Decor Art

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This exquisite artwork, attributed to Nadya Stupina, showcases a masterful rendition of a white rose at its center. Painted on a circular canvas, the flower's soft, layered petals ex...

Artist Comments
A coffee pot, cups, cigarettes, and condiment bottles rest on a checkered table in this al fresco diner scene. The string of lights in the background evokes the...

Artist: Dale Chihuly Title: Red-Orange Basket with Blue Threads Medium: Hand Blown Glass Dimensions: 7 3/4" x 11" x 10" Year: 1978 Inscription: Signed "Chihuly 78" This exquisite ha...

Mattia Listowski(b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, coming from a creative family. He lives and wor...

This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which women are seen bathing, undisturbed by the voyeurism of the artist and/or viewer. However, in my version, the two women on the “back” are staring straight out at the audience as if they are perturbed by our interruption. The text reads from front to back, “we are not here for / your viewing pleasure.” This piece is meant to speak to the way women are constantly objectified and ogled for male gratification while offering a firm statement on our autonomy. Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled "Transcendental Etude." The excerpt reads: "But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us." Alex Hodge...

Peter Linde Busk (b. 1973) The Ghost Of Christmas Past, 2013 Fired and glazed ceramic on dark wood pedestal 52 x 52 x 33 cm (20 1/2 x 20 1/2 x 13 in) Irregular, highly textured cera...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) set of 2. Watercolour on paper, unframed. Top painting : 5.25 x 8.25 inches, signed bottom right. Bottom paint...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

TECHNICAL INFORMATION Josef Albers MMA-1 1970 Screenprint 24 7/16 x 24 3/8 in. Edition of 100 Initialed in pencil, dated, numbered and titled Accompanied with COA by Gregg Shi...

Dramatic Dialogue is an anthropomorphic exploration of furniture through a conversation of forms. A story told through lines reflected in solid furniture and interior details. The be...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Year 1975. Still Life With Pillow And Beets. Between Pop Art and Avant-gardes in Florence Between Pop Art and radical avant-gardes in Florence. Oil painting on canvas. Size: 71x71 c...

John Hrehov’s Tempest: a large cobalt-blue vase bearing the image of a Baltimore clipper, encircled by sunflowers. Hrehov calls his approach “allegorical realism”: precisely rendered...

This painting, in soft pastel beige tones with gold detailing, is ready to hang. It is varnished and has painted edges, so framing is optional and depends entirely on your taste. I...

This painting is a window into a world where harmony and joy reign. The deep blue waters, like a mirror of the soul, reflect the infinity of happiness. The white lines are the thr...

ROSENSTOCK Isidor (1880-1956) Still Life of Flowers with China Porcelain Vase Watercolor on card signed low right Old original frame gilded with leaves and Glass Dim card : 38 X 58 c...

This 1943 advertising poster by Raymond Savignac promotes Armagnac Ryst, a French brandy produced in the region of Gers, with the town of Condom indicated at the bottom. Created duri...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) Signed bottom right Watercolour on paper, unframed Measures: Painting: 6.25 x 8.75 inches Delightful early 20...

Vintage black and white photograph showing the interior of a fashion salon, most probably the NK Department Store (Nordiska Kompaniet) in Sweden. Known as Nodiska Kompaniet, this high-end store was a hub for luxury and modern design in Sweden. Raymond Loewy, a prominent industrial designer, was known for designing similar streamlined interiors for American department stores like Bamberger's and Jay Thorpe...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Sweet Peas, 1907 15 x 12 inch gelatin silver print Image Size: 14 x 8.5 inches Frame size: 22.5 x 17.5 x 2 Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...

Medium: Oil on Board Dimensions: 10.00" x 8.00" Signature: Signed Upper Left A still life image of wine and fruit (pitcher and fruit). There are two pictures.

Paper Size: 28 x 25.25 inches ( 71.12 x 64.135 cm ) Image Size: 18.25 x 24.25 inches ( 46.355 x 61.595 cm ) Framed: No Condition: A: Mint Additional Details: From an edition pr...

Richard Seewald, 'Der Hirte (The Shepherd)', woodcut with hand coloring, c. 1919. Unsigned as published in 'Genius', Vol 1, no. 1, 1919. A fine, richly...

A well-executed still life featuring a teapot, book, vase, and ink pot arranged on an antique dressing table. The focal point of the composition, however, is the ornate clock with br...

Original 1963 Greece Vintage Travel Poster – Greek National Tourist Board – Linen Backed, Grade A- Bring home a piece of mid-century Mediterranean charm with this striking original 1963 Greece vintage travel poster, commissioned by the Greek National Tourist Board. This authentic The artifact captures the sun-drenched beauty of the Greek isles and the enduring charm of traditional Greek seafaring life. This rare poster showcases a beautifully detailed illustration of a classic Greek boat, known as a kaiki (or caique)—a traditional wooden vessel that has sailed the Aegean and Ionian Seas for generations. Featuring its rounded hull, vibrant colors, and billowing sail, the kaiki was a staple of Greek fishing and local trade, embodying the spirit of the archipelago’s maritime culture. Collector Features: • Genuine vintage, not a reproduction • Superb display condition; colors remain vivid and fresh • Linen backing ensures durability and preserves value • A rare example of Greek mid...

GEORGE SHERINGHAM (1884-1937) The War Birds Signed and inscribed with title on a label on the backboard Watercolour and gold paint on silk, semi circle shape, in artist’s decorated mount Framed 24 by 47.5 cm., 9 ½ by 18 ¾ in. (frame size 46 by 71 cm., 18 by 28 in.) Exhibited: London, Leicester Galleries. Sheringham was born in London, the son of the Rector of Christ Church, Marylebone. He studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris, holding his first one-man exhibition in Paris in 1905. On his return to London he initially supported himself with poster designs and teaching. Before and during World War I he concentrated much of his artistic energy on painting fan leaves, often on silk. His first exhibition of fan designs and silk panels was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. Sheringham also worked as an illustrator, providing illustrations for books by Max Beerbohm and Cyrus MacMillan and others. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

Stephen Bone English, 1904-1958 Blue Cinerarias oil on canvas 61 x 50.8 cm 24 x 20 in signed; titled and numbered '26' on the overlap Stephen Bone was a 20th century landscape, mura...

This charming early 20th century still life features a turquoise ginger jar placed behind a simple arrangement of onions and tomatoes on porcelai...

A charming still life study featuring fish, a jug, and bowl rendered in broad, expressive brushstrokes with subtle impasto. The artist employs a neutral palette of browns, ochres, an...

A carefully rendered still life study featuring a brown glass bottle and a sprig of white berries arranged in a 'Nippon Shōyu' soy sauce bottle. Illegibly signed to the lower right c...

This charming still life depicts an arrangement of colourful blooms in decorative ceramic vessels, with peach roses and vibrant mixed flowers cascading from a tall blue pitcher, acco...

Artist Comments
Sunlight illuminates the garden while weathered interior walls bask over the passage of time. It tells the story of a home once alive with the sound of childr...

Dietrich Curtain Call, 1975 (Terry O'Neill - Black and White Photography)Silver Gelatin Print 16x20: £2,100 20x24: £2,700 30x40: £4,800 48x72: £12,000 Edition of 50 and 10 APs per...

Bowl Reset II Oil Painting on Panel Brown Still Life Figurative In Stock Kees Blom (Apeldoorn, 1968) comes from an artistic family. While his father already had a passion for painti...

O'brian's staged photographs masterfully balance organic forms with the geometric structure of books, vases, and other objects. The simplicity of the setting highlights the vibrant s...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Linda Stein, Protection 430 - Colorful Signed Etching Limited Edition Fine Art Print Linda Stein has been practicing art for the last six decades. This limited edition etching fro...

"Dentist IІІ" — artwork from the “Portraits Without Faces” series. This series is a tribute to people who devote themselves wholeheartedly to their work — those who create, heal, te...

Pen and sepia ink on cream laid paper, 8 3/4 x 5 3/8 inches (222 x 136 mm). Scattered paper tape repairs on the verso in the area of the upper left corner, and along the right sheet...

'Dawn Lake (Blue Ridge Mountains)' Original Artwork. Unframed ______________ The dawn is painting transient layered reflections in the water, shifting the softened space between whe...

This is a reproduction of Stained Glass by Mark Tobey, published by Transworld Art and printed by Mourlot Imprimeur. Tobey, known for his unique blending of abstract expressionism an...

Yayoi Kusama Pumpkin red (Dots Obsession Red) A pumpkin sculpture made of resin Signed under the base of the sculpture Diameter: 8 cm Height: 10.5 cm Presented in the original edito...

Artist: Pablo Picasso Title: Petite Chouette, A.R. 82 Medium: Ceramic, white earthenware with engobe decoration, glazed interior Size: 5.25" x 6" x 4.5" Condition: Very good conditio...

The 1939 original planisphere poster by Lucien Boucher, titled “Nova et Vetera”, is an exquisite work commissioned by Air France, blending art and cartography to celebrate both the past and future of air travel. Boucher, known for his iconic map designs, produced this piece at the onset of World War II, a period where air travel was rapidly evolving, and Air France was positioning itself as a leader in global aviation. “Nova et Vetera”, which translates from Latin to "New and Old," captures the transition between the old world of sea-bound exploration and the new age of air travel. This juxtaposition is represented in the map’s composition, featuring routes that stretch across continents, symbolizing the vast reach of Air France’s network. It highlights both traditional and modern elements of travel, emphasizing the airline’s innovation while still grounding it in the historical spirit of exploration. Lucien Boucher was a master of integrating artistry with geography, and this poster exemplifies his style. The planisphere is both decorative and informative, showcasing the globe and marking the flight paths that connected Europe, Africa, the Americas, Asia, and beyond. With intricate details and imaginative design, Boucher captures the global vision of Air France, reflecting its ambition to connect the world. The poster is as much a celebration of human ingenuity as it is a technical map. Embellished with celestial motifs and decorative flourishes, the world appears almost mythological, linking the stars, air routes, and geography into one seamless image. The sky above the globe is often depicted with constellations, representing the heavens as both a guiding force for navigation and a romantic backdrop for aviation. During the late 1930s, Air France was expanding rapidly, building a global network that stretched from Europe to the farthest reaches of the world. This poster reflects the airline’s dominance and aspirations at the time, as well as its pride in the progress of aviation. It also subtly evokes a sense of nostalgia for earlier eras of exploration, blending these two worlds of discovery into a unified visual narrative. Boucher’s work often walked the line between fantasy and realism. While the map accurately displays the airline’s routes, the decorative elements elevate the poster to a work of art, inspiring viewers with the grandeur and excitement of global travel. The historical references in the title, "Nova et Vetera," suggest that the pioneering spirit of the past—whether by sea or land—is being continued in the modern age through aviation. By 1939, the world was on the brink of World War II, and the geopolitical landscape was rapidly changing. This poster, with its optimistic tone, served as a reminder of the connectivity and innovation that air travel brought to the world, even in uncertain times. Air France, in commissioning this work, sought to solidify its image as a forward-thinking and globally minded airline, contributing to the modern era of transportation. Today, Lucien Boucher’s “Nova et Vetera” poster is not only a masterpiece of aviation art but also a historical document that reflects the ambitions and challenges of the late 1930s. It stands as a testament to the golden age of aviation, when air travel was transforming the world and shrinking distances between nations. The poster is cherished by collectors of vintage airline memorabilia...

Jean LEBEDEFF (1884-1972) Nativity with Donkey and Bull, 1926 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Kiva Ford and Jupiter Nielsen Persistence of Nature, 2015 Borosilicate glass 15h x 6w x 6d in

Roses with Ginger Jar by Lu Haskew Oil 12x16" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping pric...

Title: Withered Solitude Medium: Oil on canvas Size: 30.75 x 31.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Biagio Civale, Italian/American (1936 - ) - Pot with Flowers, Year: 1989, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 2/60, Size: 19 x 13.5 in. (48.26 x 34.29 cm)

The circa 1950 original poster by Lucien Boucher, Air France Réseau Aérien Mondial, is a notable example of mid-20th-century commercial art designed to promote the global air routes of Air France. Lucien Boucher, a renowned French illustrator and poster artist, became closely associated with Air France due to his series of beautifully crafted world map posters, often referred to as "planispheres." These maps were produced between the 1930s and 1960s, highlighting the growing reach of Air France as international air travel expanded after World War II. Boucher's work is known for its combination of cartographic precision and artistic creativity. His Air France posters were not just functional tools for navigation but were also designed to evoke a sense of adventure and the allure of global travel. They capture the optimism of an era when air travel was becoming more accessible and increasingly viewed as the future of international transportation. In this particular poster, Boucher uses artistic elements like vibrant colors, symbolic depictions of different regions, and various modes of transportation to showcase Air France’s extensive global routes. The poster's style reflects the influence of both Art Deco and traditional mapmaking, blending modernity with classical touches. The planes are seen flying across the map, connecting continents, while small details like ships, animals, and historical figures embellish the poster, each representing the diverse cultures and histories of the regions Air France serviced. These posters were often printed by French lithography studio Perceval, known for its high-quality production, further enhancing the visual appeal of Boucher’s work. The Réseau Aérien Mondial map posters are not just travel advertisements but also collectible pieces of art, highly valued by collectors of vintage aviation...

Hand signed and numbered. Edition of 45 prints. Reference: Catalogue Battisti n.29. Armando Buratti (Rome, 1924), is an italian artist and painter. His works are now part of privat...

Silkscreen, 1989 Edition : 74/100 Publisher : Pesti Mühely, Budapest 70.00 cm. x 57.00 cm. 27.56 in. x 22.44 in. (paper) 56.50 cm. x 45.00 cm. 22.24 in. x 17.72 in. (image) Handsig...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Joshua Bernbaum Sonoran (Black and UV), 2019 Blown glass JB038

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...

One of the three biblical ‘magi’ or ‘wise men,’ King Balthazar gave the highly prized gift of liquid myrrh to Jesus upon his birth. Balthazar was an African King...

A wonderful image by one of the great modern masters of English art, depicting a whimsical pastiche of Kew Gardens. Edward Bawden (1903-1989) Kew Gardens Signed, titled and numbered 36/40 Engraving 17 x 10.5 cm Edward Bawden was a watercolourist, illustrator, designer, printmaker and teacher, born in Braintree, Essex, the county in which he spent much of his life, finally living in Saffron Walden. Studied at Cambridge School of Art from 1919, then at Royal College of Art, 1922-5, on a scholarship, in the design school being taught by Paul Nash. Soon began on commercial work for Poole Pottery and Curwen Press, then in 1928-9 with Eric Ravilious and Charles Mahoney did decorations for Morley College. Bawden went on studying engraving and bookbinding at Central School Arts and Crafts after leaving the Royal College and himself taught there, the Royal Academy Schools and Goldsmiths' College School of Art. First one-man show at Zwemmer Gallery in 1934, after which he showed extensively including RA, being elected RA in 1956. Work poured from Bawden's studio in the 1930s, for companies such as Shell-Mex; book illustrations such as Good Food, 1932, and The Week-end Book, 1939; and a mass of often ephemeral work which evinced a wonderful wit, economy and aptness to subject. Official War Artist in World War II, much of his output being in the Imperial War Museum. Tate Gallery and many other public collections hold his work. Bawden did decorations for the SS Orcades and Oronsay and for the Unicorn Pavilion for the Festival of Britain of 1951. His son was the artist Richard Bawden...

Not signed and not numbered, this is an overrun from the signed and numbered print run. The poster version had text in the bottom margin. Katherine Porter designed the poster and p...

Lithograph realized by Antonio Saliola. Hand signed and numbered in pencil. Edition of 100. Very good condition.