Decor Prints and Multiples

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

Published by edition GKM. Unframed. Edition: 200 ex Paper: 300gr. Goya. Signed by the artist. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passe...

artist: Anastasia Kurakina Title: "Charlie" art print on paper limited edition, hand signed, 162x100cm the canvas will be shipped rolled without frame/ stretcher bars Anastasia ...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Anthropometry)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edi...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Ceiling of the Paris Opera House The value is in the beautiful framing. Please note the shipping cost as the piece is very large (frame is 47" x 47"). In 1960, the Minister of ...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

This print features a reproduction of Untitled (1984) by Keith Haring, an artist renowned globally. One of the key figures in New York's East Village art scene in the 1980s, Keith Ha...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf im Profil (Male Head in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 219, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4" x 3.38" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Diasec-mounted Giclee print on aluminium panel Edition of 100 Signed and numbered on the back Mint. Sold in the original packaging Our mission is to connect art collectors to opport...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...

Before the letter - Natalia Gontcharova designed this poster for the Grand Bal des Artistes which was held in the Bullier room, in Paris, February 23, 1923. Its poster reveals the in...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 8.5 x 7.75 inches ( 21.59 x 19.685 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

FRANK STELLA (1936-Present) Frank Stella's 'D from Purple Series' is a 1972 lithograph on wove paper, signed, dated and numbered 61/100 lower right corner, published by Gemini G.E.L...

Screenprint in colours with embossing and collage of gloss copper and mat pink metallic foil, 1976, on Rives BFK paper, signed and dated in pencil, numbered from edition of 30 (there...

These are two unframed botanical monotypes. This species of tree is a Dancing Peacock Full Moon Japanese Maple or in Latin, acer japonicum aconitifolium. The actual Japanese name is ...

Paper Size: 20.5 x 39.5 inches ( 52.07 x 100.33 cm ) Image Size: 18.25 x 38.25 inches ( 46.355 x 97.155 cm ) Framed: No Condition: A: Mint Additional Details: Exhibition poster from...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 28.5 x 15.5 inches ( 72.39 x 39.37 cm ) Framed: No Condition: A: Mint Additional Details: 2017 French Open poster Sh...

Paper Size: 47.5 x 31 inches ( 120.65 x 78.74 cm ) Image Size: 42 x 28 inches ( 106.68 x 71.12 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supple...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A: Mint Additional Details: First edition lithograph on page 7 of...

Paper Size: 29.5 x 22.5 inches ( 74.93 x 57.15 cm ) Image Size: 29.5 x 22.5 inches ( 74.93 x 57.15 cm ) Framed: No Condition: A: Mint Additional Details: Official poster designed an...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back. About the artist: Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s. Bibliography Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Unframed. These are three separate unframed unique works on heavy 100% cotton Arches watercolor paper with deckled edges. They will ship stacked together flat in one large flat car...

The circa 1970 original political poster for "Jornada de solidaridad con Cuba" (Day of Solidarity with Cuba) by OSPAAAL (Organization of Solidarity with the People of Asia, Africa, a...

Cathedral #6, 1969 Lithograph on Special Arjomari paper Signed, dated and numbered in pencil Publisher: Gemini G.E.L., Los Angeles Literature: Corlett 80

Haystack #1, 1969 Lithograph and screenprint on Rives BFK paper Signed, dated and numbered in pencil Publisher: Gemini G.E.L., Los Angeles Literature: Corlett 65

Roy Lichtenstein De Denver au Montana, Départ 27 Mai 1972 (2) Etching and aquatint on 250-gram Velin d'Arches paper

Roy Lichtenstein De Nouveau au-dessus de Denver Etching and aquatint on 250-gram Velin d'Arches paper

The 1987 serigraphy by Antonio Henrique Amaral, titled "La Fourchette," represents a compelling intersection of artistry and commentary. Marked as an E.A. (Épreuve d'Artiste) and sig...

Garage Impo is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right marg...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Musicians, Medium: Screenprint, signed and numbered in marker, Edition: 342/350, Size: 14 x 10.75 in. (35.56 x 27.31 cm), Descrip...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - The Musicians, Medium: Serigraph on Canvas, Embellished with Marker, Edition: 21/21, Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)

Cotton Fabric and Embroidery Appliqué, Handmade Flag. This handmade appliqué flag is inspired by Asafo flags, which provided visual representations of military companies, especially...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

A framed Art Nouveau lithograph collotype poster by Alphone Mucha from 1905 representing the artist’s sketches of nudes, women and beautiful ladies in blacks and white pigments on ve...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 13 x 17.25 inches ( 33.02 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Ha...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 17.25 x 17.25 inches ( 43.815 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 25.75 x 17.5 inches ( 65.405 x 44.45 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

Hebru Brantley Calling All Cars rug (Hebru Brantley Blk Man): Hebru Brantley's brilliant take on Batman beautifully executed as a well-sized, aesthetically pleasing rug art piece, su...

Frieze of a Doric Monument is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Georges ROHNER Surrealist Still life with Lemon, 1972 Original lithograph (Mourlot workshop) Handsigned in pencil Justified HC (hors commerce) On Japan paper 76 x 54 cm (c. 29,9 x 2...

PABLO PICASSO (1881-1973) Visage (A. R. 533) Terre de faïence plate, 1965, numbered 39/100, with the workshop numbering, with the Empreinte Originale de Picasso and Madoura stamps.

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 19.5 x 14.5 inches ( 49.53 x 36.83 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Ha...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 22.5 x 22 inches ( 57.15 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: A Keith Haring classic! This ...

Paper Size: 36.5 x 26.5 inches ( 92.71 x 67.31 cm ) Image Size: 23.5 x 23.5 inches ( 59.69 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Original exhibition poster ...

Artist: Hunt Slonem, American (1951 - ) Title: Purple Couch Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 250, HC Image Size: ...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 17.25 x 17.25 inches ( 43.815 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 13.25 x 17 inches ( 33.655 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Ha...

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Keith in conjunction with the Benefit Performances for the New Arts Program of Kutztown; September 1984 at Symphony Space in New York City. Haring’s heart shaped frame...

Henri MATISSE Underwater life, 1954 Original lithograph Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Published by San Lazzaro / XXèm...

Keith Haring ‘No On 64’ (Keith Haring 1986): A rare vintage 1986 Keith Haring activist announcement illustrated by Haring in effort to denounce California's Proposition 64. Proponent...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 17.75 x 17.25 inches ( 45.085 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 14 x 17 inches ( 35.56 x 43.18 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and Handli...

Paper Size: 23 x 19 inches ( 58.42 x 48.26 cm ) Image Size: 17.25 x 17.25 inches ( 43.815 x 43.815 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Paper Size: 23.5 x 16.75 inches ( 59.69 x 42.545 cm ) Image Size: 20.25 x 16.75 inches ( 51.435 x 42.545 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...