on paper. Signed by artist. Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full...

Gaspare Diziani (Belluno, Italy, 1689 - Venice, Italy, 1767) Title: Venus with Cupid Medium: Oil on canvas Dimensions: without frame 50 x 98 cm - with frame 64 x 112 cm Not signed Gi...